PORTLAND, Maine — June’s clammy, water-logged weather wasn’t very conducive to enjoying the state’s fabled summertime outdoor attractions. The forecast for July’s first week isn’t much better.
Looks like it’s time for plan B — but don’t worry, it doesn’t have to be a hardship.
Instead of fretting about drizzling skies, let the wet weather drive you indoors to the climate-controlled confines of Maine’s first-rate museums currently offering a dazzling array of world-class photography exhibitions.
Right now, Maine is blessed with three major shows featuring broad surveys of prints by heavy-hitting shooters as well as lesser-known artists. In addition, smaller, more niche shows dot the Pine Tree State as well, offering something for just about everyone.
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Bowdoin College of Art
People Watching: Contemporary Photography Since 1965Sally Mann’s “Leah and Her Father from the Series At Twelve” is now on display at the Bowdoin College Museum of Art in Brunswick. Credit: Courtesy of the Bowdoin College Museum of Art
This wide-ranging, and free, exhibition is all about humans and the various ways photographers have been picturing them since the middle of the 20th century. The show is broken up into four distinct sections, showcasing 120 photographs by more than four dozen photographers.
The first section features street photography and begins with prints by superstars of the craft Lee Friedlander, Gary Winogrand and Bruce Davidson. These are mostly observed pictures of people on city streets who didn’t know they were being photographed.
These photos capture rectangular instants of unguarded time and then allow the viewer the luxury of contemplating that particular fraction of a second for as long as they like. The photos transform blank, anonymous moments into something almost — but not quite — knowable.
Two remarkable photos by American Indian photographer Zig Jackson are also part of the first section. Both large, black-and-white images show white tourists photographing Indigenous dancers at what looks like a public powwow. Jackson described each palindromic photo as, “Indian photographing tourist photographing Indian.”
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The second section at the Bowdoin exhibition is dedicated to pictures of people at home. Most of the images were made by someone with a familiar, or intimate, relationship with their subjects. Included is a family picture by Sally Mann and a pair of prints from Larry Clark’s well-known book about drug use and sex in the 1960s, “Tulsa.”
There’s also a heart-stopping series of six prints picturing domestic violence in progress, shot in the 1980s by Donna Ferrato. They remind viewers that not all private moments at home are beautiful.
The second section also includes a handful of prints by Maine artist Olive Pierce who spent years lovingly documenting a marginalized family in Bremen, which culminated in her classic photo book “Up River: The Story of a Maine Fishing Community.”
The third and fourth sections’ images are less powerful and focus on studio portraiture and finally pictures of landscapes and interiors that hint of past human occupation. Standouts here are a series of Polaroids by Andy Warhol and a remarkable photo of jazz trumpeter Miles Davis’ lined hand by Irving Penn.
The show runs through Nov. 5.
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Portland Museum of Art
Drawn to the Light: 50 years of Photography at Maine Media Workshops + College
This show highlights 100 prints by 75 photographic artists associated with Rockport’s famous photo school since it was founded half a century ago in 1973 by David Lyman.
National Geographic shooter Dick Durrance, color photography pioneer Ernst Haas, documentarian Mary Ellen Mark and gauzy artist Joyce Tenneson are just a few of the well-known names represented in the show.
By bringing out the big guns, the show seeks to attract a wide audience, of course, but also show the outsized, cross-pollinating impact the little Maine school has had on the photographic world over the years.
Near the beginning of the show is a stunning and famous print by Mary Ellen Mark picturing the Damm family, arms around each other, in the 1971 Buick Skylark that was their home when the photographer made her picture in the 1980s. Just down the wall from that image is a portrait of Mark, taken in Rockport by equally famous shooter Arnold Newman in 1993.
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Likewise, not far from a trippy print of glass buildings reflected in other skyscraping windows by Ernst Haas, is a playful portrait of the photographer. Taken in 1959 by Dan Budnik, it shows Haas lying in the mud, clad in a rain slicker, trying to get a shot of a leaf floating in a mud puddle.
