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Vermont Is Getting a Brand-New Film Festival, Founded by Two Indie Film Luminaries

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Vermont Is Getting a Brand-New Film Festival, Founded by Two Indie Film Luminaries


Later this month, the Green Mountain State will roll out the red carpet for the United States’ newest international film festival: The Vermont Film & Folk Festival, which will open in Manchester, Vermont on Thursday, May 23 with a full lineup of award-winning narrative features, documentaries, and shorts from around the world, including a spotlight on Vermont-made films.

Founded by a pair of indie film luminaries and recent Manchester transplants — MovieMaker Magazine founder Tim Rhys and Filmmaker Magazine co-founder Karol Martesko-Fenster — the festival will play home to screenings of more than 40 new and classic films, including rare 16mm screenings of some of Hollywood’s most beloved movies, including 70th anniversary screenings of “On the Waterfront” and “La Strada,” a 75th anniversary screening of James Cagney’s “White Heat,” and an 80th anniversary screening of “Double Indemnity, and more.

'Lost Soulz'

The festival will kick off at The Southern Vermont Arts Center with the opening night feature screening of festival circuit darling “Tokyo Cowboy” with director Marc Marriott in attendance, followed by an opening night party to include a performance from the Hartford, Connecticut-based band Gravity. In addition to the film screenings, the program will include afternoon happy hour cocktail parties for festival supporters and guests, and two seminars to be held at Burr and Burton Academy: “Producing the Independent Feature” and “Why Folklore is Integral to Vermont’s Character.” The festival will run May 23-26.

On a personal note, if you’re wondering about the kismet and coincidence of both Rhys and Martesko-Fenster moving to the same small Vermont town, imagine this writer’s shock when she walked into a brand-new bookstore during a recent visit to her own hometown, only to find Rhys behind the register (he owns the place, which is located next door to his wife’s darling preschool, truly a Vermont dream).

“When Karol and I discovered we had both moved from urban areas to the same small town, we talked about all the things we loved about Manchester, Vermont and the thing we both missed most of all —accessible cinema on the big screen,” said co-founder and festival director Rhys in an official statement. “We know we’re not alone, as Bennington County is home to an extremely dynamic, artistic population. We hope that folks will come out and support these films and filmmakers by attending the screenings this Memorial Day weekend. We’ve already gotten a nice response from the business community and we’re so excited to serve up what we’ve been cooking this past year.”

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Rhys and Martesko-Fenster’s venture is also notable because Manchester lacks its own movie theater. The two-screen joint this writer grew up watching films in is now a Sherwin-Williams paint store. For Manchester denizens, like my own family, the closest theater is over half an hour away in Bennington, with the nearest multiplex located more than an hour away in Saratoga Springs, New York (yes, a whole other state away; yes, I’ve lived it).

According to the festival, its mission “is to serve the people of southern Vermont by creating an annual event that underscores the importance of story to who we are as a society with a shared set of values, while simultaneously discovering and nurturing new talent and shining a spotlight on some of the most talented storytellers of our time. Honoring and reveling in storytelling is VFFF’s primary role.”

Film awards will be given in the following categories by a jury to be announced: Best Narrative Feature, Best Documentary Feature, Best Narrative Short, Best Documentary Short, The Equinox Award (Jury Award for Best of Fest), and the Green Mountain Award (Audience Award for Best of Fest). Venues for the festivities include the Southern Vermont Arts Center, Manchester Community Library, Burr & Burton Academy, and Rhys’ Wheelwrite Imaginarium Bookshop Arthouse, which will also be the location of the Filmmakers Lounge during the festival.

You can find out more about the festival, including its full schedule and how to purchase tickets and passes, on its official website. Check out the full lineup below, with all synopses provided by the festival.

FEATURE FILMS

TOKYO COWBOY 
Directed by Marc Marriott
A Japanese businessman goes on an unwitting journey of self-discovery when he takes a company trip from Tokyo to a Montana cattle ranch.

