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Wedding Day Beauty Tips For a Natural Glow

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Wedding Day Beauty Tips For a Natural Glow

As couples embrace more authentic wedding styles, brides are following suit with fresh-faced makeup that enhances their natural features. Taking cues from celebrity brides like Sofia Richie and Vanessa Hudgens, brides are opting for barely there makeup over the heavily contoured looks that once defined wedding day beauty.

“You don’t want your makeup to look dated in your wedding photos,” said Lisa Eldridge, London-based celebrity makeup artist and founder of Lisa Eldridge Beauty. “When I see photos of someone like Grace Kelly on her wedding day, I think it could have been yesterday.”

Five celebrity makeup artists share some of their go-to makeup products and tips to help you achieve the perfect glow on your wedding day.

“Your wedding day look should be whatever makes you feel the most beautiful,” Ms. Eldridge said. “Also keep in mind that less is more when it comes to makeup application, especially when dealing with perceived problem areas, such as blemishes or patches of redness. Use light, targeted application on the areas with minimal product to keep your makeup looking as natural as possible.”

“This medium-coverage foundation is clinically proven to last for a minimum of 12 hours and photographs beautifully. These types of formulations can sometimes be a little more drying to last all day, so you may need to compensate by adding more moisturizer beforehand and using less setting powder than normal.”

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“I always keep this French pharmacy moisturizer in my kit. It’s a makeup artist’s favorite for a reason — it’s inexpensive and works really well as a primer for makeup. I like using it on skin that is drier or if the bride is getting married in a cold climate.”

“Smudge-proof, waterproof mascara is a must for all of those happy tears. This mascara’s flexible formula prevents flaking or running. It’s also buildable for fluffy, fanned-out lashes.”

New York-based celebrity makeup artist, founder of Pat McGrath Labs and the creative director for Louis Vuitton’s new beauty brand

“Brides are embracing lit-from-within complexions with glowing skin, neutral and rosy tones on the eyes and lips and an overall look that feels refined, yet romantic,” Ms. McGrath said. “To achieve this, avoid techniques or products that can overpower your face, such as heavy contouring, overly drawing eyebrows or using ultra-matte finishes, which can look flat in natural light and photos. Opt for more light-handed makeup applications and breathable, long-wearing formulations.”

“I always begin makeup application with this essence to hydrate and prep skin for a smooth base and radiant finish. It’s a lightweight emulsion formulated with floral antioxidants that protect and calm skin.”

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“Layering your base is key for luminous skin that looks as stunning in person as in photos. This set includes a makeup primer, lightweight foundation and setting powder to create a flawless complexion. If you’re using concealer to cover imperfections, such as dark circles under the eyes and blemishes, apply small amounts before foundation.”

“I swear by this budge-proof, creamy lipstick. It offers intense color and stays put through every kiss and dinner course without feeling dry. Line lips to define and shape before applying lip color. Then, add a layer of lip gloss over the lipstick to create dimension. Avoid anything too glossy or slippery, as it won’t provide the longevity needed for a big day.”

Celebrity makeup artist and Chanel beauty ambassador based in New York City

“Overly glammed makeup looks have become less popular as more brides seek to feel comfortable and genuine on their wedding day. While dramatic looks have their place, the shift toward more intimate and intentional celebrations has encouraged a preference for makeup that feels fresh, light, and natural,” Ms. Komarovski said.

Chanel Rouge Coco Baume Satin, $48, chanel.comCredit…Chanel

“This is one of my go-to formulations for lips at the moment. It lives up to what it promises —hydrating, buildable color. It feels incredibly comfortable throughout the day and adds just the right amount of color without looking overly ‘lipsticky’.”

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“I’m loving soft and delicate eye makeup in neutral shades with a subtle shimmer to enhance the eye shape. This cream eye shadow is easy to use and the shade in ‘Undertone’ is a great base that works well on all skin tones and looks beautiful either alone or layered.”

