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Years went by and Henry, now 40, and with a family of his own, returned to his comic strip with a more poignant and real understanding of family life.
Henry talked to the Globe about his philosophy for the comic, creative inspiration, the four main characters — Wallace, Spud, Amelia, and Rose — and his old school approaching to drawing.
Q. Where did your love for comics originate?
Henry: Like most cartoonists, I’ve been drawing my entire life. It was something I’ve been doing since I was a kid and it was a passion that stayed with me through elementary school, high school, and even in college, where I was writing comics for the daily campus paper at the University of Connecticut. No matter what odd job I was doing I was always finding time to do cartooning at home. Andrews McMeel Universal gave me a chance to syndicate “Wallace the Brave” nationwide and internationally.

Were you doodling and thought ‘This might be a great career?” or did this come on later in life?
It came later on. When I was in elementary school, I was copying “Garfield” comics word-for-word to show my friends or copying “Far Side,” but it was just for fun and a creative outlet. It wasn’t really until that first year in college when I realized the job does exist. Someone has to do it. I thought maybe that could be me.
Describe “Wallace the Brave” and the world of Snug Harbor?
I would describe it as the view of a small town through the eyes of kids in grade school, full of mystery, and wonder, and adventure. and friendship. I take a lot of pride in the character development, but it’s a coastal New England town, which I think is why it would be perfect for the Boston Globe, and I think a lot of people in that area will see parts of New England that they recognize, even if it’s vague.
How much did growing up in Rhode Island — the Ocean State — shape that setting?
Oh, absolutely. I’m a child of the ’80s, where things were a little more lawless and there’s a bit of that in that comic. I’m really interested in just what happens when children get bored. Their mind wanders and adventure starts. Less screen time, more nature, and with Rhode Island being the backdrop of that, there’s a lot of ocean-focused scenery, and jokes. It’s almost like Easter eggs for the New England readership. It definitely has its heart in Rhode Island and New England.

What is “Wallace the Brave’s” origin, is it based on anybody you knew?
I’ve always kind of said the two main characters are Wallace and his best friend, Spud, and they’re opposites, but they’re very good friends. They counter each other’s weirdness and they appreciate each other’s weirdness, even if it’s a different kind of weirdness. The two characters are sort of my two personalities, just separated and magnified, and that’s where you kind of get the Wallace and Spud character. Wallace is who I want to be on a daily basis — positive, uplifting, and a ride or die friend — and Spud is the understated nervous worrier, which on my worst days I can be.
Do you think these characters all balance themselves out?
Balance is tricky. It’s more of about being true to the characters and giving them depth. I try to make them more than just two-dimensional characters, like, that one’s the nerd and that one’s the sports jock, because I have two kids, and they and their friends are not one-dimensional. They have many layers, I try to incorporate that with the way they interact with each other.
Are comparisons to Calvin and Hobbes humbling?
Oh, I love it. It’s one of the best comics ever made. I’ve had, and I get a lot of, comparisons with Calvin and Hobbs, Cul de Sac, and Peanuts, all awesome comics to be compared to. I will absolutely take it as a compliment.

