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Personal narratives of the enslaved people who built Newport have been largely unknown, until now – The Boston Globe

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Personal narratives of the enslaved people who built Newport have been largely unknown, until now – The Boston Globe


Rhode Island Slave History Medallions’ tour walks through the history of the enslaved people who lived and worked in homes and businesses here. Nearby, the Newport Historical Society’s latest exhibit, “A Name, A Voice, A Life: The Black Newporters of the 17th-19th Centuries,” brings more evidence to these narratives.

“This is another type of historical recognition for Newport. It’s not just a wedding facility, or an entertainment venue. We have a history that began here, first with the enslavement of Africans and Indigenous people, who were here first before colonists or slaves,” says Charles Roberts, executive director and founder of the nonprofit Rhode Island Slave History Medallions. “We’re trying to make the public aware of this history and the contributions of enslaved people.”

Rhode Island Black History Tour guide Norm Desmarais shares details about the Samuel Hopkins House (ca. 1710), which was the home of congregational minister Rev. Dr. Samuel Hopkins, the first pastor to denounce slavery from the pulpit.Annie Sherman for The Boston Globe

The walking tour begins at Bowen’s Wharf, where the enslaved people who survived the brutal voyage from Africa first disembarked. The tour ambles up to Trinity Church courtyard, where historians in Colonial attire discuss stonecutters Pompe Stevens and Cuffe Gibbs. The brothers are buried in God’s Little Acre burying ground, at the northern tip of the city.

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The tour continues into the densely developed Historic Hill neighborhood, where the voices of previous generations seem to whisper from the cobbled roads and 17th- to 19th-century buildings. Visitors stop at the Rev. Dr. Samuel Hopkins House (ca. 1710) on Division Street, named for the first pastor to denounce slavery from the pulpit. Across the street at Peter Bours House, Newport Gardner was one of merchant Caleb Gardner’s slaves, according to tour guide Norman Desmarais. Gardner, originally named Occramar Marycoo, was arrived in Newport and was forced into slavery at age 14. He became a leader and activist in the Black community here, and opened his own music school. He bought freedom for himself, his wife and their children, and helped launch the city’s first Black church. With his friend Pompe Stevens, he helped form the country’s first Free African Union Society, a mutual aid organization for African Americans.

In the courtyard of Newport’s Trinity Church, participants in Rhode Island Slave History Medallions walking tours and other visitors can scan this medallion’s QR code to learn more about brothers Pompe Stevens and Cuffe Gibbs, stonecutters whose work stands to this day in God’s Little Acre burying ground at the northern tip of the city.Annie Sherman
Emblems are seen on the Vernon House, a stop along the Rhode Island Slave History Medallions walking tour in Newport, R.I. Annie Sherman for The Boston Globe

Cato Vernon lived in what is now the William Vernon House (ca. 1708) on Clarke Street, owned by the Newport Restoration Foundation and a stop on the tour. He fought as a soldier in the 1st Rhode Island Regiment during the Revolutionary War. But he didn’t receive his military pension, according to tour guide Maria Hunter, and was imprisoned for failing to pay his debts after his enslaver, William Vernon, the famed slave merchant and president of the Eastern Navy Board, refused to help.

At each location on the tour, a bronze medallion with the figure of an angel memorializes the enslaved people who lived and worked there, and honors their legacies, while offering an education into a prominent piece of Newport’s cruel past. Roberts and Rhode Island Slave History Medallions have placed six medallions in Newport and 14 statewide so far, including in Bristol, North Kingstown, and East Greenwich. Seven more are under contract, with more than 35 slated for installation, he said.

“The angel image is significant to Newport history, to have souls carried to heaven on the wings of angels,” Roberts said. “The medallions have a QR code, and you walk up to it and stand in the location where history was made, and you can see the stories right there on your phone.”

