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Maine’s rustic summer theaters struggle to keep cool as temperatures rise

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Maine’s rustic summer theaters struggle to keep cool as temperatures rise


Brothers Conor Guptill, left, and Aram Guptill, Hackmatack Playhouse’s producers. Their family has run the barn theater for 52 years. Ben McCanna/Staff Photographer

In the middle of more than one matinee performance at Hackmatack Playhouse in Berwick this summer, audience members have gotten up and left because of the sweltering conditions inside the barn theater, and at least one actor was sickened by the heat.

The 123-year-old Lakewood Theater in Madison has handed out small, battery-powered fans for patrons to use during some performances, and dress rehearsals have been held without costumes.

At some theaters that have air conditioning, electricity bills have soared with increased use.

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As summers in Maine continue to get hotter, venues are trying to find cost-effective ways to cool sweltering patrons and actors, while keeping the history, charm and character of their theaters intact.

“That’s really been the elephant in the room for a while. People love the rustic summer stock experience at Hackmatack. It’s a quintessential Maine experience,” said Conor Guptill, whose family founded the theater in 1972 in a 200-year-old barn. “We’ve begun exploring the idea of insulating the barn and putting in AC, but it’s a really difficult conversation to have. Not just because of the monetary investment, but because it might destroy what people value about the barn.”

Seasonal theaters are among the hallmarks of summer in Maine. They can be found all over the state, in booming tourist locales and sleepy small towns. Some of the best known, including Ogunquit Playhouse, Maine State Music Theatre in Brunswick and The Theater at Monmouth, are air-conditioned. Others that are just as steeped in history, like Hackmatack Playhouse, Lakewood Theater and Deertrees Theatre in Harrison, are not.

WE’RE HAVING A HEAT WAVE 

Adding air conditioning to an old, uninsulated building, like Hackmatack or Lakewood, would not only cost thousands of dollars but might require construction and renovations that would change the historic nature of the venue. But as warming trends continue, theater operators worry that people will start to come to shows less often.

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“Obviously ticket sales are a concern because, when it’s really hot, people would probably rather stay at home in their AC. But, for us, installing AC in this historic building (built in 1901) would be very environmentally and fiscally challenging,” said Art Meneses, director and administrator at the 600-seat Lakewood Theater.

Lakewood Theater in Madison was built in 1901. Shawn Patrick Ouellette/Staff Photographer

Meneses said ticket sales at Lakewood are down about 1% so far this summer compared to last year. The number might seem small but can be significant, since the theater’s revenue comes from ticket sales and donations, he said. At Hackmatack, attendance is up about 20% this year, Guptill said, thanks to new, younger audience members. But Guptill worries that those patrons, who are more likely to have grown up with air conditioning than older folks, will come to one very hot show, then not come back.

Theater operators and audience members say, for the past few years, they’ve noticed that conditions at some venues have become unbearably hot on certain days. The unusual early summer heat wave this year – when temperatures were in the 90s in mid-June – seemed to show that the trend is not slowing.

Portland experienced its second hottest July on record this year, with an average temperature of 73.1 degrees, said Derek Schroeter, a meteorologist at the National Weather Service in Gray. The warmest average July temperature in Portland, according to records dating back to 1941, was 73.7 degrees in 2020. Portland also had an average July temperature of 73.1 degrees in 2019, Schroeter said.

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Some theaters without air conditioning have experienced this year’s heat less dramatically. At Deertrees Theater in the Lakes Region town of Harrison, the 1936 building has so many doors and windows that fully open – including huge barn doors – that the temperature inside can be the same as outside, said Gail Phaneuf, executive and artistic director. The theater also has large fans to circulate air and keep things cool. Phaneuf said the heat so far this year has not kept people away from Deertrees, and the 280-capacity theater has had several sellouts recently.

The Portland-based Fenix Theatre Company, which stages free outdoor Shakespeare performances in Deering Oaks park, has its own unique set of problems related to the heat. This year’s show was “Love’s Labor’s Lost,” which wrapped up Saturday.

Some years, the company has performed on the park’s large stage, which doesn’t have a lot of trees for shade nearby and can get very hot, said Peter Brown, the artistic director. But this year, mostly because it made sense for this particular show, performances were in a much shadier spot near the park’s footbridge. As summers get hotter, picking a spot based on how shady it is could be a consideration, Brown said. If the “feels like” temperature outside gets to 100, the company cancels its performance that day, but as of last week, that hadn’t happened yet this year, Brown said.

