Northeast
Where does Trump's New York sentencing stand after massive election win?
Following his massive election victory, President-elect Trump is still scheduled for sentencing in his Manhattan criminal case later this month, with presiding Judge Juan Merchan first ruling whether to dismiss the charges altogether after the Supreme Court’s presidential immunity ruling earlier this year.
Trump was found guilty of 34 counts of falsifying business records following his Manhattan criminal trial in May. District Attorney Alvin Bragg’s office worked to prove that Trump falsified the business records to conceal a $130,000 payment to former porn star Stormy Daniels ahead of the 2016 election to quiet her claims of an alleged affair with Trump in 2006. Trump has maintained his innocence in the case.
Trump is scheduled for sentencing on Nov. 26, which is already a four-month delay from the original date of July 11.
Trump’s lawyers had asked Merchan to overturn the former president’s guilty verdict in New York v. Trump after the Supreme Court ruled in July that former presidents have substantial immunity from prosecution for official acts in office, but not for unofficial acts. Merchan is expected to rule by Nov. 12 as to where the charges stand.
“A normal judge would dismiss this case, and then the DA would have to decide, what — if anything – remains, so that we could consider re-bringing the case. But Judge Merchan has shown himself to be nothing but an ordinary judge. And so the catch-22 here is, if he was normal, he would dismiss it, but because he’s not normal, he’ll probably deny it. But because it’s an immunity claim, that gives the Trump defense team the right, the legal right, to immediately appeal his denial,” Cully Stimson, deputy director of the Heritage Foundation’s Edwin Meese III Center for Legal and Judicial Studies, told Fox News Digital.
TRUMP’S ‘MODERN DAY SALEM WITCH TRIAL’ VERDICT SIGNALS ‘OPEN SEASON’ ON FORMER PRESIDENTS: EXPERTS
Former President Trump takes the stage to address supporters at his rally at the Palm Beach County Convention Center in West Palm Beach, Florida, on Wednesday. (Brian Snyder / Reuters)
Stimson said that even if Merchan denies Trump’s claim of immunity, the Trump team appeals the decision and an appellate court also denies Trump’s claim, the president-elect would not face incarceration.
“For all intents and purposes, no matter what happens if [Merchan] denies it, and the appeals court… follow the judge, and then the judge gets to sentence him. Even then the Justice Department will come in and say, ‘Look, under the Supremacy Clause, you cannot impose a criminal sentence, especially one of incarceration on a sitting president.’ And so that case will be on ice until after Trump gets out of office. But as a practical matter, this case and the Fanni Willis case are over,” he said.
Judge Juan Merchan poses for a picture in his chambers in New York on March 14. (AP Photos)
Trump pleaded not guilty in the case and denied any such affair with Daniels. The now-president-elect had railed against the trial as a “sham,” while calling Merchan “corrupt” and “conflicted,” appearing to refer to the judge’s familial ties to the Democratic Party. Trump also lambasted the case as “lawfare” promoted by the Biden-Harris administration to hurt his chances of succeeding in the 2024 presidential election.
Trump cannot pardon himself upon his inauguration, as it was a state case.
Former President Trump appears in court with members of his legal team for an arraignment on charges stemming from his indictment by a Manhattan grand jury in New York City on April 4, 2023. (Reuters/Andrew Kelly/Pool)
Stimson continued that, considering the Supreme Court’s ruling on immunity, it would be impossible to take a scalpel to the case and remove the evidence connected to Trump’s first White House administration and “official acts” in the position from the evidence connected to his life before he was president.
TRUMP LAWYERS REQUEST TO MOVE NEW YORK CRIMINAL CASE TO FEDERAL COURT, CITING SCOTUS IMMUNITY RULING
“[Merchan] is not your traditional judge, but he’s not going to say there’s no immunity for Trump because… the highest court in the land has said that presidents enjoy absolute immunity for their official acts, and so he’s going to have to recognize that the question is whether he has the temperament and the judgment — which he has proven not to, at least so far — to apply that in a fair and impartial manner and dismiss the charges,” Stimson told Fox News Digital.
“By dismissing the charges, that just puts the ball back in Alvin Bragg’s court. If Alvin Bragg wants to double down on stupid, which he’s done a lot, he can [reopen the case]. But he’s not going to get anywhere with that, because by then, the president will have assumed office. And the Justice Department will move under the Supremacy Clause that you cannot bring your case, your criminal case, against a sitting president while he’s the president,” he continued.
JUDGE MERCHAN DELAYS TRUMP SENTENCING UNTIL AFTER ELECTION
Manhattan District Attorney Alvin Bragg speaks to the media after a jury found former President Trump guilty on 34 felony counts of falsifying business records on May 30 in New York. (AP/Seth Wenig)
Fox contributor and former Assistant United States Attorney for the Southern District of New York Andrew McCarthy also wrote in an op-ed for Fox Digital this week that Trump would not face prison time in the case.
“Understand, Trump is not going to prison even if Merchan metes out an incarceration sentence. Though the charges are felonies, they are not sufficiently serious under New York law to merit immediate detention; Trump will get bail pending appeal,” he wrote.