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The entryway of Newport Historical Society’s new exhibit, “A Name, A Voice, A Life: The Black Newporters of the 17th-19th Centuries,” showcases historic documents, artwork, and life of enslaved people during that era. Newport Historical Society

In the Newport Historical Society’s headquarters nearby at the Seventh Day Baptist Meeting House (ca. 1730), a new exhibit showcases a strong Black community from the city’s founding in 1639 to the abolition of slavery in Rhode Island’s Constitution in 1842. Illustrating years of research conducted for the historical society’s extensive “Voices from the NHS Archives” database, the exhibit showcases historic documents, artifacts, and artwork to bring enslaved peoples’ stories to life.

Kaela Bleho, collections and digital access manager and exhibit co-curator, says she and research assistant and exhibit co-curator Zoe Hume originally went looking for names of Black and Indigenous individuals. But they discovered so much personal information in ship logs, personal letters, and religious and medical records during their research that an exhibit was only natural.

“We started to find people showing up in multiple places in the historic record, and through quite a lot of digging, we were able to develop more of an understanding of their life stories and experiences,” Bleho says. “When this database launched in February of this year, we were so excited to share these stories that we thought, “Of course, this should be an exhibit as well.’ This is another way to help people connect with this history.”

They bring together many of these documents with original paintings commissioned by local Black artists and pieces of material culture on loan from other historic organizations to curate the life experience of five Black Newporters. A pair of leather boots represents soldier Hannibal Collins, who served with Commodore Oliver Hazard Perry during the War of 1812; a wooden laying top used in ropemaking represents ropemaker Arthur Tikey; and a mortar and pestle alongside a portrait by Rhode Island artist Eric Telfort represent Trinity Church congregant and healer Mereah Brenton.

A painting of Trinity Church congregant, healer, and enslaved woman Mereah Gibbs at the Newport Historical Society’s new exhibit, “A Name, A Voice, A Life: The Black Newporters of the 17th-19th Centuries.” Newport Historical Society

Bleho says that through selecting these objects and documents, they hope contemporary visitors will connect with these five stories on an individual level, and try to get to know a person who lived 200 years ago.

“It’s really hard to sum up someone’s life story in one object … so you’re trying to think of something that will give someone here and now a window into the past without reducing someone to the sum of objects they might have owned then,” explains Hume. “It’s kind of like leaving your smartphone on display. You could learn a lot from it, but not everything. So, you’ll see that everyone (in the exhibit) does have something that speaks to some element of their experience, or as much as we know about it.”

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In the midst of these visual narratives, the names of 1700 Newporters of African descent written on white notecards hang from wire. They are among thousands of Black and Indigenous people identified by the Newport Historical Society during research, says executive director Rebecca Bertrand. Dozens of people across the city, from Rogers High School students to other nonprofit leaders and city councilors, hand-wrote these names for display, in a community-wide effort.

“One of the things I think is really interesting about this show is that it speaks so much to identity, and there’s a great focus on a person’s name. … In the process, we talked to people about identity and what their name means, where it came from, whether their name resonates with them, and if they like their name. It was an interesting process to talk to adults and children about that,” Bertrand says. “It’s a really powerful show for a lot of different reasons, but because of that connection to identity.”

If You Go

Newport Black History Walking Tours

Saturdays, Sundays, and Mondays at 10 a.m., June 22 through Nov. 30. 75 minutes. $10-$20.

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Departs from the Pilot House at 13 Bowen’s Wharf, Newport.

newportblackhistorywalkingtours.com

“A Name, A Voice, A Life: The Black Newporters of the 17th-19th Centuries” exhibit

Monday through Friday, 9 a.m. to 3 p.m. Free, open to the public.

At the Newport Historical Society’s Richard I. Burnham Resource Center, 82 Touro St., Newport, 401-846-0813.

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Rhode Island

A new safety role at Rhode Island College comes into sharper focus after Brown shooting – The Boston Globe

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A new safety role at Rhode Island College comes into sharper focus after Brown shooting – The Boston Globe


Lawrence was recently named RIC’s first emergency management director, a role college leaders had been planning before the December mass shooting across town at Brown University, but which took on new urgency after the tragedy.

