Arkansas Times Recommends is a series in which Times staff members (or whoever happens to be around at the time) highlight things they’ve been enjoying this week.
“ekekekkekkek”EKEKEKKEKKEK: The best Instagram account you’re not following. Credit: Lexi Adams
Does the word “ekekekkekkek” mean anything to you? In short, it’s the internet’s best attempt at putting into language that super strange chirpy rattle chatter thing that cats get up to whenever they’re looking out the window and a bird suddenly comes into view. Instantly, their demeanor changes and they’re locked in, powerless to deny their ancient instincts. Delightful. And birds aren’t the only trigger for “ekking”! My friend’s cat — believe it or not — regularly makes the sound in response to loud sneezes? Go figure. Feline mysteries abound.
If, like me, you’re less interested in figuring out why cats “ek” and are more interested in watching them do it ad infinitum, I have just the recommendation for you: an Instagram page (with a million freaking followers) devoted to archiving “ek”s from all over the world. There’s a remarkable amount of variety. It’s a great way to kill an hour.
–Daniel GrearSPACE APPLES: Cosmic Crisp is a home run. Credit: Matt Campbell
Cosmic Crisp Apples
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Despite my general belief that everything is getting worse all the time, I have to admit that we are living in a golden age of apples. Thanks to developments in apple science, your Fujis and Galas and Grannies Smith are as good as they’ve ever been. (Red Delicious and its somehow-even-worse “golden” cousin are still trash, but even apple science has its limits.)
No matter how good your pomme préférée might be these days, however, there is one apple that clears all of the others: the Cosmic Crisp.
A hybrid varietal that crosses the much loved Honeycrisp with Enterprise apples, the Cosmic Crisp manages to outshine its more well known ancestor by a significant margin. To use a sports analogy, Cosmic Crisp is the Barry Bonds to Honeycrisp’s Bobby Bonds, using modern science to achieve nearly perfect balance in all aspects of appledom. It is simultaneously sweet and tart, with crisp flesh and medium-thin skin that yield easily in a satisfying crunch. It is a fantastic baking apple, holding its shape and texture as good as any pie apple you’ve seen and, despite being a very juicy apple, not releasing so much liquid that it impacts the quality of the finished pastry.
The best part of this? Now that the cosmic crisp has been on the market nationally for four or five years, you can generally get it from your favorite applemonger. I’ve seen them at Sam’s Club, Kroger, Natural Grocers, and even Edwards Food Giant in recent months. It might not fix [/gestures wildly at everything], but you’d be surprised by how much a perfect apple can brighten a few minutes of your day, even in 2025.
UPDATE: There’s a new, interesting apple on the scene locally. Kind of hard to find, and not quite perfected yet. It’s the Opal apple. Looks like a golden delicious, but tastes like a strange mix of apple, melon and a hint of banana. When the texture is right and they are cold, they’re pretty amazing. Problem is, when they get even slightly overripe, they get mealy and depressing.
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-Matt CampbellElon Musk at an AI event in the UK in 2023 Credit: Marcel Grabowski / UK Government
Ezra Klein’s ‘Don’t Believe Him’ and other essays
It’s been three weeks since the inauguration, and the Trump administration has handed over the control panel of the federal government to squadron of 23 year old boys. What’s real? What’s fantasy? Is there any difference? The effect is so disorienting and overwhelming it’s hard not to shut down and turn away.
If you’re looking for a cognitive lifeline to grab onto, my utterly boring recommendation is to listen to Ezra Klein’s recent run of interviews and audio essays for The New York Times. In the past, I personally never liked Klein all that much as a writer or speaker — he radiates the dull, self-serious excellence of the valedictorian, and his pronouncements too often seemed calibrated to satisfy mainstream liberal opinion.
But in this particular political moment, in which so many other journalists and commentators seem too disoriented and overwhelmed to have much of anything coherent to say at all, it feels like Klein is doing the work no one else is. He is cogent, careful and curious. He is clearly outraged by the self-evidently outrageous abuses of power, but he’s also thoughtful about his critiques — and genuinely interested in understanding what’s going on, rather than sputtering uselessly about the insanity of it all.
