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This L.A. couple kissed on a bridge and went viral. Now they're getting married

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This L.A. couple kissed on a bridge and went viral. Now they're getting married

• Trino Garcia and Adam Vasquez, known on social media as TrinoxAdam, went viral when their kiss on a bridge was shared by photographer Henry Jiménez Kerbox.
• Today, with more than 2 million followers on TikTok, the Angeleno couple is challenging perceptions of masculinity, sexuality and Chicano culture.
• On Nov. 30, the two will get married, after nearly 20 years together, in a celebration in downtown L.A.

In May 2023, Adam Vasquez and Trino Garcia walked across a bridge overlooking the 110 Freeway, right next to Sycamore Grove Park, feeling nervous and a little shy. It was their first time being photographed as a couple, holding hands and sharing a kiss in public.

Henry Jiménez Kerbox, a photographer with more than 7 million followers on TikTok, had seen them and asked to take their picture. Little did they imagine that the impromptu photo shoot would go viral, their tender moment resonating with millions on TikTok and Instagram. Now, people know the couple as TrinoxAdam.

On the side of Garcia’s face, “Adam” is inked on the right and “Mexicano” on the left. Vasquez’s face mirrors this, with “Trino” on the left and “Chicano” on the right. As Garcia rolls up the loose, baggy sleeves of his jersey, he reveals a tender tribute to his childhood, family and God — etched into his skin is Charlie Brown, the face of his daughter Natalie when she was a baby and a portrait of the Virgin Mary.

With their tattooed faces, piercings and street-style clothing, Garcia, 39, and Vasquez, 44, don’t exactly fit the stereotypical image of social media influencers. But with more than 2 million followers on TikTok, they’re breaking barriers and challenging perceptions of masculinity, sexuality and Chicano culture. Here, the couple, who live in Van Nuys, share the story of their journey from closeted teens to beloved internet personalities.

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An instant crush — and a soul connection

Nearly two decades ago, in Bakersfield‘s Central Valley, Garcia, then 20, spotted a photo of Vasquez in a friend’s work locker and was instantly smitten. It took him a month to finally spot Vasquez’s contact information on a friend’s phone at a party. “I have a really bad memory, but that day, I remember it,” Garcia says. He borrowed a pen and wrote the number down on his hand. The next day, he called Vasquez.

Adam Vasquez, left, and Trino Garcia.

Before he met Garcia, everyone Vasquez hung out with was dealing with drugs in some way. Vasquez himself was addicted to crystal meth, which he’d begun using when he was 12. But when the two went on their first date, to a Del Taco, Vasquez says he saw in Garcia a lifeline to normalcy: “Everyone I associated with always did what I did. So I never had that outlet to escape that.”

On a later date, they’d planned to see a movie, but Vasquez’s body started to ache and shake due to withdrawal.

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“I told him, ‘I can’t go inside,’” Vasquez says. “So he took me back to my place. I went beneath the table and made myself feel better.” As he continued using, Garcia waited “and stood by my side.”

In Vasquez, Garcia recognized a kindred spirit yearning for acceptance. Garcia had struggled himself, as a single dad to baby Natalie and in not being accepted by his family after coming out. “I was drowning,” says Garcia. “He was struggling with his own struggles, and it made me feel really connected with him.”

After a month of dating, they moved in together. Vasquez continued to battle his addiction; Garcia would catch him using drugs under the table or find drugs in his pockets. But the two stuck it out. For Vasquez, Garcia and Natalie were part of the motivation to stop using. “I had our daughter that I wanted to be better for,” he says.

Vasquez has now been drug-free for more than a decade, and this year marks the couple’s 19th anniversary. On Nov. 30, they plan to get married in downtown L.A. at Scam and Jam, a monthly throwback dance party and celebration of Chicano culture hosted at the Regent Theater. At the first-ever Scam and Jam wedding, Vasquez says the couple hope people will “just dance and vibe together to share this special moment.”

“It’s an honor to find somebody that you’re with for so long,” Vasquez says. “There are so many levels to us at this point: We are friends, we are lovers, we are homies, and most importantly, we are fathers.”

