Northeast
Lindsay Lohan joins 'Mean Girls' cast at musical film's premiere in New York
- Lindsay Lohan, who starred in the original “Mean Girls” film, joined the cast of the new musical adaptation at its premiere in New York.
- Tina Fey, the writer of the original film and the Broadway show, reunited with Lohan at the premiere.
- Lohan said she was excited about the new iteration of the movie and mentioned it “felt great” to hear about its impact on teens.
She doesn’t even go here, but Lindsay Lohan still joined the cast of the new “Mean Girls” at the musical film’s premiere Monday night in New York.
Lohan, the star of the original 2004 film, reunited with Tina Fey — who wrote both the classic film, the Broadway show it inspired and this new adaptation — and posed with the new Cady Heron, Angourie Rice, on the pink carpet.
“It was an amazing movie to work on when I did it, and I can’t wait to see this new iterative version of it. I think it’s gonna be wonderful,” Lohan told The Associated Press.
RACHEL MCADAMS STOLE THE SHOW AS REGINA GEORGE IN ‘MEAN GIRLS,’ BUT THESE ACTRESSES AUDITIONED, TOO
Lohan said it “felt great” to hear of the movie’s impact on teens over the years and was excited that the new film, which releases Friday, will deal with new topics.
Lindsay Lohan attends the world premiere of “Mean Girls” at AMC Lincoln Square on Jan. 8, 2024, in New York. (Evan Agostini/Invision/AP)
“I loved Lindsay’s performance in the 2004 film so much, it’s one of my favorites,” Rice said. “So in everything I did, I just hoped that my performance would be adding to the legacy that she started.”
Just like the 2004 version, the musical movie follows Cady’s move to the suburbs, where she experiences the treacherous hierarchies of high school. There, she finds herself accepted by an elite yet shallow group of girls known as the Plastics, led by Regina George — here played by Reneé Rapp. It’s billed as “a new twist from Tina Fey,” incorporating songs and new technology, but Fey said the “core story” still resonates two decades later.
“In a way, things haven’t changed that much, right? People have new ways to mess with each other, right? They can do it over the internet, but it’s still just human beings pulling someone else down to make themselves momentarily feel better, right?” she told the AP.
Lohan concurred, saying the movie is a good “wake-up call.”
“I think the characters in this movie definitely were relatable, too, and I think that’s so important,” she said, “and it’s good to have a new refresher of it 20 years later for people to see and know that it’s still goes on and cliques still happen.”
TINA FEY ADAPTING ‘MEAN GIRLS’ BROADWAY MUSICAL INTO A MOVIE
In addition to Lohan, Fey, Rice and Rapp, the starry premiere featured actors from the new movie like Jon Hamm,Auli’i Cravalho and Busy Philipps, as well as directors Samantha Jayne and Arturo Perez Jr. and producer Lorne Michaels.Megan Thee Stallion, who recently released the song “Not My Fault” with Rapp, and Fey’s “30 Rock” co-star Jane Krakowski also turned out.
As for Lohan, she told the AP she starts filming a Netflix movie next week and is in “Irish Rose,” out on the streaming service in March. She said she’s also filming “something else coming up this summer.”
When asked what it’s like having a baby and seeing what kids go through as teenagers, as portrayed in “Mean Girls,” Lohan replied, “Oh my god, he’s not a teenager yet.”
“Don’t rush me. I want to savor every moment,” she continued. “But it’s a blessing. It’s the biggest blessing in the world.”
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New York
How a Choreographer Lives on $55,000 in Kensington, Brooklyn
How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.
We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?
It is a perennial question: Can artists still afford to live in New York? For Carrie Ahern, a choreographer and dancer who has lived and worked in the city for 30 years, the answer is yes — but it takes a couple of day jobs, a friendly landlord and a willingness sometimes to tell friends, “I can’t tonight, I’m too broke.”
Ms. Ahern moved to New York from Wisconsin in 1995, at age 19, with a dream to become a professional dancer. She had the drive and some contacts. But just as important, she had a nose for cheap real estate. She scored an apartment in Park Slope, Brooklyn, for $850 a month, split with a roommate. Supporting herself through a series of waitress jobs, she began pursuing her dream.
