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SS United States, record-setting ocean liner, makes its final voyage
The SS United States’ departure from Philadelphia has been delayed by the weather. A team from NPR climbed aboard before it takes its final voyage.
Stephen Mallon for NPR
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Stephen Mallon for NPR
In the coming days, the United States is expected to take its final voyage, on its way to be buried at sea.
It’s not the country nearing its end, but a ship that bears its name. The SS United States is a mid-20th century ocean liner that set the speed record for crossing the Atlantic. Now tied up at a Philadelphia pier, its paint peeling and faded after decades of inactivity, it’s bound for an ending that is, in reality, a new phase of its life: serving as an artificial reef that attracts divers and marine life in the waters off Florida.
It’s an intricate job to tow a 990-foot ship that no longer has its own working engines. The ship’s planned departure from Philadelphia last week was delayed by the weather, and a new date hasn’t been set. But the United States must go. The pier operator wants its dock space back, and its sale has been completed.
Before departure, a team from NPR climbed aboard what is, in effect, a ghost ship — a relic from the era of great liners that connected North America with Europe. Some of the most famous of these ships are those that sank, like the Andrea Doria, the Lusitania and the Titanic. The builders of the United States learned from others’ mistakes, and it will not go down until it’s scuttled by design.
“If this ship had hit the Titanic’s iceberg, there is no way she would have sunk,” said Susan Gibbs, whose grandfather designed the United States and who has struggled for two decades to preserve it. She told the history of the ship while standing on the foredeck on a sunny afternoon.
“It was a top secret Cold War weapon,” she said. “Its keel was laid right as the Soviet Union tested the atomic bomb.”
The U.S. Navy paid most of the bills because the passenger ship had a military purpose. It could easily be converted to carry thousands of U.S. troops to a war zone, which was a function served by the British liners Queen Mary and Queen Elizabeth during World War II.
Gibbs’ grandfather, William Francis Gibbs, was a Philadelphia native who was fascinated by ships as a child and grew up to design them even though he had no formal training. His achievement during World War II was building so-called Liberty Ships, cargo vessels that carried food and weapons to Europe; they had to be designed and built in such a way that they could be completed by the thousands, more rapidly than German submarines could sink them.
After the war, Gibbs persuaded the government to help him complete his dream: the fastest and safest liner afloat. Its advanced engines and propellers allowed it to sail at 44 land miles per hour — so fast that many warships and submarines of the era would have trouble catching it. (The Queen Mary’s top speed was around 37, and most ships were far slower.)
Watertight compartments made the ship extremely hard to sink; and Gibbs obsessively removed the flammable wood that ordinarily would have formed much of the ship’s interior decor. He insisted on lightweight aluminum — even trying to persuade the piano maker Theodore Steinway to produce an aluminum grand piano.
“Steinway thought that might affect the tonal quality of the instrument, so he refused,” Gibbs said. He finally persuaded the shipbuilder to accept a mahogany piano by dousing the instrument with gasoline and setting it alight; the fuel burned off the hardwood without affecting it.
The ship never served in wartime, instead spending the years from 1952 to 1969 in passenger service for the United States Lines. Musicians including Duke Ellington performed at the mahogany piano in the ballroom. Several presidents were among the passengers; Margaret Truman, a president’s daughter, came along for the record-breaking maiden voyage.
The ship was retired in 1969 as jet travel took over. In more recent years, Susan Gibbs tried to have it repurposed as a floating hotel, which never quite worked.
At last, Okaloosa County, Fla., proposed converting it into the world’s largest artificial reef.
“I’ve shed a few tears.” Susan Gibbs told me. But she added, “this is her next chapter and I am coming to terms with it. And I think it will offer its own sense of dignity and make me even more determined to continue to tell her story.”
I noted that she referred to the ship as “her,” which is the traditional way that ships are discussed. Did the United States have a personality in her mind?
“Yes,” Gibbs said. “I see this ship as a feminist icon. She’s tough. She’s tough and strong and resilient and holds so much.”
Assuming that the ship is successfully towed to Florida’s Gulf Coast, the faded hull will be passed over to engineers, who plan to use explosives to blow holes in the bottom and conduct a controlled sinking in water that is shallow enough for divers to explore it.
Before the sinking, its faded red, white and blue funnels are to be removed and brought to land. They are to be centerpieces of a marine museum, relics of an earlier phase of global travel.