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A family forged in love

When Vasquez entered Garcia’s life, Garcia’s daughter was just 2 years old. Raising Natalie as a gay couple in Bakersfield came with its own set of challenges.

When they went to parent meetings at Natalie’s school, Vasquez was always the “uncle,” because they didn’t want their daughter to have unnecessary attention or trouble. Once, a mother of Natalie’s elementary school classmate confronted Garcia, saying she thought Natalie should go to counseling because she was missing a mother in her life. Garcia was offended, but he also felt fear: “What if we did something wrong?” he would ask himself. He also worried Natalie might reject them, as other family members had done, for “a normal life.”

“I’m never ashamed of them,” says Natalie, now 21, though she has noticed the judgments of others due to her fathers’ appearance. For instance, when she went shopping with Garcia and Vasquez, people would follow them to make sure her dads weren’t stealing anything, she says. The stereotyping bothers her, but in school, “People actually found it really interesting and cool” that she had two dads. (She calls Garcia Papi and Vasquez Pops.)

“[Queerness] has been something normal in my life,” she says. Growing up, she was surrounded by Garcia and Vasquez’s friends and would go to Pride parades with them, holding a little rainbow flag. “I never felt I was missing out on something. I always felt content having my two dads, because they were just so involved in my life.”

“We raised her as two parents,” Vasquez says. “Trino was there with her to get her nails and hair done. I would work hard to make sure she had everything she needed.”

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They also encouraged her passion for dance. When Natalie was a baby, Garcia would record her moving to music; later, he took her to dance classes.

Adam Vasquez and Trino Garcia dance alongside rapper Snow Tha Product at Beaches WeHo.

Adam Vasquez and Trino Garcia dance alongside rapper Snow Tha Product at Beaches WeHo in West Hollywood.

“I wanted her to see life the way I didn’t see it,” he says. “I wanted her to dream big and express herself.”

That involved some sacrifices. Eight years ago, with just $3,000 in their pockets, the family moved to L.A. from Bakersfield so Natalie could get better opportunities in dance. Their first apartment, in Rowland Heights, cost $1,600 monthly. Vasquez, who was working at both Red Robin and Chili’s, transferred to the Whittier locations so he could have a better commute.

“I became one of the best servers at Red Robin and Chili’s,” he says.

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Garcia, after taking Natalie to dance classes, would stay late to clean the studios to cover her tuition. He asked Natalie to join him. “I’d be like, ‘You’re working for your dance, so put pride in it,’” he says. “And we cleaned it together.”

Their dedication paid off — Natalie is now in her second season as a dancer for the L.A. Clippers. She also recently introduced her first boyfriend to her dads, who “have always been a big support system,” she says. “They were willing to drop everything they had in Bakersfield to come over to L.A. [for me to] pursue what I really want to do.”

The journey to self-acceptance

Growing up as the only sons in their Catholic families, Vasquez and Garcia both felt the weight of cultural expectations and religious beliefs.

Brenda Garcia, Trino’s second eldest sister, was the only one in his family who initially accepted his queerness. She said he was “quiet,” “sensitive” and “a sweetheart” as a kid. When their father saw Garcia was attracted to the “girls’ stuff” of his four sisters, he put him on baseball and basketball teams to make him act more like a “boy,” she says.

“Those kids were my brother’s bullies,” Brenda Garcia says. “He is just not a sporty guy, and I could feel so much pressure on him.”

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In fourth grade, Garcia went to church to confess to the priest that he found himself attracted to other boys. The priest told him to pray, so he kept praying. As he got older, to be the tough Chicano man that his father wanted him to be, Garcia intentionally had “become bad,” says Brenda Garcia. He fought with other kids, had lots of girlfriends and started to smoke.

Throughout it all, “[my attraction to men] didn’t go away,” he says. “It wasn’t until my daughter was born that the reality told me I need to wake up” and accept who he was. It was then, at age 20, that he came out and left Oxnard for Bakersfield.

Adam Vasquez, left, and Trino Garcia stand outside a house, drinking from glasses.

Adam Vasquez, left, and Trino Garcia have a sip while talking to each other outside of a friend’s house in Compton.

