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Kelly Link's debut novel 'The Book of Love' is magical, confusing, heartfelt, strange

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Kelly Link's debut novel 'The Book of Love' is magical, confusing, heartfelt, strange

For years, fans of Kelly Link, one of the finest purveyors of contemporary short fiction, have wondered what the author would be able to do with a full novel — and have eagerly waited for her to deliver one.

That wait ends now with the release of The Book of Love, Link’s debut novel. And the author has embraced the freedom granted by a longer format, delivering a 600-page behemoth of a novel that shatters reality while pulling readers into the lives of several characters and obliterating any perceived dividing line between speculative fiction and literary fiction.

As an avid reader and book reviewer, I’m looking forward to seeing how other reviewers tackle a synopsis of this novel. The narrative starts late one night when Laura, Daniel, and Mo find themselves in a classroom with their music teacher and a strange entity. The youngsters are dead, but they’re not. They disappeared a year ago from their hometown of Lovesend, Massachusetts. They were presumed dead, and they are, but now that they’re back, their teacher, who possesses magical powers, alters reality. Instead of dead, they’re all coming back from a long trip to study in Ireland. Their teacher knows what happened…maybe.

With their story in their heads and their new reality in place. the teenagers are sent back to their previous lives, where they must cope with everything that happened during their absence while simultaneously trying to figure out what will happen next. Also, there was a cryptic message for them on the blackboard of the room where they appeared: “2 RETURN/2 REMAIN.” What does it mean? How does that math affect the outcome of their return? Their life as the undead is already complicated enough, but their bizarre revivification has brought something other than the teenagers from the other side; supernatural entities that have their own agendas. As Laura, Daniel, and Mo navigate their new situation and adapt to their new realities, they must also crack the mystery of their return, and more than their own resurrection hangs in the balance.

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That’s a lengthy synopsis, but it barely scratches the surface of The Book of Love, which also delves into the complications of love and friendship, family drama, grief, resilience, and the unlimited power of adaptability while delivering a tale of supernatural menace that also explores what it truly means to be alive. After years of award-winning short stories in some great venues and a few outstanding short story collections like Get in Trouble, which was a finalist for the Pulitzer Prize, and White Cat, Black Dog, this novel is proof that Link can be as strange, entertaining, and witty in novel form as she is when writing short stories.

The Book of Love is a narrative about love — and death and resurrection and kissing people and growing up and sibling rivalry and horror. This is a story about stories that even touches on writing. Mo’s grandmother, Maryanne, who passed away while Mo was away, was a prolific writer who wrote 73 books in 42 years. Writing allowed her to build a good life and to take care of Mo after his mother passed away. She was also a Black woman. Little details like that open the door to new things, so while Link is telling us about Mo, she also gives us Maryanne’s biography while also discussing publishing and the intricacies of a Black woman writing a very popular series about a white woman. Stories within stories, narratives that delve into memories, and expansive passages what go deep into the psychological and emotional inner worlds of the characters are common. In fact, this book will be too much for some readers. This is an entertaining novel, but it’s also a barrage of ideas and minutiae, a veritable onslaught of language and narratives that deviate from the core of the story.

This is a long book that’s simultaneously dazzling and dizzying. Some lines cut with their clarity and sincerity while some plot elements are puzzling. Link is a wizard writing spells that obey a dream logic only she fully understands. At once a book for adults that’s full of elements that make it feel like a fantasy YA novel, a story about survival and danger that starts with a group of dead kids and only gets weirder from there, and a narrative that shows a mighty writer with a unique voice at the height of her powers, The Book of Love is, simply put, a magical, confusing, heartfelt, strange, wonderfully written novel that delivers everything fans of Link’s short fiction expected while also packing a few surprises.

Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on X, formerly Twitter, at @Gabino_Iglesias.

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‘How to Rule the World’ explores education and power at Stanford University

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‘How to Rule the World’ explores education and power at Stanford University

Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.

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Ben Margot/AP

When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.

Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.

Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.

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He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.

In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.

We reached out to Stanford University for comment and have not heard back.

Listen to the interview by clicking play on the blue box above.

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OTB Takes Full Control of Viktor & Rolf

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OTB Takes Full Control of Viktor & Rolf
The Italian fashion group behind Diesel and Maison Margiela is taking full ownership of the avant-garde haute couture house, acquiring the remaining 30 percent it didn’t already own. Founders Viktor Horsting and Rolf Snoeren remain creative directors.
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How having zero points in tennis — or ‘love’ — came to sound so sweet

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How having zero points in tennis — or ‘love’ — came to sound so sweet

The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.

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Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.

As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.

“Love” comes from the heart — or an egg?

It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

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But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.

“By and large, the original system has held up almost entirely,” Flink said.

The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.

Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.

The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.

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It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.

“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.

To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.

But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.

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“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.

“Love” probably isn’t going anywhere

Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.

“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”

There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.

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But “love” still prevails.

“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”

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