The foredeck of the SS United States, completed in 1951.
Stephen Mallon for NPR
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Stephen Mallon for NPR
The ship’s hull, designed to withstand extreme stress, remains watertight despite decades without maintenance.
Stephen Mallon for NPR
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Stephen Mallon for NPR
The United States’ mid-20th century modern interiors were long ago stripped to dispose of asbestos, though the spaces still suggest their past grandeur.
Stephen Mallon for NPR
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Stephen Mallon for NPR
Susan Gibbs, whose grandfather designed the United States, fought for years to save it.
Stephen Mallon for NPR
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Stephen Mallon for NPR
One of the portholes on the United States.
Stephen Mallon for NPR
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Stephen Mallon for NPR
The ship’s design blended traditional elements like this anchor with high-speed engines, durability and immense size; it is 990 feet long.
Stephen Mallon for NPR
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Stephen Mallon for NPR
The pressure to vacate this pier finally forced a sale that will see the United States sunk as an artificial reef off the Florida coast.
Stephen Mallon for NPR
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Stephen Mallon for NPR
Only a few bits of the United States’ mid-20th-century modern decor remain.
Stephen Mallon for NPR
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Stephen Mallon for NPR
Diagrams of the ship’s decks highlight some of its luxury features, including a first-run movie theater, visible on the top chart, center left.
Stephen Mallon for NPR
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Stephen Mallon for NPR
The audio version of this piece was edited by HJ Mai and produced by Kaity Kline and Julie Depenbrock. The digital version was adapted by Majd Al-Waheidi.
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‘Music makes everything better’: A Texas doctor spins vinyl to give patients relief
Dr. Tyler Jorgensen sets “A Charlie Brown Christmas” on a record player at Dell Seton Medical Center in Austin Texas. He uses vinyl records as a form of music therapy for palliative care patients.
Lorianne Willett/KUT News
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Lorianne Willett/KUT News
AUSTIN, TEXAS — Lying in her bed at Dell Seton Medical Center at the University of Texas at Austin, 64-year-old Pamela Mansfield sways her feet to the rhythm of George Jones’ “She Thinks I Still Care.” Mansfield is still recovering much of her mobility after a recent neck surgery, but she finds a way to move to the music floating from a record player that was wheeled into her room.
“Seems to be the worst part is the stiffness in my ankles and the no feeling in the hands,” she says. “But music makes everything better.”
The record player is courtesy of the ATX-VINyL program, a project dreamed up by Dr. Tyler Jorgensen to bring music to the bedside of patients dealing with difficult diagnoses and treatments. He collaborates with a team of volunteers who wheel the player on a cart to patients’ rooms, along with a selection of records in their favorite genres.
“I think of this record player as a time machine,” he said. “You know, something starts spinning — an old, familiar song on a record player — and now you’re back at home, you’re out of the hospital, you’re with your family, you’re with your loved ones.”
Daniela Vargas, a volunteer for the ATX-VINyL program, wheels a record player to the hospital room of a palliative care patient in Austin, Texas.
Lorianne Willett/KUT News
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The healing power of Country music… and Thin Lizzy
Mansfield wanted to hear country music: Willie Nelson, Merle Haggard, George Jones. That genre reminds her of listening to records with her parents, who helped form her taste in music. Almost as soon as the first record spins, she starts cracking jokes.
“I have great taste in music. Men, on the other hand … ehhh. I think my picker’s broken,” she says.
Other patients ask for jazz, R&B or holiday records.
The man who gave Jorgensen the idea for ATX-VINyL loved classic rock. That was around three years ago, when Jorgensen, a long-time emergency medicine physician, began a fellowship in palliative care — a specialty aimed at improving quality of life for people with serious conditions, including terminal illnesses.
Shortly after he began the fellowship, he says he struggled to connect with a particular patient.
“I couldn’t draw this man out, and I felt like he was really struggling and suffering,” Jorgensen said.
He had the idea to try playing the patient some music.
He went with “The Boys Are Back in Town,” by the 1970s Irish rock group Thin Lizzy, and saw an immediate change in the patient.
“He was telling me old stories about his life. He was getting more honest and vulnerable about the health challenges he was facing,” Jorgensen said. “And it just struck me that all this time I’ve been practicing medicine, there’s such a powerful tool that is almost universal to the human experience, which is music, and I’ve never tapped into it.”
