Milwaukee, WI
Milwaukee County explores building trails on north and northwest sides
Milwaukee River’s ecology has been helped by removal of several dams
At one time, seven working dams suspended the Milwaukee River’s natural flow. With a few now removed, the river ecology has improved.
The west and northwest sides of Milwaukee have limited access to recreational trails, but Milwaukee County is exploring ways to change that.
As a result, the county is conducting a feasibility study and seeking community feedback on the possibility of building a bike and pedestrian trail that would connect Milwaukee’s northwest side neighborhoods to the local trail network, according to a press release from the Milwaukee County Department of Transportation.
The study will evaluate potential trail route options for a 7-mile corridor along the 30th Street railroad between the Hank Aaron State Trail and Havenwoods State Forest, which could connect several regional trail systems and create an 18-mile Milwaukee Loop that includes portions of the Hank Aaron State Trail, the Oak Leaf Trail, and the Beerline Trail.
Those interested in the topic can attend a public information and discussion meeting from 5 to 7 p.m. on Feb. 24 at 3100 W. Center St., known as Community Within the Corridor complex. Additional meetings will be planned in April and throughout the summer.
The county also has an online survey open through March 6. An interactive map is publicly available where those interested can share the locations they would access most if a shared-use trail were available.
The study is facilitated by the county’s Department of Transportation through a Transportation Alternatives Grant administered by the Wisconsin Department of Transportation. It will be completed in mid-2027.
Future phases surrounding the trail’s design and construction will be dependent on the county’s ability to obtain funding.
Contact Claudia Levens at clevens@usatodayco.com. Follow her on X at @levensc13.
MILWAUKEE — The Milwaukee Fire Department says one person is injured and was taken to Froedtert Hospital for treatment after a rollover vehicle crash near N. 12th Street and W. Vliet Street on Saturday night.
MFD’s battalion chief confirmed this information to TMJ4 News in a statement.
TMJ4 News
A TMJ4 crew on scene of the crash around 8:20 p.m. saw crews there from the Milwaukee Fire Department, Milwaukee Police Department and Milwaukee County Sheriff’s Office.
TMJ4 also reached out to the Milwaukee Police Department and Milwaukee County Sheriff’s Office for comment but has not heard back.
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Your guide to the top summer concerts in Milwaukee in 2026
From Benson Boone to Bryan Adams, here are 15 of the best concerts happening in Milwaukee this June through August.
You know a performer’s made it big when they barely have to move a muscle to get a huge reaction.
Deep into his 70-minute set at the Eagles Ballroom at the Rave on May 22, after naturally triggering mosh pits on the floor following “Moshpit,” Grammy-winning rapper Baby Keem took a moment to just stand and stare at his capacity Milwaukee crowd.
Then, ever so slightly, he started turning his head to the right, then the left, then the right, then the left. With every tiny turn, the fans directly in front of him began to cheer, the roars becoming louder and louder, until dropping to quiet murmurs as Keem covered his eyes. When he moved his hand and opened them, the place went nuts.
It wasn’t the only time Keem had incredible audience command with little effort.
Near the end of “Booman,” Keem did two small jumps, inspiring thousands of fans to bounce with all their might. In the middle of subsequent song, “Vent,” Keem unraveled a guttural, drawn-out “louder,” prompting mighty roars and rap-alongs in response. Then for “Circus Circus Freestyle,” Keem ever so calmly faced the crowd, his palms facing the ceiling, and gently flicked his fingers, sparking electrifying energy from the masses.
Sure, Keem’s career and following received a significant boost by association: His cousin, and frequent collaborator, is hip-hop GOAT contender Kendrick Lamar. And Keem was supported by engrossing stage production for his “Ca$ino Tour,” named after his sophomore album that dropped in February.
Keem frequently performed atop a seedy-looking “Ca$ino” marquee with digital screens and lights projecting below it; to his right behind him was a “billboard” that projected different images and videos throughout the night, from a silhouette and flashes of a cartoon clown for “Circus Circus,” to home movies for “I Am Not A Lyricist.”
But even with his famous family connection and flashy production, Keem has earned his credibility, and the crazy commotion in Milwaukee, through his own towering talent and captivating catalog.