With three sisters, Vasquez also was the only boy in his family. His father left the family for another woman when Vasquez was little. “He had a baby with her and called that son the ‘junior,’ but I was his first boy,” he says. “There was a lot of anger and emptiness, so I turned to drugs to fill up the void.”

Baptized as a Catholic, Vasquez now identifies as Christian. He said he found it hard to pray when he realized his sexual orientation and that he got into drugs as he felt he had turned his back on God.

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Vasquez says in many Hispanic families, having a gay son can be the worst shame, especially as the only son in a Catholic family. When he told his mother he was gay, her initial reaction was devastating: “I don’t have a son anymore.” He moved out that same day.

“I’ve been told this is wrong, but I’ve never been so happy in my life,” Vasquez says. “Why [is] loving this man going to send me to hell?”

Redefining masculinity

In a world that often equates gayness with flamboyance, Vasquez and Garcia stand out. Their appearance — tattoos, baggy clothes and a style rooted in Chicano culture — might challenge stereotypes about what it means to be gay.

But beneath the tough exterior lie hearts filled with love and a desire for acceptance. Their tattoos, far from being gang-related, depict flowers, butterflies and words like “love” and the name of their daughter. This juxtaposition of traditional masculinity and open vulnerability is at the core of their appeal. They’re showing a generation of young men that there’s no one way to be gay, no one way to be a man.

Their viral moment in 2023 catapulted them into the spotlight in a way they never expected. On the June day the video was posted, Vasquez was working at Chili’s. His notifications “just went crazy” with people sending likes and following the couple. Later that month, they went to L.A. Pride, and, for the first time, people started to line up and take pictures with them.

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Trino Garcia showcases L.A. Pride body paint on his head.

Trino Garcia during L.A. Pride at Los Angeles State Historic Park in June.

The attention has led to a sense of freedom for the couple.

Now, on Instagram, TikTok and YouTube, they perform lip-sync music videos, share their outfits and post daily life or travel vlogs. They’re using their platform to challenge stereotypes and promote acceptance, particularly within the Chicano community.

“We’re being transparent, and we’re not hiding in the closet anymore,” Vasquez says. “We’re going outside, going to places where we shouldn’t be embraced. But people are finding the love in us. Because we could be their uncle. We could be their son.”

During this interview at a Starbucks in Van Nuys, a young girl approached, her eyes wide with recognition. “Are you Trino and Adam?” she asks, her voice trembling with excitement.

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Without hesitation, the couple stood up, their faces breaking into warm smiles. They embraced the girl and her mother, taking time to chat and pose for photos.

Their message resonates beyond the LGBTQ+ community. They’ve been welcomed at lowrider shows and spoken at prisons, breaking down barriers and fostering understanding.

“Maybe you don’t agree with it,” Vasquez says, “but there’s someone we’re touching, someone that looks like us, someone that’s been hiding all their lives.”

From TikTok, a new chapter

Today, Vasquez and Garcia balance their social media presence with their day jobs as community integration facilitators at the organization Social Vocational Services, working with individuals with developmental disabilities and taking them on recreational activities.

“Living in the social media world can make you lose yourself fast,” says Garcia. “The bigger the numbers get, you feel like you’re floating, but when we go to work, clock in and [are] with all these people, it makes us grateful for where we’re at in life. I want to continue to be grounded.”

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Adam Vasquez, left, and Trino Garcia dance while filming a TikTok.

Adam Vasquez, left, and Trino Garcia dance while filming a TikTok and singing along to the Usher song “Burn.”

Their plan is not to be influencers, forever known as “the guys on the bridge,” he adds, but to use their social media presence to “speak about something powerful.” They’re also planning on writing a book about their love story and where they came from.

In October, the couple released their first original rap song, “Vibe Out”; Natalie dances in the music video. “Adam is rapping a lot in this piece,” Garcia says, looking at Vasquez proudly. “I think he’s a natural, and I’m a No. 1 fan.”

‘People have been embracing us’

For the most part, they’ve found public reaction heartwarming and encouraging. But getting full acceptance from their families may be a lifelong journey. For Garcia in particular, it’s bittersweet: “The people that I wanted to see me is my mother, my father and my sisters, and they still don’t see me.”