Dr. Tyler Jorgensen plays vinyl records as a form of music therapy for palliative care patients in Austin, Texas. Willie Nelson’s albums are a perennial hit.
Lorianne Willett/KUT News
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Creating new memories
Jorgensen realized records could lift the spirits of patients dealing with heavy circumstances in hospital spaces that are often aesthetically bare. And he thought vinyl would offer a more personal touch than streaming a digital track through a smartphone or speaker.
“There’s just something inherently warm about the friction of a record — the pops, the scratches,” he said. “It sort of resonates through the wooden record player, and it just feels different.”
Since then, he has built up a collection of 60 records and counting at the hospital. The most-requested album, by a landslide, is Fleetwood Mac’s Rumours from 1977. Willie is also popular, along with Etta James and John Denver. And around the holidays, the Vince Guaraldi Trio’s A Charlie Brown Christmas gets a lot of spins.
These days, it’s often a volunteer who rolls the record player from room to room after consulting nursing staff about patients and family members who are struggling and could use a visit.
Daniela Vargas, the UT Austin pre-med undergraduate who heads up the volunteer cohort, became passionate about music therapy years ago when she and her sister began playing violin for isolated patients during the COVID-19 pandemic. She said she sees similar benefits when she curates a collection of records for a patient today.
“We are usually not in the room for the entire time, so it’s a more intimate experience for the patient or family, but being able to interact with the patient in the beginning and at the end can be really transformative,” Vargas said.
Often, the palliative care patients visited by ATX-VINyL are near the end of life.
Jorgensen feels that the record player provides an interruption of the heaviness those patients and their families are experiencing. Suddenly, it’s possible to create a new, positive shared experience at a profoundly difficult time.
“Now you’re sort of looking at it together and thinking, ‘What are we going to do with this thing? Let’s play something for Mom, let’s play something for Dad.’” he said. “And you are creating a new, positive, shared experience in the setting of something that can otherwise be very sad, very heavy.”
Other patients, like Pamela Mansfield, are working painstakingly toward recovery.
She has had six neck surgeries since April, when she had a serious fall. But on the day she listened to the George Jones album, she had a small victory to celebrate: She stood up for three minutes, a record since her most recent surgery.
With the record spinning, she couldn’t help but think about the victories she’s still pursuing.
“It’s motivating,” she said. “Me and my broom could dance really well to some of this stuff.”
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Weather tracker: Further flood watches issued across California
After prolonged heavy rainfall and devastating flooding across the Pacific north-west in the past few weeks, further flood watches have been issued across California through this week.
With 50-75mm (2-3in) of rainfall already reported across northern California this weekend, a series of atmospheric rivers will continue to bring periods of heavy rain and mountain snow across the northern and central parts of the state, with flood watches extending until Friday.
Cumulative rainfall totals are expected to widely exceed 50mm (2in) across a vast swathe of California by Boxing Day, but with totals around 200-300mm (8-12in) possible for the north-western corner of California and western-facing slopes of the northern Sierra Nevada mountains.
Los Angeles could receive 100-150mm (4-6in) of rainfall between Christmas Eve and Christmas Day, which could make it one of the wettest Christmases on record for the city. River and urban flooding are likely – particularly where there is run-off from high ground – with additional risks of mudslides and rockslides in mountain and foothill areas.
Winter storm warnings are also in effect for Yosemite national park, with the potential for 1.8-2.4 metres (6-8ft) of accumulating snow by Boxing Day. Heavy snow alongside strong winds will make travel very difficult over the festive period.
Heavy rain, lightning and strong winds are forecast across large parts of Zimbabwe leading up to Christmas. A level 2 weather warning has been issued by the Meteorological Services Department from Sunday 21 December to Wednesday 24 December. Some areas are expected to see more than 50mm of rainfall within a 24-hour period. The rain will be accompanied by hail, frequent lightning, and strong winds. These conditions have been attributed to the interaction between warm, moist air with low-pressure systems over the western and northern parts of the country.
Australia will see some large variations in temperatures over the festive period. Sydney, which is experiencing temperatures above 40C, is expected to tumble down to about 22C by Christmas Day, about 5C below average for this time of year. Perth is going to see temperatures gradually creep up, reaching a peak of 40C around Christmas Day. This is about 10C above average for this time of year.
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