Sen. Rob Plunkett, D-Bennington, center, speaks with Sen. Seth Bongartz, D-Bennington, on the floor of the Senate at the Statehouse in Montpelier on Thursday, January 9, 2025. Photo by Glenn Russell/VTDigger
State lawmakers are once again taking a swing at passing a comprehensive data privacy law for Vermonters.
On Thursday, the Senate unanimously gave approval to an amended version of S.71, a bill that would put guardrails on tech companies that collect and sell data while providing baseline data privacy rights for users in Vermont.
Prior to the amendment, the Senate’s version of the bill mirrored the one that was introduced in the House. The new version strips a controversial provision that led to a similar bill’s failure last year.
Sen. Robert Plunkett, D-Bennington, explained the change on Wednesday on the Senate floor before a preliminary vote. “This amendment contains the central consumer protections of really any data privacy law,” he said.
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Those protections include the right for users to opt out of targeted advertising and limitations on what kind of personal data can be collected, among other provisions.
What the bill no longer contains, however, is a private right of action for consumers, which would give users the legal right to sue companies for violating the state’s data laws, opening the door for Vermonters to launch weighty class action lawsuits against big tech companies.
A fierce debate surrounding that right of action dogged the sweeping data privacy bill passed by both chambers last year, with some lawmakers contending that the provision would place an undue burden on some Vermont businesses.
And when, after a months-long game of tug of war between the chambers over the provision, the legislation made it to Gov. Phil Scott’s desk, the governor vetoed the bill, pointing to the inclusion of the private right of action as a dealbreaker. Last year’s effort came to an end in the Senate, which lacked the votes for an override.
By removing that sticking point, Senate lawmakers appear to be playing ball with the governor, offering up a more palatable version of the data privacy law that could finally elude his veto.
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“In the governor’s veto letter, the governor indicated expressly the preference that Vermont adopt Connecticut’s data privacy law,” Plunkett told fellow lawmakers, referencing Connecticut’s exclusion of a private right of action provision. “That is what this amendment proposes.”
It’s unclear, however, whether the House will be equally agreeable.
— Habib Sabet
In the know
Top officials at the Department for Children and Families have acknowledged the existence of an internal calendar used to monitor Vermonters’ pregnancies, confirming an allegation made in a striking lawsuit filed by the Vermont ACLU in January.
The document, Family Services Division Deputy Commissioner Aryka Radke said in a meeting of Vermont’s Legislative Women’s Caucus Thursday, is a Microsoft Outlook calendar that includes the initials, an identifying number and the expected due date of certain pregnant women.
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The admission sheds light on a secretive and little-known function of the Department for Children and Families, one that top officials have said helps protect newborns from potential abuse or danger.
Read more about how the calendar is used here.
— Peter D’Auria
State officials plan to extend two shelters for families experiencing homelessness in Williston and Waterbury that had been slated to close down next week, on April 1.
Chris Winters, the commissioner of the Department for Children and Families, said in a Wednesday interview that state officials want to avoid disrupting the school year for children.
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“We don’t know for sure if folks have other options, but even if they do, you know, that might require them to move,” Winters said. “The concern there is that kids not be uprooted and potentially not stay in school through the end of the year.”
Read more the future plans for the two shelters here.
— Carly Berlin
On the move
The House advanced the Legislature’s annual property tax bill, known as the yield bill, which helps set property tax rates statewide.
Lawmakers chose to adopt Gov. Scott’s proposal to use $77 million in one-time General Fund dollars to buy down the tax rate this year. That decision is expected to reduce the average property tax increase from roughly 6% to 1%. Actual tax rates will vary from district to district, and the fate of the few outstanding school budgets that voters are yet to approve will also impact rates.
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The bill provides “property tax relief,” said Rep. Charlie Kimbell, D-Woodstock, who reported the bill for the House Ways and Means Committee. That is crucial, he said, after last year’s double-digit property tax increases.