His sister Brenda Garcia, however, continues to be a supportive force in his life. When her youngest daughter asked her about Garcia and Vasquez’s relationship, “I just told her, ‘Gay does not affect who you are. It’s just love. Is that going to make you change the way you see your uncle?’ And she said no.”

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Although she initially rejected him, Vasquez’s mother, Lupe, is proud of the men Vasquez and Garcia have become and the life they’ve built together. “No matter what, he’s my son, and I love him dearly,” she says.

For their Nov. 30 nuptials, Garcia and Vasquez have invited about 20 family members and friends from their personal circle. “People have been embracing us,” Garcia says. “And we want to celebrate with the people that have been healing us.”

Following a short ceremony onstage, several DJs will play at the “club-vibe party with music,” the couple says. Tickets are available to the public via Ticketmaster, and the event will be livestreamed on TikTok.

Along with the wedding, there’s another milestone in the works: After Nov. 30, Vasquez will be Adam Issac Vasquez Garcia, “so that the three of us can be Garcia,” he says.

“We’re like a beautiful plant that grows slowly and blooms more beautifully,” Garcia says of their relationship. “We were like two broken pieces,” Vasquez adds, “and coming together we became a full, complete person.”

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‘Stay Alive,’ about daily life in Nazi Berlin, shows how easy it is to just go along

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‘Stay Alive,’ about daily life in Nazi Berlin, shows how easy it is to just go along

It’s been 80 years since Adolf Hitler shot himself in his bunker, yet our fascination with the Nazi era seems eternal. By now I’ve read and seen so many different things that I’m always surprised when somebody offers a new angle on what the Nazis wrought.

Ian Buruma does this in Stay Alive: Berlin, 1939-1945, a new book about living in a country where you have no control over what happens. Inspired by the experience of his Dutch father, Leo, who was forced to do factory work in Berlin, Buruma uses diaries, memoirs and some personal interviews — most of the witnesses are dead, of course — to explore how it felt to be in Berlin during World War II. He weaves together a chronicle that carries Berliners from the triumphant days when Germany steamrolled Poland and daily life felt almost “normal” (unless you were Jewish, of course) through the end of the war when bombs pulverized the city, and Soviet soldiers arrived to rape and pillage.

As he writes of air raid drills, food shortages and the incessant deluge of rumors, Buruma has to deal with the difficulty that most ordinary Germans left behind very little record. They kept their heads down and tried to stay alive. And so the book moves among more interesting characters whose multiplicity gives dimension to our usual flattened sense of Nazi Germany.

We meet Coco Schumann, a young Jewish guitarist who risks his life to play the jazz music that Nazis considered degenerate. We meet 15-year-old Lilo, who starts off thinking that Nazi ideals make life beautiful, but comes to admire the greater nobility of those who tried to assassinate Hitler. There’s the dissident intelligence officer Helmuth von Moltke, a conservative who seeks to work from inside against the Nazis (he gets hanged for his trouble). And there’s Erich Alenfeld, a Jew who converted to Christianity and remained a German patriot: He sent a letter to Reichsminister Hermann Göring asking if he could serve.

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We also encounter several of the usual suspects, most notably propaganda minister Joseph Goebbels who, when not coercing young actresses into sex, is busy generating false headlines, ordering movie spectacles to distract the masses (he loved Disney films), and monitoring the city’s morale. Always laying down edicts — like ordering Jews to wear the yellow star — he’s the Nazi who may have done most to affect Berlin’s daily life: He even keeps banning and reinstating dancing.

Along the way, Stay Alive is laced with nifty details. How one family trained its parrot to say “Heil, Hitler” to fool the Nazis if they came to arrest someone. How, a crew of filmmakers kept shooting a movie with no film in the camera so they wouldn’t be drafted to fight doomed last ditch battles. How Jewish villas in the posh Grunewald area were bought up or seized by Nazi bigshots, but now belong to Russian oligarchs. And how some of those trying to elude the Nazis became known as U-boats, because they dived into the city’s murky underworld, even hiding out in brothels.