Klein has been churning out material on Trump at a remarkable clip since the November election, and especially since Jan. 20. Start with his essay from last weekend, “Don’t Believe Him,” in which he argues that Donald Trump’s blitzkrieg of executive orders is actually masking a fundamental brittleness. A sample:
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There is a reason Trump is doing all of this through executive orders rather than submitting these same directives as legislation to pass through Congress. A more powerful executive could persuade Congress to eliminate the spending he opposes or reform the civil service to give himself the powers of hiring and firing that he seeks. To write these changes into legislation would make them more durable and allow him to argue their merits in a more strategic way. Even if Trump’s aim is to bring the civil service to heel — to rid it of his opponents and turn it to his own ends — he would be better off arguing that he is simply trying to bring the high-performance management culture of Silicon Valley to the federal government. You never want a power grab to look like a power grab.
But Republicans have a three-seat edge in the House and a 53-seat majority in the Senate. Trump has done nothing to reach out to Democrats. If Trump tried to pass this agenda as legislation, it would most likely fail in the House, and it would certainly die before the filibuster in the Senate. And that would make Trump look weak. Trump does not want to look weak. He remembers John McCain humiliating him in his first term by casting the deciding vote against Obamacare repeal.
That is the tension at the heart of Trump’s whole strategy: Trump is acting like a king because he is too weak to govern like a president. He is trying to substitute perception for reality. He is hoping that perception then becomes reality. That can only happen if we believe him.
The flurry of activity is meant to suggest the existence of a plan. The Trump team wants it known that they’re ready this time. They will control events rather than be controlled by them. The closer you look, the less true that seems.
-Benji Hardy‘LIKE, FOR WHAT?’: Cher-isms abound in “Cher: The Memoir: Part One.”
“Cher: The Memoir (Part One)”
A friend recommended “Cher: The Memoir (Part One),” the audiobook. I had just finished “From Here to the Great Unknown,” recommended by Arkansas Times editor Austin Gelder. I had never really been able to do audiobooks, but I think I found my new jam. Since the election, I’ve had a hard time listening to NPR every morning on the way to the office. So, I queued up the books and started taking the long route to the office — and everywhere else.
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I grew up listening to Cher with my mom, blaring the cassette tapes in her black Mercury Cougar. I had no idea about half the shit that Cher went through (and this is just part one!) Her mom is from Arkansas. Never knew that. I found myself relistening to parts of chapters, thinking, “Wait, did she really just say that?!?” Each day I find myself googling more and more photos of all the amazing clothes she talks about. And her houses! Really, if you have the slightest bit of interest in Cher, you should queue it up.
-Mandy KeenerVA VA VICAR: On “Grantchester,” a cozy British mystery from PBS. Credit: PBS
Turn on, tune in, drop out
My fellow Gen Xers, annihilation is on our doorsteps at last! We’ve been prepping for this our whole lives, but turns out, it’s not all that fun to watch in real time. You know what is fun to watch? TV.
Treat yourself to some PBS for cozy British mysteries and the most adorable li’l murders you ever saw. My current fave is the Masterpiece Theater production “Grantchester,” about a chiseled ginger crime-solving vicar who viewers might find inspires impure thoughts. The good parishioners of Cambridgeshire village circa 1950 are dropping like flies, with a homicide rate that would easily meet, and possibly exceed, “Gang Wars: Bangin in Little Rock” levels. It’s OK, though, because dishy Anglican Sidney Chambers always gets his man.
Public television may well be on the way out, as our new president from South Africa unleashes his tween entourage to cut funding for everything except border walls and Space Force. So grab some snacks and make your way to the couch immediately.
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-Austin GelderThe gaming library at Caverns and Forests. Credit: Brian Chilson
Live Trivia
I spend a good amount of my spare time filling my brain with random, mostly useless, knowledge and factoids. Sifting through Wikipedia articles like a prospector looking for gold, or watching a 30-minute YouTube video about how safety features in space heaters work? Sounds like a great way to kill a few minutes.
The pursuit of knowledge has an intrinsic satisfaction, sure, but is that really better than scoring some free food and beer? Enter live trivia, one of my favorite ways to waste an evening.
With multiple games happening nearly every night of the week and dozens of Central Arkansas bars and restaurants participating, there has never been a better time to flex your knowledge about your niche interests. El Sur, Vino’s and Caverns & Forests Board Game Cafe are three of my go-tos.
In my experience, first place typically nets you a $35 to $50 gift card, with smaller gift cards for second and third.
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The local scene is active. I hear the same team names every week at different places and I’ve started to remember which ones to look out for. (Little Rockers are pretty creative with their trivia-themed team names. “Quiz in Your Face” is a particularly memorable one.)
Challenge Entertainment, the company behind Arkansas’s trivia scene, has information about game schedules and venues online.
