Connect with us

News

SS United States, record-setting ocean liner, makes its final voyage

Published

on

SS United States, record-setting ocean liner, makes its final voyage

The SS United States’ departure from Philadelphia has been delayed by the weather. A team from NPR climbed aboard before it takes its final voyage.

Stephen Mallon for NPR


hide caption

toggle caption

Advertisement

Stephen Mallon for NPR

In the coming days, the United States is expected to take its final voyage, on its way to be buried at sea.

It’s not the country nearing its end, but a ship that bears its name. The SS United States is a mid-20th century ocean liner that set the speed record for crossing the Atlantic. Now tied up at a Philadelphia pier, its paint peeling and faded after decades of inactivity, it’s bound for an ending that is, in reality, a new phase of its life: serving as an artificial reef that attracts divers and marine life in the waters off Florida.

It’s an intricate job to tow a 990-foot ship that no longer has its own working engines. The ship’s planned departure from Philadelphia last week was delayed by the weather, and a new date hasn’t been set. But the United States must go. The pier operator wants its dock space back, and its sale has been completed.

Advertisement

Before departure, a team from NPR climbed aboard what is, in effect, a ghost ship — a relic from the era of great liners that connected North America with Europe. Some of the most famous of these ships are those that sank, like the Andrea Doria, the Lusitania and the Titanic. The builders of the United States learned from others’ mistakes, and it will not go down until it’s scuttled by design.

“If this ship had hit the Titanic’s iceberg, there is no way she would have sunk,” said Susan Gibbs, whose grandfather designed the United States and who has struggled for two decades to preserve it. She told the history of the ship while standing on the foredeck on a sunny afternoon.

“It was a top secret Cold War weapon,” she said. “Its keel was laid right as the Soviet Union tested the atomic bomb.”

The U.S. Navy paid most of the bills because the passenger ship had a military purpose. It could easily be converted to carry thousands of U.S. troops to a war zone, which was a function served by the British liners Queen Mary and Queen Elizabeth during World War II.

Gibbs’ grandfather, William Francis Gibbs, was a Philadelphia native who was fascinated by ships as a child and grew up to design them even though he had no formal training. His achievement during World War II was building so-called Liberty Ships, cargo vessels that carried food and weapons to Europe; they had to be designed and built in such a way that they could be completed by the thousands, more rapidly than German submarines could sink them.

Advertisement

After the war, Gibbs persuaded the government to help him complete his dream: the fastest and safest liner afloat. Its advanced engines and propellers allowed it to sail at 44 land miles per hour — so fast that many warships and submarines of the era would have trouble catching it. (The Queen Mary’s top speed was around 37, and most ships were far slower.)

Watertight compartments made the ship extremely hard to sink; and Gibbs obsessively removed the flammable wood that ordinarily would have formed much of the ship’s interior decor. He insisted on lightweight aluminum — even trying to persuade the piano maker Theodore Steinway to produce an aluminum grand piano.

“Steinway thought that might affect the tonal quality of the instrument, so he refused,” Gibbs said. He finally persuaded the shipbuilder to accept a mahogany piano by dousing the instrument with gasoline and setting it alight; the fuel burned off the hardwood without affecting it.

The ship never served in wartime, instead spending the years from 1952 to 1969 in passenger service for the United States Lines. Musicians including Duke Ellington performed at the mahogany piano in the ballroom. Several presidents were among the passengers; Margaret Truman, a president’s daughter, came along for the record-breaking maiden voyage.

The ship was retired in 1969 as jet travel took over. In more recent years, Susan Gibbs tried to have it repurposed as a floating hotel, which never quite worked.

Advertisement

At last, Okaloosa County, Fla., proposed converting it into the world’s largest artificial reef.

“I’ve shed a few tears.” Susan Gibbs told me. But she added, “this is her next chapter and I am coming to terms with it. And I think it will offer its own sense of dignity and make me even more determined to continue to tell her story.”

I noted that she referred to the ship as “her,” which is the traditional way that ships are discussed. Did the United States have a personality in her mind?

“Yes,” Gibbs said. “I see this ship as a feminist icon. She’s tough. She’s tough and strong and resilient and holds so much.”

Assuming that the ship is successfully towed to Florida’s Gulf Coast, the faded hull will be passed over to engineers, who plan to use explosives to blow holes in the bottom and conduct a controlled sinking in water that is shallow enough for divers to explore it.

Advertisement

Before the sinking, its faded red, white and blue funnels are to be removed and brought to land. They are to be centerpieces of a marine museum, relics of an earlier phase of global travel.

The foredeck of the SS United States, completed in 1951.

The foredeck of the SS United States, completed in 1951.

Stephen Mallon for NPR


hide caption

toggle caption

Advertisement

Stephen Mallon for NPR

The ship's hull, designed to withstand extreme stress, remains watertight despite decades without maintenance.