Few resumes are better suited to the job.

A 20-year career in the New York Police Department. Commanding officer of the NYPD’s Employee Assistance Unit. A master’s degree from Harvard.

Lawrence got to Rhode Island the way a lot of people do: through someone who grew up here and never really left, at least not in spirit. Her husband, Brooke Lawrence, grew up in West Greenwich, and is director of the town’s emergency management agency.

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“I couldn’t imagine retiring in my 40s,” Lawrence told me. “And I couldn’t imagine not giving back to my community.”

Public service has been part of Lawrence’s life for as long as she can remember. A New Jersey native, she dreamed of following in the footsteps of her mentor, a longtime FBI agent. She graduated from Monmouth University and earned a master’s degree in forensic psychology from John Jay College in 2001, shortly before the Sept. 11 attacks.

There was high demand for police in New York at the time, so Lawrence raised her hand to serve. She worked her way up the ranks from patrol to lieutenant, eventually taking charge of the department’s Employee Assistance Unit, a peer support program that helps rank-and-file officers navigate the most traumatic parts of the job. She later earned a second master’s degree from Harvard’s Kennedy School.

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“It’s making sure our officers are getting through their career in the same mental capacity as they came on the job,” Lawrence said.

There’s a version of Lawrence’s new job that feels routine, especially at a quiet commuter campus like Rhode Island College. And when Lawrence was initially hired part-time last fall, it probably was.

Then the shooting at Brown University changed the stakes almost overnight.

On Dec. 13, Claudio Manuel Neves Valente, a Portuguese national and one-time student at Brown, opened fire inside the Barus and Holley building, killing two students and injuring nine others. Neves Valente also killed an MIT professor before he was found dead in a New Hampshire storage unit of a self-inflicted gunshot wound.

In eerie videos recorded in the storage unit, Neves Valente admitted that he stalked the Brown campus for weeks prior to his attack. He largely went unnoticed by campus security, which led the university’s police chief to be placed on leave and essentially replaced by former Providence Police Chief Colonel Hugh Clements.

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Lawrence assisted with the response at Brown. She leads the trauma response team for the Rhode Island Behavioral Health Medical Reserve Corps, which staffed the family reunification center in the hours after the shooting.

RIC’s campus is more enclosed than Brown’s — there are only two major entryways to the college — but there are unique challenges.

For one, it’s technically located in both Providence and North Providence, which requires coordination between multiple public safety departments in both communities.

More specifically, Lawrence noted that every building on campus has the same address, which can present a challenge in an emergency. Lawrence has worked with RIC leadership and local public safety to assign an address to each building.

Lawrence stressed that she doesn’t want RIC to overreact to the tragedy at Brown, and she said campus leaders are committed to keeping the tight-knit community intact.

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But she admits that the shooting remains top of mind.

“Every campus community sees what happened at Brown and says ‘please don’t let that happen to us,’” Lawrence said.

Lawrence said everyone at RIC feels a deep sense of responsibility to keep students safe during their time on campus.

And she already feels right at home.

“I want to come home from work every day and feel like I made a difference,” she said.

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Dan McGowan can be reached at dan.mcgowan@globe.com. Follow him @danmcgowan.





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Rhode Island

Taylor Swift And Travis Kelce Tying The Knot In RI? Online Casino Doesn’t Think So

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Taylor Swift And Travis Kelce Tying The Knot In RI? Online Casino Doesn’t Think So


If you thought the smart money was on pop icon Taylor Swift and gridiron star Travis Kelce tying the knot in Rhode Island, an online crypto casino and sportsbook is here to tell you you’re wrong.

The Ocean State was the second favorite at +155 and 39.22%, and Pennsylvania and Ohio were together at a distant third at +1,600 and 5.88%.