As one who’s written well for decades about historical guilt and denial, Buruma is too savvy to belabor familiar Nazi horrors. That said, he offers two dark truths that strike me as being especially apt in these days when authoritarianism is making a worldwide comeback.

The first is that you can’t live in a dirty system without somehow being corrupted. Whether you were a famous symphony conductor or a cop on the beat, Nazism tainted virtually everyone, forcing people to do and say abhorrent things they often didn’t believe in, and weakening their moral compass. As von Moltke wrote his wife: “Today, I can endure the sufferings of others with an equanimity I would have found execrable a year ago.”

He wasn’t alone. The second dark truth is how easy it is to simply go along. Most Berliners — and even Buruma’s own father — did their jobs, took their pleasures and preferred not to think about the evils under their noses. This, Buruma says, “is disturbing but should not surprise anyone. Human beings adapt, carry on, turn away from things they don’t wish to see or hear.”

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If the book has a hero, it’s probably Ruth Andreas-Friedrich, a journalist who didn’t turn away. Along with her partner, the conductor Leo Borchard, she ran a resistance group named Uncle Emil, risking her life to protect Jews, help them escape, and support other groups battling the Nazis. All this makes her much braver than I’ve ever been. But I equally admire her refusal to be sanctimonious about those who, fearing prison or worse, didn’t rise up against the dictatorship. She had the rare virtue of being righteous without being self-righteous.

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Stop and smell the native plants at the L.A. Times Plants booth at Festival of Books

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Stop and smell the native plants at the L.A. Times Plants booth at Festival of Books

Are you interested in creating a native habitat or have questions about your plants? Come meet experts from the Theodore Payne Foundation and the California Native Plant Society, along with Times staffers, at the L.A. Times Plants booth during The Times’ Festival of Books at USC on April 18 and 19.

In a new location this year — booth 554 in the Red Zone — the L.A. Times Plants booth will be a tribute to L.A. Times plants writer Jeanette Marantos, a passionate supporter of native plants, who died in February.

There will be giveaways of hundreds of 4-inch plants from Theodore Payne and The Times throughout the weekend. Also, anyone who signs up for our free monthly L.A. Times Plants newsletter will receive Jeanette’s Mix, a special packet of sunflower seeds and California poppy seeds that Marantos hoped to offer this year.

Jeanette Marantos at the L.A. Times Plants booth at Festival of Books on April 21, 2024.

(Maryanne Pittman)

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We’ll also have colorful plant-inspired stickers and copies of the Weekend print section with Times garden coverage to give away.

Booth visitors will be able to smell and look at plants from the Theodore Payne Foundation and learn how native plants can not only save water but also support local wildlife such as bees, birds and monarch butterflies. Theodore Payne will also have merchandise available for purchase and other seed packets to hand out.

As part of the booth, representatives from the California Native Plant Society will show visitors how to use Calscape, an online database of native plants that allows you to customize your landscape needs based on your ZIP Code.

Stop by the L.A. Times Plants booth (booth 554 in the Red Zone) between 10 a.m. and 6 p.m. on April 18 or from 10 a.m. to 5 p.m. on April 19. The Festival of Books is held on the USC campus. For more information, check the festival’s FAQ page.

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Ziggy Stardust and Hacky Sack: What life was like the last time we went to the moon

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Ziggy Stardust and Hacky Sack: What life was like the last time we went to the moon

David Bowie debuted his Ziggy Stardust persona and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972 — the last year humans went to the moon.

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The Artemis II rocket launched on Wednesday, carrying astronauts to the moon for the first time in over half a century.

The four-person crew is headed on a 10-day, 230,000-mile journey around the moon and back — a pivotal test of the Orion spacecraft that NASA hopes will bring future astronauts to the lunar surface as soon as 2028 and Mars after that.

The last time humans went to the moon was the Apollo 17 mission in December 1972.

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The final Apollo mission involved three astronauts: Command module pilot Ronald Evans orbited above as Eugene Cernan and Harrison “Jack” Schmitt — a professional geologist, in a notable first — touched down on the moon’s Taurus-Littrow valley.

