Detroit, MI
Radio host turns filmmaker to tell story of Black youth hockey team in Detroit
More than a decade ago, Gerald McBride was invited to a University of Michigan men’s hockey game by a client whose son was playing for the opposing team. It was his first time attending a hockey game and it made a lasting impression on him.
“It is completely sold out and I’m the only Black guy in the entire arena,” said McBride, who left the event wanting to know more about the history of Black players in the National Hockey League and wound up inspired to make a movie.
On Friday, “Black Ice: The Rhythm” opens for a weeklong run in metro Detroit at two metro Detroit theaters: Emagine Canton and the Birmingham 8 Powered by Emagine. It also will be screening at Emagine Birch Run near Flint and another Emagine theater in Minneapolis.
Directed and written by McBride, a longtime Detroit radio host and producer of TV and radio advertisements, the film is a contemporary story that also pays tribute to the long, unsung history of Black hockey players — a legacy that goes back to a Black hockey league formed in 1895 in Nova Scotia.
It follows a gifted young amateur hockey player, Robert (Buck) Taylor, who must put aside his dreams of going pro after a fight with a racist white player sends him to prison. Out on parole, he is tasked with coaching a fledgling youth hockey team at an inner-city Detroit rink that is in danger of being shut down to line the pockets of some local politicians.
“Black Ice: The Rhythm” has a narrative about an underdog team that touches similar emotional chords to “The Mighty Ducks” and “The Karate Kid.” It’s aimed at families and is described as faith-friendly. Winning is one aspect of the team’s quest, but so is making good choices and believing in yourself.
For McBride, who’s celebrating 45 years in radio, the project was more than a new twist to a lengthy career. “It wasn’t about making a bunch of money, but a message that needed to be shared,” he said in a recent phone interview.
The Mumford High graduate had his first brush with radio in 1975 when he represented his school as a Soul Teen Reporter through a program at WJLB-FM (97.9). “Each student would get the opportunity to go to the radio station and report on what was happening at their high school each week,” he recalled. “Once I got a chance to get inside the radio station and then hear myself on the radio, I got bit by the radio bug and have been doing it ever since.”
After attending the Specs Howard broadcasting school (now also covering digital media and graphic design and part of Southfield’s Lawrence Technological University), McBride worked in radio in Rochester, New York, and Flint before joining WMXD about 30 years ago.
He now hosts “Old School House Party” on Saturdays from 7 p.m. to midnight. A segment of the program, “Battle of the Old School,” lets listeners vote on showdowns between music greats, like Luther Vandross vs. the Isley Brothers, Toni Braxton vs. Anita Baker and, most recently, Michael Jackson vs. Prince. The show is syndicated to about 30 stations across the country, according to McBride.
After that memorable U-M hockey game, McBride started working on an idea for a script involving a Black hockey player. “This story just started coming together,” he said. He kept writing draft after draft, took screenwriting classes and even got positive feedback from some Hollywood producers.
With no financial offers on the table, McBride was done with waiting by early 2022. “I just decided to step out on my own, step out on faith, I should say,” he explained. It was then that he started doing preproduction. Shortly before filming started that spring, he was able to secure an SBA loan for $200,000 and later supplemented that amount with some of his own savings.
In the end, McBride was happy that he had so much control over the final product. “I’m so glad that I took this route, that I had an opportunity to learn every aspect of making the movie, distributing the movie, just wearing so many hats when we’re making a movie with an ultra-low budget film. I wouldn’t trade that experience for the world,” he said.
McBride worked with Productions Plus in Bingham Farms to cast the main actors. For the critical part of Coach Taylor, he chose Arthur Cartwright, an actor and filmmaker who won a prestigious 2018 Gilda Award for emerging artists from Kresge Arts in Detroit.
For the young hockey players, he turned to Detroit Ice Dreams, a nonprofit that promotes and subsidizes ice-related sports, mainly hockey, across the region for youths ages 3 to 17. He credits Cynthia Wardlaw, the vice president and program manager of Detroit Ice Dreams (and a devoted hockey mom herself), for connecting him with teens King Moore, Jovonn Crittenden and Tyler Moore, who filled the key roles of Flash, Mike and Jojo.
’They had been skating since they were 5 or 6 years old with Detroit Ice Dreams,” he said. “What a blessing that I was able to find all of these jewels right here in the city of Detroit.”
