Lifestyle
This L.A. ceramist's vessels offer joy in uncertain times. Thank her 'weird imagination'
Linda Hsiao was standing at a weathered work table inside her ceramics studio in Altadena. It was the day after Halloween, and her two children, Saben Taylor, 5, and Wawona Hsiao, 3, worked alongside her, hand-sculpting clay vessels as wild as a child’s imagination. Like Saben’s handprints in the concrete patio outside the studio, Hsiao’s own wildly creative imprint is clear in the whimsical vessels that line the shelves of the former two-car garage: from long-beaked toucan pitchers and owl juicers to Japanese daruma wishing dolls and Venus of Willendorf lady tiki cups.
“I’ve always had a weird imagination,” Hsiao said as she continued to work on an emerging large-scale vase. “I like the idea of creating mythical creatures that are a hybrid. They are ambiguous and not quite what you would assume. I wish they existed.”
“Are we going to school today?” Saben asked.
“Yes,” Hsiao replied, to his disappointment.
Ceramist Linda Hsiao and her children Wawona Hsiao, 3, and Saben Taylor, 5, get to work in the studio behind their home in Altadena.
“They know I enjoy what I do,” Hsiao said of her children and working from home.
“Many of my vessels are inspired by my kids,” Hsiao said after Saben and Wawona left for school with their father, architect Kagan Taylor. “I feel like I’m constantly being filled … and emptied.”
Hsiao grew up in Laguna Hills, where her parents, Taiwanese immigrants, ran a farm specializing in Chinese fruits and vegetables such as bok choy and bamboo shoots. Her proximity to the ocean and their farm inspired her love of nature, which she describes as “a leading force” in her life. Looking back, she laughs as she recalls explaining to her elementary school teacher that “watermelons were not just red, but yellow too.” This love for nature is evident in her ceramics, which often feature elements of the natural world.
From a young age, Hsiao, now 42, was drawn to working with her hands and taking art and sculpting classes. Her parents wanted to support her and sent her to a summer program at Parsons School of Design in New York City as a teenager. “My parents thought, ‘That’ll get New York out of her system,’” she said with a chuckle. But it only fueled her passion further.
Hsiao takes holiday ornaments out of her kiln in her studio.
Whimsical ceramic creatures are designed to hold birthday candles.
After high school, Hsiao attended Pratt Institute in Brooklyn, where she studied industrial design. Following her graduation in 2004, she dedicated nearly a decade to designing eyewear, often spending 12 hours a day in front of a computer. This intense focus left her feeling “dizzy” and craving a more hands-on creative outlet.
So she joined a few community studios in Brooklyn and started doing ceramics. However, living in New York was hard, and she missed gardening and the easy access to nature in California.
After nine years, she moved back to California, where she took ceramics classes at Saddleback College and Glendale Community College at night while freelancing — designing everything from eyewear to jewelry for big brands to snowboarding gear — during the day.
A hand-building class with ceramics artist and teacher Biliana Popova at Glendale Community College changed her career path. “I didn’t take to wheel throwing because I didn’t want things to be perfectly symmetrical,” Hsiao said. “I always wanted to manipulate my forms and change them. My hands always wanted to sculpt. After I took a hand-building class, I never looked back.”
“I always wanted to manipulate my forms and change them,” Hsiao said. “My hands always wanted to sculpt.”
Hsiao’s ceramics are sweet and quirky — tiki cups, Japanese daruma wishing dolls, tiny creatures and bird pitchers and creamers.
Later, after she met her husband — and before they had children — the couple collaborated on a series of handmade wooden baby rattles they sold as part of Knotwork LA, and she began to do ceramics out of their home in Highland Park. (They have temporarily stopped making the rattles but hope to re-stock them again as the kids get older.)
“Knotwork LA was created as an outlet to identify the work we do in our spare time,” she said. “Precious pieces of wood saved from other projects or found while hiking, ideas that came to us in the middle of the night and a desire to create beautiful, useful things.” After juggling freelance work and producing ceramics in the evenings and on weekends for 10 years, she decided to take a leap of faith and do ceramics full-time in 2016.
She started with an order of more than 800 plates and dishes for Curtis Stone’s restaurant, Gwen, in Hollywood.
Since then, her studio has evolved as her work has become more sculptural, and her inventory has become more broad.
Ceramic bird pitchers are inspired by nature.
A completed ceramic bird pitcher in blue.
