Lifestyle
James Burrows, director of classic shows ‘Cheers’ and ‘Friends,’ dies at 85
Director James Burrows attends the “Will & Grace” start of production kick off event and ribbon cutting ceremony at Universal City Plaza on August 2, 2017 in Universal City, California.
Jason LaVeris/Getty Images
hide caption
toggle caption
Jason LaVeris/Getty Images
LOS ANGELES — James Burrows, who helped create volumes of laughter as director of more than a thousand episodes of such classic television comedies as “Cheers,” “Taxi,” “Friends” and “Will and Grace,” died Friday. He was 85.
His family confirmed his death in a statement to People, saying he “passed away peacefully today surrounded by his family.” No location or cause of death was provided.
Burrows spent his career behind the camera specializing in situation comedies. Few viewers recognized him or knew his name, other than to see it flash quickly on the screen in the opening credits. But they knew his work.
Burrows got his start in television relatively late at age 35 in 1974, directing episodes of “The Mary Tyler Moore Show,” “The Bob Newhart Show,” and “Laverne & Shirley.”
He co-created “Cheers,” directing 243 of the 273 episodes, as well as all 246 episodes of “Will and Grace.”
He also helmed multiple episodes of such hits as “Frasier,” “Friends” and “Mike & Molly,” and the pilots of “Two and a Half Men” and “The Big Bang Theory.”
“When I direct a television show, I try to reach that sweet spot where the best script meets the best performance and the best chemistry between performers,” Burrows wrote in his 2022 memoir “Directed by James Burrows.” “Hitting that exact moment, where these factors land in combination, results in the sweetest and most enduring laugh.”
His family said, “Burrows understood that great comedy was never simply about laughter. It was about humanity, connection, and truth. That understanding became the foundation of a career that forever changed television.
“But beyond his remarkable achievements, Burrows will be remembered for something even greater: his kindness, generosity, and unwavering belief in the people around him. He possessed a rare ability to make everyone better and was known for remembering every person he met by name, making colleagues at every level feel seen, valued, and appreciated,” the family statement said.
Born James Edward Burrows on Dec. 30, 1940, in Los Angeles, he moved to New York when he was 5 years old. He spent five years in the Metropolitan Opera Children’s Chorus until his voice started to change. He attended LaGuardia High School of Music & Art.
His father was writer, director and producer Abe Burrows, whose Broadway hits included “Guys and Dolls” and “Can-Can.” The elder Burrows also mentored Larry Gelbart, future creator and producer of the TV show “M(asterisk)A(asterisk)S(asterisk)H.”
The younger Burrows spent hours of his youth in theaters and studios watching his father work, dining with him at such famed New York haunts as Sardi’s and Gallagher’s and meeting celebrities who attended his father’s New Year’s Eve parties.
After earning a bachelor’s degree from Oberlin College, Burrows attended the graduate program of the Yale School of Drama, where his classmates included actor-comedian Robert Klein, playwright John Guare and film director John Badham.
At Yale, he was required to take directing classes and he got hooked.
Burrows’ first sitcom experience was as Burl Ives’ dialogue coach on “O.K. Crackerby!” which was directed by his father and ran for one season on ABC in 1965.
From there, he was an assistant on “The Patty Duke Show.” He moved back to New York and worked for Broadway producers Lee Guber, Frank Ford and Shelly Gross. He first met actor Moore while working on the Broadway production of “Holly Golightly,” an adaptation of “Breakfast at Tiffany’s” that was directed by his father.
Burrows eventually worked as a stage manager for various road productions, where he met such actors as Hugh O’Brien, Zsa Zsa Gabor and Julie Harris.
By 1974, after working in dinner theater and summer stock, he turned on his television and saw Moore’s eponymous TV show. He wrote her a letter asking if there was any opening “small or smaller” at her production company that he could fill, according to his memoir.
Moore’s husband and business partner, Grant Tinker, invited Burrows to Los Angeles to direct an episode of the comedy. He apprenticed for MTM Enterprises, which had four sitcoms on the air at the same time.
Burrows cited his theater background for learning how to give actors direction and block out scenes. He’s credited for being one of the first sitcom directors to increase the typical multi-camera television shoot from three to four cameras.
The common thread between Burrows’ shows were the bonds between friends and unrelated families, whether it was the motley crew of regulars meeting at the bar in “Cheers” or the drivers working toward a better life in “Taxi” or the 20-somethings sharing the same apartment building in “Friends.”
“The best sitcoms transcend the screen and reach out and grab the audience by the throat and by the heart,” Burrows wrote in his memoir.
