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This is what's missing in our sex lives in 2024, according to Esther Perel

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This is what's missing in our sex lives in 2024, according to Esther Perel

Esther Perel’s trajectory from private practice psychotherapist to internationally renowned relationship expert is deeply entwined with technology. It was her publisher’s printing presses that distributed her 2006 breakout bestselling book, “Mating in Captivity: Unlocking Erotic Intelligence” (HarperCollins), in more than 30 languages. The videos of her subsequent hit TED talks that brought her theories on desire and straying eyes to tens of millions of viewers. (The latter of which she expanded upon in her 2017 book, “The State of Affairs: Rethinking Infidelity”) Multiple podcasts that extended Perel’s therapy practice far beyond a physical office. An Instagram account where Perel sprinkles tidbits of relational wisdom into the feeds of more than 2 million followers. And, coming on Sept. 17, two hourlong online courses designed for people to strengthen their sexual connections.

“Suddenly, you can reach people in the villages of every continent,” Perel said. “That’s technology.”

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Shelf Help is a new wellness column where we interview researchers, thinkers and writers about their latest books — all with the aim of learning how to live a more complete life.

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But the same technological forces that have helped Perel’s ideas reach the masses have also begun to mold and meddle with modern-day relationships: We swipe to oblivion on soul-sucking dating apps, disappear like ghosts from our romantic interests’ lives and are lured from our partners by our smartphones at crucial moments for connection.

It’s these unsettling phenomena Perel aims to tackle in her most recent U.S. speaking tour, “The Future of Relationships, Love & Desire,” which she will take to the YouTube Theater on Sept. 10.

Ahead of her visit to Los Angeles, The Times spoke with Perel about Gen Z’s sexless reputation, the limitations of intimacy on online platforms and how public shaming on social media can interfere in the bedroom.

This interview has been edited and condensed for clarity.

How do you think technology has shifted the romantic landscape since you began writing about it?

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Photograph of Esther Perel

Esther Perel. (Katie McCurdy)

The predictive technologies that are promising to unburden us of the inconveniences of life are also creating a situation where we are gradually more anxious, not less anxious. Because we don’t get to practice the things that actually make us less anxious: experimentation, meeting with the unknown, dealing with uncertainty, the unexpected, dealing with the lessons that you learn from bad choices. That’s what makes you less anxious, not an algorithmic perfection.

If you spend so much time with algorithmic perfections, you begin to experience and create warped expectations, and you carry those expectations for perfection into your relationships with other people, and you become less able to deal with conflict, friction, difference.

Many studies say that Gen Z is having less sex, with fewer partners. A UCLA survey from 2023 said that a little more than 47% of people between the ages of 13 and 24 feel most TV shows and movie plots don’t need sexual content, and want more focus on platonic relationships. What do you make of this?

It’s symptomatic of something that is happening in society, in our changing culture. Technology being one piece of it. Relationships are imperfect and unpredictable. So is sex. And you’re vulnerable and you’re exposed, even. And, by the way, sex is never just sex. Even if you hook up.

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So you’re less prepared for the vulnerability, for the unknown, for the consequences, for the challenges of communication that sex demands. If everything needs to be negotiated, as things are today, in relationships, and there is no longer a major religious or social hierarchy that tells you how to think, you have to make your own choices and decisions yourself.

Then in order to negotiate everything, you need to be able to communicate, and those very communication skills — the ability to deal with uncertainty and the unexpected — are the very skills that are weakening in the digital age. Sex is the messiness of human life, the bumps, the smells, the caring.

This, to me, is one of the central questions for the future: How are we going to manage the messiness of human life? That’s the opposite of an algorithmic perfection.

But the point is not that Gen Z wants less sex. They want less sex because they’re more isolated to begin with. They have less friends. They don’t go out, they work alone the whole day. You can go on an app, you can hook up, and after a while that gets a little boring for some. So it’s not the sex, it’s everything that sex is interwoven with.

Do you think it’s possible to foster that kind of intimacy you’re describing on digital platforms?

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Book jackets for "The State of Affairs" and "Mating in Captivity" by Esther Perel

“The State of Affairs” and “Mating in Captivity” by Esther Perel.

Yes and no. For a lot of people, it allows them to meet in ways they could never have met. But I do think that this is emotional capitalism, in which you have 1,000 choices at your fingertips, in which you partake in a frenzy of romantic consumerism, in which you are afraid to commit to the good because you fear that you’re going to miss out on the perfect.

