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This L.A. couple kissed on a bridge and went viral. Now they're getting married

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This L.A. couple kissed on a bridge and went viral. Now they're getting married

• Trino Garcia and Adam Vasquez, known on social media as TrinoxAdam, went viral when their kiss on a bridge was shared by photographer Henry Jiménez Kerbox.
• Today, with more than 2 million followers on TikTok, the Angeleno couple is challenging perceptions of masculinity, sexuality and Chicano culture.
• On Nov. 30, the two will get married, after nearly 20 years together, in a celebration in downtown L.A.

In May 2023, Adam Vasquez and Trino Garcia walked across a bridge overlooking the 110 Freeway, right next to Sycamore Grove Park, feeling nervous and a little shy. It was their first time being photographed as a couple, holding hands and sharing a kiss in public.

Henry Jiménez Kerbox, a photographer with more than 7 million followers on TikTok, had seen them and asked to take their picture. Little did they imagine that the impromptu photo shoot would go viral, their tender moment resonating with millions on TikTok and Instagram. Now, people know the couple as TrinoxAdam.

On the side of Garcia’s face, “Adam” is inked on the right and “Mexicano” on the left. Vasquez’s face mirrors this, with “Trino” on the left and “Chicano” on the right. As Garcia rolls up the loose, baggy sleeves of his jersey, he reveals a tender tribute to his childhood, family and God — etched into his skin is Charlie Brown, the face of his daughter Natalie when she was a baby and a portrait of the Virgin Mary.

With their tattooed faces, piercings and street-style clothing, Garcia, 39, and Vasquez, 44, don’t exactly fit the stereotypical image of social media influencers. But with more than 2 million followers on TikTok, they’re breaking barriers and challenging perceptions of masculinity, sexuality and Chicano culture. Here, the couple, who live in Van Nuys, share the story of their journey from closeted teens to beloved internet personalities.

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An instant crush — and a soul connection

Nearly two decades ago, in Bakersfield‘s Central Valley, Garcia, then 20, spotted a photo of Vasquez in a friend’s work locker and was instantly smitten. It took him a month to finally spot Vasquez’s contact information on a friend’s phone at a party. “I have a really bad memory, but that day, I remember it,” Garcia says. He borrowed a pen and wrote the number down on his hand. The next day, he called Vasquez.

Adam Vasquez, left, and Trino Garcia.

Before he met Garcia, everyone Vasquez hung out with was dealing with drugs in some way. Vasquez himself was addicted to crystal meth, which he’d begun using when he was 12. But when the two went on their first date, to a Del Taco, Vasquez says he saw in Garcia a lifeline to normalcy: “Everyone I associated with always did what I did. So I never had that outlet to escape that.”

On a later date, they’d planned to see a movie, but Vasquez’s body started to ache and shake due to withdrawal.

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“I told him, ‘I can’t go inside,’” Vasquez says. “So he took me back to my place. I went beneath the table and made myself feel better.” As he continued using, Garcia waited “and stood by my side.”

In Vasquez, Garcia recognized a kindred spirit yearning for acceptance. Garcia had struggled himself, as a single dad to baby Natalie and in not being accepted by his family after coming out. “I was drowning,” says Garcia. “He was struggling with his own struggles, and it made me feel really connected with him.”

After a month of dating, they moved in together. Vasquez continued to battle his addiction; Garcia would catch him using drugs under the table or find drugs in his pockets. But the two stuck it out. For Vasquez, Garcia and Natalie were part of the motivation to stop using. “I had our daughter that I wanted to be better for,” he says.

Vasquez has now been drug-free for more than a decade, and this year marks the couple’s 19th anniversary. On Nov. 30, they plan to get married in downtown L.A. at Scam and Jam, a monthly throwback dance party and celebration of Chicano culture hosted at the Regent Theater. At the first-ever Scam and Jam wedding, Vasquez says the couple hope people will “just dance and vibe together to share this special moment.”

“It’s an honor to find somebody that you’re with for so long,” Vasquez says. “There are so many levels to us at this point: We are friends, we are lovers, we are homies, and most importantly, we are fathers.”

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A family forged in love

When Vasquez entered Garcia’s life, Garcia’s daughter was just 2 years old. Raising Natalie as a gay couple in Bakersfield came with its own set of challenges.

When they went to parent meetings at Natalie’s school, Vasquez was always the “uncle,” because they didn’t want their daughter to have unnecessary attention or trouble. Once, a mother of Natalie’s elementary school classmate confronted Garcia, saying she thought Natalie should go to counseling because she was missing a mother in her life. Garcia was offended, but he also felt fear: “What if we did something wrong?” he would ask himself. He also worried Natalie might reject them, as other family members had done, for “a normal life.”