“I go for this light-to-medium coverage foundation because it’s very buildable, but allows your skin to shine through. After applying, add a touch of cream highlighter on the cheekbones, brow bones and the bridge of the nose to accentuate your features.”

Celebrity makeup artist based in New York City

“Even if you don’t normally wear much makeup, having a good foundation base and softly defined brows, eyes and lips will make you look polished on your wedding day and enhance your natural features in photos,” Ms. Wiles said.

“Makeup formulations have come a long way since I started in the early ’90s, which is great for weddings and long-wear products. Lips stains are perfect for longevity. Apply a lip liner first then add a little gloss on top of the stain to the center of your lips if you want some shine.”

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“Some long-lasting cheek colors can get dry or waxy, but I like the lightweight formulation of this liquid blush that melts into your skin.”

“I prefer very fine-point gel eyeliners for smooth and precise application. This waterproof liner stays in place with without smudging or fading and it’s buildable for more definition.”

Celebrity makeup artist based in New York City

“A flawless complexion is the basis of every bridal makeup look and always remains a top trend. While the rest of the look can be tailored to highlight your unique features, such as your eyes or cheekbones, the key is to keep the overall style timeless, as your photos will be cherished forever,” Ms. Shahzada said.

Dior Forever Skin Perfect Multi-Use Foundation Stick, $52, dior.comCredit…Dior

“For a flawless yet breathable finish, apply a lightweight moisturizer under this foundation stick. I like how it provides impressive coverage and a naturally dewy glow while maintaining hydration.”

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“This primer ingeniously creates a smooth, shine-free base, while strategically adding glow to the high points of your face, such as your nose and cheekbones, and prevents an overly matte or greasy finish.”

“This eye primer not only locks in eye shadow, but also has a correcting tint to enhance color payoff and controls oil throughout the day.”

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

Millie Bobby Brown in the final season of Stranger Things.

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After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?

To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.

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JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026

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JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026

JasonMartin
Adin Ross Disrespecting Doechii …
Will Not Be Tolerated!!!

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‘Everything I knew burned down around me’: A journalist looks back on LA’s fires

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‘Everything I knew burned down around me’: A journalist looks back on LA’s fires

A firefighter works as homes burn during the Eaton fire in the Altadena area of Los Angeles County, Calif., on Jan. 7, 2025.

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On New Year’s Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.

Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.

“This was a place that I could navigate with my eyes closed,” Soboroff says of the neighborhood. “Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.”

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In his new book, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he’s ever undertaken.

“The experience of doing this is something that I don’t wish on anybody, but in a way I wish everybody could experience,” he says. “It’s given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. … It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.”

Interview highlights

Firestorm, by Ben Soboroff

On the experience of reporting from the fires

You’re choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: “My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.” …

I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.

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On undocumented immigrants being central to rebuilding the city

These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …

Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they’d be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.

And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it’s not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.

On efforts to rebuild

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The pace is slow and it’s sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it’s going to be a long road ahead. You’re going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it’s going to an isolating experience. But there’s an effort underway to rebuild. …

There’s also a lot of for-sale signs. And that’s the sad reality of this, is that there are people who, whether it’s that they can’t afford to come back … or that they just can’t stomach it, I think, sadly, a lot people are not going to be returning to their homes.

On what the Palisades and Altadena look like today

They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. … But mostly it’s just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it’s a patchwork of empty lots. Homes now under construction. And lots and lots of workers. … There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you’ve got workers going in during the day and coming out at night. …

We have designed this community to be one that’s in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody’s packing it up and leaving Los Angeles. People may not return to their communities after they’ve lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.

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On seeing this story, personally, as his “most important assignment”

Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.

Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.

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Jason Frank Rothenberg/HarperCollins

I don’t think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don’t think I ever would have otherwise spent time with, and to reconnect with people who I hadn’t seen or heard from in forever.

Anna Bauman and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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