The ship’s hull, designed to withstand extreme stress, remains watertight despite decades without maintenance.

Stephen Mallon for NPR


hide caption

Advertisement

toggle caption

Stephen Mallon for NPR

The United States' mid-20th century modern interiors were long ago stripped to dispose of asbestos, though the spaces still suggest their past grandeur.

The United States’ mid-20th century modern interiors were long ago stripped to dispose of asbestos, though the spaces still suggest their past grandeur.

Stephen Mallon for NPR


hide caption

Advertisement

toggle caption

Stephen Mallon for NPR

Susan Gibbs, whose grandfather designed the United States, fought for years to save it.

Susan Gibbs, whose grandfather designed the United States, fought for years to save it.

Stephen Mallon for NPR

Advertisement


hide caption

toggle caption

Stephen Mallon for NPR

Advertisement
One of the portholes on the United States.

One of the portholes on the United States.

Stephen Mallon for NPR


hide caption

toggle caption

Stephen Mallon for NPR

Advertisement

The ship's design blended traditional elements like this anchor with high-speed engines, durability and immense size; it is 990 feet long.

The ship’s design blended traditional elements like this anchor with high-speed engines, durability and immense size; it is 990 feet long.

Stephen Mallon for NPR


hide caption

toggle caption

Advertisement

Stephen Mallon for NPR

The pressure to vacate this pier finally forced a sale that will see the United States sunk as an artificial reef off the Florida coast.

The pressure to vacate this pier finally forced a sale that will see the United States sunk as an artificial reef off the Florida coast.

Stephen Mallon for NPR


hide caption

Advertisement

toggle caption

Stephen Mallon for NPR

Only a few bits of the United States' mid-20th-century modern decor remain.

Only a few bits of the United States’ mid-20th-century modern decor remain.

Stephen Mallon for NPR


hide caption

Advertisement

toggle caption

Stephen Mallon for NPR

Diagrams of the ship's decks highlight some of its luxury features, including a first-run movie theater, visible on the top chart, center left.

Diagrams of the ship’s decks highlight some of its luxury features, including a first-run movie theater, visible on the top chart, center left.

Stephen Mallon for NPR

Advertisement


hide caption

toggle caption

Stephen Mallon for NPR

Advertisement
SS united states Selects/241023SS_united_States0343.jpg

The audio version of this piece was edited by HJ Mai and produced by Kaity Kline and Julie Depenbrock. The digital version was adapted by Majd Al-Waheidi.

News

With the white nationalist group Patriot Front, what you see is not what you get

Published

on

With the white nationalist group Patriot Front, what you see is not what you get

Members of the group Patriot Front ride the subway as a commuter looks on, in Washington, D.C., on July 4.

Cheney Orr/Reuters


hide caption



toggle caption

Advertisement

Cheney Orr/Reuters

The sight of hundreds of masked men roaming the streets of Washington, D.C., on July Fourth weekend, wearing khakis, blue shirts and uniform patches, was chilling to some of the city’s residents.

For many Americans, it was the first they heard about Patriot Front, a white nationalist organization that was born out of the deadly 2017 Unite the Right rally in Charlottesville, Va. A now-viral Reuters photo prompted reflections on the experience of a lone African American woman who was photographed in a Metro subway car, surrounded by white supremacists.

The planned demonstration of force was timed to bring a fringe group of extremists into public view as the nation marked 250 years of its independence. Indeed, the stunt succeeded in earning the group media coverage across mainstream outlets, amplifying its brand and potential to reach new recruits. On this occasion, the members refrained from engaging in violence and property damage, projecting an image of law-abiding, orderly activism.

Advertisement

But those who are closely familiar with Patriot Front’s history and operations warn: Don’t believe what you see.

“That is not who they are in private,” said Len Kamdang, director of the Criminal Justice Project at the Lawyers’ Committee for Civil Rights Under Law. “Although they were on their best behavior [last] weekend, this is a dangerous group that commits acts of violence all over the country.”

Patriot Front’s history of violence and property damage

Kamdang’s organization sued members of Patriot Front for vandalizing a public mural dedicated to the tennis legend and Black activist Arthur Ashe in Richmond, Va., in 2021. Ashe, who was inducted into the International Tennis Hall of Fame in 1985, was born in Richmond and his legacy is a continuing source of pride to members of that community.

“A couple of Patriot Front members showed up under cover of night and vandalized the mural,” Kamdang said. “They painted white stencils all over. … They literally tried to whitewash him and they put their symbols of hate all over — their stencils, their slogans. And all the while they were caught on video. And that video leaked using some of the most horrible language that you can imagine.”