Another arresting image is by French photographer Madeleine de Sinety, taken in Portland in 1995. The playful photo shows an oiled and bikini-clad woman trying to look glamorous and get a tan while laying on a tattered lawn chair outside a city tenement building. Children run past her on the sidewalk but she still manages to look relatively serene.
The crowd-pleasing show also surveys work by magazine reportage artists Sam Abell, Peter Ralston and William Albert Allard, landscapes by Robert Glenn Ketchum and Paul Caponigro as well as a few arty nudes.
A delightful addition to the show is a small selection of historic Maine Media Workshops course catalogs — which prospective students used to get in the mail during the winter and spend hours pouring over, like department store Christmas wish books. But instead of dreaming of December gifts, photographers would dream of meeting famous shooters during magic summers in Rockport.
The show runs through Sept. 10.
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University of New England Art Museum, Portland campus
Rose Marasco: Camera LucidaThis work by Maine educator and photographic artist Rose Marasco, called “Interior Number 1,” from her projections series, is currently on display at the University of New England Art Museum on the Portland campus. Credit: Courtesy of the University of New England Art Museum
This photographic exhibition is completely different from the other two biggies going on in Maine right now. It features the deeply personal, idiosyncratic work of a single Maine photographer but it packs no less of a punch.
Rose Marasco, born in upstate New York, helped found the photography program at the University of Southern Maine and then taught there for 35 years. During her teaching career, she also found time to make her own photographs and mount 25 solo shows at prestigious venues including the Houston Center for Photography, Universite de Bretagne Occidentale in Brest, France, and the Farnsworth Museum of Art.
The large University of New England show coincides with the publication of Marasco’s monograph “At Home,” by OSMOS Books.
Every single photo in the show, which is grouped into distinct series, is a carefully constructed image with nothing left to chance. Most are draped with several layers of visual interest and meaning.
Marasco made one large collection of photographs by projecting various images and pictures into curated rooms inside her own house. The resulting eyeball feasts can fascinate for minutes at a time, as a viewer’s brain attempts to catalog everything it can see.
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Another series features seemingly artifice-free pictures of small, historic artifacts she unearthed in the backyard of her Portland home. Marasco couples these photographs with dreamy, written narratives.
Also in the show are a series of images from her “Domestic Objects” series, which Marasco worked on for nearly a decade between 1993 and 2002. In the images, she combines historic diary pages, written by long-dead, everyday Maine women, with domestic objects inspired by the diary entries.
In one such image called “Egg Diary” the artist couples a single egg with a diary page, on top of what looks like a classic, mid-century formica table top.
“Dorothy Clak came to buy one egg — the only fresh one we had,” reads the entry in part.
It was jotted down in neat cursive script by East Madison’s Florence Burrill Jacobs on Jan. 15, 1921. Jacobs’ papers are part of the University of New England’s Maine Women Writers Collection.
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Marasco’s show runs through Oct. 8.
More photography to see in Maine right now
The Maine Museum of Photographic arts in Portland is currently showing “Decoding the Domestic,” featuring various works centering around how an artist’s home environment influences their work.
The Maine Maritime Museum in Bath is now featuring photographic works by pioneering Maine women photographers Emma D. Sewall, Josephine Ginn Banks and Abbie F. Minott. All three were descended from shipbuilding and seafaring families and captured images of Maine landscapes, industries, and communities in the late 19th and early 20th centuries.
The Penobscot Marine Museum has three photographic shows of note this summer. One focuses on Maine-built boats created especially for summer rusticators. Another exhibit hones in on historic magazine photos of fisherfolk from the pages of National Fisherman and its predecessor Atlantic Fisherman. The third show is all about the work of Maine photographer Sam Murfitt who has spent most of his life connected with the water — making photographs, building boats and working for fishing publications.