He relished discovering new acting talent while directing more than 75 pilots that were picked up as series.
“Having directed over a thousand shows means that almost any night you can turn on your television or go online and find a show that I directed. I’m very proud of that,” he wrote in his memoir.
In 2019, Burrows was an executive producer on live productions of “All in the Family” and “The Jeffersons” with famous actors re-creating episodes of those 1970s comedies.
Burrows was married in 1997 to Debbie Easton, whom he met when she worked as a hairstylist on “Frasier.” Daughters Kat Schatzow, Ellie Gluck and Maggie Burrows, who followed her father into directing, are from his first marriage to Linda Solomon, who died in 2004. His stepdaughter Paris is from his wife’s previous marriage. He has a sister, Laurie Burrows Grad, and seven grandchildren.
Lifestyle
Trump relished in being compared to dictators like Hitler and Stalin, journalist says
A gold-colored item embossed with the word “President” sits on the Resolute desk in the Oval Office of the White House on Nov. 10, 2025.
Jacquelyn Martin/AP
hide caption
toggle caption
Jacquelyn Martin/AP
The New York Times journalist Jonathan Swan has spent the past 11 years covering President Trump through three political campaigns, his first, and now second, term in office and the ongoing war with Iran. Swan says aside from the COVID-19 pandemic, he can’t remember a time where Trump looked “as stuck as he looks right now.”
“It’s pretty clear he realizes that this war [with Iran] has not gone well, has not played out the way that Netanyahu pitched him or that Trump himself thought [it] would play out,” Swan says. “Trump is someone who is naturally given to hubris, but I think we saw a very extreme version of that with this war.”
Swan and his co-author Maggie Haberman spoke with more than 1,000 sources for their new book, Regime Change: Inside the Imperial Presidency of Donald Trump. The book paints a picture of an unrestrained president remaking the American government and its international relations in profound ways.

Swan notes that the president, who sat for an interview for the book, has been particularly fixated on becoming a “great man of history” during his second term. During one interview, Trump showed Swan and Haberman a document that compared him to notorious historical figures like Mao, Stalin, Hitler, Attila the Hun and Genghis Khan.
“[The list had] nothing to do with morality, all just about pure power projection. And Trump was relishing being in their company,” Swan says. “Maggie and I talked about it afterwards, and it really occurred to us that when you look at it through that lens, his second term makes a lot more sense.”
Swan says the president’s fixation on power is reflected in his decisions to go to war in Iran and implement regime change in Venezuela. But he also sees it manifested in Trump’s White House decor, which leans on what Swan calls the president’s “inner Louis XIV” style.
“He’s gilded almost every corner of the Oval Office,” Sway says. “The history of the Oval Office in the White House has been of modesty when it comes to design and decoration, reflecting the fact that America is a republic, not a monarchy. Trump has no use for that history.”
In a post on Truth Social, Trump referred to Regime Change as “mostly made up, Fake News, largely fiction, as have been most of the things [Haberman] has written about me for so many years.”
Interview highlights
On how Trump’s second term differs from his first
This term is unrecognizable from term one. And I still think a lot of people view [this] administration and government through the lens of the first term. It just couldn’t be more different. One of the ways in which it’s different is the team around him.
I remember in term one covering Trump, and you would have so many conversations with senior officials, including senior national security officials, and the overwhelming impression that you would receive from talking to these people was, A, they thought they were working for someone who was dangerous. And they saw their own roles as protecting the country and the world from the person that they were ostensibly working for. Those types of people don’t exist anymore in this administration. …
At a senior level, it’s really a group of people who believe in him, are loyal to him, in some cases went through the campaign with him. Many of them were radicalized on the campaign through the investigations and the efforts to prosecute Donald Trump. Many of them received some subpoenas themselves and viewed the stakes of the 2024 election as not so much about policy, but about staying out of prison.
So that’s the mindset of Trump and his inner circle. And it’s created a situation where there’s very little friction between a Donald Trump idea that might’ve just leapt straight from his internal monologue out of his mouth, with no filter, to an effort to make it actual American policy and execution.
On Trump’s meeting style
Meetings have no beginning, middle or end. There’s almost no delineation. And what often ends up happening is it’s essentially one meeting that just rolls throughout the afternoon with different people joining and leaving. And Trump [is] engaged or not engaged, people who have no business being in the meeting sometimes joining, whether it’s a pro wrestler, or a crypto investor, or foreign somebody from a golf monarchy, or a CEO. …
The New York Times journalists Maggie Haberman and Jonathan Swan are the authors of Regime Change: Inside the Imperial Presidency of Donald Trump.