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ROWDY GIRL 
Directed by Jason Goldman
Determined to make the planet a better place, former Texas cattle rancher Renee King-Sonnen transforms her husband’s beef operation into a farm animal sanctuary, encouraging other farmers to transition from animal agriculture to plant-based food production.

FULL CIRCLE 
Directed by Josh Berman
Faced with a traumatic injury that leaves you permanently disabled; how would you reinvent yourself? Trevor Kennison’s life was forever altered by a broken back – for worse and for better, in equal measures.

ROBERT SHIELDS: MY LIFE AS A ROBOT 
Directed by Mark Bonn
“No words” can describe him, literally. Robert Shields, one of the most unique performers of the century, performing for 2 Presidents a Queen while gaining the admiration of many of Hollywood’s greats-all of it done without saying a word.

THE QUIETEST YEAR 
Directed by Karen Atkins
Filmmaker Karen Atkins’ darkly quirky personal quest to curb noise pollution in her quaint Vermont village uncovers dire consequences for noise regulation, not only in her home state, but nationwide.

THE ARTIST AND THE ASTRONAUT
Directed by Bill Muench 
A uniquely American couple’s captivating story during the pinnacle of American exploration and social change.

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THE NINE LIVES OF BARBARA DANE 
Directed by Maureen Gosling
Barbara Dane turns setbacks into opportunities, paving her own way with her art, participating in, and influencing international social justice and musical movements across nine decades.

DEMON MINERAL 
Directed by Hadley Austin
A portrait of life in the radioactive desert on the Navajo Reservation, following a group of indigenous scientists, elders, and activists as they work to protect a vital living space on contaminated land.

CHAPERONE 
Directed by Zoe Eisenberg
Alienated by friends and family for her lack of ambition, 29-year-old Misha finds a dangerous acceptance in a bright 18-year-old athlete who mistakes her for a fellow student.

THE ACCIDENT 
Directed by Giuseppe Garau
After being fired, Marcella, a gentle-hearted mother going through separation, buys a tow truck, gets trapped deeper and deeper in a cynical and aggressive world until a terrible opportunity shines in front of her.

FALLEN DRIVE
Directed by Nick Cassidy and David Rice
On the night of their high school reunion, Charlie and her boyfriend Reese have come with plans to exact revenge on former classmate, Liam. The plan – to stage the same heinous crime he committed in high school, but this time collect the evidence to prove his guilt.

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JUST GETTING BY 
Directed by Bess O’Brien
A documentary film that explores the day-to-day challenges and incredible resiliency that low-income Vermonters bear witness to every day. The film sheds light on an often-hidden Vermont population persevering against all odds to feed and house themselves and their families.

AFRICAN GIANTS 
Directed by Omar S. Kamara
Over a weekend visit in Los Angeles, two first-generation Sierra Leonean American brothers navigate the changing dynamics of brotherhood after a surprise announcement.

THE YORKIE WEREWOLF 
Directed by Michael DiBiasio-Ornelas
A rebellious teen witch is turned into a tiny werewolf and thrown into the middle of a decades-old war between one small town’s creatures of the night – and the local mafia.

UNDERDOG

Directed by Tommy Hyde

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A hardscrabble Vermont dairy farmer risks losing the only home he’s ever known to chase his dreams of dog mushing in Alaska. Meticulously captured over the course of a decade, UNDERDOG paints an intimate verité portrait of Doug Butler as he puts a curiously optimistic twist on the kinds of family farm tragedies that have marked American rural life. 

COMMON GROUND
Directed by Joshua Tickell and Rebecca Harrell Tickell
The solution of Regenerative farmers to bring soil health across the continent and beyond.

VERMONT-MADE FILMS

MOTHER’S HOUSE 
Directed by Garret Harkawik
In the 1950s Mary Tarinelli’s mother had a vision while visiting a historic site purported to be the final home of the Virgin Mary. Tarinelli recounts the story and explains the unique ways in which her mother’s experience has shaped her life.