“Given that Trump is not going to be sent to Rikers Island by a Manhattan judge in any event, it would be prudent to postpone the sentence and allow Trump to pursue his immunity appeal. That would avoid the unseemliness of subjecting the next president of the United States to a criminal conviction and sentence when he is about to take office,” he continued.
“Lawfare was terrible for the country. The resounding win Americans have given Trump should be its death knell,” McCarthy added later in his piece.
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President Trump is visiting the Lehigh Valley next week.
Mr. Trump will speak at Mack Trucks in Macungie, Pennsylvania, Tuesday at 2 p.m. Macungie is roughly 10 miles from Allentown.
Mack Trucks is a 1.7 million square-foot facility in Macungie that assembles heavy-duty trucks for North American and export markets, according to its website.
“Mack Trucks are a symbol of America’s manufacturing strength,” Rep. Dan Meuser said in a Facebook post about Mr. Trump’s upcoming visit to Pennsylvania. “Their Lehigh Valley operations are a pillar of the local economy, employing Pennsylvania workers and driving the nation’s trucking industry.”
In the lead-up to the 2024 election, Mr. Trump visited Pennsylvania, a crucial swing state, multiple times. He’s also visitied during his second term.
In December 2025, Mr. Trump said in a speech in Mount Pocono, Pennsylvania, that he was “crushing” inflation and called affordability concerns a “Democratic hoax.”
One week later, Vice President JD Vance aimed to calm the affordability concerns at a Uline facility in Alburtis, about 13 miles southwest of Allentown.
Tickets are available for Mr. Trump’s visit to Macungie next week on a first-come, first-serve basis.
“They were truly the unrelenting voices of their time, and made sure that this was something that happened because they knew it was important,” Jess Motyl-Szary, director of Rhode Island Pride, said in an interview on Thursday.
The 1976 pride march came after local Bicentennial Committee organizers “refused meeting space for the group of community members hosting the Congress of People with Gay Concerns,” according to research by Matthew Lawrence and published on the Providence Public Library’s website.
“Calling themselves Toward a Gayer Bicentennial Committee, the group sued the official Bicentennial Committee and won the right to assemble at the Old State House, where about 30 people met in June 1976 to discuss civil rights concerns,” according to Lawrence.
But the contingent also had to fight to join the Bicentennial Parade after they were initially denied the right to do so by officials who pointed to the state’s anti-sodomy law at the time, according to Motyl-Szary.
The 76ers “knew that being a part of an existing parade meant there was a little bit of safety there, because it was an existing infrastructure,” Motyl-Szary said.
“But it also meant that there was a much higher visibility for them to be able to be out there, be proud, and show other people who might not have been out that there is a safe space for them,” Motyl-Szary said.
With the assistance of the American Civil Liberties Union, they won the right to march, she said.
“It wasn’t safe to be out in the ’70s,” Motyl-Szary said. “Incredibly great people marched. Some had to march with paper bags on their heads because there were no legal protections to protect their jobs, their home, their families, but [it was] still incredibly brave to go out there, create visibility, and create this organization.
“Being here 50 years later, and being a part of their legacy has been so incredible,” she said.
A lot has changed for LGBTQIA+ Rhode Islanders in the decades since, Motyl-Szary said.
“But the closeness of it still feels relevant because we’re seeing these continued attacks in our community, and a very real resurgence of attacks on the LGBTQIA+ community, especially our trans brothers, sisters, and siblings,” Motyl-Szary said.
Since returning to office last year, the Trump Administration has taken aim at transgender rights across the country, especially after President Donald Trump signed an executive order recognizing two sexes, male and female. Among other actions, Trump has often sought to tie adherence to the order with federal funding requirements, and the administration has also attempted to gather private medical records from hospitals that provided gender-affirming care to transgender children and teens.
Reflecting on what pride means to her right now, Motyl-Szary said pride festivities are new to at least somebody every year.
“Someone is coming and getting to feel this embrace, this huge hug of their community for the first time every year,” she said. “And in a time like this, when our community is being told that we are hated by the rest of our community, by the rest of our country, when we are told we should hate ourselves, coming out and celebrating ourselves, loving ourselves, loving each other is so incredibly important. Our community creates the space that we need.”
Motyl-Szary said she also believes that “queer joy is resistance.”
“There is a real need for us to have a space and a celebration of who we are and to remind ourselves that we are worthy of love and that we are worthy of being a part of a community that gathers, celebrates, and fights for ourselves and our rights,” she said.
Rhode Island Pride kicks off on Friday night with the “Golden Anniversary Eve” party from 6 to 8 p.m. at the 195 District Park in Providence, Motyl-Szary said.
Festivities continue at the park on Saturday with yoga at 10 a.m. and PrideFest entertainment beginning at 11 a.m., alongside approximately 260 vendors, she said. A rally at 2 p.m. will focus on “what’s happening, get people motivated to be involved in [the] community to speak up and be an activist in whatever way is right for their path of activism,” Motyl-Szary said.