“I’m never ashamed of them,” says Natalie, now 21, though she has noticed the judgments of others due to her fathers’ appearance. For instance, when she went shopping with Garcia and Vasquez, people would follow them to make sure her dads weren’t stealing anything, she says. The stereotyping bothers her, but in school, “People actually found it really interesting and cool” that she had two dads. (She calls Garcia Papi and Vasquez Pops.)

“[Queerness] has been something normal in my life,” she says. Growing up, she was surrounded by Garcia and Vasquez’s friends and would go to Pride parades with them, holding a little rainbow flag. “I never felt I was missing out on something. I always felt content having my two dads, because they were just so involved in my life.”

“We raised her as two parents,” Vasquez says. “Trino was there with her to get her nails and hair done. I would work hard to make sure she had everything she needed.”

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They also encouraged her passion for dance. When Natalie was a baby, Garcia would record her moving to music; later, he took her to dance classes.

Adam Vasquez and Trino Garcia dance alongside rapper Snow Tha Product at Beaches WeHo.

Adam Vasquez and Trino Garcia dance alongside rapper Snow Tha Product at Beaches WeHo in West Hollywood.

“I wanted her to see life the way I didn’t see it,” he says. “I wanted her to dream big and express herself.”

That involved some sacrifices. Eight years ago, with just $3,000 in their pockets, the family moved to L.A. from Bakersfield so Natalie could get better opportunities in dance. Their first apartment, in Rowland Heights, cost $1,600 monthly. Vasquez, who was working at both Red Robin and Chili’s, transferred to the Whittier locations so he could have a better commute.

“I became one of the best servers at Red Robin and Chili’s,” he says.

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Garcia, after taking Natalie to dance classes, would stay late to clean the studios to cover her tuition. He asked Natalie to join him. “I’d be like, ‘You’re working for your dance, so put pride in it,’” he says. “And we cleaned it together.”

Their dedication paid off — Natalie is now in her second season as a dancer for the L.A. Clippers. She also recently introduced her first boyfriend to her dads, who “have always been a big support system,” she says. “They were willing to drop everything they had in Bakersfield to come over to L.A. [for me to] pursue what I really want to do.”

The journey to self-acceptance

Growing up as the only sons in their Catholic families, Vasquez and Garcia both felt the weight of cultural expectations and religious beliefs.

Brenda Garcia, Trino’s second eldest sister, was the only one in his family who initially accepted his queerness. She said he was “quiet,” “sensitive” and “a sweetheart” as a kid. When their father saw Garcia was attracted to the “girls’ stuff” of his four sisters, he put him on baseball and basketball teams to make him act more like a “boy,” she says.

“Those kids were my brother’s bullies,” Brenda Garcia says. “He is just not a sporty guy, and I could feel so much pressure on him.”

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In fourth grade, Garcia went to church to confess to the priest that he found himself attracted to other boys. The priest told him to pray, so he kept praying. As he got older, to be the tough Chicano man that his father wanted him to be, Garcia intentionally had “become bad,” says Brenda Garcia. He fought with other kids, had lots of girlfriends and started to smoke.

Throughout it all, “[my attraction to men] didn’t go away,” he says. “It wasn’t until my daughter was born that the reality told me I need to wake up” and accept who he was. It was then, at age 20, that he came out and left Oxnard for Bakersfield.

Adam Vasquez, left, and Trino Garcia stand outside a house, drinking from glasses.

Adam Vasquez, left, and Trino Garcia have a sip while talking to each other outside of a friend’s house in Compton.

With three sisters, Vasquez also was the only boy in his family. His father left the family for another woman when Vasquez was little. “He had a baby with her and called that son the ‘junior,’ but I was his first boy,” he says. “There was a lot of anger and emptiness, so I turned to drugs to fill up the void.”

Baptized as a Catholic, Vasquez now identifies as Christian. He said he found it hard to pray when he realized his sexual orientation and that he got into drugs as he felt he had turned his back on God.

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Vasquez says in many Hispanic families, having a gay son can be the worst shame, especially as the only son in a Catholic family. When he told his mother he was gay, her initial reaction was devastating: “I don’t have a son anymore.” He moved out that same day.

“I’ve been told this is wrong, but I’ve never been so happy in my life,” Vasquez says. “Why [is] loving this man going to send me to hell?”