LIA: A BODYBUILDING STORY 
Directed by Susan Weiss
The story of a female body builder, a woman with focus, determination, and the goal to participate in a pro tournament.

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LOVE OF THE LAND 
Directed by Travis Van Alstyne
A short, animated film based on the true and tragic story of Vermont farmer Romaine Tenney. His farm was in the construction path of Interstate 91 in the 1960s and the State of Vermont seized his land through eminent domain. 2024 marks the 60th anniversary of his passing.

STEVE’S CHAPEL
Directed by Gail Osherenko
The tale of one individual’s quest to establish a sanctuary wherein people can contemplate and rejoice in a world that has shed much of its ceremonial and profound significance.

THE THAW 
Directed by Sarah Wisner and Sean Temple
In 19th century Vermont, a young woman’s parents drink sleeping tea in order to survive the harsh winter, but an early thaw leads to horrifying results.

SHORTS PROGRAM 1

SUBTEXT 
Directed by Erin Brown Thomas
Two people on a first date mask and ignore their insecurities until an event forces them to say what they’re really thinking.

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RIZOO 
Directed by Azadeh Navai
To Rizzo, 8—who’s recently moved back from Tehran from California—the world is a magical place. But when she must take a class portrait, her world suddenly becomes very complicated. Does she wear the traditional head-scarf, which all girls over the age of 9 must wear—or not?

SCREWJOB 
Directed by Sam Benjamin
On the night before she is set to be crowned World Champion, a talented but injury cursed pro wrestler finds out that plans have changed and that she will be forced to lose the match or will be fired from the company.

LEAF 
Directed by Cash Cassidy
Young Portland, Maine-based band LEAF plays their biggest show yet at the Portland House of Music.

COMMON AS RED HAIR 
Directed by Robbie Robertson
The aftermath of an emotional funeral causes a grieving father and mother to re-examine their early life decision to have gender normalization surgery performed on their intersex infant.

YOU CAN’T SHRINK LOVE 
Directed by Veena Rao
An artist gives life to the memories of our most beloved companions.

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SCAM 
Directed by Julie Sharbutt
When a phone scammer makes one last late-night call, the woman on the other end gives her much more than she bargained for.

SHORTS PROGRAM 2

THE ABCs OF BOOK BANNING 
Directed by Sheila Nevins, Trish Adlesic and Nazenet Habtezghi 
Reveals the voices of the impacted parties of books banned from school districts, inspiring hope for the future through the profound insights of inquisitive youthful minds.

MATTRESS EXPRESS 
Directed by Noah Morse
After twins Ben and Rosie botch their only chance to pull their childhood home out of foreclosure, their night spirals out of control.

TREE CROWN 
Directed by Predrag Todorovic
Without narrative sandstone and wretched landmark, people of Western Serbia seem to have never existed. The only portraits and biographies were given to them only after they had died.

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VESPA 
Directed by Olivia Ramos
Luiza visits her estranged mother’s new home, inadvertently inheriting her role in a peculiar natural cycle.

DECIDING VOTE 
Directed by Robert J. Lyons and Jeremy Workman
50 years ago, assemblyman George Michaels cast a single vote on New York’s abortion bill that changed the course of American history but destroyed his political career in the process.



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A Vermont couple builds an 800-square-foot home on a budget – The Boston Globe

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A Vermont couple builds an 800-square-foot home on a budget – The Boston Globe


Sam Gabriels and Chrissy Bellmeyer were no strangers to living small. Before they met, Bellmeyer designed and lived in a tiny house on wheels and Gabriels spent four years living out of a van, looping the country to organize pop-up farm-to-table dinners alongside Michelin-starred chefs. So, when the couple bought a half-acre lot in Waitsfield, Vermont’s Mad River Valley in a development called the Waitsfield Ten, where neighbors help each other build, 800 square feet didn’t feel like a constraint.