Harpswell, Brunswick, Freeport, Kennebunkport, Belfast, St. George, Bath, and now Phippsburg. These are the towns where Maine Coast Fishermen’s Association, a nonprofit dedicated to fostering sustainable fisheries in the Gulf of Maine and supporting Maine’s fishing businesses, has co-hosted panels to discuss the variety of issues facing Maine’s working waterfronts.
The next in the series, titled “Hidden Working Waterfronts,” will be held in Phippsburg from 5:30 to 7 p.m. on May 23 at the Maine Oyster Company’s basecamp. This will be a discussion of the small working waterfronts that often go unnoticed along the coast of Maine, particularly those in Phippsburg and Georgetown, and their significance to the waterfront economy and heritage of this area.
Panelists will include those involved in shellfish harvesting, oyster farming, commercial fishing and management of coastal resources. It will be moderated by MCFA Director of Community Programs Monique Coombs, with space for questions and discussion from participants. The event is free, but registration is required. Maine Oyster Company will also have lobster lunch boxes and oysters for sale on site. More information as well as registration is available at maine-coast-fishermens-association.networkforgood.com/events/71734-hidden-working-waterfronts-a-working-waterfront-conversation.
This panel follows on the heels of another panel recently held in Bath to address the impacts of this winter’s storms on the coast of Maine. Held at the Maine Maritime Museum on April 3, that panel discussed the future of maritime industry and the challenges that lay ahead in recovering and rebuilding the coast’s working waterfront infrastructure. Resources related to storm recovery as well as a synopsis of that panel as well as recordings and information about previous panels are available at mainecoastfishermen.org/working-waterfront.
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Water flowing, oysters growing at Harpswell hatchery
Over time, Maine has affectionately earned the nickname “Vacationland,” a title that comes as no surprise to those who have made the trek to visit it. Beautiful shores, lush forests, shimmering lakes, and native wildlife abound, creating an atmosphere of untouched beauty. Charming little towns, steeped in history and brimming with stories passed down through generations, are tucked away within these natural wonders. As the weekend approaches, these towns come alive with a vibrant energy, beckoning travelers from far and wide who seek the perfect retreat from the hustle and bustle of everyday life.
Swan’s Island
A walkway in Swan’s Island, Maine.
Swan’s Island is the ideal destination for a short weekend getaway. The 7,000-acre island is easily explorable within a couple of days. Stunning rocky coastlines and dense forests populate the island. The adventure begins during the journey to reach the island, which is accessible exclusively through the Maine State Ferry Service. Outdoor lovers can venture along the island’s 1.8-mile marked trails and explore its four public beaches, three of which require hiking for access.
Visitors can explore the island’s rich history at the Swan’s Island Lobster & Marine Museum, showcasing artifacts from its fishing industry past. The Swan’s Island Historical Society offers additional insight through various exhibits. Those wanting to disconnect can stay at the Harbor Watch Inn, one of the Island’s few hotels.
Boothbay Harbor
Downtown Boothbay Harbor, Maine. Image credit EQRoy via Shutterstock.com
Those who love spending the day out on the water will love Boothbay Harbor. Many travelers take to sailing, fishing, kayaking, or paddleboarding, enjoying the sea breeze and scenic views of the rocky coastline. The picturesque views continue, with travelers having various waterfront restaurants to select from, including McSeagull’s and 727 Ocean Sunset Bar.
The Coastal Maine Botanical Gardens, featuring over 300 acres of gardens, is also a Boothbay favorite. Charming bed and breakfasts line the downtown area, making it easy to find a place to spend the night. Harbour Towne Inn, a waterfront inn surrounded by lush gardens, will enchant visitors with Boothbay’s relaxed spirit.
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Castine
The marina in Castine, Maine. Image credit Kristi Blokhin via Shutterstock.com
Despite its modest population of just over 900, Castine’s 400-year history, adorned with Greek and Federal Revival architecture, coupled with its enchanting harbor, promises an abundance of activities for a weekend escape. Castine does not shy away from recreational activities. Between sailing, kayaking, tennis, and golf, the town has a sport for everyone.