People take their seats at Hackmatack Playhouse for a performance of “Into the Woods” on July 19. Ben McCanna/Staff Photographer

THE SHOW MUST GO ON

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Linette Miles, an actor who began performing at Hackmatack in 2007 and was recently in the musical “Into The Woods,” said the heat this season has been tough for actors to rehearse and perform in. She said an actress became dizzy and vomited during one hot spell. Others worry about keeping up their stamina and focus.

Miles said this year has been the first time she’s noticed audience members at the 200-seat Hackmatack Playhouse leaving matinees, on very hot days, before the performance is over.

“I don’t remember seeing audience members leaving during the show. That’s something I’ve only seen this year,” said Miles, who lives in Durham, New Hampshire. “During the matinees (this year), it’s been really hot, and we’ve seen quite a few people leave.”

Guptill said the heat has not kept actors out of the theater’s shows, partly, he says, because there are so many who are looking for summer gigs. But he worries that some may not come back again, if they find the heat has been too oppressive.

At Lakewood Theater, Meneses said that, when it’s 85 and humid outside, it will feel like 90-95 degrees on stage, even with energy-saving LED stage lights. The theater replaced its incandescent stage lights to save money on electricity a few years ago. Those lights could make the temperature on stage feel like it was about 120 degrees, Meneses said.

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Lakewood Theater staged the energetic musical “The Prom” in late June, when temperatures soared for several days. They decided not to have actors suit up in their costumes for dress rehearsals, and they performed in T-shirts and shorts instead. There have also been super-hot days when the theater’s woodshop workers, who build sets and props, were sent home because it was too hot, even with fans, Meneses said.

People enter the Lakewood Theater in Madison before a matinee on July 24. Shawn Patrick Ouellette/Staff Photographer

FANS WHO NEED FANS

Besides having several large fans to circulate air in the theater, Lakewood has been handing out small, battery-powered fans to audience members who want a personal cooling device during the show, Meneses said. At Hackmatack, the owners recently spent about $2,500 on large, commercial-grade exhaust fans and portable fans for the theater, Guptill said.

Hackmatack Playhouse season-ticket holder Kathleen Szmit of Alfred said that when she saw a nighttime performance of “Into the Woods” on July 6, the show was “incredible,” and the heat was “ridiculous.” But she wouldn’t let the temperature stop her from enjoying the full show.

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“Even though it was sweltering and almost impossible to sit through, I was not going to leave, because the quality of the shows is so high,” said Szmit, who works as a library assistant. “It’s so sad to me that (Hackmatack’s owners) are facing this issue, when it’s not their fault.”

Greg Pizzo, whose wife and daughter have been in shows at Lakewood Theater, doesn’t think the heat will keep him or his family from seeing shows there. He says the theater stays cool enough for him, unless it’s a matinee on a very hot day.

“Certainly there have been some super-hot days this year, but the theater is so dark and old that it stays fairly cool,” said Pizzo, who lives in China but has a camp in Skowhegan. “Overall, I don’t think it will affect how often we come.”

Late-day sunlight spills through the entrance at Hackmatack Playhouse as Conor Guptill, one the theater’s producers, prepares to open the venue for a performance of “Into the Woods.” Ben McCanna/Staff Photographer

THE COSTS OF COOLING 

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Guptill says the money that’s been spent on fans and exhaust systems for Hackmatack Playhouse are mostly stop-gap measures. He said he and his brother have started to explore possible longer-term solutions, like air conditioning, by reaching out to other summer theaters to see what problems they are facing and what solutions they are considering.

Installing air conditioning would mean significant infrastructure work on the barn and cost at least “tens of thousands” of dollars, Guptill said, which would probably require the owners to reach out to patrons and the community for a capital campaign. He said he and his family have also considered shifting the theater’s season to having the bulk of shows in September and October, instead of July and August. Guptill thinks there are enough tourists coming southern Maine at that time of year to support the change.

“The big question is, should we raise the money to put in some true heat mitigation? If not AC, is there another way to get cool air or other things we can do?” said Guptill.

Air conditioning alone is not a cure-all for small theaters dealing with increasingly hot summers. The 250-seat Stonington Opera House, which is open all year but has a busy summer season, has air conditioning. But the electricity bill has become a real burden for the venue’s operator, Opera House Arts. The building dates to 1912 but had air conditioning installed and other major upgrades made over the years.

The venue’s July electricity bill was $801.51 in 2022, $913.42 in 2023 and $1,243.97 this year, said Erika Sanger, executive director of Opera House Arts. That’s about a 55 percent increase in two years, Sanger said.