Architectural designer and builder Andy White of Boreal Design started by creating a simple, 20-by-20-foot box that was drywalled, then painted, in a weekend. Inside it, White built the living spaces as independent, self-supporting platforms arranged at staggered heights. He describes the plan as a counter-clockwise spiral: Down one step from the entry into the living room, up two into the kitchen, up one more into the dining room.

The level variations define each space. “If built traditionally with two floor plates and 9-foot ceilings, the house would feel claustrophobic,” White says. “Here, you experience the full interior volume, with long sightlines from corner to corner.”

Without walls dividing the public spaces, rooms morph to fit current needs and individual elements do double or triple duty. For example, the open cubbies that store Gabriels’s vinyl collection are also perches for overflow dinner party guests in the dining room and extra seating in the living room. Initially, White worried — unnecessarily — that the living room was too small and lacked a wall for a television. The couple got a projector and screen, and noted that the deck expands the experience. The mechanicals and storage are under the floors.

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The window arrangement of this sustainable home in Waitsfield, Vermont, takes advantage of passive solar heating and cooling.Ryan Bent

Upstairs, the 8-by-12-foot space in front of the primary bedroom is both a closet/dressing area and mini lounge. In the morning, guests might wander over from the second bedroom to chat; during parties, it’s another spot to hang out. “We’re very open people, so it works for us,” Gabriels says. If things change, the couple could add standard-size French doors to hide their bed. The second bedroom, which already has a pocket door for privacy, could absorb the office nook beside it to become a larger bedroom.

The materials palette celebrates what’s commonly available: nothing is precious, everything is considered. Walls and ceilings throughout are CDX fir plywood — construction-grade sheathing that is normally hidden behind drywall. Structural fir posts, usually buried, are left exposed. The couple planed, sanded, and stained the posts and sanded all the plywood, removing lumberyard stamps. In place of galvanized joist hangers, White used inexpensive angle steel, spray-painted black. Running the length of the staircase and bracketing the bedroom thresholds, it’s the home’s signature accent. It matches the exterior siding — corrugated metal that is distinctive, inexpensive, easy to install, and low-maintenance.

The bedrooms, each in their own wood box, illustrate how architect Andy White conceived of the interior spaces on a grid.Ryan Bent

Sustainability was non-negotiable. Fourteen-inch-thick, cellulose-filled walls push the dwelling past passive-house standards for insulation and airtightness. They also leave deep window sills that double as seating, plant shelves, and such. The utility bill for the all-electric home averages just over $100 per month (excluding internet).

Decor-wise, color does the talking. The bright yellow kitchen and pink-tiled bath are odes to homes that Gabriels admired in New Mexico, Oregon, and California. “We took a Pacifico beer bottle cap to Home Depot to find the right canary yellow for the kitchen cabinets,” Bellmeyer says.

The built-in daybed under the stairs increases seating in the 101-square-foot living room, as do the storage cubbies and low wall that separate it from the dining room.Ryan Bent

White says his construction methods make it easy to add onto the home, although the couple has no plans to do so. Rather, they hope to build an ADU to offer housing to others in the community. “This is a mid-income development, making it cheaper than the median house price but not attainable for everyone,” Bellmeyer says.

Meanwhile, they’re grateful for White’s unconventional approach, fulfilling their wish list within the square footage their budget allowed.

White deflects the praise back onto the couple. “The home wouldn’t have come together the way that it did for anyone else; it’s very much theirs,” he says. “Chrissy and Sam’s vision, willingness to take risks and reimagine typical rooms, informed the design more than any specific space-saving or building strategy.”

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Architectural designer and builder: Boreal Design, borealdesignvt.com

Cabinetmaker: Han Hewn, hanhewn.com

Walking in the front door, you can see the entire first floor of this 800-square- foot Vermont home.Ryan Bent

Marni Elyse Katz is a contributing editor to the Globe Magazine. Follow her on Instagram @StyleCarrot. Send comments to magazine@globe.com.





