Lifestyle
It's winter in Stars Hollow! Stroll through the 'Gilmore Girls' town on this cozy Warner Bros. tour
It’s fall, and for many that means it’s “Gilmore Girls” season.
Though its original run ended in 2007, the series about the mother-daughter escapades of Lorelai and Rory Gilmore has remained a viewing behemoth, often returning to the top 10 of Nielsen’s streaming chart during the autumn and winter months. Consider it a soothing symbol of a less digital, pre-pandemic world centered on convivial small-town life.
Capitalizing on the show’s continued popularity, the venerable Warner Bros. Studio Tour has once again made “Gilmore Girls” a centerpiece of its holiday offerings. From Dec. 18 to Jan. 5, a portion of the studio’s backlot will be remade into the fictional town of Stars Hollow, Conn., with looks at key filming locations and props, as well as costume contests and cookie decorating activities.
The “Holidays Made Here” festivities will be available as part of all studio tour offerings, says a spokesperson, with tours departing between 9 a.m. and 3:30 p.m. daily, excluding Christmas Day. Warner Bros. tours start at $73 but various add-ons and offerings are available for additional fees. Danny Kahn, vice president and general manager of the Warner Bros. Studio Tour, said the firm is showcasing properties that embody “the warmth, charm and community spirit that define the season.”
Those who analyze and study the series say it makes sense that fans return to “Gilmore Girls” during this time of year — or begin it for the first time.
“Gilmore Girls,” after all, sometimes appears arranged around the academic calendar, says Rachel Davidson, co-author of “Gilmore Girls: A Cultural History” with Lara Stache, beginning in the fall when the character of Rory Gilmore (Alexis Bledel) is accepted to a prestigious prep school. The show is anchored around multiple generations of Gilmores, following Rory and her mother, Lorelai (Lauren Graham), as they navigate familial challenges, often around the dinner table with Lorelai’s parents.
“The title sequence of ‘Gilmore Girls’ also captures the feeling of fall, with its bird’s-eye view of a small-town scene surrounded by the warm hues of fall leaves,” Davidson says. “The colors and sepia-toned aesthetic of the intro set a cozy, nostalgic tone that aligns so well with the fall season, making it feel like a quintessential autumn show.”
It’s comfort food, says Haley McIntosh, who co-costs the “Gilmore to Say” rewatch podcast with Tara Llewellyn.
“Right now, people are starting to watch holiday movies to get into the Christmas spirit, and there’s a wash of people who get into a cozy spirit by diving into ‘Gilmore Girls,’” McIntosh says. “Everything is very autumnal. Regardless if it’s a spring episode, it will still feel like fall. There’s an emphasis on small-town community and crazy town events, but it’s so cozy. It’s the TV show equivalent of soup season. It’s too cozy to bypass.”
Warner Bros. Studio Tour “Holidays Made Here”
Warner Bros.’ “Holidays Made Here” program will invite guests into the show’s Luke’s Diner for coffee and pastries and highlight pivotal series locales such as the town’s gazebo, the official Stars Hollow sign, Lorelai’s house and Mrs. Kim’s Antiques. Guests are encouraged to come in outfits inspired by the show — Warner Bros. is promising trivia contests and 3 p.m. costume meetups — and key to the “Gilmore Girls” Christmas spirit will be a glimpse of a Bjork-inspired snowperson.
The Bjork sculpture is found in the Season 2 episode “The Bracebridge Dinner,” which also features a snow-laden sleigh ride. “It’s playful and whimsical — perfectly capturing the cozy, festive vibe of the show,” Davidson says.
“The series is all about family, including found family, and that is probably why it feels so appropriate for Christmas,” Stache says.
No word, however, if Warner Bros. will attempt to capture the scent of snowfall.
“Some of the most iconic episodes have been in the wintertime,” Llewellyn says. “Lorelai says, ‘I smell snow.’ That is one of her traits. She can smell when snow is coming. She loves snow. So I understand why Warner Bros. choose this season to zero in on. That’s the season one of the main characters thrives.”
Lifestyle
Sunday Puzzle: Cyber Monday categories!
On-air challenge: Tomorrow is Cyber Monday. I’ve brought a game of Categories based on the word CYBER. For each category I give, name something in it starting with each of the letters C-Y-B-E-R.
For example, if the category were “Two-Syllable Girls’ Names,” you might say Connie, Yvette, Betty, Ellen, and Rachel. Any answer that works is OK, and you can give the answers in any order.
- Colors
- Garden Vegetables
- Mammals with Three-Letter Names
- Popular Websites
Last week’s challenge: Last week’s challenge comes from listener Greg VanMechelen, of Berkeley, Calif. Name a state capital. Inside it in consecutive letters is the first name of a popular TV character of the past. Remove that name, and the remaining letters in order will spell the first name of a popular TV game show host of the past. What is the capital and what are the names?