Tennessee was the fifth choice at +2,000 and 4.76%.

“New York is the favourite because it’s the city most closely tied to Taylor Swift’s public life, with multiple residences, strong emotional branding, and world‑class venues that offer privacy and security for a high‑profile event,” an unidentified spokesperson said in a media release.

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Human Remains Found Near Taylor Swift’s Mansion Identified: Report





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Rhode Island

Rent control won’t solve Providence’s steep rental prices – The Boston Globe

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Rent control won’t solve Providence’s steep rental prices – The Boston Globe


Part of the story is the pandemic-era shift toward smaller cities. But the larger truth is Providence has not built enough housing to keep up with demand. In 2024, Rhode Island ranked 50th in the nation for new housing permits – dead last. That isn’t ideology; it is economics.

As housing experts have said, including HousingWorksRI Executive Director Brenda Clement, we have a basic supply-and-demand problem. Expanding housing supply for everyone should be the focus.

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To its credit, Providence has begun to move. Recent efforts by Mayor Brett Smiley, the City Council, nonprofit partners, and private developers have created hundreds of new units. More are in the pipeline. That progress must continue.

As rents rise, pressure for immediate relief has grown. The City Council’s proposed solution is rent control: a cap on annual rent increases at 4 percent. In practice, it fails to solve the underlying problem, and creates new ones.

First, rent control does not make today’s rent affordable, it only limits future increases by creating a cap. Many landlords will raise rents to the cap each year. A $2,000 apartment under a 4 percent cap becomes $2,433 after five years – an increase that renters still feel acutely. That is basic compounding, not a worst-case scenario.

Second, rent control would create a hole in Providence’s budget, as it reduces the taxable value of properties. The Smiley administration examined rent-controlled cities and applied the outcomes to Providence’s tax base. The projected annual revenue loss ranges from $10.3 million to $17.5 million.

When rental property values decline, cities are left with two choices: raise taxes or cut services. Education funding, park improvements, library funding, and basic infrastructure all come under pressure. Experience elsewhere shows this burden does not fall on landlords; it shifts to single-family homeowners. Portland, Maine, saw a 5.4 percent reduction in its tax base after rent control, forcing these tradeoffs. The implementation of rent control will affect all Providence residents, whether they rent or own.

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Third, rent control discourages new housing production, the opposite of what Providence needs. Developers are less likely to build in cities where future revenue is capped, financing is harder, and long-term costs are unpredictable. St. Paul, Minnesota, offers a cautionary tale. After voters approved a strict rent cap in 2021, new unit creation dropped by more than 84 percent in the first quarter, forcing city leaders to exempt new construction, which is exempt in the Providence City Council rent control proposal.

When we build more housing at all price points, market pressure eases, as supply catches up with demand.

That does not mean ignoring the pain people feel today. I grew up here, attended our public schools, and bought a modest single-family home in the neighborhood where I was raised. I feel today’s housing pressures firsthand and hear them daily from family and neighbors. After 12 years on the council, including a leadership role in 2011 when Providence was on the brink of bankruptcy, I know our elected officials genuinely want workable solutions.

That is why, as executive director of The Providence Foundation, an organization of 140 private business and nonprofit members from myriad industries, I recommended we commission a study by the Rhode Island Public Expenditure Council to educate the public on this issue and identify solutions. The report revealed the most effective approach to housing shortages and high costs pairs aggressive housing production with targeted rental assistance for households most at risk of displacement.

Cities across the country have shown what works: modernized zoning, faster permitting, conversion of underused commercial space, and temporary rental assistance to help families stay housed while new supply comes online. These strategies outperform rent control. Overcoming the housing challenge will require all levels of government to play a role.

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Reasoned policy will meet Providence’s housing needs and strengthen our economy for a brighter tomorrow.

David Salvatore is the executive director of The Providence Foundation, a nonprofit organization committed to supporting visionary projects downtown, and a former Providence City Council president and member.





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