Redefining masculinity

In a world that often equates gayness with flamboyance, Vasquez and Garcia stand out. Their appearance — tattoos, baggy clothes and a style rooted in Chicano culture — might challenge stereotypes about what it means to be gay.

But beneath the tough exterior lie hearts filled with love and a desire for acceptance. Their tattoos, far from being gang-related, depict flowers, butterflies and words like “love” and the name of their daughter. This juxtaposition of traditional masculinity and open vulnerability is at the core of their appeal. They’re showing a generation of young men that there’s no one way to be gay, no one way to be a man.

Their viral moment in 2023 catapulted them into the spotlight in a way they never expected. On the June day the video was posted, Vasquez was working at Chili’s. His notifications “just went crazy” with people sending likes and following the couple. Later that month, they went to L.A. Pride, and, for the first time, people started to line up and take pictures with them.

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Trino Garcia showcases L.A. Pride body paint on his head.

Trino Garcia during L.A. Pride at Los Angeles State Historic Park in June.

The attention has led to a sense of freedom for the couple.

Now, on Instagram, TikTok and YouTube, they perform lip-sync music videos, share their outfits and post daily life or travel vlogs. They’re using their platform to challenge stereotypes and promote acceptance, particularly within the Chicano community.

“We’re being transparent, and we’re not hiding in the closet anymore,” Vasquez says. “We’re going outside, going to places where we shouldn’t be embraced. But people are finding the love in us. Because we could be their uncle. We could be their son.”

During this interview at a Starbucks in Van Nuys, a young girl approached, her eyes wide with recognition. “Are you Trino and Adam?” she asks, her voice trembling with excitement.

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Without hesitation, the couple stood up, their faces breaking into warm smiles. They embraced the girl and her mother, taking time to chat and pose for photos.

Their message resonates beyond the LGBTQ+ community. They’ve been welcomed at lowrider shows and spoken at prisons, breaking down barriers and fostering understanding.

“Maybe you don’t agree with it,” Vasquez says, “but there’s someone we’re touching, someone that looks like us, someone that’s been hiding all their lives.”

From TikTok, a new chapter

Today, Vasquez and Garcia balance their social media presence with their day jobs as community integration facilitators at the organization Social Vocational Services, working with individuals with developmental disabilities and taking them on recreational activities.

“Living in the social media world can make you lose yourself fast,” says Garcia. “The bigger the numbers get, you feel like you’re floating, but when we go to work, clock in and [are] with all these people, it makes us grateful for where we’re at in life. I want to continue to be grounded.”

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Adam Vasquez, left, and Trino Garcia dance while filming a TikTok.

Adam Vasquez, left, and Trino Garcia dance while filming a TikTok and singing along to the Usher song “Burn.”

Their plan is not to be influencers, forever known as “the guys on the bridge,” he adds, but to use their social media presence to “speak about something powerful.” They’re also planning on writing a book about their love story and where they came from.

In October, the couple released their first original rap song, “Vibe Out”; Natalie dances in the music video. “Adam is rapping a lot in this piece,” Garcia says, looking at Vasquez proudly. “I think he’s a natural, and I’m a No. 1 fan.”

‘People have been embracing us’

For the most part, they’ve found public reaction heartwarming and encouraging. But getting full acceptance from their families may be a lifelong journey. For Garcia in particular, it’s bittersweet: “The people that I wanted to see me is my mother, my father and my sisters, and they still don’t see me.”

His sister Brenda Garcia, however, continues to be a supportive force in his life. When her youngest daughter asked her about Garcia and Vasquez’s relationship, “I just told her, ‘Gay does not affect who you are. It’s just love. Is that going to make you change the way you see your uncle?’ And she said no.”

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Although she initially rejected him, Vasquez’s mother, Lupe, is proud of the men Vasquez and Garcia have become and the life they’ve built together. “No matter what, he’s my son, and I love him dearly,” she says.

For their Nov. 30 nuptials, Garcia and Vasquez have invited about 20 family members and friends from their personal circle. “People have been embracing us,” Garcia says. “And we want to celebrate with the people that have been healing us.”

Following a short ceremony onstage, several DJs will play at the “club-vibe party with music,” the couple says. Tickets are available to the public via Ticketmaster, and the event will be livestreamed on TikTok.

Along with the wedding, there’s another milestone in the works: After Nov. 30, Vasquez will be Adam Issac Vasquez Garcia, “so that the three of us can be Garcia,” he says.