Plopped into the streamiverse rolodex with little fanfare after an appearance in Sundance’s “Midnight” category and a dismal turnout at the box office, Caroline Lindy’s fanciful little comedy “Your Monster” is an undersung delight. Released just before Halloween last year, Lindy’s movie manages to riff cleverly on genre conventions without adhering to any particular genre itself, and plumbs the depths of major bummers like cancer and childhood trauma in a way that’s, unfathomably, tons of fun. Is it a horror movie? A rom-com? A remake of Beauty and the Beast? Beats me, but the result is certainly a smart and satirical, if breezy, meet cute with a major twist and an ending that I thought about for days afterward. In Oscar season, where it can feel like only Deeply Moving Films of Heft and Gravity are deserving of our attention, this palate cleanser sings and dances and should absolutely be reason enough for Melissa Barrera to get cast in lots, lots more movies.
TORUŃ, POLAND – Arkansas alums collected six medals on the final day of the World Indoor Championships, four medals in the 4 x 400m relay along with individual medals in the 1,500m and pole vault.
Rosey Effiong and Paris Peoples ran the second and third legs of the United States 4 x 400m relay that won the race in 3:25.81. It’s the sixth time for the Americans to claim World Indoor gold in the event.
Bailey Lear ran the opening leg in 51.47. Effiong split 50.83 as she moved USA from third to first on her carry. Peoples maintained the lead with a 52.02 carry. Then Shamier Little closed out the victory with a 51.49 anchor leg.
Finishing behind the Americans were the Netherlands (3:26.00) and Spain (3:26.04) with host Poland (3:26.17) fourth.
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Arkansas’ winning time of 3:23.63 to win the NCAA Indoor title a week ago remains the world-leading time for 2026 and would better the World Indoor meet record of 3:23.85 set by USA in 2018.
Effiong produced the second fastest split in the final as her 50.83 only trailed the anchor leg of 50.10 generated by Great Britain’s Keely Hodgkinson, who won the 800m in a championship record of 1:55.30 on the same day. The British placed fifth in 3:28.09.
In the men’s 4 x 400m relay, the United States broke the championship record with a 3:01.52 victory. That bettered the previous mark of 3:01.77 set by Poland in 2018. It’s the 12th World Indoor relay title for the American men.
TJ Tomlyanovich ran the anchor leg for USA during the prelims, splitting 45.98 as the Americans ran 3:04.85 for third place in their heat, advancing to the final on time.
Tyrice Taylor ran third leg for Jamaica in the final, splitting 46.11 as they earned a bronze medal with a time of 3:05.99. In the prelims, Taylor ran second leg (46.14) as the Jamaicans advanced on time with a 3:05.68.
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For the second consecutive World Indoor Championships, Tina Šutej earned a silver medals in the pole vault. She cleared 15-9 (4.80) to equal her season’s best and placed second to a 15-11 (4.85) clearance by Molly Caudrey of Great Britain. Three vaulters tied for bronze at 15-5 (4.70).
“Gosh, it’s my fourth medal from World Championships but I still have not got the gold one,” stated the 37-year-old Šutej, who collected indoor bronze in 2022 and outdoor bronze in 2025. “Today, I was so close to upgrading my collection. All season I have had jumps and great feelings. I came to Toruń like a leader but something went wrong at 4.85m. Maybe we had been waiting too long but something was broken. The longer the competition goes, the more troubles I have.
“It’s not easy for me to compete with girls who are younger 10 or 15 years than me but I’m proud I’m still very competitive. Let’s see what happens in the summer. Everyone says about my age. I know that I’m the oldest in the field but I feel good, I jump high and I’m going to continue at this level as long as I enjoy the competitions. I want to keep going and get my mark closer to five meters.”
Nikki Hiltz set a career best of 3:59.68 in finishing with a bronze medal in the 1,500m. The time ranks No. 3 on the U.S. all-time list. The previous best by Hiltz in the 1,500m was 4:02.32 to claim silver at the 2024 World Indoor.
Georgia Hunter Bell established a world-leading time of 3:58.53 for the victory while Australia’s Jessica Hull produced an Area record of 3:59.45 as the runner-up. Agathe Guillemot of France (3:59.71) was edged out of a medal by Hiltz in the final step to the finish line.
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“It was fast,” noted Hiltz, who moved from fifth to third over the final lap (29.96 seconds). “I’ve been in a lot of tactical races this season and never broken four minutes so this was different for me. Sometimes you just have to trust your instincts. I think I was in fourth place until the very last step. It just shows you always have to run to the line. You never know what can happen.”
