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Lynx, tiger and tadpoles, oh my: See the Wildlife Photographer of the Year winners

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Lynx, tiger and tadpoles, oh my: See the Wildlife Photographer of the Year winners

Winner, The Bigger Picture, Wetlands: The Swarm of Life by Shane Gross, Canada. Western toad (Anaxyrus boreas) tadpoles swim among lily pads in a lake on Vancouver Island, British Columbia.

Shane Gross/Wildlife Photographer of the Year


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Shane Gross/Wildlife Photographer of the Year

They lay in wait for hours, weeks and sometimes months, tracking animals in the wild and moving carefully so as not to disturb their surroundings.

They set up their camera traps, framed their shots and seized the moment — from a lynx stretching in the sunshine and a young monkey sleeping in an adult’s arms, to an anaconda wrestling with a yacare caiman and a falcon hunting a butterfly.

Now, thanks to those efforts, they are officially the 2024 Wildlife Photographers of the Year.

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London’s Natural History Museum, which runs the prestigious competition, announced the winners of its 18 categories — from underwater to urban wildlife — at a ceremony on Tuesday. The museum narrowed down the winners from a record-breaking pool of 59,228 entries from 117 countries.

The winners will be featured in an exhibition at the Natural History Museum that opens Friday and runs through June, and will also tour internationally to venues across Europe, Canada and Australia. It will also include winners and photographic equipment from years past in honor of the contest’s 60th anniversary.

Museum Director Doug Gurr called the contest’s longevity “a testament to the vital importance and growing appreciation of our natural world.”

“We are delighted to feature such inspiring images in this year’s portfolio,” he said in a statement. “These are photographs that not only encourage further wildlife conservation efforts, but that spark the creation of real advocates for our planet on a global scale.”

Winner, Amphibians and Reptiles Behavior: Wetland Wrestle. Transpantaneira Highway, Mato Grosso, Brazil. Karine Aigner recognises the skin of a yellow anaconda as it coils itself around the snout of a yacaré caiman.

Winner, Amphibians and Reptiles Behavior: Wetland Wrestle. Transpantaneira Highway, Mato Grosso, Brazil. Karine Aigner recognizes the skin of a yellow anaconda as it coils itself around the snout of a yacare caiman.

Karine Aigner/Wildlife Photographer of the Year

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Karine Aigner/Wildlife Photographer of the Year

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Winner, Animals in their Environment: Frontier of the Lynx by Igor Metelskiy, Russia. Igor Metelskiy shows a lynx stretching in the early evening sunshine, its body mirroring the undulating wilderness.

Winner, Animals in their Environment: Frontier of the Lynx by Igor Metelskiy, Russia. Metelskiy shows a lynx stretching in the early evening sunshine, its body mirroring the undulating wilderness.

Igor Metelskiy/Wildlife Photographer of the Year


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Igor Metelskiy/Wildlife Photographer of the Year

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An international panel of expert judges chose two grand title winners from among the 18, based on the entries’ “originality, narrative, technical excellence and ethical practice.”

The grand title of Wildlife Photographer of the Year went to Shane Gross, a Canadian marine conservation photojournalist who spent several hours underwater documenting western toad tadpoles on the move.

Gross snorkeled painstakingly through carpets of lily pads in Cedar Lake on Vancouver Island, British Columbia, careful not to disturb the layers of silt and algae at the bottom. He was able to snap the tadpoles as they swam up from the depths, dodging predators on their way to feed at the surface.

He titled the stunning scene The Swarm of Life.

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“The jury was captivated by the mix of light, energy and connectivity between the environment and the tadpoles,” said jury chair and editor Kathy Moran, noting that the tadpoles are a species new to the winning archive.

Western toads are considered either endangered or threatened in parts of Canada and the U.S., due to habitat destruction and predators. The tadpoles begin their transition into toads between four and 12 weeks after hatching, but an estimated 99% of them will not survive to adulthood.