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Meneses said the heat this summer has affected the theatergoing experience at Lakewood in some unexpected ways. The audience might show up in good numbers, but sometimes it’s too hot for them “to laugh or really be present.” As for the future, Meneses thinks he and others in summer theater will have to continue monitoring the weather and thinking about possible solutions. And, because they are in show business, they’ll find ways to carry on.

“Certainly, some audience members ask us if we have AC, so I think we’re going to have to continue having these discussions about what’s the most efficient way to keep this place cool,” said Meneses. “We’ll just we keep going, through thick and thin.”

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Christmas wishes flow in for 7-year-old Maine girl fighting cancer

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Christmas wishes flow in for 7-year-old Maine girl fighting cancer


Dressed in a fuzzy chicken costume, a then-2-year-old girl — accompanied by her parents dressed as farmers — walked around their new neighborhood ringing doorbells and asking for candy. It was July. 

That is how the Westbrook community first met and fell in love with Lucy Hanson five years ago.

Everyone in Lucy’s neighborhood is close, Sue Salisbury, her neighbor, said, but it’s particularly hard not to love Lucy. She trick-or-treats year round. She jumps into her neighbors’ piles of leaves as they’re raking. She rides around the neighborhood on a seat on her dad’s bike with a speaker playing music attached in the back. 

“She’s got the whole neighborhood wrapped around her finger,” Joe Salisbury, Sue’s husband, said. 

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So when Lucy was diagnosed with cancer at the end of October, the neighborhood decided to flood her with love as she spends the next nine months, holidays included, in the hospital for chemotherapy treatment.

Friends, neighbors, strangers and even people from other countries have sent Lucy a deluge of holiday cards, donations, gifts and meals. 

Lucy’s aunt, Juna Ferguson, shared Lucy’s story on social media and asked for donations and meals to help. She also submitted Lucy’s name to The Angel Card Project, an online charity that requests greeting cards for people in need, so Lucy would feel as much love as possible during the holiday season. 

In just a few weeks, Lucy has received hundreds and hundreds of cards, letters and packages, including some from as far as Germany and Australia. On Meal Train — a website that facilitates meal giving to families in hard times — people have donated almost $22,000 for the Hanson family and sent dozens of meals. Lucy’s wish list sold out within five minutes — three separate times. 

The Hanson family

In many ways, Lucy is just like any other 7-year-old girl from Westbrook. 

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She loves Harry Potter (she’s in Gryffindor, of course). She’s reading “Harry Potter and the Order of Phoenix,” but it’s a little scary for her. She just became a Brownie in the Girl Scouts. She wants to be a music teacher when she grows up. She loves to draw and sing and dance and do gymnastics and musical theatre. She has a best friend named Mallory who she has known since she was 6 months old. She’ll cry if there’s a snow day and she can’t go to school and see Mallory. 

She’s witty and kind and bubbly and fun. 

But in other ways, Lucy’s life doesn’t resemble that of other kids. 

Last month, she spent more time in the hospital than at home. If she’s in the hospital, she has a robot she can drive around school to participate in her classes. (She dressed up the robot with a jacket, a hat and a sparkly backpack to make it look more like her). 

Lucy is much smaller than most girls her age, as a genetic condition slows her growth. And she knows a lot more about cancer than most children.

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She’s used to doctors and nurses and hospitals. 

A few months after she was born in July 2018, she developed a rash on her face, which eventually spread to other parts of her body. After visiting three dermatologists and ruling out eczema, Lucy ultimately was diagnosed with Rothmund-Thomson syndrome type 2, a rare genetic condition that primarily affects her skin and bones and increases her chances of developing several types of cancer. Lucy is one of about 500 documented cases of RTS in the world.

For six years, Lucy was healthy. But in October, while she was attending a conference for families affected by RTS in Salt Lake City, she started to limp. She seemed to get better after a while, but a week and a half later, she couldn’t put any weight on her foot. 

That’s when she was diagnosed with osteosarcoma in her right tibia. The doctors said Lucy will need nine months of chemotherapy and a below-the-knee amputation in February of 2026. 

“How will we navigate the rest of Lucy’s life?” Staci Hanson, Lucy’s mom, thought.

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Even though their lives had flipped upside down, Staci and her husband Jason decided to live as normally as possible. 

They make sure Lucy does school work and takes walks. A school teacher checks in with her at the hospital and a child life specialist comes to play with her. Last week, they made slime together. 

Staci and Jason Hanson pose with their daughter, Lucy. (Courtesy of the Hanson family)

The nurses and doctors at MaineHealth Barbara Bush Children’s Hospital, where Lucy is receiving her chemotherapy treatments, have made magic in a very nonmagical situation, Staci said. In the hospital, Lucy got to pick out her own Christmas tree and ornaments for her room and even made a gingerbread house. 

