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Paige DeSorbo, Carol Lim and Other Fashion Tastemakers Share Where They Love to Shop

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Paige DeSorbo, Carol Lim and Other Fashion Tastemakers Share Where They Love to Shop

Ina, Manhattan (Chelsea) A plethora of secondhand designer merchandise to choose from. All the items — dresses, suits, blouses, shirts, ties, clutches, shoes — are in top-notch condition. Plenty are unique or hard to find. Whether you are buying or simply browsing, the staff are most civilized. They keep their distance and remain friendly. An airy shop (and one of three in Manhattan), it is well lit — not too bright, not too dim, just smooth and easy on the eye.

Natty Adams, New Orleans Natty Adams’s custom and ready-to-wear clothes are as natty as his first name (no pun intended). A New Yorker, he has set up shop in the heart of New Orleans’s French Quarter, a stone’s throw from the former residence of the playwright Tennessee Williams. Graced with a courtyard and a flowering garden, his shop has the best qualities of Paul Smith, Paul Stuart and Ralph Lauren with a youthful vigor all his own.

Crowley Vintage, Brooklyn (Dumbo) Sean Crowley, who formerly designed for Ralph Lauren, caters to gentlemen invested in unimpeachable elegance — those who are always in search of the perfect fit, the perfect fabric, the perfect shirts, trousers, shoes, scarves, ties and Mackintosh coats. All items are vintage, with innumerable more decades of wear left in them.

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Dover Street Market, Los Angeles Everybody in the store, the clientele and the sales people, are all hipper than you. Mostly dressed in black, they look like glamorous characters in an Italian movie. It’s very aspirational: If you just spent enough money, you too could be an artistic interesting person with a bohemian life.

The Los Angeles store (one of a few worldwide) is huge! You could get lost in it for days. Fortunately, I have a capable salesperson, Nathaniel, who looks like a stylish vampire and glides elegantly through the maze of fashion, always emerging with something surprising and unexpected for me to try on.

Buoyed by the seductive promise of Dover Street, I have purchased the most unlikely items. A Balenciaga coat that drags on the ground, a tiny Stephen Jones hat with a bright daisy blooming behind black voile and a furry Simone Rocha purse the size of a large dog.

I have not worn any of these items. I hoard them greedily in my closet waiting for the day when my fantasy life begins and I emerge grandly, my tiny daisy hat balanced precariously on my head, clutching my giant dog purse and Balenciaga trailing behind me.

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James Veloria, Manhattan (Chinatown) Some of the most insane vintage — think archive Jean Paul Gaultier and Tom-Ford-era Gucci. A place to go to for something one of a kind. The New York store (there’s another in Los Angeles) is on the second floor of a very unassuming shopping mall under the Manhattan Bridge. People are sometimes confused by the location at first, but once you arrive, you understand why you made the journey.

ESSX NYC, Manhattan (Lower East Side) The curation of designers and selection is so sharp. It’s catered toward downtown types who love fashion and aren’t afraid to stand out. I don’t shop in person very often. This is one of the few stores that I genuinely enjoy.

Just One Eye, Los Angeles Worth a visit even if you don’t buy anything. Fashion from brands like The Row and Prada sits alongside Damien Hirst artworks and Franco Albini furniture. When I was growing up in Los Angeles, I couldn’t dream of affording anything, but I would still stop by and leave inspired.

Desert Vintage, Manhattan (Lower East Side) One of the most tastefully curated vintage stores. You can find special pieces that no one else will be wearing. Upon walking in, you will want to become a person who can effortlessly throw on a caftan to run to the bodega for a bacon egg and cheese.

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Ted Muehling, Manhattan (TriBeCA) Mesmerizing jewelry and objects. You can’t stop yourself from wanting to touch and hold everything. The “rice” and “berries” earrings are the perfect gift — for yourself or for anyone.

Staklena Kuća, Los Angeles Shopping here is like looking through a well-assorted closet: You might like half of everything in it, and half of it might not be for you (this time). The store strikes the hard balance between over-curated and overwhelming. Vintage tees, embroidered satin slippers — this place has those and more.

Drop Your Jeans, Covina, Calif. An excellent selection of vintage work wear, from Levi’s cutoffs to dead-stock Dickies to worn-in Carhartt jackets. A large poster selection is another reason to go.

Bliss’ Department Store, Shelter Island Heights, N.Y. A seriously vintage jolt of Americana. The store is aptly named. Its third-generation family owner purveys the blissful necessities of life. Recently bought there by me: water bootees, a hoodie, sewing supplies, a jaunty hat and super glue.

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Modern Appealing Clothing, San Francisco The merch edit is primo and eccentric, but also wearable. We’re talking Comme des Garçons, Sacai, Walter Van Beirendonck and many other avant-gardists, plus a plethora of strange footwear. The brother-and-sister owners have built a loyal following by treating every customer like an old pal. Clothes sold here will make you appear more interesting than you are, which should always be the primary goal of fashion.