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Ben & Jerry’s Foundation says it will shut down amid legal dispute with parent company – VTDigger

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Ben & Jerry’s Foundation says it will shut down amid legal dispute with parent company – VTDigger


Two patrons enter the Ben & Jerry’s Ice Cream shop on Church Street in Burlington. File photo by Charles Krupa/AP

The Ben & Jerry’s Foundation says it will shut down at the end of the year after its corporate parent cut off funding and evicted its three staffers Wednesday. The move leaves $600,000 a year in grants to Vermont organizations, and 40 years of the ice cream brand’s progressive mission, hanging on a judge’s future ruling.

“This is the other foot dropping in terms of the way Magnum is trying to destroy the social values of Ben & Jerry’s,” said Ben Cohen, co-founder of Ben & Jerry’s Homemade, in an interview Wednesday.

The Vermont-based iconic ice cream brand has been in a legal fight with its parent company, The Magnum Ice Cream Co. — an ice-cream spinoff of the larger corporation Unilever — since November 2024. Ben & Jerry’s alleges that the corporation overreached its control, pushing out the CEO and interfering with the brand’s political views. The question before a judge is whether the corporate parent had the authority to reshape governance and withhold funding from the foundation. 

Amid the push-and-pull over governance, Unilever audited the foundation, which is the philanthropic arm of Ben & Jerry’s, in April 2025, finding conflicts of interest and a lack of governance and financial control. 

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Liz Bankowski, president of the foundation’s board of trustees, said in an interview that Unilever withheld the philanthropy’s funding late last year and ordered foundation staff to vacate its corporate office in South Burlington by July 15 because of governance issues the audit raised. This led the foundation’s leaders to join the ongoing lawsuit, fought by the ice cream brand’s independent board, in an effort to retain funding. The lawsuit is pending in the U.S. District Court for the Southern District of New York. 

While the foundation’s leadership is framing the decision to cease operations as the only option after Unilever withheld funding, an unnamed spokesperson for Magnum wrote in a statement to VTDigger that the shuttering is “entirely down to the Trustees and their decision to ignore the findings of an independent audit and failure to put in place basic good governance; much to our dismay.” 

Since the audit, the foundation has adopted a conflict of interest policy, but “the bottom line was that unless we changed our board, they were going to continue to withhold funding,” Bankowski said.  

Cohen described the audit as “a bunch of trumped-up charges.” 

“The foundation has been independently audited every year,” he said. “I think that Magnum was searching in vain for some illegal or unethical activities. I think they found none.” 

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Since Ben & Jerry’s sold the ice cream business to Unilever in 2000, the corporation has given $60 million to the foundation. The philanthropic arm has operated for 40 years, supporting the ice cream brand’s progressive mission by offering financial backing to social justice organizations across the country. The foundation does not have an endowment and is reliant on the funding its parent company gives annually, outlined in its merger contract.

A chunk of that funding, $600,000 a year, goes to Vermont organizations such as the immigrant farmworker rights organization Migrant Justice and the LGBTQ+ nonprofit Outright Vermont, according to foundation leaders. 

“We fill a particular niche that not a lot of other funders fill,” said Rebecca Golden, the foundation’s director of programs, who has worked at the organization for 34 years. 

Golden is one of three foundation staffers whose last day in the physical office is Wednesday, following orders from Magnum to vacate. Although Magnum did not directly address its vacate order in its statement to VTDigger, the spokesperson wrote that the foundation’s leaders recently “took the position that its staff are not Ben & Jerry’s employees, despite utilising Ben & Jerry’s offices and systems.”

Golden described the possible shutdown as an “enormous loss” that will not only affect the organizations that the foundation supports but also Ben & Jerry’s employees who “feel very proud of being a part of the foundation.” 