In the past month, the Hansons have spent just five days at home. Staci and Jason take shifts at the hospital. One night, mom stays with Lucy, the next it’s dad. They only live 15 minutes from the hospital, so it’s not a long drive to come home to get new things or do laundry, Jason said. 

“It feels like a long time,” Lucy protested. 

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Her parents are honest with her about RTS, osteosarcoma and her approaching amputation in February. 

“We try to lift her up and tell her, ‘Yeah, your world is going to look a little bit different, but you can still live a super normal life even with a prosthetic,’” Staci said. “So we’ve shown her lots of videos of people doing gymnastics and dance and just living fulfilling lives even though they have a prosthetic.”

Rallying around

Since Lucy met Joe and Sue Salisbury while trick-or-treating in the summer years ago, she has become part of their family. 

“It’s like having a grandchild,” Joe said. 

Lucy will often randomly call the Salisburys to invite them over for a movie night. No matter what they’re doing, even if they’re in the middle of dinner, they always accept. 

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“You don’t say no to her,” Sue said. 

So they will stop what they’re doing, walk across the road in their slippers, and cuddle up with Lucy on the couch to watch whatever movie she wants. 

Now, Sue and Joe hold on to those memories of her until they can resume that tradition.

In the meantime, the community is doing everything it can to help the family. The less the Hansons have to worry about, the more they can focus on Lucy and themselves. 

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A box is filled with cards for Lucy Hanson to cheer her up while she spends the holidays in the hospital. (Courtesy of the Hanson family)

Joe and Sue volunteered to receive the letters for Lucy, since the Hansons are rarely home to check their mail.

“This is Lucy’s fan following,” Joe said, pointing to two packages and a bag stuffed with letters. 

The Salisburys collected at least 400 cards for her in three weeks. They go to the hospital about once a week to visit Lucy and give her the letters. They would like to see her more, but the visits are limited due to Lucy’s compromised immune system. 

The Salisburys own the Daily Grind, a coffee shop in Westbrook. Customers come through all the time to drop off packages and cards for Lucy and ask about her.  

Neighbors pick up the Hansons’ mail and plow their driveway. 

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Joe isn’t surprised by the response from the community. In Westbrook, people have always helped each other out. 

“I think it’s just another example of how great the Westbrook community is that everybody is pulling together for Lucy,” Sue said.

The Hanson family has received so many letters and donations, it’s impossible to write enough thank you cards, Staci said. They are saving most of the cards to give to Lucy later, because she still has many more months in the hospital. 

“I don’t know how we’ll ever repay our community for the love that we’ve received,” Staci said.

Lucy’s favorite card so far has a drawing of two ducks sitting in a yellow bowl of tomato soup with some crackers on the side.

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“Thought some soup and quackers might make you feel better,” Lucy read from the card. 

In another package, Lucy received fake snowballs. So Lucy did what any other kid would do —started a snowball fight in her hospital room with her doctors and nurses. 

Those interested in sending gifts and cards or signing up to give a meal can visit mealtrain.com/trains/w4lwd0. The RTS Foundation accepts donations at rtsplace.org/. People can also join “The Lucy League” by buying merchandise at bonfire.com/store/bravelikelucy/. All profits go to the Hanson family. 



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Tell us your Maine hunting hot takes

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Tell us your Maine hunting hot takes


Now that deer season has wrapped up, hunters across Maine are returning to their usual off-season routine: processing meat, watching football and passionately debating the “right” way to hunt and fish.

Anyone who spends time in the woods knows opinions run deep.

So, what’s your hunting hot take? Is camo really necessary, or do deer not care what you’re wearing? Can they really smell a Swisher Sweet on your clothing? Should hunting licenses be harder to get, or should crossbows be classified as firearms?

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It’s not just about laws, either — it’s about ethics, tradition and your personal style.

Your hot take might spark a friendly debate — or a fiery one — but either way, we want to hear it.

Share your thoughts in the comments or email Outdoors editors Susan Bard at sbard@bangordailynews.com.



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Portland greenlit its tallest building this month. Will more skyscrapers follow?

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Portland greenlit its tallest building this month. Will more skyscrapers follow?


At 380 feet, the Old Port Square tower on Union Street in Portland would be the tallest building in Maine. It is meant to resemble a lighthouse beacon. (Courtesy of Safdie Architects)

Portland’s skyline is changing.