“I hope the attention this image brings our amphibians and wetlands leads to much-needed and urgent protections,” Gross posted on Instagram after his win. “If you know of an important place in your backyard, let’s rally the community together and fight for [its] protection.”

Winner, Invertebrates Behavior: The Demolition Squad by Ingo Arndt, Germany. Arndt documents the efficient dismemberment of a blue ground beetle by red wood ants.

Winner, Invertebrates Behavior: The Demolition Squad by Ingo Arndt, Germany. Arndt documents the efficient dismemberment of a blue ground beetle by red wood ants.

Ingo Arndt/Wildlife Photographer of the Year


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Ingo Arndt/Wildlife Photographer of the Year

Winner, The Bigger Picture, Oceans: A Diet of Deadly Plastic by Justin Gilligan, Australia. Justin Gilligan (Australia) creates a mosaic from the 403 pieces of plastic found inside the digestive tract of a dead flesh-footed shearwater.

 Winner, The Bigger Picture, Oceans: A Diet of Deadly Plastic by Justin Gilligan, Australia. Gilligan creates a mosaic from the 403 pieces of plastic found inside the digestive tract of a dead flesh-footed shearwater.

Justin Gilligan/Wildlife Photographer of the Year

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Justin Gilligan/Wildlife Photographer of the Year

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Many of the winning images draw attention to the threats facing different species around the world: a mosaic made of over 400 pieces of plastic found inside the digestive tract of a dead shearwater, a type of Australian seabird; a tiger perched on the hillside overlooking an Indian town that was once a forest; a crime scene investigator dusting a confiscated tusk for prints.

The Young Wildlife Photographer of the Year award went to teenager Alexis Tinker-Tsavalas of Germany for his image Life Under Dead Wood, which shows the tiny, fruiting bodies of slime mold (a type of single-cell organism) and a springtail (a non-insect hexapod) beneath a log.

Winner, 15-17 Years: Life Under Dead Wood by Alexis Tinker-Tsavalas, Germany.

Winner, 15-17 Years: Life Under Dead Wood by Alexis Tinker-Tsavalas, Germany. Springtails and slime molds are two of Alexis’ favorite macro photography subjects.
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Alexis moved fast, rolling the log over and snapping away quickly, since springtails “can jump many times their body length in a split second,” the judges wrote.

He used a technique known as focus stacking, combining 36 images — each with a different area in focus — to make one image with an even greater depth of field.

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“A photographer attempting to capture this moment not only brings great skill, but incredible attention to detail, patience and perseverance,” Moran said. “To see a macro image of two species photographed on the forest floor, with such skill, is exceptional.”

Slime mold and springtails may not be as widely known as some of the other subjects of the winning photographs, like ants and a hawk. Alexis told the BBC that he hopes people will learn more through his images.

Winner, Underwater: Under the Waterline by Matthew Smith, UK/Australia.

Winner, Underwater: Under the Waterline by Matthew Smith, UK/Australia. This was Smith’s first personal encounter with a leopard seal.

Matthew Smith/Wildlife Photographer of the Year


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Matthew Smith/Wildlife Photographer of the Year

Winner, Mammals Behavior: A Tranquil Moment by Hikkaduwa Liyanage Prasantha Vinod, Sri Lanka. Vinod finds this serene scene of a young toque macaque sleeping in an adult’s arms.

Winner, Mammals Behavior: A Tranquil Moment by Hikkaduwa Liyanage Prasantha Vinod, Sri Lanka. Vinod finds this serene scene of a young toque macaque sleeping in an adult’s arms.

Hikkaduwa Liyanage Prasantha Vinod/Wildlife Photographer of the Year


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Hikkaduwa Liyanage Prasantha Vinod/Wildlife Photographer of the Year

“I feel like that’s one of the biggest goals for me, to just show this tiny world that a lot of people don’t really get to see, in a different light,” he said.