The pair spent just over three days on the lunar surface, collecting some 250 pounds of moon rock and soil samples. They set multiple records, including the longest stay on the moon (75 hours), the most lunar samples collected and the longest mission duration at 12 days, 14 hours.

NASA astronaut Eugene Cernan, commander of the Apollo 17 lunar mission, is welcomed back to Earth after splashing down in the Pacific Ocean on Dec. 19, 1972.

NASA astronaut Eugene Cernan, commander of the Apollo 17 lunar mission, is welcomed back to Earth after splashing down in the Pacific Ocean on Dec. 19, 1972.

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The crew knew they would be the last to visit the moon at least for the foreseeable future, as NASA had decided two years earlier to cancel the remaining Apollo missions, primarily due to budget cuts.

Cernan became the last human to walk on the moon on Dec. 14, 1972. He acknowledged the significance of the moment out loud as he stepped off the lunar surface, seemingly nodding to Neil Armstrong’s infamous words from the 1969 moon landing.

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“As we leave the moon and Taurus-Littrow, we leave as we came — and God willing as we shall return: with peace, and in hope, for all mankind,” said Cernan, who died in 2023.

A lot has changed in the 53 years since. Here’s what life was like the last time astronauts launched to the moon.

A banner year for geopolitics, pop culture and technology

Richard Nixon became the first U.S. president to visit China in February 1972.

Richard Nixon became the first U.S. president to visit China in February 1972.

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The year 1972 is in many ways synonymous with upheaval: the uncovering of the Watergate scandal, “Bloody Sunday” in Northern Ireland, the “Munich massacre” at the 1972 Olympics, North Vietnam’s “Easter Offensive” in the final years of the Vietnam War — and antiwar protests at college campuses and political conventions.

That was the year President Nixon announced that no more draftees would be sent to Vietnam, and the year he visited China in a presidential first.

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The Volkswagen Beetle officially surpassed the Ford Model T as the most popular — and most-produced — car in the world. And a gallon of regular gasoline cost 36 cents, or the equivalent of $2.53 a gallon today, according to the AARP.

Herbie, the anthropomorphic Volkswagen Beetle featured in the 1969 Disney film "The Love Bug" and its sequels, terrorizes a young woman at a car show in Berlin in June 1972. (Photo by Keystone/Hulton Archive/Getty Images)

Herbie, the anthropomorphic Volkswagen Beetle featured in the 1969 Disney film The Love Bug, terrorizes a young woman at a car show in Berlin in June 1972.

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1972 was also a major year for still-beloved cultural creations. It marked the debut of David Bowie’s alter ego Ziggy Stardust, the formation of ABBA, the opening of Grease on Broadway. The top-selling album of the year was Neil Young’s Harvest, and the biggest box office hit was The Godfather, which came out in March.

Fashion was dominated by bold colors and patterns, bell-bottoms, shawls, platform shoes and synthetic fabrics, as part of “the Polyester Decade.” Style icons included Bianca Jagger, Jane Birkin and Diana Ross.

Mick Jagger and Bianca Jagger watching the final cricket test between England and Australia at the Oval.

Mick Jagger and Bianca Jagger, pictured in 1972, were among the style icons of the era.

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There was a lot of news, but fewer ways to consume it. Some 95 percent of U.S. households owned televisions, according to Census data, and just three commercial broadcast networks dominated the airwaves: ABC, CBS and NBC. Total print newspaper circulation reached a record 62.5 million, before it began to drop.

And of course, it was a time of innovation — and not just in space. The digital watch made its debut. Atari published “Pong,” the first commercially successful arcade video game. Other key inventions from that year include the floppy disk, the first handheld scientific calculator (the HP-35) and the Hacky Sack. McDonald’s Egg McMuffin entered test markets, and Shrinky Dinks were on the brink of creation.

According to Merriam Webster, some of the words recorded in print for the first time in 1972 include: animatronic, beer pong, bird flu, habanero, garage band, glam rock, lowrider, page-turner, sound bite, spaghetti strap, veggie burger, women’s studies and yard sale. Far out!

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