Hsiao’s handmade ceramics and figurines, many of which she cuts out using a cardboard template after rolling the clay flat with a slab roller, exhibit a playful style that is thoroughly her own. “It’s kind of like sewing,” she said of using patterns. “I cut them out with a knife and mold and sculpt them afterward.”
Her works are filled with whimsy and joy, including a collection of platters and plates featuring inlaid porcelain flowers, vaguely defined creatures that hold birthday candles, penguin pitchers and buddhas. Although she has made lamps, she prefers to focus on affordable goods that can go straight into someone’s home for them to enjoy. “I like having a price point that is somewhat attainable for most people,” she said. “Lamps are expensive.”
Her dream was always to have a studio at home, invest in a kiln and save money on studio expenses. After purchasing their first home in 2020, the couple spent eight months redoing the garage, which had a collapsed roof, last year. The studio is now an artist’s dream, with two kilns, ample space to work, storage and a dedicated area where Hsiao can pack her orders.
“I was using our bedroom as our showroom before,” she said. “It was rough.”
Sketches of empty vessels hang on the wall of Hsiao’s studio.
“The first thing my mom bought me for my studio was a slab roller,” Hsiao said. “She said, ‘I don’t want you to hurt yourself. This is my gift for your studio.’”
But even though Hsiao is working from home most days, meeting people in person has always been a highlight of having a small business. In order to do even more of that, she, Heather Praun of Plant Material and designer Bianca D’Amico of Chaparral Studio launched a semi-annual craft show at Plant Material’s Altadena location. They’ve held “about five” of them so far; the next takes place Dec. 14 and 15. “The whole community shows up,” she said, smiling. “I’ve been lucky enough to participate in some of the most vibrant collections of makers throughout the years and made friends with many. It was a delight after moving to Altadena to find that so many of the makers have found themselves here raising families, going to the same schools and parks.”
“How she prioritizes creativity in all aspects of her life has always inspired me,” D’Amico said. “There is endless thought and time poured into her work, but she exercises that part of herself in every aspect of her life. Even dinner [at] home has a crafty element: food tossed colorfully into various homemade bowls, the kids always helping make the food and nothing needs to match; it’s all about the time spent together. There is a sense that life is happening NOW, and she is engrossed in the moment.”
“People can see that my work is hand built,” Hsiao said.
Hsiao said that balancing a small business in the backyard can be challenging while raising two young children, but she appreciates that she can return to the studio after she has put the kids to bed. “I’ve learned to love the quiet of working in the evenings, [and I ] try to take breaks on the weekends and fully spend time with the kids,” she said. “The balance is tough, but my kids see me trying to sneak in work since my studio is at home and always ask to help. They know I enjoy what I do, and I have no doubt they will spend more time with me in my studio as they get older.”
Despite feeling like an empty vessel sometimes — “much of it feels like there are never enough hours in the day,” she said — Hsiao knows time spent with her kids is fleeting. As she figures out what work/life balance means for her family, she often goes back to something artist and mother Megan Whitmarsh shared with her: “You will never regret all the work you didn’t make while your children were little because you decided to be a present and loving parent.”
In this series, we highlight independent makers and artists, from glassblowers to fiber artists, who are creating and producing original products in Los Angeles.
Lifestyle
Shy on the dance floor? Virtual reality ‘partners’ aim to help you find your groove
Entrepreneur David Huang tests out a VR headset while conducting demonstrations of the social dance lesson app Dance Guru at the Augmented World Expo in Long Beach, Calif., June 17, 2026.
Chloe Veltman/NPR
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Chloe Veltman/NPR
Wedding season is in full swing, bringing with it a familiar sense of dread for anyone who fears the dance floor.
But relief may finally be at hand with the help of a new app, Dance Guru, and a virtual reality (VR) headset.
The social dance instruction app transports users to a spacious, digital dance studio. Waiting inside is a computer-generated coach: a handsome, male avatar wearing a shirt open to his navel. He speaks with a slightly gravelly English accent.
“Watch me now,” he instructs at the start of a waltz lesson — which NPR tried out at the Augmented World Expo in Long Beach, Calif., an annual conference showcasing the latest developments in virtual and augmented reality.
The avatar then demonstrates a basic box step.

From there, the lesson becomes interactive. The coach tells the user to hold his hand while an electric pinging sound tracks the student’s foot placement.