First, the iconic B&M Baked Beans brick smokestack came down. Then the 190-foot Casco building went up. And soon, the city will add a sweeping new Roux Institute campus and an “architecturally significant” expansion of the Portland Museum of Art.

But perhaps no change will have as much visual impact as the 30-story, nearly 400-foot tower the planning board approved earlier this month. 

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The proposal has ruffled feathers, with many bemoaning what they say sticks out like a sore thumb (or middle finger) on the city’s idyllic skyline. They fear if more high-rises pop up across the city, Portland might slowly morph into a northern version of Boston.

So will this project usher in an era of skyscrapers for Maine’s largest city?

Experts say that’s unlikely.

“We’re not expecting a windfall of 30-story buildings,” said Kevin Kraft, the city’s director of planning and urban development. 

Under new zoning laws, only a small section of downtown along Temple, Federal and Union streets allow buildings as tall as the tower. That means even if there was an appetite for more high-rises, there simply isn’t much undeveloped space.

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Furthermore, much of Portland ‘s peninsula is covered in historic districts, and “contributing buildings” can’t be torn down, Kraft noted. 

Chapter 14 Land Use Code – Revised 12-3-2025 (PDF)-Pages by julia

GROWING UP

Vertical development, experts say, is a sustainable way to squeeze more housing into a smaller footprint, something cities have been doing for decades. And Portland needs housing in spades. 

Last year, city leaders updated its zoning laws with the goal of allowing growth while preserving character. The overhaul included an increased maximum height for buildings in some of the city’s major corridors, permitting buildings up to 380 feet in a section of downtown.

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That part of the city has always allowed the tallest buildings, but until last year’s recode, the maximum height was 250 feet. And that height cap was in place for nearly 30 years before it was even remotely tested when Redfern Properties built the 190-foot Casco in 2023, currently the tallest building in Maine. 

The new proposal from Portland developer East Brown Cow Management LLC, tentatively called Old Port Square tower, would be twice that tall. It would include more than 70 residential units, commercial space, an 88-room hotel and a restaurant at the top, and is just one piece of a development project that could fill an entire city block.

Whether any other developers follow suit with similar proposals could depend more on market conditions than Portland’s updating zoning. 

“People aren’t going to build speculative high-rises,” Kraft said. 

If the building ends up being successful, though, it could be an important “proof of concept” for other developers in the area, said Tim Love, assistant director of the Master in Real Estate Program at Harvard University.

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Love is generally supportive of the project, which he said is in a great location.

“A lot of these proposals don’t happen because at the end of the day, the financing doesn’t work or the numbers that were plugged in for rents aren’t supported by the underwriting,” he said. “So I think it would be good for Portland if this project is a success,” because it could lead to additional residential development downtown.”

And more people living downtown is exactly what the city needs, he said. 

“I hope this is a model for more residential mixed-use development at densities that can extend the kind of not 24/7 but 18/7 life of the city all the way to the museum,” he said. 

If Portland is going to get an influx of high-rises, it won’t be for some time, said Jeff Levine, a former planner for the city of Portland who now divides his time consulting and teaching urban studies and planning at the Massachusetts Institute of Technology.

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“I don’t think you get instant results in anything,” he said.

Real estate is complicated. Beyond just zoning changes, there are building regulations, financial restrictions and even simply individual personalities that impact whether a building will go up, Levine said.

FEAR OF CHANGE

Nancy Smith, CEO of GrowSmart Maine, a nonprofit that helps communities grow in sustainable ways, says the Old Port Square tower will certainly be symbolic for the city, but it’s not a “game-changer.”

Game-changers, she said, were the Franklin Arterial and the demolition of Union Station — projects that transformed the city (though arguably not for the better) and made a statement about what Portland wanted to be in the future. 

But some feel like the tower could do that, too. It just might take time.

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“We’re not (just) trying to capture the current moment, we want to anticipate the growth we could see in the next 15, 20, 30 years,” Kraft said. “We want to accommodate that growth (and) be more proactive than reactionary.”

Cities are constantly changing and evolving, he said. At one point, the Time and Temperature building on Congress Street seemed to dwarf those around it, including the Fidelity Trust building, which was once known as Maine’s “first skyscraper.” Now, they blend in.

Additionally, Smith said, the uses intended for the proposed tower area already commonplace downtown: a hotel, restaurant, apartments and shops.

Still, a big element of early opposition to the tall tower is fear of change, and that’s natural, she said.

“The challenge is moving beyond that deeply personal response to actually consider what you’re looking at,” she said. “This building has a lot of symbolic value. Portland is changing, but stopping the building isn’t going to stop that change.”

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