Now 50, Ms. Ahern runs her own nonprofit dance company, staging performances in private homes or unusual spaces, including a butcher shop, where she butchered a lamb as part of the show, then sold the meat at the end.
“I kept expanding that dream,” she said of her years in New York. The city, in turn, “continued to let me bring out some skills that I didn’t even know I had.”
Those skills include creativity, resourcefulness and agility — in finance as well as dance.
A Landlord to Cook and Garden With
The dance company pays Ms. Ahern a stipend of $4,800 a year, which she augments by teaching Pilates and movement therapy — sometimes in clients’ homes, sometimes in a rental studio, for which she pays $30 an hour.
A third income stream comes from a family company that manufactures industrial parts, which she has helped run since her father’s death in 2018. Her income from those three sources came to about $55,000 last year — about 10 percent higher than usual.
The key to making it work, she said, is her apartment, one floor of a townhouse in the Kensington section of Flatbush, Brooklyn. After 16 years there, her rent is $1,350 a month, about half the median asking price for the neighborhood, according to StreetEasy.
“It’s like a cooperative in a lot of ways,” she said. “My landlord and I are very close, and we help each other out. We cook for each other. Or she was really excited that I love to garden, because she wanted help out there. So she keeps my rent low because she likes that I’m here and that we help each other out.”
Special Expenses for a Dancer
Because Ms. Ahern’s apartment doubles as her office, she writes off part of the rent and utility bills as business expenses. She also deducts books, tickets to performances and any other expenses related to her work — including fitness and dance clothes, hair and makeup for performances, studio rentals and her Spotify subscription. It helps, she said, to have an accountant who works extensively with performing artists, and who had been one herself.
Those expenses bring Ms. Ahern’s income below $21,600, the threshold for Medicaid eligibility, which spares her from having to pay for health insurance. “It’s actually been the best insurance I’ve ever had,” she said. “You know, there’s no co-pay.”
She does, however, still have to pay for routine maintenance on her 50-year-old dancer’s body.
She pays $120 for weekly sessions with a personal trainer, plus $115 for monthly acupuncture treatments and another $160 for monthly massage therapy appointments. “Almost all these people slide their scale for me, because of my career,” she said.
Finding Deals on Apps and Online
Ms. Ahern gets free tickets to a lot of performances because she knows the people involved. Yet a free ticket can turn into an expensive night out if she isn’t careful. “Like, if someone says, ‘Oh, do you want to meet for dinner before?’” she said. “I feel like we’re good about being honest with each other, like, ‘I’m just really broke right now, and I can’t do it.’”
For meals at home, she uses the app Too Good to Go, where restaurants or stores offer deep discounts on food that would otherwise be thrown away — a new spin, she said, on dumpster diving. “This is a more refined version of that,” she said.
She does, however, find her way to occasional splurges. If she cannot afford to treat friends to dinner, she treats them to coffee. And she splurged recently on tickets to see LCD Soundsystem at Knockdown Center in Queens and Nick Cave and the Bad Seeds at Barclays Center in Brooklyn. For the latter, she waited until a few days before the concert, then looked on the ticket resale site StubHub for people trying to unload their passes. Bingo: $70 for a quality seat.
For all its financial challenges, she said, New York still offers artists chances to grow. A few years ago, for example, she needed a change, so she took a class in new way vogue, a dance style known for its sharp geometric lines and precision, and it introduced her to a different community with new energy.
“There’s all these little niches here,” she said. “So in another city, could I make the work that I make? Yeah, probably. But I don’t know if it would feed me in the same way.”
Boston, MA
Boston’s season stays alive with dramatic buzzer-beater to advance to conference title game
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The Boston Terriers men’s basketball team advanced to the Patriot League finals on Sunday with a nail-biting victory over the Navy Midshipmen, 73-72.
And it couldn’t have come closer than what took place at the end of the second half.