“One, two, three, four, five, six,” the virtual teacher counts down.
When the user stumbles, he remains remarkably patient. “Do not worry, foundations take time. Let’s try that again. Work on grounding your steps more intentionally.”
Solving the beginner’s dilemma
Dance Guru creator David Huang said he came up with the idea for the app a couple of years ago out of frustration.
“I always wanted to learn to dance and I was always terrible at it,” Huang said. “And I always ended up stopping midway through the lessons.”
He soon realized that many beginners hit the exact same roadblocks.
“Private lessons are too expensive, and you feel like you’re always forgetting the dance steps,” Huang said. “You cannot find a partner to dance with. So I figured maybe I can create something like this.”
The Dance Guru platform currently offers tutorials in salsa, bachata, waltz, and cha-cha, in both lead and follow modes. To make the digital instruction feel authentic, Huang used motion-capture technology to record the movements of real-life dance teachers — with their permission.
Building on the legacy of online tutorials and video games
Dance Guru belongs to a small but growing wave of apps using VR to demystify social dance. At a nearby booth, conference attendee Victor Chen is testing out a competing app called Trip the Light. It currently offers salsa lessons, as well as freestyle options, where a user can dance with a partner without having to learn specific steps.
Trip the Light’s booth at the Augmented World Expo included posters of the app’s virtual instructors. Real-life performers, who gave Trip the Light permission to motion capture their movements, were used as a basis for these avatars.
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“A lot of times when you’re trying to learn a choreography, it’s watching a YouTube video and you have to pause it, rewind, and play it,” Chen said. “If you were to have a virtual avatar dancing in front of you and correcting for any parts that you missed, it might be a lot easier.”
Interactive video games like Dance Dance Revolution and Just Dance, and YouTube tutorials have been helping people improve their skills in private for years. But those games are mostly aimed at solo players. Unlike the new generation of immersive VR apps, they cannot simulate the mechanics or confidence required for partner dancing on a live dance floor.
The reality check
But this kind of app won’t work for every dancer.
“Everyone learns a little bit differently. And so unless you have a game that has lots of different ways of teaching, you’re going to have things that work for some people and don’t work for others,” said Ariana Katana, a trained contemporary dancer and dance content creator who’s active on YouTube, Twitch and other platforms. “Also, it’s hard to dance with a headset on.”
And then there’s the issue of not being able to physically feel a virtual partner’s hand or shoulder while dancing with them. Patrick Ascolese, the creator of Trip the Light, said the experience could become more tactile in the future. “Haptic suits and wearables will be coming, but I think we’re a little away from that,” he said.
Ascolese said even with their limitations, immersive tools like Trip the Light have immense potential as judgment-free training grounds — giving reluctant dancers the baseline confidence they need to eventually step onto the dance floor with real partners in the real world, including at weddings.
“Just like anything else, practice makes perfect,” said Ascolese. “So the more time you spend in VR with a virtual partner, it works towards helping you get over that social hurdle. We are teaching you the moves that you have to do in order to go out and have fun.”
Jennifer Vanasco edited the broadcast and digital versions of this story. Chloee Weiner mixed the audio.




Lifestyle
How to have the best Sunday in L.A., according to Deidre Hall
For half a century, Deidre Hall has taken on every kind of disaster in the drama-packed town of Salem, Ill., as a star of “Days of Our Lives.”
There was the time — actually, it happened twice — when her character, Dr. Marlena Evans, was famously possessed by the devil and even levitated.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Or the time a serial killer, who was actually Marlena under hypnosis, seemed to kill several beloved characters. The long-running show’s storylines have become legendary, and in March, while promoting “Hail Mary,” actor Ryan Gosling even gave Hall a shout-out, admitting he was a fan, praising the hard work of soap opera actors and calling her an “OG acting inspiration.”
But Hall’s real life in Santa Monica is much quieter than her character’s, and she likes it that way.
“When I bought my house in Santa Monica, I didn’t realize how great it would be to live near Montana Avenue,” says Hall, 78, about the popular shopping spot. Every day, she walks to the main street with her golden retriever, Riley, and enjoys Pilates, art and good food along the way. “The owners of the Farms Market even keep dog biscuits, so guess where the dog wants to go every time we walk — the Farms, of course,” she says, laughing.
When she isn’t filming the daily soap opera, which airs on Peacock, Hall enjoys raising monarch butterflies, exploring the shops and restaurants on Montana, and hosting movie nights at home with her two sons.