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“It’s been a really long year, so there’s been a lot of emotions — the whole gamut, as we like to say of the seven stages of grief. But I think at this point we’re sort of in the acceptance phase,” she said. 

The Magnum spokesperson indicated that the work of the foundation will continue even if its leaders decide to cease operations at the end of the year, writing that the company is “firmly committed to funding a grant-giving foundation, supported by appropriate governance controls to ensure it is living by its values.”

But Cohen is not confident that Magnum will uphold the values of the Ben & Jerry’s Foundation in the corporation’s continued philanthropic efforts. 

“What are they going to fund? I have no idea. My guess is that they would not be looking to fund entities that are opposed to the status quo,” Cohen said.

The foundation’s leaders have pointed to its support of Migrant Justice during a period when the farmworker organization was considering a boycott of Ben & Jerry’s as an example of their commitment to social justice. After immigrant farmworkers raised concerns about working conditions at farms supplying Ben & Jerry’s, the company joined a program that collaborates with farmworkers to strive for fair working conditions. 

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Political activism has been central to the Ben & Jerry’s brand since its founding. As a part of the ongoing lawsuit, Ben & Jerry’s alleged in a May filing that Magnum has been undercutting its social justice mission in order to “censor, intimidate and purge” the company’s independent board, which Cohen said was created to defend its progressive values. 

Three of the board’s members, including one who has been an outspoken critic of Israel, were removed late last year after the parent corporation introduced a new set of governance practices. In its motion to dismiss the lawsuit, Magnum argues that it retains ultimate authority and the brand’s social mission must be nonpartisan.  

As the lawsuit awaits a decision, Cohen, who is not a part of the suit, has created a campaign to “free Ben & Jerry’s,” amassing around 160,000 signers for its petition demanding that Magnum sell Ben & Jerry’s to a “group of values-aligned investors.”   

“The very values-led business model that built Ben & Jerry’s into this amazing, phenomenal brand is the very thing that Magnum is currently destroying,” Cohen said.





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Hazy, hot, and humid: Wildfire plumes give southern Vermont skies an odd glow

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Hazy, hot, and humid: Wildfire plumes give southern Vermont skies an odd glow


SOUTHERN VERMONT — A thick veil of wildfire smoke high in the atmosphere is transforming the sky over our local Bennington and Windham Counties this week – casting an eerie glow, muting the sun, and leaving air quality in the moderate range – even as temperatures and humidity remain oppressive.

According to federal forecasters, the hazy and particulate-laden sky and unusual colors are the result of smoke from more than 830 active wildfires burning across Canada and northern Minnesota, funneled into New England by the jet stream and trapped over the region by stubborn weather patterns.

What people are seeing, and why the sky looks so strange

Over the course of Wednesday, residents across Southern Vermont reported the sky shifting from orangey‑yellow to umber to violet hues tinged with pink, with a yellow cast over the landscape and a deep red or dark orange sun, especially nearest to sunrise and sunset.

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On a normal and clear day in Southern Vermont, tiny molecules in the atmosphere scatter mostly blue light, which is why the sky appears blue.

However, this week, the air is filled with larger particulate matter from wildfire smoke, which scatters longer wavelengths of light – oranges and reds – in a process known as Mie scattering (pronounced “mee,” and named after physicist Gustav Mie who first published the mathematical description of this weird-looking light-scattering phenomenon).

Due to Mie scattering, the sky can appear milky white, with sepia tones, or faintly pink‑violet, instead of blue. The sun may appear like a dark orange or red disk, especially when low to the horizon, and sunlight at ground level feels weaker and more filtered, as if being viewed through rose-tinted glasses. And these are the effects that we are currently experiencing.

Where the smoke is coming from, and how it travels

Federal agencies have reported that more than 800 wildfires are burning in Canada, with additional fires in northern Minnesota near the Canadian border. Many of these are large, and burning through dense boreal forests with little or no containment.

