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Two new novels investigate what makes magic, what is real and imagined

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Two new novels investigate what makes magic, what is real and imagined
Covers of Pages of Mourning and The Cemetery of Untold Stories

In an enchanted world, where does mystery begin? Two authors pose this question in new novels out this spring.

In Pages of Mourning by the Mexican magical realism interrogator-author Diego Gerard Morrison, the protagonist is a Mexican writer named Aureliano Más II who is at war with his memory of familial sorrow and — you guessed it — magical realism. And the protagonist Alma Cruz in Julia Alvarez’s latest novel, The Cemetery of Untold Stories, is also a writer. Alma seeks to bury her unpublished stories in a graveyard of her own making, in order to find peace in their repose — and meaning from the vulnerability that comes from unheard stories.

Both of these novels, one from an emerging writer and one from a long celebrated author, walk an open road of remembering love, grief, and fate. Both find a destiny not in death, but in the reality of abandonment and in dreams that come from a hope for reunion. At this intersection of memory and meaning, their storytelling diverges.

Pages of Mourning

Pages of Mourning, out this month, is set in 2017, three years after 43 students disappear from the Ayotzinapa Rural Teachers’ College after being abducted in Iguala, Guerrero, Mexico. The main character, Aureliano, is attempting to write the Great Mexican Novel that reflects this crisis and his mother’s own unexplained disappearance when he was a boy. He’s also struggling with the idea of magical realism as literary genre — he holds resentment over being named after the protagonist in 100 Years of Solitude, which fits squarely within it. He sets out on a journey with his maternal aunt to find his father, ask questions about his mother, and deal with his drinking problem and various earthquakes.

Morrison’s voice reflects his work as a writer, editor and translator based in Mexico City, who seeks to interrogate “the concept of dissonance” through blended art forms such as poetry and fiction, translation and criticism. His story could be seen as an archetype, criticism, or a reflection through linguistic cadence on Pan American literature. His novel name drops and alludes to American, Mexican and Latin American writers including Walt Whitman, Juan Rulfo, Gabriel Garcia Márquez — and even himself. There’s an earnest use of adjectives to accompany the lived dissonance of his characters.

There’s nothing magical, in the genre sense, in Morrison’s story. There are no magical rivers, enchanted messages, babies born with tails. Morrison’s dissonance is real — people get disappeared, they suffer addictions, writer’s block, crazy parents, crazier shamans, blank pages, corruption, the loss of loved ones. In this depiction of real Pan-American life — because all of this we are also explicitly suffering up North — Morrison finds his magic. His Aureliano is our Aureliano. He’s someone we know. Probably someone we loved — someone trying so hard to live.

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The Cemetery of Untold Stories

From the author of In the Time of the Butterflies and How the García Girls Lost Their Accents, The Cemetery of Untold Stories is Julia Alvarez’s seventh novel. It’s a story that’s both languorous and urgent in conjuring a world from magical happenings. The source of these happenings, in a graveyard in the Dominican Republic, is the confrontation between memories and lived agendas. Alvarez is an acclaimed storyteller and teacher, a writer of poetry, non-fiction and children’s books, honored in 2013 with the National Medal of Arts. She continues her luminous virtuosity with the story of Alma Cruz.

Alma, the writer at the heart of The Cemetery of Untold Stories, has a goal – not to go crazy from the delayed promise of cartons of unpublished stories she has stored away. When she inherits land in her origin country — the Dominican Republic — she decides to retire there, and design a graveyard to bury her manuscript drafts, along with the characters whose fictional lives demand their own unrequited recompense. Her sisters think she’s nuts, and wasting their inheritance. Filomena, a local woman Alma hires to watch over the cemetery, finds solace in a steady paycheck and her unusual workplace.

Alma wants peace for herself and her characters. But they have their own agendas and, once buried, begin to make them known: They speak to each other and Filomena, rewriting and revising Alma’s creativity in order to reclaim themselves.

In this new story, Alvarez creates a world where everyone is on a quest to achieve a dream — retirement, literary fame, a steady job, peace of mind, authenticity. Things get complicated during the rewrites, when ambitions and memories bump into the reality of no money, getting arrested, no imagination, jealousy, and the grace of humble competence. Alma’s sisters, Filomena, the townspeople — all make a claim over Alma’s aspiration to find a final resting place for her memories. Alvarez sprinkles their journey with dialogue and phrases in Spanish and one — “no hay mal que por bien no venga” (there is goodness in every woe) — emerges as the oral talisman of her story. There is always something magical to discover in a story, and that is especially true in Alvarez’s landing place.

Marcela Davison Avilés is a writer and independent producer living in Northern California.

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What worked — and what didn’t — in the ‘Stranger Things’ finale

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What worked — and what didn’t — in the ‘Stranger Things’ finale

Sadie Sink as Max Mayfield.

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Yes, there are spoilers ahead for the final episode of Stranger Things

On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.

Worked: The final battle

The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!

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Did not work: Too much talking before the fight

As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.

Worked: Dungeons & Dragons bringing the group together

It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.

Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington holding up drinks to toast.

Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.

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Did not work: Dr. Kay, played by Linda Hamilton

It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.

Worked: Needle drops

Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.

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Did not work: The non-ending

As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?

This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.

Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation
The beauty industry’s M&A machine roared back into action in 2025, with no shortage of blockbuster sales and surprise consolidation. It was also a year with no shortage of flashpoint moments or controversial characters, reflecting the wider fractious social media and political climate.
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Sunday Puzzle: P-A-R-T-Y words and names

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Sunday Puzzle: P-A-R-T-Y words and names

On-air challenge

Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y.  For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.

1. Colors

2. Major League Baseball Teams

3. Foreign Rivers

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4. Foods for a Thanksgiving Meal

Last week’s challenge

I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?

Challenge answer

It was a volume of an encyclopedia with entries from OUT- to SEA-.

Winner

Mark Karp of Marlboro Township, N.J.

This week’s challenge

This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?

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If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.

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