Challenge answer: Montgomery (Ala.) –> Gomer (Pyle), Monty (Hall)
Winner: Greg Felton of Stateline, Nev.
This week’s challenge: This week’s challenge comes from the crossword constructor and editor Peter Gordon. Think of a classic television actor — first and last names. Add a long-E sound at the end of each name and you’ll get two things that are worn while sleeping. What are they?
Submit Your Answer
If you know the answer to the challenge, submit it here by Thursday, December 5th, 2024 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle. Important: include a phone number where we can reach you.
Lifestyle
Downsizing, decluttering, Swedish death cleaning — why we're obsessed with clearing out our stuff
When I asked my mother what she might like for her birthday this year, she quickly texted back: Nothing. We are downsizing.
My parents already live in a small house — a former fishing cabin on the edge of a lake. Our family moved a few times when my brothers and I were growing up, our childhood belongings pared down at each step. My parents relocated after we graduated from college, stripping their belongings down further and shipping what furniture was left to each of us kids. I got the Sellers Hoosier, a wooden hutch with a built-in tin flour bin and a metal bread kneading shelf, now more than 100 years old, that my great-grandmother used to bake on.
I wondered what was left for them to downsize. And then it hit me: Were they doing the Swedish death clean? “Döstädning: The Gentle Art of Swedish Death Cleaning” is the bestselling book that sparked a TV show and popularized a decluttering technique that has people clean up their belongings before they die, so their friends and family won’t have to. My mother will be 80 this year, my father 82 — was there something they weren’t telling me?
It turned out that my parents hadn’t seen the show or read the book. The real problem was that they had just inherited a bunch of “stuff” from my aunt, who has dementia and was moving into assisted living. My mom told me about all the things my aunt had treasured and saved that now sat in cardboard boxes: plates and linen dish towels commemorating the British Royals; Hummel figurines (and some fakes); newspaper clippings. There were also letters, photos, notes and journals. Birthday cards. Those personal items we save, private and special only to us. Our “stuff.” My aunt had never intended for anyone else to see it or have to deal with it.
My mother didn’t think it was appropriate to throw any of it away, not while my aunt was still alive. “She asked that some of the Princess Diana things be sent to you,” Mom confessed. “But,” she whispered, “I don’t think you’d want it.” She’s right, I don’t, but the larger question is: Who does?
The idea of döstädning (and the fact that my aunt clearly didn’t get around to it) made me think about all the stuff I’ve collected over the years. When I moved from New York to Los Angeles more than 20 years ago, I couldn’t afford to ship most of my books, so I sent only the most precious, signed editions I had. I also sent the journals I’d written in for years, stuffed with the small details of my life in New York City. What I wore on a first date. A promotion. An unrequited crush. I was moving to Los Angeles for love, but I couldn’t part with these chronicles of all my previous relationships.
Now those journals live in the garage of my family’s Los Feliz house. I know exactly which plastic bin they’re in, even though I haven’t read them since I left New York. If I were to die tomorrow, how would I feel about someone else reading them — my parents, my son, my husband? And if I don’t want anyone reading them after I’m gone, why have I kept them?
This led me to ask my friends and family: Is there anything that you would want automatically destroyed after your death, before your loved ones found it? Most of the answers revolved around sex: naked photos, sex toys, pornography, dirty notes and sexts. Other answers were more comical: A pot stash they didn’t want kids to find; specifically, weed butter in the freezer. The secret family in New Jersey (I think he was joking).
Some people revealed that they had pacts with a friend or relative to destroy certain items after their death. I loved the idea of a trusted friend tossing all my buried secrets, until I remembered what happened to Franz Kafka. His friend and literary executor, Max Brod, had been entrusted to burn all of Kafka’s letters and manuscripts after his death — a wish Kafka put in writing, even though Brod told him he wouldn’t do it. Indeed, Brod published the material, and we would not have “The Trial,” “The Castle” or other great works had he followed Kafka’s instructions.
Did Brod have the right to overrule his friend? Perhaps it’s better to ask if Kafka had the right to ask that the manuscripts be destroyed. As an artist, do you owe the world your work, even after death?
My friend Cecil, a novelist, says: “As artists, it’s our gig to keep the embarrassing things that inspire us around. We are complex, and hopefully everyone gets that.” She says her journals would make a “boring read” — but if she asked me to destroy all her works after her death and I found some beautiful piece of writing among them, I would be torn about how to proceed.
Even though I’ve published a memoir and works of fiction that allow readers a glimpse into my life, I still have parts of myself that I don’t want anyone to see. In this age of over-sharing, talking about what I would want wiped out after my death has given me a better understanding of döstädning and its appeal. It’s less about saving our families from having to do the cleaning-up work, and more about applying some small measure of control over how we are remembered by those we loved. Perhaps it’s also a nudge to live a life worthy of remembering — sex toys and all — while we still can.
Cylin Busby is an author and screenwriter. Her latest book is “The Bookstore Cat.”
Lifestyle
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