We find ourselves evaluating ourselves like products, and that commodification is soulless. Do people meet on dating apps? Absolutely. I think 60% of people these days meet online. But I think there’s going to be a generational shift. There’s more and more attempts by people who are done with the apps to meet in person, even if it’s speed dating, even if it’s meeting in other circumstances, or even if it’s coming to my show.

“Sex is never just sex. Even when you think it’s hit and run and it’s supposed to not mean anything, the effort not to make it mean something is meaningful.”

— Esther Perel

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My most important message in response to this is: Don’t go on a date in a bar, in a restaurant, at a table face-to-face, that resembles a job interview where you’re asking each other a set of stale questions that tell you nothing while you’re waiting to see if you’re getting butterflies.

Go do something with your friends and bring your date along. Integrate the dating into your life. You will have 1,000 data points by just seeing how this person interacts with people, how they answer questions or how they make comments. But primarily, you’re not isolating yourself, cutting yourself off from your life to go play the lottery, to then lose, and to then have to come back with your shame, to your life, to your friends, to tell them it didn’t work. We can do better.

You’ve talked about how, once you walk into the bedroom, you should throw political correctness out the window. But these days we see a lot of online shaming related to that very thing. How do conversations about sexual politics on social media influence our personal intimate lives?

There’s two questions in what you’re asking. One is: Is there a new type of moralizing that is occurring? And then the second one is: What is the nature of erotic desire?

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I see sexuality as a coded language, as a window into the self, into a relationship that demands deep listening, and that listening is that actually sexuality is a coded language for our deepest, emotional needs, wishes, fears, aspirations, wounds. That’s why I always say: Sex is never just sex. Even when you think it’s hit and run and it’s supposed to not mean anything, the effort not to make it mean something is meaningful.

In that sense, it is irrational. Why we like certain things, we don’t fully know. We don’t fully know why what I like, you find disgusting. We don’t fully know why this memory turned into a fantasy. We don’t fully know the inner workings of the erotic mind. The brain is a black box as it is, but this adds a whole other layer to its sexual fantasies. It’s a uniquely human production that makes no sense sometimes, because it defies our values. It defies our perception of reality. It defies our perception of who we are as good citizens.

Nobody wants some of these things in real life, but turned into play, they can become highly arousing, exciting and satisfying. And it goes even further when you go into the world of kink. The erotic mind is often politically incorrect, meaning it doesn’t abide by the rules of good citizenship that you yourself abide by in the rest of your life.

But let’s not be mistaken: nobody wants to be forced into anything in real life. Because when you play it, you’re not being forced. There is no greater freedom than voluntary surrender. But “voluntary” is the essential word, so it’s extremely carefully said. Because I know how tender and sensitive this is.

But that’s one of the ways I’ve helped people make sense of their sexual lives, their preferences, for over 40 years. Consent has become a central organizing principle, because consent goes with desire. If desire is to own the wanting, in order to own it, it has to be consensual. Sometimes it’s consensual, but not necessarily wanted, because we can live with all kinds of contradictions inside of us. I say yes to you, but not really to me — things like that. So consent is extraordinarily important, but it is not the only key element of sexuality. There are other pieces to this story.

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TAKEAWAYS

from Esther Perel

We are shaming on a ton of different things these days. When I say we’ve taken the shame to the public square of social media, it’s because this is not that different from the kind of puritanical thinking of “The Scarlet Letter” and excommunications of all sorts that have existed throughout history. We have often, you know, exiled people to maintain our own moral superiority in various ways.

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I’m not talking about people who deserve to be schooled for what they’ve done or arrested. I’m talking about how the collective and sexual scandals have forever been scandals that consolidated what was thought of as the moral fabric of the community that blamed, scolded or exiled you.

I know that the breadth of your work is not something that you can boil down to tips. But what do you want people to walk away with, to keep in your everyday life, from your speaking tour?

I’m not here to give you a talk. I’m here to co-create a conversation together, and like the best therapy sessions, they don’t end at the end of the session. It’s what happens afterwards. It’s who you talk to that you were sitting with and didn’t know an hour before. It’s who is waiting for you at home that you should have a difficult conversation with. And if you can internalize me and take me with you into your various areas of your life where you need some of that input, then I have done something meaningful.

Here’s one thing I say in the tour, and I say it in the courses too: Relationships are stories. What I would like to invite you to do is to consider your stories with a new curiosity, with more nuance and ambiguity. I want you to think about what are the parts of your story, relational and sexual story that you want to keep and develop further, and what are the parts of your relational story that you want to leave behind or change? That’s my invitation.

A woman and man sit on a heart-shaped cloud being pierced by an arrow.