“We’re like a beautiful plant that grows slowly and blooms more beautifully,” Garcia says of their relationship. “We were like two broken pieces,” Vasquez adds, “and coming together we became a full, complete person.”

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‘The Super Mario Galaxy Movie’ remembers every Nintendo moment ever : Pop Culture Happy Hour

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‘The Super Mario Galaxy Movie’ remembers every Nintendo moment ever : Pop Culture Happy Hour

Mario (Chris Pratt) in The Super Mario Galaxy Movie.

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The Super Mario Galaxy Movie is the ultimate piece of Nintendo fan service. Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy) are on an outer space adventure to save Princess Rosalina (Brie Larson). The film features other beloved Nintendo characters like Bowser (Jack Black)  and Yoshi (Donald Glover) – and a few surprises. It’s a sequel to The Super Mario Bros. Movie, which made more than a billion dollars worldwide.

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture

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Inside Kid Cudi’s new podcast, where he offers ‘Big Bro’ advice and good vibes

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Inside Kid Cudi’s new podcast, where he offers ‘Big Bro’ advice and good vibes

Kid Cudi is lounging in a colorful attic much like the one in his childhood home in Cleveland.

He’s surrounded by treasures of his childhood: movie posters of “The Last Dragon” and “The Truman Show” (the latter inspired artwork for his latest album, “Free”), a Nintendo 64 game console, a vintage house phone with a long cord, posters of Outkast and Nirvana, a green lava lamp and at least a dozen Pokémon figures. A makeshift window on the back wall opens onto what looks like a portal to outer space.

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Kid Cudi gives a tour of his “Big Bro with Kid Cudi” podcast studio.

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“It’s kind of like the world outside of this attic,” the Grammy-winning and multihyphenate artist says, reaching toward the window as if he could leap through and enter another dimension. “It’s like you’re traveling through the cosmos.”

The ’90s-themed attic, which he says is a metaphor for his mind, serves as the backdrop for his latest project: a podcast called “Big Bro With Kid Cudi,” premiering Wednesday via Wave Sports and Entertainment.

The idea to launch a podcast began during the pandemic, when touring — and the world — came to a screeching halt. By then, Cudi, born Scott Mescudi, had already logged 20 years of a successful emo rap career, launched a clothing line, forged an acting career and created an animated film. Still, he was eager to explore a fresh frontier.

Kid Cudi inside of his podcast studio.

(Jason Armond / Los Angeles Times)

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“I was really hyped on the idea of having a weekly show where I’m kind of like shooting the s— with my friends and having real positive conversations,” says Cudi, 42. “I want it to be a light in people’s lives. Something they can just put on, tune out the world and have a good time.”

He named it “Big Bro” because that’s exactly how he’s been seen by fans and peers throughout his career.

“I realized that’s who I am,” says Cudi. “I’m the one that’s meant to show you what not to do in life and how to avoid the same mistakes that I’ve fallen for in my life.” Big Bro is also the name of his mental health foundation for youth that he launched earlier this year.

Artifacts inside of Kid Cudi's podcast studio.

Inside Kid Cudi’s studio are posters of Wu Tang Clan and Nirvana, an Ohio license plate, a Polaroid camera, a Nintendo 64 and more.

(Jason Armond / Los Angeles Times)

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Now in his 40s, married and fully independent from a record label (hence the album title “Free”), Cudi is in a different place in life.

“I’m just so f— happy,” he says, flashing a luminous smile. His outfit, an Off White hoodie and a fleece bucket hat with a tortoise on the front, is just as uplifting and whimsical as his attitude. “People are going to see the joy on my face when they see the episodes. I think my fans really enjoy seeing me happy and that’s the most beautiful thing about my career — it’s that these fans really care about me.”

After years of opening up about his struggles with addiction, loneliness and depression through his music (on tracks like “Soundtrack 2 My Life,” “Trapped in My Mind” and “The Void”), in the press and in his 2025-released memoir. Despite being so vocal, Cudi still retains a mystique quality that fascinates fans. The podcast, he says, is a space for him to open up more than he already has.

“He’s a larger-than-life figure,” says John Fontanelli, director of original content at Wave and the lead producer on “Big Bro.” “He has a lot of different aliases and personas. He’s a very funny and relatable person and I think that comes through with him as a host.”

Kid Cudi poses for a portrait.

“I was really hyped on the idea of having a weekly show where I’m kind of like shooting the s— with my friends and having real positive conversations,” says Kid Cudi, 42.