The Illuminated Night Parade steps off at 7:30 p.m. at Washington and Empire streets before moving through downtown Providence, according to organizers.
Christopher Gavin can be reached at christopher.gavin@globe.com.
SHELBURNE — Norman Rockwell lived for a time in suburban New York City and died and was buried in the Berkshires of Massachusetts. But for 14 years in between, the artist spent perhaps the most prolific period of his career in Vermont creating his best-known works.
That’s how Shelburne Museum curator Carolyn Bauer sees it — and how the museum’s latest exhibition treats the artist.
“Norman Rockwell: At Home in Vermont,” which opens June 20 and runs through Oct. 25, displays 40 of the 175 covers Rockwell famously created for The Saturday Evening Post magazine during his time in Vermont between 1939 and 1953.
Also on display are prints of “The Four Freedoms,” maybe his most famed works of all, which represent American ideals spelled out by President Franklin D. Roosevelt in 1941. Paintings in the exhibition include “The Young Lady with the Shiner” and “The Tattoo Artist,” both whimsical, recognizable pieces used as covers for The Saturday Evening Post.
“It’s very accessible work and approachable,” Bauer said.
The display features the three paintings that inspired the exhibition, given to the Shelburne Museum by Rock of Ages, the Barre granite quarry and monument maker. Those Rockwell paintings filled a significant gap in the museum’s art collection, which includes works by Claude Monet, Edgar Degas, Grandma Moses and Andrew Wyeth but, until recently, none by Rockwell, perhaps the best-known artist to have lived here.
“It feels like a homecoming in many regards,” Bauer said.
Moving to southern VT, finding ‘the every American’
The exhibition frames Rockwell’s time in Vermont around the tenor of the times in America. As the Great Depression was ending, World War II was looming and the nation was growing more urban and industrialized, much of the public was yearning for greater simplicity, Bauer said.
Rockwell was among them, leaving New Rochelle north of New York City for the quietude of Arlington in southern Vermont.
He was not alone. Contemporary artists including Mead Schaeffer, John Atherton and Gene Pelham would settle in Arlington too, creating what Bauer termed “the golden illustrator days” in Vermont.
Rockwell’s art, as the 152-page hardcover catalogue accompanying the exhibition notes, shows “how Vermont itself came to embody American ideals in the national imagination.”
Rockwell and his fellow Arlington artists used each other as models in their creations. “They really would work collaboratively,” Bauer said.
Pelham’s daughter, Melinda, is shown in the exhibition in two works: “The Babysitter,” a painting of a girl holding a crying baby that’s on loan from The Fleming Museum at the University of Vermont and an admission submission Rockwell sent to Kellogg’s of a girl clutching a cereal-laden spoon to her mouth.
Doctors, mail deliverers and shopkeepers from Arlington populated his work. Bauer said Rockwell usually gave models $5 and a can of Coca-Cola.
“He was recycling and using just about everybody in town,” Bauer said. That included himself: Rockwell added his own visage to the multiple faces in “The Gossip,” which shows him lashing out at a woman who’s started the rumor-mongering.
Bauer said Rockwell wanted to cultivate a sense of place by using Vermonters known for their austere self-reliance at the forefront of his work. He also found “the every American” ideal in town, Bauer said, though his art reflected a pronounced lack of diversity.
In later work, Rockwell would confront race and segregation as the Civil Rights Movement swept the U.S.
“He was progressive,” Bauer said.
Inspired by paintings donated by Rock of Ages
“Norman Rockwell: At Home in Vermont” was inspired by the 2025 museum acquisition of a trio of Rockwell works that once hung in the Barre offices of Rock of Ages. The granite company contacted the museum asking if it could donate the paintings, Bauer said, prompting staffers to wonder momentarily, “Is this real?”
Rockwell created advertisements for Rock of Ages and gave the paintings upon which the ads were based to the company. “Kneeling Girl” from 1955, making its debut at the Shelburne Museum, takes place in front of a gravestone engraved with the name Newton.
Rock of Ages donated two versions of 1963 work “The Craftsman,” a muted draft and a more luminous final version that were first displayed at the museum last year. They depict Rock of Ages stonecutter George Seivwright working in the shadow of a memorial bearing the name “Norwell,” a portmanteau of Rockwell’s first and last names.
Bauer called the paintings “incredible works of art that were circulated widely” in ads, brochures and pamphlets touting Rock of Ages and its world-famous Vermont granite. Though Rockwell had left Vermont for Massachusetts by the time he created those paintings, they do what Rockwell had done when he lived in Arlington — show the nation and the world what Vermont and Vermonters are capable of.
“We are just eager for our visitors to see these paintings,” Bauer said.
If you go
WHAT: “Norman Rockwell: At Home in Vermont”
WHEN: June 20 through Oct. 25
WHERE: Pizzagalli Center for Art and Education, Shelburne Museum
INFORMATION: $8-$25 museum admission; free under age 5 and for active military and Shelburne Museum members. shelburnemuseum.org
Contact Brent Hallenbeck at bhallenbeck@burlingtonfreepress.com.
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