Minneapolis, MN
Framing the Familiar: Exploring Perspectives on the Grain Belt Sign
ASSIGNED TO BRIAN, FOR PUBLICATION ON WEDNESDAY, NOV. 6.
The iconic Grain Belt Beer sign, originally erected in 1941 along the Mississippi River near Nicollet Island, has been a Minneapolis landmark for decades. Once a symbol of the city’s brewing heritage, the neon sign went dark in 1975 after the brewery changed ownership. In 2017, the sign was fully restored by the August Schell Brewing Company, once again lighting up the skyline and preserving its status as a historic and beloved emblem of Minneapolis’s industrial past. Today, it remains a vibrant reminder of the city’s rich cultural and brewing history.
Landmarks play a crucial role in defining a city’s visual identity and are often the most photographed tourist attractions. However, capturing them in an interesting way can be quite challenging. In Minneapolis, a few landmarks stand out, with the Stone Arch Bridge and the Spoonbridge Sculpture being among the most iconic. Near the top of this list is also the Grain Belt Sign, prominently visible from Nicollet Island and the Hennepin Bridge.
I’ve been living in Downtown Minneapolis for a year now, so I spend a good amount of time walking along the river and crossing the downtown bridges. I remember in my first month I came across a group of photographers who looked to be on a tour of some sort perched along the river waiting for the sunset views of the sign, probably waiting to catch the moment the lights turned on.
I wondered to myself how I would go about photographing the sign beyond that perspective and in a more systematic documentary manner. Then under my breath I asked, “how do you photograph the Grain Belt Sign?”
Of course, a quick Google Image search will provide a nice overview of the typical perspective.
Since I live nearby, I attempt to answer this question for myself without too much physical difficulty. From a documentary photography perspective, it made me think about how we go about documenting city landmarks, especially over a long period of time as a type of ritual. As I’ve mentioned in my previous articles, part of my photography involves photographing locations multiple times across months and years.
In fact, I knew I already had one photograph of the sign in my archive. It dates back to October 24, 2013. I was visiting Minneapolis from New York City for a wedding. I flew in, jumped on the Blue Line into Downtown, where I proceeded to walk to the hotel in Northeast.
Sometimes a photograph is just a note to your future self, a reminder about an idea or location. Now that I had my starting point, it was time to see if I could answer the question.
Grain Belt Sign and Hennepin Ave. Bridge, First Bridge Park, June 6, 2024.On June 6, 2024, I took my regular after-work walk and brought my camera. I liked the light, which is one of the first elements I am always going to think about. It was a partly cloudy day but the light was nice so I knew this was my chance. I made the above photograph as my first effort. The plan was to find a few different perspectives, hoping to see what I could learn in the compositions.
First Bridge Park, June 6, 2024Since pedestrian infrastructure is a key part of subject matter, I wanted to see if I could work that into the composition. It wouldn’t be too difficult since this is one of the best pedestrian corridors Downtown. Now I felt I was getting somewhere. Layering the elements was definitely the strategy. But maybe I was too close. Let’s move back.
From the grounds of the Minneapolis Federal Reserve, June 6, 2024Frames within a frame is standard compositional tactic. In the above photo, the sign lined up nicely through this odd little plaza on the backend of the Federal Reserve. The brick patterning adds another layer but I wasn’t sure this was the angle so I went back in closer.

In the above photo, I spotted what I was looking for in a composition. The nice afternoon light, the frame within a frame, and pedestrian infrastructure. Add in the greenery and it all comes together, at least for this day.
First Bridge Park, June 9, 2024The next encounter with the sign was a few days later, on June 9. In the above photo, what caught my attention was the junior tree making its roots across from the sign. I’ve been taking a few photographs of new trees when I come across them. I’m not fully committed to the project yet but these sketches give me something to think about.
Under the Hennepin Ave. Bridge, June 12, 2024As I walked under the bridge, I knew I couldn’t pass up the nice light and reflection. People love to photograph under bridges. It’s a cool perspective and cuts up the frame in interesting ways. They are enormous pieces of infrastructure, and are sometimes very weird looking.
On the Hennepin Ave. Bridge, July 7, 2024It’d be a few weeks before the next photographs. At the end of a morning walk, I took the Hennepin Bridge back into Downtown and decided I needed to try a photograph from the closer angle on the bridge. I like the changing perspectives from the bridge as you move further away. Bridges provide you with these interesting, clear sight lines and often the perspective feels distorted because of the massive size of the structure you’re walking on.
The steps to the Hennepin Ave. Bridge, July 12, 2024I was starting to feel good about the variety of angles on the sign I was collecting. But I knew there was more to explore on the steps up to the Hennepin Bridge. A few days later, on July 12, while walking up the steps I made the above photograph which I feel compliments the other version incorporating the steps. I will probably keep trying new angles over time or make photographs from the same spot during different seasons.