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Entries for the next edition of the contest will be accepted from Oct. 14 through Dec. 5. In the meantime, take a look at more of this year’s crop of winners.

Winner, Birds Behaviour: Practice Makes Perfect by Jack Zhi, Los Angeles, California, USA. Ayoung falcon practicing its hunting skills on a butterfly, above its sea-cliff nest.

Winner, Birds Behaviour: Practice Makes Perfect by Jack Zhi, Los Angeles. A young falcon practices its hunting skills on a butterfly above its sea cliff nest.

Jack Zhi/Wildlife Photographer of the Year


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Jack Zhi/Wildlife Photographer of the Year

Winner, Photojournalism: Dusting for New Evidence by Britta Jaschinski, Germany/UK. Jaschinski looks on as a crime scene investigator from London’s Metropolitan Police dusts for prints on a confiscated tusk.

Winner, Photojournalism: Dusting for New Evidence by Britta Jaschinski, Germany/UK. Jaschinski watches as a crime scene investigator from London’s Metropolitan Police dusts for prints on a confiscated tusk.

Britta Jaschinski/Wildlife Photographer of the Year


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Britta Jaschinski/Wildlife Photographer of the Year

Highly Commended, Mammals Behaviour: Don’t Look Down by Rick Beldegreen, Torres del Paine National Park, Chile. A group of puma cubs stalking their potential guanaco prey.

Highly Commended, Mammals Behaviour: Don’t Look Down by Rick Beldegreen, Torres del Paine National Park, Chile. A group of puma cubs stalks their potential guanaco prey.

Rick Beldegreen/Wildlife Photogprapher of the Year


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Rick Beldegreen/Wildlife Photogprapher of the Year

Winner, Plants and Fungi: Old Man of the Glen by Fortunato Gatto, Italy. Fortunato Gatto comes across a gnarled old birch tree adorned with pale ‘old man’s beard’ lichens.

Winner, Plants and Fungi: Old Man of the Glen by Fortunato Gatto, Italy. Gatto comes across a gnarled old birch tree adorned with pale “old man’s beard” lichens.

Fortunato Gatto/Wildlife Photographer of the Year

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Fortunato Gatto/Wildlife Photographer of the Year

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Winner, 11-14 Years: An Evening Meal by Parham Pourahmad, Ed R Levin County Park, California, USA. Pourahmad watches as the last rays of the setting sun illuminate a young Cooper’s hawk eating a squirrel.

Winner, 11-14 Years: An Evening Meal by Parham Pourahmad, Ed R Levin County Park, Calif. Parham watches as the last rays of the setting sun illuminate a young Cooper’s hawk eating a squirrel.

Parham Pourahmad/Wildlife Photographer of the Year


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Parham Pourahmad/Wildlife Photographer of the Year

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‘How to Rule the World’ explores education and power at Stanford University

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‘How to Rule the World’ explores education and power at Stanford University

Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.

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Ben Margot/AP

When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.

Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.

Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.

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He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.

In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.

We reached out to Stanford University for comment and have not heard back.

Listen to the interview by clicking play on the blue box above.

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OTB Takes Full Control of Viktor & Rolf

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OTB Takes Full Control of Viktor & Rolf
The Italian fashion group behind Diesel and Maison Margiela is taking full ownership of the avant-garde haute couture house, acquiring the remaining 30 percent it didn’t already own. Founders Viktor Horsting and Rolf Snoeren remain creative directors.
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How having zero points in tennis — or ‘love’ — came to sound so sweet

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How having zero points in tennis — or ‘love’ — came to sound so sweet

The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.

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Kirsty Wigglesworth/AP

Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.

As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.

“Love” comes from the heart — or an egg?

It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

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But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.

“By and large, the original system has held up almost entirely,” Flink said.

The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.

Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.

The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.

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It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.

“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.

To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.

But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.

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“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.

“Love” probably isn’t going anywhere

Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.

“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”

There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.

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But “love” still prevails.

“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”

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