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Boston University Terriers guard Michael McNair (20) drives to the basket against Northwestern Wildcats forward Arrinten Page (22) during the second half at Welsh-Ryan Arena on Nov. 7, 2025. (David Banks/Imagn Images)
Chance Gladden #2 of the Boston University Terriers is defended by Ben Eisendrath #5 of the Harvard Crimson during the 2025 college Basketball Hall of Fame Showcase game between Harvard Crimson and Boston University Terriers on Nov. 22, 2025, at Mohegan Sun Arena in Uncasville, Connecticut. (M. Anthony Nesmith/Icon Sportswire via Getty Images)
The Terriers came into the game as the No. 4 seed in the conference tournament. The Midshipmen had the best record in the conference and were the No. 1 seed. The game was tied at 70 apiece with Navy inbounding the ball from the other side of the court with about 8.4 seconds left in the game.
Navy’s Austin Benigni received the pass and took the ball coast-to-coast for the go-ahead layup.
Boston’s Chance Gladden received the ball quickly in a last-ditch effort to try to put the Terriers back up. He dribbled up the court, went behind his back as he crossed mid-court and threw up a prayer from well beyond the 3-point line. It went in.
Navy Midshipmen’s mascot, Bill the Goat, in the stand during the Army/Navy basketball game on Feb. 21, 2026, at Christl Arena in West Point, New York. (David Hahn/Icon Sportswire via Getty Images)
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The Terriers improved to 17-16 on the season and still have hopes that they could punch their ticket to the dance with a win in the Patriot League Championship. Navy, with a record of 26-7, may be on the outside looking into the NCAA Tournament this season.
Gladden finished with 26 points on 8-of-12 from the field. He made three 3-pointers and had four assists to his credit. Michael McNair added 22 points.
Navy’s Aidan Kehoe had 26 points, 12 rebounds and five steals in the loss. Benigni added 17 points.
A detailed view of the Patriot League conference logo shown on the floor before a college basketball game between the American Eagles and the Navy Midshipmen at Bender Arena on Jan. 12, 2026 in Washington, D.C. (Mitchell Layton/Getty Images)
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Boston will play Lehigh in the Patriot League Championship on Wednesday.
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Pittsburg, PA
Stanford meets Pittsburgh in ACC Tournament
Pittsburgh Panthers (12-19, 5-13 ACC) vs. Stanford Cardinal (20-11, 9-9 ACC)
Charlotte, North Carolina; Tuesday, 2 p.m. EDT
BOTTOM LINE: Stanford faces Pittsburgh in the ACC Tournament.
The Cardinal have gone 9-9 against ACC teams, with an 11-2 record in non-conference play. Stanford has a 3-2 record in games decided by less than 4 points.
The Panthers’ record in ACC games is 5-13. Pittsburgh has a 2-2 record in games decided by 3 points or fewer.
Stanford is shooting 43.7% from the field this season, 2.0 percentage points lower than the 45.7% Pittsburgh allows to opponents. Pittsburgh’s 43.6% shooting percentage from the field this season is 2.0 percentage points lower than Stanford has given up to its opponents (45.6%).
The teams square off for the second time this season. Stanford won the last meeting 75-67 on Feb. 26. Ebuka Okorie scored 34 to help lead Stanford to the win, and Cameron Corhen scored 22 points for Pittsburgh.
TOP PERFORMERS: Okorie is scoring 23.1 points per game with 3.7 rebounds and 3.6 assists for the Cardinal. Benny Gealer is averaging 13.1 points and 1.7 steals over the past 10 games.
Corhen is scoring 13.1 points per game with 6.8 rebounds and 1.9 assists for the Panthers. Barry Dunning Jr. is averaging 13.1 points and 6.9 rebounds over the last 10 games.
LAST 10 GAMES: Cardinal: 6-4, averaging 77.9 points, 29.6 rebounds, 11.5 assists, 8.2 steals and 4.4 blocks per game while shooting 46.8% from the field. Their opponents have averaged 73.4 points per game.
Panthers: 3-7, averaging 64.2 points, 29.4 rebounds, 13.6 assists, 6.6 steals and 2.6 blocks per game while shooting 42.2% from the field. Their opponents have averaged 70.8 points.
___
The Associated Press created this story using technology provided by Data Skrive and data from Sportradar.
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