(Jason Armond / Los Angeles Times)

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To bring his vision to life, Cudi teamed up with Wave Sports and Entertainment, which is home to shows like “7pm in Brooklyn” with NBA Hall of Famer Carmelo Anthony, “Straight to Cam” with hosts WNBA star Cameron Brink and NBA wife Sydel Curry-Lee and “So True” with comedian Caleb Hearon. Wave was the only company that was “gung-ho” about his show idea and building out the production set of his dreams, he says. Inspired by the set design for Big Tigger’s “Rap City: The Basement” show on BET, Cudi wanted to fill his podcast set with items that reflect his personality and energy.

“I love that set,” he says. “There was this theme where all the guests kind played along like they were really coming to his mom’s house and it was so cool,” he says.

Before filming his first episode, Cudi binged several podcasts and tapped people like writer, producer and actor Lena Waithe, whose guidance helped him navigate hosting and connect authentically with his guests. And of course, he created the catchy jingle for the show himself, which includes the lyrics “Big bro / chillin with big bro” in his signature flow.

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Each week, Cudi will sit down with a mix of unexpected guests for wide-ranging, playful conversations that uncover new sides of both his guests and himself. The premiere episode features entrepreneur and reality TV star Kylie Jenner, who rarely does podcasts or sit-down interviews.

“I think it will shed a lot of light on the sides of her life that she doesn’t normally talk about like motherhood, being a businesswoman and juggling both things,” says Cudi. “I was asking her very thoughtful questions and she was being very upfront and transparent, so I felt like this was like a really great episode to start with.”

Artifacts in Kid Cudi's podcast studio.

Each Wednesday, Kid Cudi will sit down with a guest to talk about life, creativity and more.

(Jason Armond / Los Angeles Times)

Though fans may be expecting the show to tackle mental health and other difficult topics, Cudi plans to keep the conversations lighthearted and fun. “I feel like when we get into the mental health stuff, it can get really heavy and at least right now, I don’t want that to be the tone for the show,” he says. “This podcast, for me, needs to be really positive. The conversation needs to be fun, like no stress and not triggering for anyone.”

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The podcast is just one piece of a much larger creative surge unfolding in Cudi’s orbit. Later this month, he will kick off the Rebel Ragers tour along with guests including M.I.A., A-Trak, me n ü, Big Boi and Cudi’s longtime producer, collaborator and friend, Dot Da Genius.

Under the artistic alias Scotty Ramon, he also hosted his first solo art exhibit, “Echoes of the Past,” at Ruttkowski;68 gallery in Paris. “I went years not knowing if I could paint and not only could I do it all along, there’s people in the world that are going to f— with it,” he says. He’s already finished with his next art collection, which he plans to showcase in New York next year.

With short films like “Mr. Miracle” and “Neverland” already under his belt, he’s been digging deeper into his director bag as well.

Kid Cudi poses for photo.

“I’m just so f— happy,” says Kid Cudi. “People are going to see the joy on my face when they see the episodes. I think my fans really enjoy seeing me happy and that’s the most beautiful thing about my career— it’s that these fans really care about me.”

(Jason Armond / Los Angeles Times)

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“I’m somebody who was raised watching the Wayans,” he says. “Some mother— who came in here and were like ‘We’re gonna do it like this.’ People like Robert Townsend and I just know what’s hot. I know what’s funny. I know what’s cool and I know what stories we haven’t seen.”

With his Mad Solar production and music management company, he is the star of an upcoming film called “God Backwards,” which he says will be released later this year. On top of all of that, he recently began streaming on Twitch (“Someone Cooked Here”), where he showcases his music making process including his four-track EP “Have U Bn 2 Heaven @ Nite?” which released in March.

As he continues to dive into different mediums, Cudi says the mission remains the same: to continue evolving, challenging himself artistically and inspiring people along the way.

“[It] makes me feel so good as an artist that I can take this leap into another realm and I’ll still have support,” he says. “There’s people who are like ‘Cudi painting now? Right now. What else you got, kid?’ I love it.”

“Big Bro With Kid Cudi” will drop new episodes every Wednesday starting April 1 on YouTube and other streaming platforms.

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A propaganda war on the National Mall pits Trump against satirical statues and posters

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A propaganda war on the National Mall pits Trump against satirical statues and posters

A satirical statue of President Trump and the late convicted sex offender Jeffrey Epstein went up in front of the U.S. Capitol in February. The temporary statue drew huge crowds that amplified the image by posting it on social media. The statue is a play on the iconic scene from the film Titanic and is called “King of the World.”