In many jurisdictions, law enforcement can seek additional hate crime charges or sentencing enhancements in cases where illegal acts appear to have been motivated by racial bias. But in this case, Kamdang said, Patriot Front members faced no criminal charges and their identities were only revealed when online activists later infiltrated the group and leaked internal records.

Advertisement
Continue Reading

News

Graham Platner makes it official in Maine, submitting paperwork to leave Senate race

Published

on

Graham Platner makes it official in Maine, submitting paperwork to leave Senate race

Now-former Democratic Senate candidate Graham Platner speaks at his primary election night event on June 9 in Blue Hill, Maine. Platner officially dropped out of the race July 10 following rape allegations from a former romantic partner that he denies.

CJ Gunther/Getty Images


hide caption



toggle caption

Advertisement

CJ Gunther/Getty Images

Graham Platner, Maine’s Democratic nominee for Senate, is officially out of the race.

The Maine Secretary of State said Platner filed the necessary paperwork to withdraw his candidacy two days after he announced he planned to do so following an accusation of rape by a former romantic partner. Platner denies the allegation.

The Maine Democratic Party has until July 27 to pick Platner’s replacement.

Advertisement

In his withdrawal notice, Platner said “people are desperate for change” and that’s why they voted “for a new kind of politics” by making him the Democratic nominee. He expressed gratitude for those who supported his campaign and said that he will continue to fight for “the movement we have built together and the future we believe in.”

He ended his notice with a strong statement aligned with the progressive platform.

“F*ck ICE. Free Palestine. Up the Hearts.”

Platner announced his plan to withdraw from the race in an 11-minute video he posted to social media on July 8. He said he had no choice but to suspend his campaign, citing it was no longer viable financially.

Advertisement

“We are going to lose our ability to fundraise. We are going to lose our ability to access voter data. We are going to lose all of the things that any campaign needs on the basic level simply to function,” he said.

Platner added that dropping out was not an admission of guilt. Rather, the decision, he said, is to keep the progressive movement in Maine alive to defeat Republican Sen. Susan Collins in November. Platner blamed the “political establishment” for his downfall and argued the goal was to force him out of the race.

“We built a campaign. We engaged in electoral politics. We motivated people. We banded together. We did it the way that we were told we are supposed to make change and we won. And now they are not going to let us have it. Not if it’s me,” he said.

Continue Reading

News

Waymo called the cops on teen riders, raising privacy concerns

Published

on

Waymo called the cops on teen riders, raising privacy concerns

A Waymo robotaxi drives in San Francisco’s North Beach neighborhood this week.

Heather Diehl/Getty Images


hide caption



toggle caption

Advertisement

Heather Diehl/Getty Images

Police in San Mateo, Calif., posted Monday on social media that they had apprehended a pair of teenagers from a Waymo driverless robotaxi after the company alerted authorities to suspected criminal activity. It’s the latest incident involving video surveillance of passengers and others by autonomous vehicles — raising questions about the limits of privacy in such vehicles.

The Facebook post by the San Mateo County Police said: “Parents do you know where your teens are? @waymo does!”

The 15-year-olds were allegedly drinking alcohol and shooting toy guns from the car, according to the police. They said Waymo’s systems detected behavior that then triggered a safety response, after which the company disabled the vehicle and contacted police.

Advertisement

Waymo’s cars, equipped with an array of cameras, microphones and other sensors to monitor passengers and other nearby vehicles, are becoming more common in cities across the United States. Experts say the detention of the two teens in San Mateo highlights a potential — but not inevitable — trade-off between privacy and convenience. It also questions the extent to which companies similar to Waymo are required to hand over private data, including audio and video of passengers, in situations where a crime is suspected.

NPR reached out to Waymo, which is owned by Alphabet, the parent company of Google, for comment on the details of the San Mateo incident and how the company responded, but did not hear back. But on its website, the company says that as many as 29 cameras in its autonomous cars provide an all-around view and “are designed with high dynamic range and thermal stability, to see in both daylight and low-light conditions, and tackle more complex environments.”

“There already exist laws that govern duty to report or even duty to protect” for carriers such as Waymo, according to Alessandro Acquisti, a professor of information technology at the MIT Sloan School of Management. “The privacy problems arise when and if driverless carrier companies used such laws or ethical obligations as a pretext for blanket, indiscriminate accumulation of identifiable data for unspecified future purposes.”

That includes not just monitoring people inside the cars, but outside too. Take, for example, a hit-and-run investigation last year in Los Angeles. Media reported that the police inquiry was aided by video captured by a Waymo taxi that had a clear view of the crime. Critics suggested at the time that authorities were using the company’s vehicles as a mobile surveillance platform. And during 2025 protests in Los Angeles against Immigration and Customs Enforcement crackdowns, demonstrators vandalized Waymos, apparently angry that video recorded by the vehicles could be used by police, although there is no evidence that happened.

Continue Reading
Advertisement

Trending