(Maggie Chiang / For The Times)

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Shelf Help is a wellness column where we interview researchers, thinkers and writers about their latest books — all with the aim of learning how to live a more complete life. Want to pitch us? Email alyssa.bereznak@latimes.com.

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Britney Spears Open to Treatment Plan as Team Weighs Options

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If you loved ‘Sinners,’ here’s what to watch next

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If you loved ‘Sinners,’ here’s what to watch next

Michael B. Jordan plays twin brothers Smoke and Stack in Sinners.

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What to watch if you loved…

Ryan Coogler’s supernatural horror stars Michael B. Jordan playing twin brothers who open a 1930s juke joint in Mississippi. Opening night does not go as planned when vampires appear outside. “In a straightforward metaphor for all the ways Black culture has been co-opted by whiteness, the raucous pleasures and sonic beauty of the juke joint attract the interest of a trio of demons … they wish to literally leech off of the talents and energy of Black folks,” writes critic Aisha Harris. The film made history with a record 16 Academy Award nominations.

We asked our NPR audience: What movie would you recommend to someone who loved Sinners? Here’s what you told us:

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Near Dark (1987)
Directed by Kathryn Bigelow; starring Adrian Pasdar, Jenny Wright, Lance Henriksen
If you want another cool vampire movie with Western kind of vibes, check out Kathryn Bigelow’s Near Dark — super underseen and kind of hard to find, but really gritty and sexy and another very different take on what you might think is a genre that had been wrung dry. – Maggie Grossman, Chicago, Ill.

30 Days of Night (2007)
Directed by David Slade; starring Josh Hartnett, Melissa George, Danny Huston
It follows a group of people in a small Alaskan town as they struggle to survive an invasion of vampires who have taken advantage of the month-long absence of the sun. Both this and Sinners revolve around a vampire takeover and the people’s fight to outlast the “night.” – Nathan Strzelewicz, DeWitt, Mich.

The Wailing (2016)
Directed by Na Hong-jin; starring Kwak Do-won, Hwang Jung-min, Chun Woo-hee, Jun Kunimura
In this South Korean supernatural horror film, a mysterious illness causes people in a quiet rural village to become violent and murderous. A local police officer investigates while trying to save his daughter, who begins showing the same disturbing symptoms. The film blends folk horror, religion, and psychological dread, exploring themes of faith, evil, and moral weakness. Like Sinners, it centers on a supernatural force corrupting a close-knit community, builds slow-burning tension, and examines spiritual conflict and human frailty. – Amy Merke, Bronx, N.Y.

Fréwaka (2024)
Directed by Aislinn Clarke; starring Bríd Ní Neachtain, Clare Monnelly, Aleksandra Bystrzhitskaya
In this Irish folk horror film, a home care worker, Shoo, is assigned to stay with an elderly woman who’s convinced she’s under siege by malevolent fairies. Like Sinners, Fréwaka blends folk traditions and social commentary with horror. The social failures Shoo copes with (untreated mental health issues, religious abuse) are just as frightening as the supernatural forces. – Kerrin Smith, Baltimore, Md.

And a bonus pick from our critic:

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Ma Rainey’s Black Bottom (2020)
Directed by George C. Wolfe; starring Viola Davis, Chadwick Boseman, Glynn Turman
This is an adaptation of August Wilson’s play about a legendary blues singer (Viola Davis) muscling through a recording session with white producers who want to control her music. Chadwick Boseman’s blistering in his final role. – Bob Mondello, NPR movie critic

Carly Rubin and Ivy Buck contributed to this project. It was edited by Clare Lombardo.

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Solar energy for renters has taken off in 10 states. Not in California

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Solar energy for renters has taken off in 10 states. Not in California

The tiny town of West Goshen, Calif., was exactly the kind of place that community solar was designed for.

Near Visalia, most of its 500 residents live in mobile homes, where companies won’t install rooftop panels without a solid foundation. And until recently, they used propane for heating and cooking, with price fluctuations in the winter posing hardships for low-income families.

Community solar, in which residents get a discount on their bills for subscribing as a group to small solar arrays nearby, was designed to help low-income residents, apartment dwellers, renters and others who can’t put panels on their own roofs.

Over the last 11 years, New York, Maine, Minnesota, Massachusetts and other states have built thriving community solar programs. But California has built, at most, only 34 projects since 2015, and experts say that’s a generous accounting.

“We’ve had community solar for a dozen years, and it simply has not produced anything of scale and anything of note,” said Derek Chernow, director of Californians for Local, Affordable Solar and Storage, a developer trade group that’s pushing to get a more robust program off the ground. “Projects don’t pencil out.”

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The West Goshen residents were among the lucky few, becoming part of a community solar project in 2024.

