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Quincy Jones, pop mastermind and 'Thriller' producer, dies At 91

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Quincy Jones, pop mastermind and 'Thriller' producer, dies At 91

Quincy Jones pictured in Beverly Hills in 2017.

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Quincy Jones pictured in Beverly Hills in 2017.

Quincy Jones pictured in Beverly Hills in 2017.

Chris Delmas/AFP via Getty Images

Quincy Jones, whose decorated music career ran from the early 1950s through the best-known works of Michael Jackson and beyond, died Sunday. He was 91.

His death was confirmed by his publicist in a statement to NPR that did not mention the cause of death. The statement said that Jones died peacefully at his home in Bel Air, California, surrounded by his family.

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“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” the family said in the statement provided by Jones’ publicist, Arnold Robinson. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

In the 1980s, Jones helped oversee some of music’s biggest and most widely loved moments: He produced or co-produced three of Michael Jackson’s best-selling albums, including 1982’s record-setting Thriller, and was heavily involved in crafting USA for Africa’s 1985 charity single “We Are the World.” But his career extended for decades in each direction. Jones long held the record for most Grammy nominations with 80, before Jay-Z and Beyoncé surpassed the total earlier this decade, and his 28 wins rank him third behind Beyoncé (32) and conductor Georg Solti (31).

Born Quincy Delight Jones in 1933, Jones got his start in jazz — at 19, he played trumpet in Lionel Hampton’s band — and soon performed on stages with some of the world’s best-known stars: Ray Charles, Frank Sinatra, Elvis Presley.

In the 1960s, Jones became a decorated film composer — he collected three of his seven career Academy Award nominations in 1968 and ’69 — as well as a high-profile music-industry executive, arranger and producer. On albums like The Great Wide World of Quincy Jones and Quincy Jones Plays Hip Hits, he was the headliner, but he also worked behind the scenes, producing (among many others) a string of bestselling hits for Lesley Gore.

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In the ’70s, Jones remained in the spotlight as a performer and executive, expanding his reach with high-profile projects such as the soundtrack to The Wiz. But the 1980s found his name attached to a remarkable string of successes, from “We Are the World” and Thriller to his first foray into film production: 1985’s The Color Purple, which made movie stars of Oprah Winfrey and Whoopi Goldberg. Jones’ star-packed Back on the Block, released in 1989, won the Grammy for album of the year in 1991.

Jones’ successes extended well beyond music and film. Shortly after launching Quincy Jones Entertainment in 1990, he was presiding over long-running TV hits such as The Fresh Prince of Bel-Air and MADtv. His 2001 book Q: The Autobiography of Quincy Jones detailed his many intersections with music’s biggest moments and stars, as well as his mental-health battles and rocky upbringing in Chicago. Jones’ philanthropic works extended well beyond USA for Africa and benefited causes such as music preservation, arts education and aid for underprivileged youth.

Jones’ tumultuous personal life included three marriages and seven children, including actresses Kidada and Rashida Jones — his daughters with actress Peggy Lipton — and Kenya Kinski-Jones, a fashion model whose mother is German actress and model Nastassja Kinski.

NPR’s Ayana Archie contributed reporting.

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How a Beer Hall Keeps Up With a World Cup Crowd

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The fans see the games, the crowds, the food and the beer. But behind every World Cup watch party is a team working long before kickoff and well after the final whistle. We go behind the scenes at a beer hall in Brooklyn to see what it takes to serve a room full of soccer fans on game day.

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With the white nationalist group Patriot Front, what you see is not what you get

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With the white nationalist group Patriot Front, what you see is not what you get

Members of the group Patriot Front ride the subway as a commuter looks on, in Washington, D.C., on July 4.

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The sight of hundreds of masked men roaming the streets of Washington, D.C., on July Fourth weekend, wearing khakis, blue shirts and uniform patches, was chilling to some of the city’s residents.

For many Americans, it was the first they heard about Patriot Front, a white nationalist organization that was born out of the deadly 2017 Unite the Right rally in Charlottesville, Va. A now-viral Reuters photo prompted reflections on the experience of a lone African American woman who was photographed in a Metro subway car, surrounded by white supremacists.

The planned demonstration of force was timed to bring a fringe group of extremists into public view as the nation marked 250 years of its independence. Indeed, the stunt succeeded in earning the group media coverage across mainstream outlets, amplifying its brand and potential to reach new recruits. On this occasion, the members refrained from engaging in violence and property damage, projecting an image of law-abiding, orderly activism.

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But those who are closely familiar with Patriot Front’s history and operations warn: Don’t believe what you see.

“That is not who they are in private,” said Len Kamdang, director of the Criminal Justice Project at the Lawyers’ Committee for Civil Rights Under Law. “Although they were on their best behavior [last] weekend, this is a dangerous group that commits acts of violence all over the country.”

Patriot Front’s history of violence and property damage

Kamdang’s organization sued members of Patriot Front for vandalizing a public mural dedicated to the tennis legend and Black activist Arthur Ashe in Richmond, Va., in 2021. Ashe, who was inducted into the International Tennis Hall of Fame in 1985, was born in Richmond and his legacy is a continuing source of pride to members of that community.

“A couple of Patriot Front members showed up under cover of night and vandalized the mural,” Kamdang said. “They painted white stencils all over. … They literally tried to whitewash him and they put their symbols of hate all over — their stencils, their slogans. And all the while they were caught on video. And that video leaked using some of the most horrible language that you can imagine.”

In many jurisdictions, law enforcement can seek additional hate crime charges or sentencing enhancements in cases where illegal acts appear to have been motivated by racial bias. But in this case, Kamdang said, Patriot Front members faced no criminal charges and their identities were only revealed when online activists later infiltrated the group and leaked internal records.

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Graham Platner makes it official in Maine, submitting paperwork to leave Senate race

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Graham Platner makes it official in Maine, submitting paperwork to leave Senate race

Now-former Democratic Senate candidate Graham Platner speaks at his primary election night event on June 9 in Blue Hill, Maine. Platner officially dropped out of the race July 10 following rape allegations from a former romantic partner that he denies.

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Graham Platner, Maine’s Democratic nominee for Senate, is officially out of the race.

The Maine Secretary of State said Platner filed the necessary paperwork to withdraw his candidacy two days after he announced he planned to do so following an accusation of rape by a former romantic partner. Platner denies the allegation.

The Maine Democratic Party has until July 27 to pick Platner’s replacement.

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In his withdrawal notice, Platner said “people are desperate for change” and that’s why they voted “for a new kind of politics” by making him the Democratic nominee. He expressed gratitude for those who supported his campaign and said that he will continue to fight for “the movement we have built together and the future we believe in.”

He ended his notice with a strong statement aligned with the progressive platform.

“F*ck ICE. Free Palestine. Up the Hearts.”

Platner announced his plan to withdraw from the race in an 11-minute video he posted to social media on July 8. He said he had no choice but to suspend his campaign, citing it was no longer viable financially.

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“We are going to lose our ability to fundraise. We are going to lose our ability to access voter data. We are going to lose all of the things that any campaign needs on the basic level simply to function,” he said.

Platner added that dropping out was not an admission of guilt. Rather, the decision, he said, is to keep the progressive movement in Maine alive to defeat Republican Sen. Susan Collins in November. Platner blamed the “political establishment” for his downfall and argued the goal was to force him out of the race.

“We built a campaign. We engaged in electoral politics. We motivated people. We banded together. We did it the way that we were told we are supposed to make change and we won. And now they are not going to let us have it. Not if it’s me,” he said.

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