—Ethan Weinstein
Visit our 2025 bill tracker for the latest updates on major legislation we are following.
A thousand cuts
The federal government announced Wednesday that it would cut $11 billion in Covid-19-related grants to local health agencies, including $6.9 million to two departments in the Vermont Agency of Human Services.
A spokesperson for the Department of Health, Kyle Casteel, provided a statement on behalf of the agency Thursday that called the cuts a “sudden termination” that would “negatively impact public health in our state.”
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Most of the funds, about $5 million, were allocated for vaccination programs at the health department. The statement said the grants began during the pandemic but have continued to support the department’s work beyond the pandemic.
SHELBURNE — Norman Rockwell lived for a time in suburban New York City and died and was buried in the Berkshires of Massachusetts. But for 14 years in between, the artist spent perhaps the most prolific period of his career in Vermont creating his best-known works.
That’s how Shelburne Museum curator Carolyn Bauer sees it — and how the museum’s latest exhibition treats the artist.
“Norman Rockwell: At Home in Vermont,” which opens June 20 and runs through Oct. 25, displays 40 of the 175 covers Rockwell famously created for The Saturday Evening Post magazine during his time in Vermont between 1939 and 1953.
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Also on display are prints of “The Four Freedoms,” maybe his most famed works of all, which represent American ideals spelled out by President Franklin D. Roosevelt in 1941. Paintings in the exhibition include “The Young Lady with the Shiner” and “The Tattoo Artist,” both whimsical, recognizable pieces used as covers for The Saturday Evening Post.
“It’s very accessible work and approachable,” Bauer said.
The display features the three paintings that inspired the exhibition, given to the Shelburne Museum by Rock of Ages, the Barre granite quarry and monument maker. Those Rockwell paintings filled a significant gap in the museum’s art collection, which includes works by Claude Monet, Edgar Degas, Grandma Moses and Andrew Wyeth but, until recently, none by Rockwell, perhaps the best-known artist to have lived here.
“It feels like a homecoming in many regards,” Bauer said.
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Moving to southern VT, finding ‘the every American’
The exhibition frames Rockwell’s time in Vermont around the tenor of the times in America. As the Great Depression was ending, World War II was looming and the nation was growing more urban and industrialized, much of the public was yearning for greater simplicity, Bauer said.
Rockwell was among them, leaving New Rochelle north of New York City for the quietude of Arlington in southern Vermont.
He was not alone. Contemporary artists including Mead Schaeffer, John Atherton and Gene Pelham would settle in Arlington too, creating what Bauer termed “the golden illustrator days” in Vermont.
Rockwell’s art, as the 152-page hardcover catalogue accompanying the exhibition notes, shows “how Vermont itself came to embody American ideals in the national imagination.”
Rockwell and his fellow Arlington artists used each other as models in their creations. “They really would work collaboratively,” Bauer said.
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Pelham’s daughter, Melinda, is shown in the exhibition in two works: “The Babysitter,” a painting of a girl holding a crying baby that’s on loan from The Fleming Museum at the University of Vermont and an admission submission Rockwell sent to Kellogg’s of a girl clutching a cereal-laden spoon to her mouth.
Doctors, mail deliverers and shopkeepers from Arlington populated his work. Bauer said Rockwell usually gave models $5 and a can of Coca-Cola.
“He was recycling and using just about everybody in town,” Bauer said. That included himself: Rockwell added his own visage to the multiple faces in “The Gossip,” which shows him lashing out at a woman who’s started the rumor-mongering.
Bauer said Rockwell wanted to cultivate a sense of place by using Vermonters known for their austere self-reliance at the forefront of his work. He also found “the every American” ideal in town, Bauer said, though his art reflected a pronounced lack of diversity.
In later work, Rockwell would confront race and segregation as the Civil Rights Movement swept the U.S.
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“He was progressive,” Bauer said.