Take the title track off “Ca$ino” that kicked off Keem’s 19-song set. As soon as the sound effects of the slot machine piped through the speakers, the crowd was explosive – even though Keem himself was barely audible rapping through the song, his mic drowned out by the bass. Even the chants of the crowd were more audible. But everyone was having a blast anyway.
Chest-puffing bangers like “Ca$ino” have cultivated a devout crowd; in Milwaukee, it was made up largely of young men eager to blow off some steam. But Keem’s also a versatile rapper who expresses himself through a variety of cadences and tones – just like his cousin – and his songs can get quite deep and personal.
In Milwaukee, that aspect of his art was manifested for the surprising finale for this party: “No Blame,” off of “Ca$ino.” It was preceded by more home movies on the billboard, depicting an actual baby Baby Keem in the arms of Sharon Govan, his grandmother who primarily raised him, and passed away last year. When her name appeared at the end of that string of home movies, the crowd offered heartfelt cheers and applause in her honor.
And then Keem poignantly began to rap, and what he offered was raw and resonant, as he directly addressed his mother, the hurt she caused, and the hurt she had.
“I don’t blame you, Mama,” Keem rapped quietly. “You was walking the streets alone/You couldn’t shake the trauma … I cry and blame myself for all the [expletive] that fell upon us.”
He continued, and didn’t hold back, revisiting haunting memories of being 7, in his pajamas, waiting for his mother, a promise she couldn’t keep; and of his mother and grandmother fighting for him, with Child Protective Services at the door.
Baby Keem has generated so much goodwill he could easily coast in concert. But at the end of his Eagles Ballroom performance in Milwaukee, he gave his heart and soul.
Three takeaways from Baby Keem’s Milwaukee concert
- There were signs all over the Rave warning that crowd surfers would be ejected immediately, and fans took them seriously, with no one taking the chance. Well, almost no one. After an elongated, fan-baiting pause ahead of one Keem’s biggest hits, his Kendrick Lamar collaboration “Family Ties,” one of his friends was so swept up by the energy he ran off the stage and dived on top of fans on the floor.
- Keem also took a few minutes in the middle of his set to sign autographs for fans near the stage.
- Mosh pits frequently formed during the set, but they were never aggressive. At one point, the bros (many shirtless) let a couple of women occupy the space in the center of a circle to dance together. And when the symphonic strings of “16” began to play, the jumping and playful pushing transformed into elegant swaying, as if the bros had been transported from a Baby Keem concert to a Victorian ball.
Baby Keem’s Eagles Ballroom setlist
- “Ca$ino”
- “Stats”
- “Good Flirts”
- “I Am Not A Lyricist”
- “Booman”
- “Vent”
- “Circus Circus Freestyle”
- “Orange Soda”
- “Trademark USA”
- “Lost Souls”
- “House Money”
- “Honest”
- “$ex Appeal”
- “Dramatic Girl”
- “Moshpit”
- “Family Ties”
- “Birds & the Bees”
- “16”
- “No Blame”
Contact Piet Levy at (414) 223-5162 or plevy@journalsentinel.com. Follow him at facebook.com/PietLevyMJS.
WEST ALLIS, Wis.– The Milwaukee Brewers kickoff a statewide mural series by revealing new art in West Allis.
The fresh mural titled “The Launch” is the first of many City Connect themed projects popping up this summer.
Local Milwaukee artist Michael Cerda designed the Wisco wall and helped unveil it on Friday, May 22.
According to the Brewers, The Wisco Pop-Up Series is celebrating the “Wisco Way” through murals and experiences all across Wisconsin.
The series is part of a City Connect initiative to highlight art and culture in different communities.
Future murals are planned for Eau Claire, Janesville and Kenosha.
There will also be a “City Connect refresh” on the Green Bay mural that was installed last summer.
Beyond the art, there will be pop-up experiences at the following cities:
“The Launch” mural is featured on the outside of the Slingshot Bar on W. National Avenue in West Allis.
The artist, Michael Cerda, is the owner of Cerda Design Co.; specializing in sign painting and design for local businesses.
Cerda has previously collaborated with the Milwaukee Brewers for two other murals: The “El Paletero” on the outside of Heavy Hitters and the Barrelman and Milwaukee script mural across from the American Family Field, Brewers Way 1.
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