The majority of the hockey scenes were done at the Jack Adams Memorial Arena at the City of Detroit’s Adams Butzel Complex. Certain scenes also were done at Oak Park Ice Arena. McBride says he is grateful to Detroit for allowing the Jack Adams Memorial Arena ice rink to stay open beyond its usual hockey season in order for filming to take place.
In recent years, the NHL has spread the word on Black achievement in hockey through a mobile museum called the Black Hockey History Tour.
And just this April, Tennessee State University got closer to being the first historically Black school to inaugurate an ice hockey program by hiring Duante Abercrombie as its coach. Tennessee State’s plan for the team was announced in 2023 when the NHL draft occurred in Nashville.
McBride hopes “Black Ice: The Rhythm” will reach audiences all over America to let people know about the young Black athletes who are involved with hockey through Detroit Ice Dreams.
“We’re known as Hockeytown in Detroit, but just 15 minutes from where we have Little Caesars Arena and the Red wings and the Hockeytown restaurants and all of these great things, there is a whole other world of hockey that people don’t know about.”
He believes that once the Emagine showings demonstrate “that we were able to fill some seats here in these four cities, this movie will have legs to go across the country.”
McBride says the lesson of the film applies to his own leap into filmmaking.
“If anybody can walk away with something from the movie, making the right choices in life would be one of the main things. And, of course, the other one is don’t be afraid. Just believe. A lot of times, we’re afraid to step out on our dreams and our ideas.
“But if we’re not afraid,” he added, “we can step out on faith and believe it can happen.”
For tickets and more information on “Black Ice: The Rhythm,” go to its official website at therhythmmovie.com. Contact Detroit Free Press pop culture critic Julie Hinds at jhinds@freepress.com.
Detroit, MI
A small group of citizens rally for mental health coverage in Detroit
DETROIT ― The crowd wasn’t large ― a smattering of about 40 or so people at Detroit’s historic Palmer Park just north of downtown on a warm and muggy summer evening.
The people who did show up were there because they feared something precious could be lost: the relationships between therapists and the people who trust them with their deepest wounds.
This is what democracy often looks like. A tent. Some speakers. Livestreaming on social media. And waning sunlight seemingly trying to figure out whether to set in fiery red-orange or fade behind rainclouds.
It was my pleasure to witness this moment firsthand because we live in a new era ― a period when the most powerful leaders in our government increasingly move to trample on our First Amendment rights. This was the second time within the past 30 days that I have found myself covering the debate surrounding Blue Cross Blue Shield of Michigan’s planned reimbursement policy changes affecting limited licensed mental health clinicians.
I’ve written previously about the policy itself. This time, though, something else captured my attention.
It was the people.
Last Friday night’s rally was organized by Caitlin Fleming, a mental health therapist and co-founder of Healer’s Choice, who demonstrated the kind of leadership that rarely makes headlines but often changes communities. She listened as much as she spoke. She created space for others to tell their stories. She reminded those gathered that advocacy is less about anger and more about refusing to become invisible.
At one point, Fleming shared that she lost her former husband to suicide.
Her words carried weight, especially because only days earlier I had written about losing my aunt Geraldine and how grief leaves permanent marks on those left behind. Mental illness, suicide and trauma are not abstract policy debates. Nearly every family carries a story. Every interruption in care has a human face.
That reality echoed through the entire evening.
Mars DeWitt, a limited licensed clinician who previously worked as a teacher, reminded us that change has happened before in Detroit. After addressing the audience, DeWitt told me that they watched the fight for teacher pay, recalling Detroit educators’ successful efforts to improve salaries. “So, I know it’s possible for therapists to fight back in a similar way.… Detroit is one of those inspiring cities in the world because we know how to fight back.”
Their words were less criticism than a declaration of home.
Congresswoman Rashida Tlaib, D-Detroit, connected the issue to another community she knows well: veterans.
“Every interruption in treatment increases the risk that a patient, including veterans, falls through the cracks,” she said. “Our veterans should not have to retell their trauma, rebuild our trust or start the therapeutic process from the beginning due to an insurance billing policy.”
Jess Riley of the National Association of Social Workers-Michigan added sobering context. Twenty-five Michigan counties have no psychiatrists. Ten neither have a psychiatrist or psychologist. The Upper Peninsula has no child psychiatrists and no pediatric psychiatric beds.
Whatever one’s position on reimbursement policy, those numbers reveal a behavioral work force already stretched dangerously thin.