Doug Mills/The New York Times
hide caption
toggle caption
Doug Mills/The New York Times
The conversations are non-linear. Trump will get fascinated about one thing that has nothing to do with the topic and that can derail a meeting. We have a scene in the book where he’s having a conversation, a very small meeting, which is highly classified about a defense program, and this guy comes in, just walks into the Oval, salt of the earth, kind of country looking guy, and he’s holding stone samples for the Rose Garden … and the two go off and sort of start conferring, looking out the window, talking about the paving and the stone and this and that, gets on the phone with another contractor. And before time’s up, the meeting’s ended, they haven’t actually resolved the issue they were going to resolve.
On the higher level of secrecy in Trump’s second term
When there are issues that Trump really cares about, or his team wants to keep secret, they can be incredibly secretive, to the point of great frustration across the government. And when it comes to the weightiest issues like the planning of going to war with Iran, we found that very, very senior people in the government were, A, completely cut out of the loop and, B, had no idea about what was being discussed in the Oval Office.
On Trump’s focus on decorating the White House

I traveled with President Trump to the Middle East, palace after palace. And it was really instructive to watch him with these Middle Eastern rulers in Saudi Arabia and Qatar and the United Emirates. He was just in a state of absolute pleasure, going from one palace to the next, admiring the marble, looking at most rarefied displays of state wealth on Earth. And that’s essentially what he’s trying to create at the White House. … He’s building this grand ballroom. He seemed to almost be competing with Melania as to who had had the better bedroom. They have separate bedrooms and he was taking objects that she had placed in the center hall of the residence and putting them in his bedroom.
YouTube
On the challenge of interviewing Trump
An interview with Trump requires an enormous amount of preparation if you want to hope to come out of it with any level of success. He’s a really difficult interview… He’s an overwhelming presence and you are confronted with a sort of tidal wave of words. Many of the words and the sentences are detached from reality or completely false. And you have to make judgments in real time about what you let go. You can’t fact-check everything. You just can’t. You can pick your moments.
I see my role in every interview as the representative of the people in that chair. You’re the one who’s lucky enough to be sitting in that chair interviewing the president of the United States. What would regular people want to know and want me to do in that situation? And I think that when you’re interviewing a president of the United States, you want to find the balance between letting them explain themselves and not cutting in every two seconds, but finding moments that are really important to puncture the bubble. Trump creates an unreality bubble. It’s the way he operates. … Tucker Carlson actually described it publicly as like being under a spell and I certainly wouldn’t ascribe a supernatural dimension to it, but I know what he’s getting at.
Thea Chaloner and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Meghan Sullivan adapted it for the web.
Lifestyle
Homelessness is more common than you think. : It’s Been a Minute
The real spectrum of housing insecurity
Annika McFarlane/Getty Images/Getty Images
hide caption
toggle caption
Annika McFarlane/Getty Images/Getty Images
Who counts as homeless in America?
If you ask the Department of Housing and Urban Development, around 750,000 people are homeless in America. If you ask the Department of Education, that number shoots up into the millions. What does this discrepancy tell us? And how do our cultural ideas about homelessness shape who we see as homeless, and who gets help? To find out, Brittany talks with Dr. Margot Kushel, Director at the UCSF Benioff Homelessness and Housing Initiative, and Dr. Molly Richard, assistant professor in the Department of Public Health at the University of Rhode Island’s College of Health Sciences.
Want more deep dives on cultural taboos? Check out these episodes:
The truth about men on the ‘down low’
Why can’t we be normal about polyamory?
Support Public Media. Join NPR Plus.
Follow Brittany on Instagram: @bmluse
For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
This episode was produced by Corey Antonio Rose. It was edited by Neena Pathak. We had engineering support from Josephine Nyounai. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
Lifestyle
They just completed all of L.A. Times’ 101 Best California Experiences — and we’ve got questions!
By December of 2023, Paul Preston realized that his girlfriend Susan Huckle was a big fan of road trips and lists. So for Christmas, he gave her L.A. Times’ ”101 Best California Experiences” zine, a traveler’s bucket list highlighting my top destinations throughout my four decades of traveling the state.
The gift, I’m delighted to hear, was a hit.
Preston and Huckle went through it and checked off locations they’d seen already. Then they hit the road.
And now, after two and a half years of roaming the state between work assignments, they’re back to report that they’ve covered all 101 locations on that list. Though the two have also traveled beyond state lines, the quest to cover California “totally informed our lives for the last two or three years,” said Huckle, who sent me a note of thanks after ticking the last box.