J.C. Western Wear, West Palm Beach, Fla. A family-owned vestige of “Old Florida” with a staggering selection of nonchalant head-to-toe cowboy duds: jeans, boots, cowboy hats and belts and buckles for men, women and children. Another (larger) location in Jupiter is across the street from Dune Dog Café, an old-school alfresco Florida eatery.

Maxfield, Los Angeles A store that all others watch, it specializes in audacious new ideas and strange vintage artifacts. It has maintained its mystique for half a century, a gob-smacking accomplishment for any store, with an exquisite edit of every headline making designer — from Rick Owens to The Elder Statesman to Willy Chavarria — and exclusive sneaker and jewelry collaborations.

Stand Up Comedy, Portland, Ore. An under-the-radar women’s wear institution with a chic but unwaveringly funky vision. It’s stocked with independent designers whose work verges on art practice: Bless, Julia Heuer and Martine Rose, to name a few. Walking into the space — a former jewelry store that was barely altered, with plush blue carpeting and glowing vitrines — feels a little like being on the set of a David Lynch movie.

Rennes, Philadelphia Rennes often gets rare artisan lines from Europe and Japan before any other shop in North America. Spindly-legged tables inside the light filled space in Philadelphia’s Old City neighborhood hold stacks of Japan-made socks, and exquisite linen dresses hang from Shaker-style pegboards lining the walls. It could feel precious, but it’s not.

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Slash Denim, Berkeley, Calif. The most magical pant-buying experience. Go around the main storefront into the basement entrance in the back. There, among the musky piles of vintage Levi’s, you will be confronted by three denim witches — or veteran saleswomen — not unlike the witches in “Macbeth.” They will look you up and down, converse with each other in Levi’s-ese (514 or a 551?) and conjure a perfect pair of jeans for you.

Bungee Space, Manhattan (Lower East Side) The shop feels funky and haphazard, like rifling through your cool cousin’s dorm room. It’s a bookstore, a zine distributor, an events center and one of my favorite places to discover new and emerging designers. You’re just as likely to pick up an SC103 handbag or a Comme des Garçons shirt as you are to learn about a couturier who makes dresses from T-shirts or an artisanal women’s wear collective from Guatemala. You feel absolutely welcome to try on clothes, leaf through books, buy a cup of tea or maybe have a conversation.

Front General Store, Brooklyn (Dumbo) The curation is irresistible: vitrines of sterling silver jewelry, racks of vintage French chore coats and Issey Miyake Pleats Please, rows of colorful pens and milk glass mugs. A very very back room is where they keep cowboy shirts from the 1920s, Aloha shirts from the 1940s, all kinds of rare military surplus and souvenir jackets. If a garment looks like it has a story behind it, just ask one of the very kind shopkeepers. They’ll tell you.

Ven. Space, Brooklyn (Carroll Gardens) It carries some of the best men’s designers from around the world, some established (Dries Van Noten), some emerging (Auralee), some medium-size (Lemaire), some tiny (Unkruid). The store has not merely managed without e-commerce, but thrived. Pop in on a Thursday at 3 p.m. and the place will be full. Small touches speak to a broader philosophy at work: For instance, custom hanger covers that hide clothes’ tags, so that you focus on the garment before you know who made it.

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Evan Kinori, San Francisco As a designer, Evan Kinori works slowly and carefully, refining a small set of minimalist designs that tend not to change much from season to season. He uses very special fabrics, many of them developed custom with Japanese mills and dye-houses, and the result is clothes that look cool in photos but truly come alive in person. He sells them at an airy store on the southern edge of the Mission district, along with ceramics and hand-loomed textiles.

Funky Finds, Des Moines, Iowa It’s two floors. Browsing feels like stepping back in time: There’s an expansive collection of home goods and records, but the vintage clothes really stand out. Men’s, women’s, kids — everything on the racks is in exceptional condition and priced very affordably. I bought my senior prom dress here over a decade ago.

Old Gold, Burlington, V.T. Organized, affordable vintage denim. You won’t get the hands-on experience that some vintage retailers offer these days, but it’s not too overwhelming — light curation, approachable prices and a clean setting.

Westerlind, Millerton, N.Y. An insane curation of heritage brands, stunning design and, at this location (one of six), a darling pantry section in the back. Sales associates are kind and extremely knowledgeable about the area. I found a new real estate agent here while my husband was trying on pants.

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Ontario Mall Antiques, Farmington, N.Y. A great antique mall with an excellent jewelry collection, ranging from costume to fine.

Departamento, Los Angeles Great for discovery, with brands I have often never heard of alongside established names like The Row and Wales Bonner. It might have the best men’s buy in America. What I am most interested in when I go into a shop is organization and presentation. Are the products laid out in a thoughtful way? Departamento takes the cake in terms of design.