Fleming also reminded the audience that communities of color are especially vulnerable to changes in insurance coverage policy because they understand what generational trauma in health care looks like. She cited historical abuses such as the Tuskegee Study of Untreated Syphilis. She emphasized that clinical supervision should not be a sign that therapists are somehow viewed as inadequate.
“We want people to be supervised not because they are not quality therapists; it’s the human experience. We should always be working in teams.
Notably, Fleming said Blue Cross Blue Shield of Michigan has not publicly released data estimating how many patients may lose access to their current therapists under the proposed policy. She said representatives from BCBS Michigan were invited to the forum but did not participate.
Regardless of where this debate ultimately ends, something encouraging happened last Friday evening.
Citizens assembled peacefully. They exercised their First Amendment rights. They shared data, personal stories and deeply held convictions. They urged elected officials to listen. They asked a powerful institution to explain itself.
That is not something to fear.
It is something to celebrate.
That’s because healthy democracies depend on citizens who care enough to show up – even if there are only 40 of them standing together in a Detroit park at the end of a long week, refusing to believe their voices don’t matter.
Byron McCauley is a regional columnist for USA Today Co. in Michigan. Email: bmccauley@usatodayco.com; call (513) 504-8915.
Detroit, MI
How to watch ‘The Odyssey’ in IMAX, 70mm and more in metro Detroit
(WXYZ) — The highly-anticipated premiere of “The Odyssey” is officially here, with showtimes starting Thursday across metro Detroit.
The epic, directed by Christopher Nolan, was shot entirely with IMAX cameras, the first film to be shot with them. It will be available to watch in a variety of formats in the area and across the state.
On the website for the film, it lists all of the premium format options and where you can find them. Check out the details below.
IMAX 70mm
This is the premiere format to watch the film, presented in IMAX’s 1.43:1 expanded aspect ratio, according to the website.
“It is the largest and highest-resolution format available and gives you an unparalleled sense of immersion as the image fills IMAX’s signature floor-to-ceiling screen,” the website reads.
Across the country, there are only a 30 theatres that are capable of playing IMAX 70mm, and only one in Michigan. To see the film in that format, you’ll have to go to Celebration! Cinema in Grand Rapids.
IMAX
As we’ve said, “The Odyssey” is the first feature film shot entirely on IMAX cameras. “The film was shot and designed to be experienced on the biggest screen possible, and IMAX delivers on this,” star Anne Hathaway said.
It comes in the 1.90:1 expanded aspect ratio, filling your entire field of vision.
There are several theatres showing the film in IMAX in metro Detroit. They are:
- MJR Southgate
- MJR Troy
- AMC Forum 17 in Sterling Heights
- AMC Livonia 20
- AMC Star Great Lakes
- Cinemark Ann Arbor
70mm
The 70mm film is a large format that “offers a bright, clear image up to 3 times the resolution of standard digital projection formats,” according to the website. It’s shown at a 2.20:1 aspect ratio.
In metro Detroit, there are three theatres showing it in 70mm. They are:
- MJR Southgate
- AMC Forum 17 in Sterling Heights
- AMC Livonia 20
35mm
35mm is the classic film format shown at a 2.39:1 aspect ratio. “It projects light through the entire 35 millimeter frame to deliver clear, high resolution images with rich analog color,” the website reads.
Only the Michigan Theater in Ann Arbor is showing the film in 35mm.
Dolby Vision
According to the film’s website, The Dolby Vision projection system has a 1,000,000:1 contrast ratio.
“Dolby Vision allows you to experience every detail and nuance captured by the large format film cameras Christopher Nolan used in production,” the website reads.
You can see the film in Dolby Vision at AMC in Clinton Township, Sterling Heights and Great Lakes.
Premium Large Format
The premium large format movie will be in either 2.39:1 or 1.85:1 aspect ratio, depending on the theatre. “It features larger wall-to-wall screens, superior projection technology, including laser projection,” the website reads.
Here are places you can see “The Odyssey” in Premium Large Format.
- MJR Southgate
- Emagine Royal Oak
- Cinemark in Taylor
- MJR in Sterling Heights
- Emagine Woodhaven
- MJR Westland
- The Riviera in Farmington
- Emagine Canton
- MJR Partridge Creek
- Emagine Rochester Hills
- Emagine Macomb
- Emagine Novi
- MJR Chesterfield
MJR Waterford - Phoenix Theatres in Monroe
- Emagine Saline
- MJR Brighton
- Emagine Hartland
Detroit, MI
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