Of course, that means trying at night. It was about two months later, on September 15 that I finally made a night walk and made the above photo.
The night reflection of the sign in the Mississippi is probably what a lot of photographers are going after when they set up their tripods. It’s a fun effect, especially under the bridge.

A few weeks later, I took out the tripod to make some long exposures and was able to make the photo above, which was about the exact spot where I’d first encountered the group of photographers earlier in the year. I suppose it would make sense for me to find a similar group and see if I can join them next time.

I knew I was still missing a few perspectives, especially from behind the sign on Nicollet Island. A few days before the night photo, on September 27, I took a walk around the river and photographed the sign from behind.


I appreciate the perspective from behind the sign because it makes it an anonymous structure if you don’t know the history or what you’re looking at. It just seems like a big sign, but what’s on it?

For a moment, I thought it would be cool to have some type of observation platform around it. It would be cool to sit at the base during sunset and then there would be all sort of new photos with people waving from the sign to the photographers on the other side. At this point, I started to feel my 360-degree strategy was the way to go. Of course, seasons will change the perspective and colors as well. Winter will be interesting to continue.

I felt I still hadn’t made a photograph that felt uniquely like my own. Then while I was walking back up on the Hennepin Ave. Bridge at dusk, I saw a couple of people in a canoe silhouetted as the rowed on the river.
In the above photo, I framed the sign to the right and tried to bring the composition together. At that point, I felt I was finally on my way. I started to think about how people interact with the sign in the landscape. Adding the candid human element was the next step.