“It has kind of allowed us to kind of breathe a little bit,” said resident and community organizer Melinda Metheney. Her bill has dropped by about $300 in the summer months, thanks to the 20% community solar discount, stacked with other low-income discounts and clean energy incentives, she said.

West Goshen’s panels sit about 10 miles out of town, in a field surrounded by farms. Energy and climate experts agree California must add much more clean energy to its grid, some 6 gigawatts by 2032, the California Public Utilities Commission said in a new plan last week.

Assemblymember Christopher M. Ward (D-San Diego), who in 2022 authored a bill to create a more effective community solar program, said the state needs to double its annual solar installation rate to reach that goal and is not on track to do that using only large utility-scale solar farms and individual rooftop arrays.

“We need mid-scale community solar,” he said.

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Aerial view of solar panels installed on top of Extra Space Storage in Pico Rivera

Energy and climate experts agree California must add much more clean energy to its grid, some 6 gigawatts by 2032, the California Public Utilities Commission said in a new plan last week. Above, solar panels at Extra Space Storage in Pico Rivera.

(Kayla Bartkowski / Los Angeles Times)

He and a coalition of environmental groups, solar developers and the Utility Reform Network, a ratepayer advocacy group, worked to put his 2022 law into effect. They coalesced around requiring utilities to pay community solar developers and customers for the electricity they feed to the grid using the same formula they use for people who install rooftop solar.

But in May 2024, the California Public Utilities Commission decided to go with a late-in-the-game proposal backed by the state’s investor-owned utilities to pay community solar at a lower rate.

The agency, along with its public advocate’s office, argued that crediting solar developers at the higher rate would raise bills for customers who don’t have solar, who would still have to shoulder the cost of grid maintenance. It’s similar to the argument they’ve made to cut incentives for rooftop solar.

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The new program relied on federal money, including the Biden administration’s Solar for All, to sweeten the deal for developers. But the utilities commission spent very little of the $250 million available under that grant before the Trump administration tried to claw it back last summer, and now it is held up in litigation.

At a legislative oversight hearing last week, Kerry Fleisher, the commission’s director of distributed energy resources, blamed the loss for the new program’s failure to launch.

“There’s been a tremendous amount of uncertainty in terms of the Solar for All funding that was intended to supplement this program,” Fleisher said. “That’s part of the reason why this has taken longer than normal.” She said the commission still plans to release a program in the next several months.

Ward, the San Diego lawmaker who wrote the community solar bill, called the program “fatally flawed” in an interview.

He’s now considering a bill to bring the community solar program more in line with what he initially envisioned — higher incentives, requirements for battery storage, and compliance with state law that mandates new houses be built with solar.

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A study last year funded by a solar trade group found that could save California’s electric system $6.5 billion over 20 years. But Ward’s effort to revive his program last year failed to pass the Assembly appropriations committee.

“All the other states in our country that have adopted similar community solar program models, they are working,” said Ward, adding that 22 states have programs comparable to the one solar advocates want in California. “The writing on the wall suggests that, exactly as we feared years ago, this was not the way to go.”

California Public Utilities Commission spokesperson Terrie Prosper called California “a leader in cost-effective, least-cost solar deployment overall compared to any other state,” in an emailed statement.

Under the commission’s definition, the state has brought on 34 projects, representing 235 megawatts of community solar. But studies from groups such as the Institute for Local Self-Reliance and Wood Mackenzie use different definitions for community solar, and they show California far behind at least 10 other states.

Meanwhile, advocates and developers involved in successful community solar projects in California say they were difficult to get off the ground.

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A view of homes in the Avocado Heights area of Los Angeles County

Homes in the Avocado Heights area of Los Angeles County are part of a community solar project.

(Kayla Bartkowski / Los Angeles Times)

One that came online in May in the unincorporated communities of Bassett and Avocado Heights in the San Gabriel Valley provides solar electricity to about 400 low-income residents. They get 20% discounts on their electric bills for subscribing to panels installed on two Extra Space Storage building rooftops in Pico Rivera.

Organizers said it took nearly five years to find the right location and comply with utility requirements. They also got a grant in addition to funding provided by the state utilities commission’s solar program.

It “would not have happened if it hadn’t been for the grant,” said Genaro Bugarin, a director at the Energy Coalition nonprofit that proposed and coordinated the project.

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Brandon Smithwood, vice president of policy at Dimension Energy, the developer for the project in West Goshen, said he still hopes to see a community solar program in California that compensates projects for the way they help out the grid.

“We’ve seen it can work, and we know what we have won’t work,” Smithwood said at the hearing.

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