Scully & Scully, Manhattan (Upper East Side) It’s like Disneyland for refinement. The Park Avenue shop, founded in 1934, sells everything from silver money clips to horse head cuff links to diamond necklaces. It has a doorman and the shopkeepers are as refined as the merchandise. I shop for canes here — the most ornate canes, made with silver duck, fox and owl handles. When I’m walking with one in New York, as tough a city as it is, people become tender to me.

JJ Hat Center, Manhattan (Midtown) One of the city’s oldest hat shops, it’s a narrow store with chandeliers and hats stacked atop each other everywhere you look — fedoras, homburgs, Stetsons, trilbies. There are always people in front of mirrors trying hats on, this way and that, like Humphrey Bogart. Even if you don’t wear hats, you can be initiated into the hat world here. I’ve been buying hats here for 30 years.

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Fashion Full Circle, West Hollywood, Calif. A vintage and consignment shop with a large clothing section. But I go for the shoes. Hundreds of heels, bootees, sneakers — you can find fun and unique footwear here.

Aralda Vintage, Los Angeles A funky, tried-and-true vintage store started by a former model. A great selection, especially of dresses — some outfits from the TV show “Euphoria” were sourced here. The space’s bright orange walls and neon signs make shopping feel a bit like a game.

Allens Boots, Austin I never considered wearing cowboy boots until visiting this place (which has two locations). Thousands of styles line the walls and racks. I bought a black pair with white stars. They make me feel powerful.

Circa, New Bedford, Mass. Walking in for the first time felt like walking into a 1930s Coney Island fun house with mannequins in old costumes and the most beautiful old outfits everywhere. I wasn’t sure if you were supposed to buy the clothes or just admire them. The owner was incredibly friendly.

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The Quality Mending Co., Manhattan (East Village) It’s what you’d imagine a New York City vintage store to look and smell like — the CBGB of vintage stores. Old Levi’s, worn-in tees, tinted sunglasses, lots of attractive people shopping. The best selection of vintage punk t- shirts. Most are out of my price range, but they’re such beautiful relics of the past.

Just One Eye, Los Angeles Stepping inside the bright airy space is exciting and inspiring. I’ve found some of my favorite pieces here. It’s like walking into an art gallery or museum, except you’re allowed to touch. The clothing, jewelry and housewares are beautifully curated — unique items from local artisans, along with clothing and shoes from big-name brands.

The Webster, Manhattan (SoHo) It’s big enough that you feel like you are shopping around, but still small enough that it feels quaint (there are 13 locations). Right when you walk in, you get hit with the store’s signature scent. It is the best smelling scent.

Heart and Lou’s, Manhattan (Lower East Side) A woman-owned vintage shop — I love the shoes.

Lucia Boutique, Saratoga Springs, N.Y. The cutest little women’s clothing store outside Albany, my hometown.

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A’maree’s, Newport Beach, Calif. It’s in an impressive building on the water: You can pull up in a boat, dock and come inside for some shopping and a cocktail. The selection is upmarket — the Row, Alaïa, Gabriela Hearst — and is merchandised in a loose, fun way.

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

Millie Bobby Brown in the final season of Stranger Things.

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After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?

To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.

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JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026

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JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026

JasonMartin
Adin Ross Disrespecting Doechii …
Will Not Be Tolerated!!!

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‘Everything I knew burned down around me’: A journalist looks back on LA’s fires

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‘Everything I knew burned down around me’: A journalist looks back on LA’s fires

A firefighter works as homes burn during the Eaton fire in the Altadena area of Los Angeles County, Calif., on Jan. 7, 2025.

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On New Year’s Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.

Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.

“This was a place that I could navigate with my eyes closed,” Soboroff says of the neighborhood. “Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.”

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In his new book, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he’s ever undertaken.

“The experience of doing this is something that I don’t wish on anybody, but in a way I wish everybody could experience,” he says. “It’s given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. … It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.”

Interview highlights

Firestorm, by Ben Soboroff

On the experience of reporting from the fires

You’re choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: “My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.” …

I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.

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On undocumented immigrants being central to rebuilding the city

These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …

Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they’d be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.

And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it’s not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.

On efforts to rebuild

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The pace is slow and it’s sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it’s going to be a long road ahead. You’re going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it’s going to an isolating experience. But there’s an effort underway to rebuild. …

There’s also a lot of for-sale signs. And that’s the sad reality of this, is that there are people who, whether it’s that they can’t afford to come back … or that they just can’t stomach it, I think, sadly, a lot people are not going to be returning to their homes.

On what the Palisades and Altadena look like today

They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. … But mostly it’s just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it’s a patchwork of empty lots. Homes now under construction. And lots and lots of workers. … There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you’ve got workers going in during the day and coming out at night. …

We have designed this community to be one that’s in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody’s packing it up and leaving Los Angeles. People may not return to their communities after they’ve lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.

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On seeing this story, personally, as his “most important assignment”

Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.

Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.

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I don’t think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don’t think I ever would have otherwise spent time with, and to reconnect with people who I hadn’t seen or heard from in forever.

Anna Bauman and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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