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Brendan Smialowski/AFP via Getty Images

WASHINGTON — There’s a propaganda war playing out on the National Mall between the Trump administration and its critics. The administration has hung giant banners bearing President Trump’s face from several federal buildings. His name now adorns both the John F. Kennedy Center for the Performing Arts and the United States Institute of Peace.

Meanwhile, an anonymous group called the Secret Handshake has put up satirical statues of Trump and artworks that emphasize everything from the president’s friendship with the late convicted sex offender Jeffrey Epstein to Trump’s taste for marble and gold leaf.

Another group, the Save America Movement, has plastered posters on fences and walls mocking members of Trump’s Cabinet. One shows a photo of White House Deputy Chief of Staff Stephen Miller and says, “Fascism Ain’t Pretty.” Another shows Attorney General Pam Bondi and reads, “Epstein Queen.”

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Posters of Pam Bondi are seen with the words "Epstein Queen" and "Clown" in Washington, D.C.

The Save America Movement, a nonprofit, has plastered posters around Washington, D.C. This one mocks Attorney General Pam Bondi for her handling of the Epstein files.

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A man poses for photograph with a gold-painted, faux-marble toilet sculpture titled "A Throne Fit For a King," installed near the Lincoln Memorial. The statue, depicting an elaborate toilet throne, appears to mock President Trump's renovation of the bathroom attached to the Lincoln Bedroom a project that drew criticism for taking place during a government shutdown.

A man poses for a photograph with a gold-painted, faux-marble toilet sculpture titled “A Throne Fit For a King” that was installed March 31 near the Lincoln Memorial. The Secret Handshake, an artist collective, put up the statue, which mocks President Trump’s renovation of the White House bathroom attached to the Lincoln Bedroom, a project that drew criticism for taking place during a government shutdown.

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“We think that ridicule is a really important tool in an opposition toolbox to fight authoritarianism,” said Mary Corcoran, who runs the Save America Movement, a nonprofit.

Corcoran adds that she doesn’t see this as a fair fight “because they’re using taxpayer dollars to fund their propaganda, and we’re not.”

The White House rejects criticisms that the president is recasting the National Mall in his own image and using federal buildings for self-aggrandizement.

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Workers on an aerial lift unfurl a new banner featuring President Donald Trump as it is installed on the façade of the US Department of Justice headquarters, Washington, DC, February 19.

Workers hung this banner in February from the Department of Justice headquarters. Visitors and scholars liken it to the political iconography seen in authoritarian states such as China and the former Soviet Union.

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“President Trump is focused on saving our country — not garnering recognition,” White House spokesman Davis Ingle told NPR by email. “A variety of organizations are free to share their opinions publicly, even when they lack any basis in reality.”

The National Mall is known as America’s front yard, and includes monuments and museums designed to unify the nation and celebrate democracy.

Last month, a gold-painted statue depicting Trump holding Epstein’s outstretched arms on the prow of a ship as though they were Jack and Rose on the Titanic drew a steady stream of people who laughed and posed in front of it for photos.

Not everyone was amused.

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“It’s a gross interpretation of our president,” said Andi Lynn Helmy, a high school senior from Jacksonville, Fla. “Even if you don’t agree with his policies … I think it’s just an incredibly disrespectful thing.”

The anonymous group Secret Handshake erected a new golden Trump Epstein statue titled "King of the World" along with banners on the National Mall in Washington on March 10. The banners read Make America Safe Again featuring a photo of Donald Trump and Jeffrey Epstein. In the background hangs ithe Department of Labor's Trump banner.

The battle of images playing out on the National Mall has yielded remarkable juxtapositions. They include this giant banner of President Trump, which hangs from the Department of Labor. In the foreground are banners put up by the anonymous group the Secret Handshake, which read “Make America Safe Again” and emphasize the president’s friendship with the late sex offender Jeffrey Epstein. The Epstein banners are a rebuttal to a Trump banner that hangs from the Department of Justice and also reads “Make America Safe Again.”

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Bill Clark/CQ-Roll Call, Inc via Getty Images

Other visitors took exception to the president’s face staring down from those banners on the Department of Labor, the Department of Agriculture and the Department of Justice. They likened it to the images of personalized rule seen in the People’s Republic of China during the Chairman Mao Tse-Tung era and the Soviet Union under Joseph Stalin.

“I just feel like he’s sort of painting himself as the king of America,” said Luke Price, a freshman at the University of Vermont. “I just don’t think that’s what we’re about. America is a democracy, not a dictatorship.”

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