Did you have any missteps on the way to syndication?
I’ve had a lot of failures in the cartoon world. I mean, I’ve probably had three or four comics before “Wallace the Brave,” and they progressively got better. The one before “Wallace the Brave” was called “Ordinary Bill,” and it had a little bit of a readership, and it was sort of that web-comic model, but at the end of the day, it wasn’t a great comic, and I abandoned it once the idea for “Wallace” came to me.
Why do you think comics about kids experiencing life unplugged — collecting bugs and flying kites — connects with readers right now?
It serves the same purpose as the comics serve in the newspaper as a whole. It’s a bit of escapism from the world. I want to live more like Wallace, but I’m still in front of a computer a lot, still checking out social media, so I think it’s a bit of escapism. One thing I’ve noticed — because as my kids come into reading age and are starting to read the comic more seriously — they’re taking cues from it. They want to be like the characters in it. I’m hoping a little bit of that trickles down to the kid audience, where they take a moment more to explore the world around them.
Are you using a computer to draw or hand-drawing your comic strip?
I am a dinosaur when it comes to that because I am still working pen and paper. I will usually watercolor them, but for for print in the Boston Globe, they’ll be colored digitally, just because it reproduces better.
This interview has been condensed and edited for clarity.
The Boston Globe’s weekly Ocean State Q&A features Rhode Islanders who are starting new businesses or nonprofits, conducting groundbreaking research, or reshaping the state’s economy. Send tips and suggestions to rinews@globe.com.
Carlos Muñoz can be reached at carlos.munoz@globe.com. Follow him @ReadCarlos and on Instagram @Carlosbrknews.
Local News
WESTERLY, R.I. (AP) — When a large tent appeared next door to Taylor Swift’s Watch Hill estate this week, it didn’t take long for speculation about the superstar’s impending nuptials to ripple through the affluent New England seaside village — and the internet.
Soon, fans were swapping theories online, photographers were staking out vantage points and residents found themselves fielding questions about a wedding that never was. Or at least, a wedding that seems yet to happen.
The rumors, so far, have proved unfounded. But they offered a glimpse into life in Watch Hill, the Rhode Island beach community in the town of Westerly, close to the Connecticut border, where Swift has owned a home for more than a decade and where curiosity about the singer has become woven into everyday life.
From the nearby lighthouse, visitors craned for a better view of Swift’s mansion, a sprawling white home perched atop a rocky bluff overlooking the Atlantic Ocean. Security cameras dotted the property, and a guard called out to visitors who strayed too close.
Wedding planner Nicole Simeral, dressed in black, stood outside the small white chapel across from the massive yellow Ocean House hotel — Swift’s neighbor on the beach — waving along cars and buses that slowed and directing traffic to keep moving.
She watched visitors speculate about a wedding she said she knew wasn’t Swift’s. She’s working a different wedding every weekend in June in that spot. Still, the questions kept coming.
“Is Taylor Swift getting married here? Many, many, many have asked,” Simeral said.
She said there had been “a lot of chitter chatter” as people tried to connect sightings of people who know Swift in local shops to impending nuptials. But she doubted Watch Hill would be practical for a wedding of that scale because of its limited luxury lodging.
The Watch Hill rumors also dovetailed with separate online speculation that Swift and her fiance, Kansas City Chiefs tight end Travis Kelce, were planning a celebration at Madison Square Garden, though no details about the pair’s wedding have been released, despite multiple requests for comment to Swift’s spokesperson.
The tent itself, Simeral said, was hardly unusual. “Next weekend, there’ll be another tent just like this.”
For two summers, Westerly Police Department community service officer Nick Quaratella has stood at the entrance to a public path leading to the beach beside Swift’s estate, answering questions from beachgoers and keeping traffic moving.
“They come to the beach, but then they also ask if she’s here or not,” Quaratella said.
He said he can’t help but joke around with some fans.
“I’ll say, ‘Oh, did you hear that she moved?’” he said. “And they’ll say, ‘No.’ And I say, ‘Yeah, Dwayne “The Rock” Johnson moved in.’ And they’ll go, ‘Oh, really?’ and then they’ll walk away.”
“That’s pretty funny,” he concluded.
Over the years, he’s seen plenty of unusual reactions. His coworker once spotted a fan on their knees, bowing toward the entrance gate near the property. Visitors have shouted “I love you, Taylor!” from the roadside. One woman convinced her granddaughter he was Swift’s security guard and posed for a photo with him.
Quaratella has fielded a few questions about the supposed wedding, but not as many as he expected.
“At this point, it’s part of my job,” he said. “It makes me smile. It makes me laugh. I have no problem with it. It makes the day go by.”
Down near a strip of beach boutiques, lifelong resident Lauren Nigrelli said the frenzy surrounding the star has eased since Swift first moved into the neighborhood in 2013. Back then, Nigrelli recalled, fans would drive around in circles by her shop playing Swift’s songs.
“Things have definitely calmed down since then,” she said.
Today, Swift’s presence remains a fixture among local businesses in what she described as a “quaint New England coastal community.” Nigrelli, a Realtor who owns the boutiques Tide and Tide Kids, said she began selling apparel emblazoned with “Holiday House,” the nickname associated with Swift’s mansion, after children began coming into the store asking for it. On Saturday, she was also selling a Taylor Swift-Travis Kelce wedding sticker book.
“I think every shop has something related to her,” Nigrelli said.
On the beach below the mansion, Audrey and John Curtis, a married couple from Connecticut who have been vacationing in Westerly for years, settled into beach chairs and debated the wedding rumors.
“We were just looking up at her house,” Audrey Curtis said, pointing toward the mansion. “She’s not getting married here now, though.”
Curtis said she had heard various theories, including speculation that a wedding might be held at Ocean House. But as she thought through the logistics, she became skeptical.
“Then I was thinking about, ‘How would everybody get here?’” she said. “In New York, you’ve got JFK, you’ve got LaGuardia, and she’s got two penthouses in New York that she combined, so I figured they could obviously have more people there.”
Her husband wasn’t so sure.
“They could lie and say it’s happening there, but it’s happening here,” John Curtis said. “When important people do things, they don’t want people to know.”
Six friends from New York, posing for photos in matching Watch Hill sweatshirts while celebrating a birthday, said Swift wasn’t the reason they chose the beach town, though they weren’t sure they would have discovered it if not for the singer.
Leslie Aucapina, 24, who attended Swift’s Eras Tour in Philadelphia, said she grew up listening to Swift’s music and thought the Taylor-themed merchandise was “really cute.” She liked that the excitement surrounding Swift helped local businesses and enjoyed visiting the inspiration for “the last great american dynasty,” a song about Holiday House from Swift’s 2020 Grammy Album of the Year-winning album, folklore.
But she said the speculation at times crosses a line. “If she wants to share it, she wants to share it,” she said. “At the end of the day, it’s someone’s house.”
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The fourth annual Newport Juneteenth celebration was held at Fort Adams State Park on Saturday, June 20, an expanded event that paired the holiday with a Rhode Island 250th anniversary theme honoring the history of Black and Indigenous people across the state.
Presented by Rhode Island Slave History Medallions, the daylong program opened with a reenactors’ parade and an honorary musket salute before turning to tributes from civic leaders, including a keynote address by Secretary of State Gregg M. Amore and remarks by Governor Dan McKee.
The parade ground program continued through the afternoon with presentations by historians, youth activities, craft vendors and food trucks, alongside performances tied to the 250th theme. The lineup featured colonial music, Indigenous dancing and drumming by the Thawn Harris family of the Narragansett people, a performance by members of the Pokanoket Tribe, a drum circle led by African drummer Sidy Maiga and a gospel performance by RPM Voices of Rhode Island.
Juneteenth commemorates June 19, 1865, when Union Gen. Gordon Granger arrived in Galveston, Texas, to enforce the Emancipation Proclamation, more than two years after it took effect freeing enslaved people in the Confederate states.
RISHM, a statewide nonprofit, works to educate Rhode Islanders about the state’s role in the history of slavery by sharing documented stories of enslaved people. More information is available at rishm.org.
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