These blazes have triggered evacuations at their locales and in the surrounding areas, and are attributed to areas experiencing intensive drought.

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The smoke created from these wildfires reaches Vermont through a series of atmospheric steps.

The jet stream’s “conveyor belt” of high‑altitude winds scoop up smoke from the Central Canada region and carry it southeast across the Great Lakes and into New England.

A high‑pressure “lid” forms, where a strong high‑pressure system causes air to sink (a process known as subsidence) which then presses some of the elevated smoke closer to the surface.

A stalled weather pattern can occur, where slow‑moving systems over Canada and the Northeast keep the flow of smoke aimed at the region instead of sweeping it quickly away.

These patterns mean that – even though the fires are hundreds of miles away – fine particulate matter (PM2.5) from those blazes is now suspended over Vermont and neighboring states.

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Local air quality: Moderate, with cautions for sensitive groups

On Wednesday, air quality in Bennington and Windham Counties sat in the “moderate” category, with the Air Quality Index (AQI) fluctuating roughly between the low‑50s and high‑90s. This was driven primarily by PM2.5 from the presence of wildfire smoke.

In practical terms, most healthy adults can go about their normal routines outdoors. However, more sensitive groups – older adults, children, people with asthma, COPD, or heart disease – are advised to limit prolonged or heavy exertion outside, especially during the haziest periods.

Those with prolonged exposure may notice throat irritation, mild coughing, or even eye discomfort – particularly during intense exercise.

Residents can track real‑time conditions using the federal AirNow “Fire and Smoke Map” and Vermont‑specific dashboards, which show localized AQI readings as plumes shift during the day on Thursday.

How the smoke is affecting storms, heat, and humidity

The same smoke that is changing the sky’s color is also subtly reshaping the weather over Southern Vermont.

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Forecasters note several key effects. These include solar dimming, where smoke particles in the upper atmosphere scatter and absorb sunlight, acting as a partial sunblock. This can shave a few degrees off daytime highs, compared with what might otherwise occur under clear skies.

It can also include “capping inversion.” By warming the air aloft, the smoke can create a “cap” – a warm layer that suppresses rising air. This can weaken thunderstorms, even when surface heat and humidity are high.

Another key effect is cloud microphysics, where extra smoke particles provide millions of tiny surfaces for water vapor to cling to, producing many “very tiny” droplets rather than fewer larger raindrops. These smaller droplets don’t fall as easily, which can reduce heavy rainfall and the actual structure of a storm.

For example, on Tuesday night, Southern Vermont sat under extremely high humidity fueled by warm southerly winds pulling tropical moisture up the East Coast ahead of a cold front. Under normal conditions, that setup could have produced stronger thunderstorms. Instead, wildfire smoke likely muted the intensity of those expected storms, leaving the region with more of a muggy “soupy” feeling than the explosive severe weather that many expected.

Short‑term outlook for southern Vermont

Through Wednesday and into Thursday, forecasters expect the following for our Southern Vermont region:

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  • Sky conditions – Persistent haze and milky skies, with periods of thicker smoke as the plumes shift southward and then rise again. The sun may remain reddish or orange at times.
  • Temperatures and humidity – Highs in the mid‑80s, with oppressive humidity at times, especially ahead of the next cold front.
  • Air quality – AQI values are forecast to remain in the moderate range, occasionally bordering on “unhealthy for sensitive groups” during heavier smoke intrusions (these are expected through Thursday).
  • Showers and storms – As another cold front approaches us on Thursday, scattered showers are expected with isolated downpours and localized “non‑severe” thunderstorms. (Smoke may again limit storm strength somewhat.)

By Friday, higher pressure and drier air are expected to build in from the west, bringing more seasonable temperatures in the upper 70s to mid‑80s, lower humidity, and improved air quality – though some high‑level haze may linger.

For now, we will continue to look at our landscape through our “rose-colored” glasses.



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