Inspired by paintings donated by Rock of Ages
“Norman Rockwell: At Home in Vermont” was inspired by the 2025 museum acquisition of a trio of Rockwell works that once hung in the Barre offices of Rock of Ages. The granite company contacted the museum asking if it could donate the paintings, Bauer said, prompting staffers to wonder momentarily, “Is this real?”
Rockwell created advertisements for Rock of Ages and gave the paintings upon which the ads were based to the company. “Kneeling Girl” from 1955, making its debut at the Shelburne Museum, takes place in front of a gravestone engraved with the name Newton.
Rock of Ages donated two versions of 1963 work “The Craftsman,” a muted draft and a more luminous final version that were first displayed at the museum last year. They depict Rock of Ages stonecutter George Seivwright working in the shadow of a memorial bearing the name “Norwell,” a portmanteau of Rockwell’s first and last names.
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Bauer called the paintings “incredible works of art that were circulated widely” in ads, brochures and pamphlets touting Rock of Ages and its world-famous Vermont granite. Though Rockwell had left Vermont for Massachusetts by the time he created those paintings, they do what Rockwell had done when he lived in Arlington — show the nation and the world what Vermont and Vermonters are capable of.
“We are just eager for our visitors to see these paintings,” Bauer said.
If you go
WHAT: “Norman Rockwell: At Home in Vermont”
WHEN: June 20 through Oct. 25
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WHERE: Pizzagalli Center for Art and Education, Shelburne Museum
INFORMATION: $8-$25 museum admission; free under age 5 and for active military and Shelburne Museum members. shelburnemuseum.org
Contact Brent Hallenbeck at bhallenbeck@burlingtonfreepress.com.
The National Weather Service is investigating whether a small tornado touched down in Woodstock in eastern Vermont on Thursday afternoon as intense storms swept through the area, uprooting and snapping trees, and causing structural damage.
A damage survey team is expected to assess the damage on Friday morning to confirm whether any tornadoes touched down during the severe thunderstorms, the Weather Service in Burlington, Vt., said.
The suspected tornado occurred some time between 2 p.m. and 3 p.m., according to the NWS. A tight vortex, a marker for rotation, was spotted on radar, although there was no debris signature detected on radar. No tornado warnings were issued at the time.
If a tornado is confirmed to have touched down, the survey team will also determine the size, path, and intensity of the twister.
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Some of the damage left behind by what is believed to have been a tornado that touched down Thursday.Chris Markos
The last tornado to touch down in Vermont was just a couple of months ago. On April 16, 2026, an EF1 touched down in Williamstown, Vt., according to the NWS. An EF1 tornado is the second-lowest rating for twisters, according to the Enhanced Fujita Scale, which ranks them based on intensity.
Several supercells had tracked across northern New York into southern and central Vermont, producing large hail and damaging winds, and eventually spawning the tornado, which the Weather Service said was about a half-mile long and 200 yards wide at its peak. The damage survey team also found ”extensive wind damage between Ainsworth State Park and Jackson Center with estimated winds between 70 and 80 mph,“ which was caused by an accompanying microburst, the NWS said.
Large trees are seen uprooted near Staples Pond in Williamstown, Vt., in April.NWS
More than an hour after the Vermont storm, two tornado warnings were issued for southern Worcester County after a pair of tight vortexes were spotted on radar, indicating a possible tornado.
No structural or other damages were found, but storm spotters have submitted reports of a funnel cloud near the Spencer-Leicester town line.
Ken Mahan can be reached at ken.mahan@globe.com. Follow him on Instagram @kenmahantheweatherman. Marianne Mizera can be reached at marianne.mizera@globe.com. Follow her @MareMizera.
It’s been nearly a year and a half since border agent David ‘Chris’ Maland was shot and killed during a traffic stop near the interstate in Coventry, Vermont. Now, a group of law enforcement officers are petitioning to dedicate a section of I-91 to him.