As I was working on this article, I thought I had made the last photograph, but then on a late afternoon walk a week ago, I found myself again by the river approaching the sign. I knew I couldn’t pass up another opportunity to make one more photograph.
Recently, I’ve been working on a series of candid photographs of cyclists on the move through the city. As I approached the park, I saw a few cyclists whiz by, so I thought this would be my chance to take one last photo of the Grain Belt sign in the distance.
In a quick burst, I was able to make the above photograph with the cyclists and joggers silhouetted against the magic hour light on the sign. This one felt like the photograph I’d probably trying to make all along. Photography is often a game of trial and error, one that rewards you if you have the patience to keep pushing yourself.
For most other people, it’s probably not about making an original photograph of the sign. It’s about making their own version of it so they can collectively share in documenting their story in the city. I would love to see other interpretations and share them on the Streets.mn Instagram. I’d be curious to see the full spectrum of photographs from all angles, seasons and different styles. I’m sure there are plenty of paintings, drawings and videos as well.
I’m certain I’ll continue to photograph the sign, perhaps next in the dead of winter after a snowstorm to create a noticeable divergence in the landscape.
All photos by Bryan Formhals
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Minneapolis, MN
1 dead, 8 hurt in Minneapolis amid string of weekend shootings
One person is dead and eight others are hurt in a string of weekend shootings across Minneapolis.
Police say the first shooting occurred Friday around 5 p.m. near North Humboldt and 26th avenues. A man was outside of his home when shots rang out, leaving him with multiple gunshot wounds.
Around 9:35 p.m. Friday, two men were shot outside in the area of north Lowry and Logan avenues.
Just after 12:30 a.m. Saturday, a man was found shot in an alley near Mortimer’s Bar and Restaurant off South Lyndale and Franklin avenues. He told police he was outside walking when he was hit.
Just before 12:50 a.m. Saturday, police say a man outside was shot near North Penn Avenue, just north of Highway 55, by someone driving by.
Around 1:50 a.m. Saturday, a man suffering from gunshot wounds showed up at Hennepin Healthcare, with police later determining he was shot in the area of North Lyndale and 45th avenues.
Just after 3:30 a.m. Saturday, a man showed up to Children’s Minneapolis hospital with a gunshot wound he said occurred when he was asleep inside his vehicle.
On Sunday around 1 a.m., a man was found laying on the ground near Bloomington Avenue and East 24th Street. He was brought to Hennepin Healthcare where he later died. Police say investigators “located evidence of gunfire, including a firearm recovered next to the man who died.”
On Sunday just before 1:30 a.m., a 15-year-old girl was shot in the area of Hennepin and Laurel avenues in downtown. Two boys, ages 14 and 15, were soon arrested in connection to the shooting.
And just before 1:50 a.m. Sunday, a man was found shot inside a business off Northeast Lowry Avenue and Fourth Street Northeast. Investigators believe the shooting began as an altercation in the business’s parking lot.
With the exception of the shooting of the 15-year-old girl, police say no arrests have been made in any of the cases. All surviving victims have injuries described by police as non-life threatening.
Anyone with information on any of these shootings can submit an anonymous tip online to Crime Stoppers, or call 1-800-222-TIPS (8477).
Minneapolis, MN
Minneapolis shooting leaves 1 injured near Penn Avenue
A shooting in north Minneapolis injured a man near Penn Avenue.
According to the Minneapolis Police Department, officers responded to a shooting near the 700th block of Penn Avenue North, where they found a man with a gunshot wound.
Authorities said preliminary information shows that the man was outside when the shooting happened, possibly coming from a vehicle. A nearby hospital treated the man for non-life-threatening injuries.
Police are still investigating, with a forensic team collecting evidence from the scene. Officers said no arrests have been made.
This is a developing story; check back for updates.
Minneapolis, MN
Minneapolis LGBTQ+ literature haven Quatrefoil Library celebrates 40 years
“Like so many good queer stories, ours starts in the closet,” said Iggy Gehlen, board vice president of the Quatrefoil Library in Minneapolis — one of the country’s oldest and largest collections of LGBTQ+ literature.
The closet is in this case both physical and metaphorical: before being publicly out in the 1980s, avid reader Dick Hewetson stored his ever-growing queer pulp collection in his partner David Irwin’s linen closet. Until then, he had resorted to reading these books with haste at the local bookseller. Possessing them, he worried, would out him by proxy.
While Hewetson’s personal collection expanded, general access to queer stories didn’t. The AIDS crisis, which resulted in the deaths of 125 Minnesotans by 1987, only reinforced the stigmatization. Irwin and Hewetson were soon running a quasi-library out of their home. Friends and their friends lent texts at such a high frequency and with such apparent thirst that when the opportunity presented itself for the pair to establish a publicly accessible library at the Minnesota Civil Liberties Union (now the ACLU of Minnesota) building in 1986, they took it. Christened the Quatrefoil Library, the collection made it out of the closet along with its founders.
In the 40 years since, Quatrefoil’s materials, most of which are donated, have outgrown various locations. In 2011, the library found its current home: a comfortable brick-and-mortar building on East Lake Street. More than 27,000 materials (including films and magazines) are accessible seven days a week due to the efforts of dedicated volunteers who staff the library. In 2025 alone, about 150 people participated in some volunteer capacity.
In that number lie countless stories of chosen family, social groups and even romantic partnerships.
The stacks host no shortage of thoughtfully curated books that fit tight, but right. There are several displays (including a current one that exhibits books published around 1986, the year of the library’s founding) and gathering areas that seem to beckon you to stay a while. The front desk is covered in rainbow flags with a coffee station manned by volunteers who are happy to gently guide first-time visitors or chat with the regulars.