After the note arrived, I was eager to call them and learn more. I caught the couple, of course, in the middle of a day trip.
Susan Huckle and Paul Preston set out to visit every spot on the L.A. Times’ 2023 list of “101 Best California Experiences.” Along the way, they got married in Yosemite Valley.
(Nick Wuthrich)
“We’re out exploring,” Preston said. “So you’re getting what we’re about.”
They’re also now married. That happened last July in Yosemite Valley, which, yes, was on the list.
Huckle, 41, an actress, a host on “L.A. This Week” on Channel 35, a Universal Studios performer and an author, grew up in Santa Maria on California’s Central Coast.
Preston, 56, is also an actor. He leads movie location tours and hosts podcasts, movie trivia nights and special events. He grew up and went to college on the East Coast, so he had fewer California miles under his belt when the couple met in 2020.
Their California 101 travels began in early 2024 with a trip to Paso Robles, where they saw the green slopes along Highway 46, Morro Rock and the elephant seals at Piedras Blancas near Hearst Castle.
“And then,” Preston said, “we just kept going.”
Some of their most satisfying stops, the two agreed, were places they hadn’t heard of, such as Orange Works in the Central Valley town of Strathmore and Angel Island State Park, sometimes known as the Ellis Island of the West. Huckle called Angel Island “a marriage of natural beauty with great, powerful, historic information.”
By early this year, there were only a few destinations left to check.
In April, they did the Indian Canyons and Sunnylands estate near Palm Springs, the Integratron near Joshua Tree and the Cheech Marin Center for Chicano Art & Culture in Riverside. In June, they rafted the South Fork of the American River, along with stops in Old Sacramento and, last of all, Columbia State Historic Park. Then they made their own favorites lists.
Susan Huckle’s top 10:
Yosemite Valley
Badwater Basin
Mammoth Mountain
Angel Island State Park
Cheech Marin Center
Joshua Tree National Park
American River South Fork
The Marshall Store on Tomales Bay
Santa Cruz Island
Sunnylands
Paul Preston’s top 10:
Yosemite Valley
Hollywood Bowl
Griffith Observatory
Catalina
Mammoth Mountain
American River South Fork
Erick Schats’ Bakery in Bishop
Huntington Library and Gardens
Palm Springs Aerial Tramway
Balboa Park, San Diego
Now that they’ve seen so much of the state, I had questions. For one, which spots not on the list would they have included?
Alcatraz, they agreed. Also, as an admirer of redwoods, Preston liked Calaveras Big Trees State Park. As an avid cyclist, Huckle liked the 22-mile Marvin Braude Bike Trail from Torrance to Pacific Palisades.
And was anything on the list a disappointment?
“The Carmel Mission,” Huckle said quickly. “It’s beautiful and the missions are an important part of California history.” But she said the mission’s account of its own history seemed “whitewashed,” saying little about the Native loss and trauma that historians are increasingly recognizing in accounts of the missions.
Said Huckle: “I was like, ‘C’mon guys, nobody really thinks this any more, right?’”
Now that they’re done with the Times’ “101 Best California Experiences,” what what will shape their next trips?
They have a list for that. Huckle picked up an L.A. guide, Danny Jensen’s “Secret Los Angeles,” and the couple plans to start where the book does, with the Triforium, a many-colored sculpture that went up outside City Hall in 1975 (and once featured music).
After that? Maybe the Faces of Elysian Valley, a traffic circle sculpture that Huckle said “looks like Easter Island in the middle of Cypress Park.”
That will leave only about 138 more destinations in the book to cover.
If anybody can do it, it’s these two.
-
Detroit, MI14 minutes agoDetroit’s air quality early Thursday ranked as hazardous, worst in the world
-
San Francisco, CA26 minutes ago‘It was a scene from the Titanic’: Fishermen recall rescuing passengers from sinking boat in SF Bay
-
Dallas, TX32 minutes agoBig picture takeaways from the Dallas Mavericks first week at Summer League
-
Miami, FL38 minutes ago“We’re going to be champions”. Argentina fans in Miami Beach celebrate team’s win against England
-
Boston, MA44 minutes ago4 Red Sox Trade Targets to Solidify Boston’s Push for a Playoff Spot
-
Denver, CO50 minutes agoRTD considers ending Denver’s 16th Street FreeRide shuttle due to budget issues
-
Seattle, WA56 minutes agoTrump immediately fires the new court-appointed top prosecutor in Seattle | CNN Politics
-
San Diego, CA1 hour agoKarepango San Diego Comic-Con 2026 Debuts, Merchandise