Visitors can also hike a short footpath around the Dyce Head Lighthouse, established in 1829. Shoppers can easily spend a Saturday afternoon strolling through Castine’s village of shops and galleries before stopping at a mouthwatering restaurant. Pentagoet Inn completes the Castine experience with its charming Queen Anne Victorian architecture. It also features a wine bar with delicious food and drinks!
Greenville
A closeup of a seaplane in Moosehead Lake, Greenville, Maine.
Nestled alongside Maine’s largest lake, Moosehead Lake, Greenville emerges as an ideal hub for fishing, boating, canoeing, and hiking enthusiasts. Positioned amidst this expansive 40-by-20-mile lake, intrepid travelers can embark on a hike up Mount Kineo, a towering 763-foot cliff, to relish breathtaking 360-degree vistas from its summit. Lily Bay State Park, nestled on the shores of Moosehead Lake, offers ample room for swimming and boasts a sandy beach perfect for sun-seekers.
Wishing for a memorable excursion? Book a Moose Safari on Moosehead Lake to encounter majestic moose in their natural habitat. The Greenville Inn is an excellent place to stay. It showcases the town’s history through photographs and paintings splayed on the walls, accompanied by a well-preserved historic interior.
Rockland
Rockland Harbor during Rockland Lobster Festival in summer, Rockland, Maine. Image credit Wangkun Jia via Shutterstock.com
Rockland has a plethora of activities, from summer festivals to island explorations and water sports. Every July, the renowned North Atlantic Blues Festival attracts visitors worldwide, showcasing acclaimed jazz performers like Jr. Wells and Koko Taylor alongside delectable seafood, embodying the essence of the Atlantic Coast. While most beaches in Rockland host rocky shores, Barrett’s Cove on Megunticook Lake provides a rare sandy oasis for sunbathing and swimming without the usual crowds, even during peak summer.
For a sophisticated dining experience to cap off the day, 18 Central Oyster Bar & Grill stands out with its upscale ambiance and locally sourced seafood delicacies, ensuring a memorable culinary journey. Nestled in Rockland’s quaint historic district, the LimeRock Inn is a Victorian mansion converted into a cozy bed and breakfast that is a great lodging option for a short getaway.
Harpswell
Lowell’s Cove in Harpswell, Maine.
Harpswell stands out as a truly distinctive town, on Harpswell Neck, a cluster of sizable islands interconnected by bridges. The best way to become quickly familiar with Harpswell is by embarking on a kayak tour. Those who have always wanted to sail but have never known where to begin are in luck. Orr’s Bailey Yacht Club provides beginner sailing sessions that will take its students through racers to practice. Back on solid ground, Harpswell has lots of history to share. The colonial era Old Meeting House is a fascinating landmark, dating back to the 1750s and used by generations to host church services.
Additionally, a historic colonial burial ground lies just behind it. For hikers, Cliff Trail is a true gem. The rugged, 2.3-mile trail features stunning views overlooking 150-foot cliffs. Heading back into town for the night, The Harpswell Inn, dating back to the 1700s, offers a comfortable retreat at the waterfront.
Rumford
Overlooking downtown Rumford, Maine.
Fishers and hikers flock to Rumford in the summer months due to its scenic and relaxing surroundings. Androscoggin River becomes a haven as the weather warms, with locals and tourists participating in fishing, boating, and paddling. Those up for a challenge can hike up Rumford’s Whitecap Mountain, which has two trails that lead to panoramic views of the forests and hills below. Back in town, Rumford offers an array of antique, collectible, and thrift shops, making it easy to find a unique souvenir. The J. Eugene Boivin Park along the river is a great place to wrap up an afternoon before heading to your lodging. Hotel Rumford is a classic; a cozy stay right on the river.
Although travelers could easily spend beyond a month exploring Maine’s treasures, a weekend trip provides a fantastic taste of what this state has to offer. From coastal paradises like Boothbay Harbor to serene island escapes like Swan’s Island, each destination represents a unique side of Maine’s rugged culture. As you prepare your weekend itinerary for some much-needed time away, do not shy away from these memorable destinations in Vacationland.