Community forming space
In the past few years, Quatrefoil has reinvigorated its purpose: memberships have “basically doubled,” Gehlen said, a symptom to him of increased legislative uncertainty for queer folks around the nation. Quatrefoil provides a space for community forming, which manifests in craft circles, recovery and support groups, tarot readings and many different book clubs.
“We’re finding that people are needing that space more (today),” said Ollin Montes, board president of the library. “Since 2023, when there was this wave of criminalization of gender-affirming care, and widespread targeting of queer folks, we’ve had folks migrating to Minnesota and coming to the library.”
New groups form and congregate in the library often. Recently, migrant volunteers from the southern United States created a group that welcomes transplants from all parts of the country. Those who come to the library hoping it will bridge them to queer community find that it offers just that.
“It’s really important that people have safe spaces, where they feel affirmed, and where they can just let their hair down,” Montes said. “I feel grateful that we’re able to provide that space for folks who are needing it.”
He first connected with Quatrefoil as an escape from feelings of burnout from his day job as an immigration organizer in 2019.
“I came in and I just fell in love,” Montes said. “It was surreal to be in a space where all of the content was focused on queer issues and topics.”
Shared identities
What touched him most upon his arrival were the two older front-desk volunteers willing to plunge into deep conversation with him immediately — a moment he soon realized was one of his first experiences of conversation with queer elders.
Intergenerational connection is especially challenging in queer communities because unlike other minority groups, LGBTQ+ people don’t traditionally congregate in a central hub. Youth are less likely to grow up around people with shared identities after which they can model, or at least visualize their future. This makes positive representation in physical media all the more important.
But at Quatrefoil, patrons have the chance to hear stories of survival straight from the source. Current head librarian Karen Hogan, for example, became a visiting patron of the library in 1987 and has volunteered since the ’90s. She’s a resource beyond her role, a walking archive of sorts, and has been especially helpful in planning the 40th anniversary celebration that the library will host in October.
This intergenerational aspect is something Montes says keeps him in the space. Talking to queer elders about their personal experiences has helped him through several milestones in his life, like presenting his boyfriend to his parents for the first time.
“Hearing those stories gives you a sense of power,” Montes said. “Our history is passed down both through what we write and the stories we’re told. Some of those stories are told by virtue of having the opportunity to have a conversation with somebody who was alive during that time.”
Queer people have long relied on pioneers within the community to recognize, safeguard and circulate materials relevant to their lives. Thanks to the efforts of Jean-Nickolaus Tretter, for example, who donated his large lifelong collection of LGBTQ+ related materials, the University of Minnesota now has one of the largest LGBTQ-specific archival repositories in the country.
Digitizing the collection
Clubs and bars are nice places to find community, Montes says, but spaces to “nerd out” are just as important.
Volunteers have started to digitize the collection as well. As some Pride events are tabled in rural areas this month, library volunteers will be able to point curious minds to the virtual site.
For closeted kids in rural Minnesota, virtual access could help prevent the same issue founder Dick Hewetson faced.
“It gives you a kind of plausible deniability,” Gehlen said. “You don’t have to hide the book in your backpack. You can just close out of the app if you don’t want somebody to see what it is that you’re reading.”
Montes says that having access to queer history as a young person gave him strength.
“Learning about all the things that queer people did to protect ourselves, to care for each other, to support one another … made me understand that (we) are so resilient,” Montes said. “We have the capacity to meet these moments of crisis and uncertainty.”
He points to a quote by writer James Baldwin, who said: “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read.”
A bittersweet anniversary
The name of the library pays homage to the seminal 1950 queer novel “Quatrefoil” by James Fugaté (pen name James Barr), one of the first texts to depict gay characters in a positive romantic light. The lessons taken from history and fiction is what continues to guide the space into the future.

“There’s a lot of scariness outside in the rest of the world, and we don’t want to downplay that,” Gehlen said. “But within this space, we have a lot of people who care a lot about protecting great stories, and share their time and expertise to continue to create something that is even bigger, beautiful and accessible, while really staying true to that original mission that was created by Dick and David.”
The anniversary will be bittersweet because both founders have passed — Hewetson just last July through medically-assisted death in California. In his self-written obituary, he wrote how he “had a wonderful life but was discouraged with the state of the world and the U.S.A.,” and encouraged continued activism.
Ten years ago, Hewetson stood in front of a crowd as he was honored at Quatrefoil’s 30th anniversary party. He described witnessing the growth from his hidden linen closet stash as “amazing.”
“Other cities brag about their gay resources, but we have a lot to be proud of,” Hewetson said. “What may have seemed a crazy idea has become a primary resource for the Twin Cities community.”
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