Representing Jamaica in the long jump, Nia Robinson placed fifth with a mark of 22-1.75 (6.75), which left her two inches from the bronze medal distance. It’s the highest finish for an Arkansas alum in the women’s long jump at a World Championship meet. Robinson improved her career best to 22-4.5 (6.82) this indoor season.
In the men’s long jump, Carey McLeod placed ninth with a leap of 26-2.25 (7.98) and was the second Jamaican in the field behind Tajay Gayle, who placed seventh at 26-7.75 (8.12).
The fact that Mikki Young had to consult books and online sources to learn what a quail looks like underscores the importance of the Arkansas Game and Fish Commission’s quail habitat conservation stamp.
Young, 20, of Fayetteville got it right. The Game and Fish Commission chose her painting of a northern bobwhite quail to grace its 2026 Quail Conservation Stamp.
The commission created the Quail Conservation Stamp in 2019 to promote awareness for upland bird habitat. The northern bobwhite quail, once ubiquitous in Arkansas, symbolizes the state’s suite of ground nesting birds. Its distinctive, two-note “bob-WHITE” song was once common throughout the South. The bobwhite is also a gamebird noted for its sudden flush from cover and its thunderous flight. It is delicious to eat.
Young, a junior at the University of Arkansas-Fayetteville, studies in the university’s painting program. She said that a friend saw a post on Facebook about the Game and Fish Commission seeking entries for the quail stamp competition.
“She said, ‘You might be interested in this,’ and she was right,” Young said. “I have been looking into conservation lately, especially in terms of supporting our national parks. Conservation is a really important issue that everyone should be aware of. It’s nice to contribute to that program in, I don’t want to say a small way. It took a lot of work to do this painting, It’s nice to see my work is going into something so meaningful.”
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Young said that she has never seen a quail. She combed the internet and library books for photos of bobwhites.
“I think that speaks to how much their numbers have declined over the years,” Young said. “At one time I had 50 tabs on my computer open with pictures of quail. I looked at them from every angle to get their markings right.”
Contest rules require the image to be on a 13-18 inch format. Bobwhite quail are obviously the focal point, but the rules require other elements in the frame, as well.
“The other half of that is the environment they are in because the program focuses heavily on habitat conservation,” Young said. “Portraying birds in an area like you would see in Arkansas is important.”
For that, Young researched the composition of upland bird habitat in Arkansas, which led her to closeup images of native plants.
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Finally, the painting had to be aesthetically appealing. Hearing a bobwhite quail really sets a mood. Young wanted her painting to capture the power that such a small bird wields.
“I wanted to have serene quality with sunset with pretty colors,” Young said. “I thought it would complement the birds, too.”
Young’s image depicts a male and female bobwhite in low light hours stepping through low grass at what appears to be a meadow’s edge. The female, with her buff face patches, faces right and is jammed a little too close to the edge of the frame. The male quail, identifiable by its white face patches, relieves that tension by looking over its shoulder and drawing the eye to left of center. He is also subtly framed between a few wisps of taller grass. He faces the sunrise, represented by a bright splash of gold to the left. We want to believe that the light is a sunrise, representing optimism for the bobwhite’s future.
Interestingly, muted light shadows the quails’ bodies. That is appropriate as the sun is behind them. It illuminates their edges, creating ascending, curvy shafts of light that give the birds a logo-like quality. This sidesteps the lack of “catch light” in the eyes, which is essential to wildlife photography.
Also, instead of highlighting the birds, the muted light seems to highlight the camouflage qualities of their plumage. That is one of a quail’s remarkable characteristics. Up close, a quail feather is a mortar burst of intricacy, but it is invisible against a natural background. This is conspicuous with the hen quail, which creates a dark hole to the right that directs a downward path for the light to the left.
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Young’s award for her winning submission was $2,500.
“My rent money,” Young quipped.
All that’s left is to see a live specimen of the species Young memorialized.
“I would love to go and visit where they have numbers, “Young said. “I would love to go and see them! It would be kind of weird to see something in real life that I’ve been looking at (in photos) for so long.”
Dustin Staggs is a features writer for the Northwest Arkansas Democrat-Gazette, where he covers arts, entertainment and community stories that showcase the vibrant culture of Northwest Arkansas. Dustin, a University of Arkansas graduate, joined the Democrat-Gazette features team in July 2024. During his time at the university, Dustin’s magazine story was named a Story of the Year finalist in the “In-Depth News Story” category by the Associated Collegiate Press, making him the only Arkansas college student to earn this recognition that year. At the Democrat-Gazette, Dustin has cultivated strong connections within the local arts and entertainment community and finds joy in spotlighting the creative talents and inspiring stories of the region.