Here’s what a perfect day in L.A. looks like for her.
This interview has been lightly edited and condensed for length and clarity.
7 a.m.: Breakfast and dog walk
I usually kick off my day with a protein shake, feed our golden retriever and take her out for a walk. She’s a phenomenal girl. When we adopted her, her name was Riley, but I did think about naming her after Mrs. Hughes from “Downton Abbey.”
10 a.m.: Church and garden time
After I walk the dog and go to church, I like to spend some time in my yard. I’m not a natural gardener, but I really enjoy it. I started raising monarch butterflies because my identical twin sister, who played my twin on the show, planted a butterfly garden. Monarchs are amazing because they are transitional. Every year, they travel from Mexico to southern New England, but it’s getting harder for them. Their numbers have dropped by about 80%. To help, I plant milkweed, which is what they need to survive. I buy my milkweed from the Staghorn Garden on Wilshire Boulevard in Santa Monica. Julie, who owns the nursery, is delightful and has a wide variety of milkweed. The monarchs always seem to find my garden. Julie was raising some caterpillars too, and she cared a lot about them. We talked about how important it is to help the butterflies. That’s why I do this. Sometimes I get milkweed with eggs already on it, and Julie knows her butterflies are going to a good home.
1 p.m.: Walk to Montana Avenue for some lunch
I live near Montana and love taking long walks, going to Pilates and trying out the great restaurants nearby, like R+D Kitchen and La La Land. I’m a big fan of the waffles at the Courtyard Kitchen. Just a few days ago, I had a chicken salad on raisin bread with an Arnold Palmer, and it was delicious. It is right on Montana and has a nice outdoor seating area. It’s one of my favorite spots. La La Land always has a long line in the morning, which is perfect if you want coffee. They serve coffee, doughnuts, croissants and avocado toast. There’s plenty of outdoor seating, and you can even bring your dog.
2 p.m.: Peek inside a clock shop
There’s a small clock shop on Montana Avenue that’s closed on Sundays, but if you walk by, you’ll see all kinds of clocks — standing, table and wall clocks. The owner is great at fixing them. Once, I bought a wall clock from MacKenzie-Childs, but it didn’t work. And I was really upset because it matched everything else on my countertop. I brought it to the owner and said, “I love this, but I can’t make it work.” He fixed it right away. His name is John, but I call him Geppetto. And we all know why. He really does have a magic touch.
2:30 p.m.: Visit a neighborhood art gallery
Ten Women Gallery is run by 10 artists, all of whom show their work there. I was drawn to some watercolors there, bought a few cards and spoke with one of the artists. She told me, “You seem to love watercolors,” and mentioned that the artist who painted them, Pamela Harnois, lives in Los Angeles and teaches nearby. I got Pamela’s name and found out she taught at the Brentwood Art School. I was so inspired by her gift that I started taking private lessons with her on Saturdays. That gallery is where I discovered my love for watercolor painting.
3 p.m.: Grab some ice cream at Rori’s
The other day, my longtime girlfriend wanted to get ice cream and told me, “We are walking to Rori’s Artisanal Creamery.” It’s a small shop on Montana near Lincoln. They make everything themselves, using local ingredients from grass-fed cows with no added hormones. The place is family-owned and probably has the healthiest ice cream you’ll find. They switch up their flavors often, but my favorite is the salted caramel.
6 p.m.: Family dinner and movie night at home
R+D Kitchen is always packed, so my sons, who are 31 and 33, do the cooking. They come over, and together we make salads and cook dinner. There’s a neighborhood grocery store called the Farms, off Montana, a small family-run place that has everything we need. Everyone knows each other there, and people bring their dogs. We try to have movie night every Sunday. Sometimes the day changes, but we always make sure to have one night a week where we cook a meal and sit down as a family. Keeping that tradition has become really important to us. My sons are great cooks, which is funny because they definitely didn’t get that from me. [Laughs]
9 p.m.: Take Riley for one last walk and visit neighbors
After dinner, I take my dog for a walk. It’s a great way to meet neighbors. We always go around the same block. We’ve met so many people, and since she’s a golden retriever, she loves meeting everyone.
10 p.m.: News, knitting and bedtime
I am a news junkie, so I usually watch whatever is on the news before I go to bed. I have a long-standing passion for knitting. Lately, though, the news would make me drop a stitch.
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