The Maine’s Black Future podcast boldly visits stories of historic Black Mainers and the legacies they carved into the state. Then we connect this longstanding history to Black changemakers weaving Maine’s Black future today!
We define terminology, keep it real, and invite you to connect deeply with Black Mainers creating the future that we want to live in. We showcase Black excellence occurring all over Maine and feature original music production from the GEM CITY Maine collective, throughout.
Episode 6 opens with Genius Black telling the story of John D. Carter, who lived in Augusta during the 19th century.
In the 1830s and 1840s, Carter and his wife Mary lived above his barbershop. Carter was a successful businessman, and a vocal opponent of slavery, which he considered a sin. He proposed anti-slavery resolutions that challenged First Baptist Church of Augusta’s commitment to act against enslavers and the institution of slavery. He was an early activist, paving the way.
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Lisa Jones
Later in the episode, Genius and Lisa Jones connect about founding Black Travel Maine, growing up in the Tri-State area, and lobbying on behalf of small businesses in Washington D.C.
Genius touches on the Black history that drew Jones to the state of Maine, and how much the people of Maine mean to her.
She talks about entering the travel industry, and early impact she created there. Jones recalls some of the reasons for starting Black Travel Maine, and how she connects travelers’ needs to the solutions she offers.
She also highlights the economic impact of increasing tourism, particularly Black tourism to the state.
As Jones shares a list of career honors and reflects on their relevance, we get a peek into Black excellence within the travel industry. The conversation concludes with a discussion about her vision and proclamations for Maine’s Black future.
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You can listen below to the episode or you can find it on some of your favorite podcast hosting platforms including Spotify, Apple Podcasts, iHeart Radio, Google Podcasts, Amazon Music, TuneIn + Alexa, Podcast Addict, Podchaser, Deezer, Player FM, Listen Notes, Podcast Index, Goodpods and Pocket Casts.
Past Episodes
Episode 1: The history of London Atus and an interview with Alfine Nathalie.
Episode 2: The history of Pedro Tovookan Parris and an interview with Junes Thete
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Episode 3: The history of John Brown Russwurm and an interview with Adilah Muhammad
Episode 4: A story of Sherman Kentucky Ferguson and an interview with David Patrick
Episode 5: A story of Gerald E. Talbot and an interview with Angela Okafor
Podcast Series Notes
Maine’s Black Future Podcast is supported by Maine Initiative’s Grants for Change program and receives editing and multimedia support from The Maine Monitor, which also serves as the fiscal sponsor for Maine’s Black Future.
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This relationship also means you can now give your tax deductible gift or donation to the Maine’s Black Future Podcast, via The Maine Monitor.
Genius Black, or Jerry Edwards, was awarded the 2024 Media Arts Fellow for the Maine Arts Commission. This podcast is funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.
Theme music produced by Genius Black, composed by Genius along with Bill Giordano on bass and Ben Noyes on acoustic piano.
Podcast recorded, and produced by Genius Black at Portland Media Center, for The Maine Monitor.
Episode References & Links
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Maine’s Visible Black History, The First Chronicles of its People by H.H. Price and Gerald E. Talbot.
Up and Down the Kennebec Valley: Blacks in Maine – Part 2
Augusta, Maine Wikipedia
Visit Black Travel Maine
Connect with Genius on Instagram
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Genius Black
Genius Black, also known as Jerry Edwards, is a social innovator, entrepreneur, and musical artist based in South Portland, Maine. Naturally a storyteller and motivator, he focuses on collaboration and audio/video production as a craft. Genius curates a collaborative network and collective of musical talent, GEM CITY, driving the intersection of art, culture, and quality of place unique to Maine’s coast. He holds a degree in Africana Studies and an English minor from Bowdoin College. He is the father of two teenagers, 15 and 19 years old. Genius is a media and communications organizer for TheThirdPlace and a proud board member of Portland Media Center.
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