“Code Green” has the trappings of a modern escape room.
We enter what we are told is a hidden bunker-turned-research lab. It’s dark, but there are clearly challenges that surround us: patterns in the walls, a cork board filled with notes and images connected by string and, before us on what appears to be a concrete table, a small puzzle board with many of its twisted pieces — something akin to strange, otherworldly tools — missing.
The trend today is escape rooms with a heavy narrative — see “The Ladder” from L.A.’s Hatch Escapes, a multidecade corporate mystery — and “Code Green” is cognizant of this. In the game, the year is 2085, aliens have invaded Earth and an important researcher has gone missing. We are to explore her secret scientific hideaway and find out what happened to her. Oh, and this bunker is flooded with radiation that can mutate us. We need to find a way to turn that off.
But it soon becomes apparent that “Code Green” is not a typical escape room. The walls? Cardboard, with paper bricks taped onto them. The low ceiling? It’s made of construction paper. Hanging blankets create the boundaries of the space. If you pull them apart, you’ll find yourself in a cluttered nook where a desk rests atop a bunk bed next to a wall filled with posters, including one of musician Andrew Bird.
The escape room industry has exploded over the last decade, with an estimated 2,000 facilities in the U.S., according to a 2023 industry report from Room Escape Artist, an enthusiast site that maintains a running database of every known room in the country.
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But “Code Green” is not one of them, for “Code Green” is built inside a dorm room on the UCLA campus by 21-year-old Tyler Neufeld, a theater major with a specific interest in design. It’s cozy: Four people can’t navigate the space without constantly moving around one another. Yet for the past eight months, Neufeld, a Bakersfield native, has been running the free “Code Green” escape room for fellow students and their friends while juggling 22 units, his role as a resident advisor and a part-time job as an office assistant. On a recent Sunday, he hosted three 60-minute games.
When I visit on a Wednesday evening, the bespectacled Neufeld is nervous. He stresses that “Code Green” is intended for students only, with sign-ups done via an online spreadsheet. Participants, he says, need a UCLA email address. Though he isn’t hiding the escape room — he says his resident advisor office and teachers know about it and he posts “Code Green” availability updates on his “Dorm Scapes” Instagram — it hasn’t been officially sanctioned by the school. He’s aware that press attention may bring it to a halt (a spokesperson for UCLA did not return requests for comment).
UCLA student Tyler Neufeld gives a tour of his escape room, which he built inside his dorm room. Neufeld lives alone as a resident advisor and is scheduled to graduate in June.
(Wally Skalij / Los Angeles Times)
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But after a moment, he shrugs, and says, “It’s worth it,” clearly wanting some recognition for what he has built.
“What happens if they shut us down? It’s fine. We made it this far,” adds Michaela Duarte, 26, a fellow theater major who has done some production design on the space.
While Neufeld’s escape room has helped expand his social circle, attracting attention from students like Duarte who want to work in the intersection between theater and theme parks, perhaps there’s also a bit of a thrill of running something of near professional quality out of a dorm room.
Most of “Code Green’s” brainteasers are text-based — a note in a research book may lead us to a cipher challenge, which in turn will reveal a map, which is actually a code to decipher the hidden pattern of the taped-on cardboard bricks. Remove the right one, and find another note.
Neufeld, or one of his friends, serves as a “game master,” hiding in the closet pretending to do alien research while offering hints, which can be verbal or written on the backside of a TV monitor propped up with cardboard.
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Neufeld estimates he built the room for less than $100, and it’s constructed entirely out of found or trashed objects. “I have experience from student theater, where they give you zero dollars,” he says. “I wanted to think of what I had and what was passable. I didn’t want to to go too sci-fi, like being in a spaceship. That would look bad. But I can do stone. I can do brick. That’s not hard. It’s just time-consuming.”
Spend a little time playing “Code Green” and you’ll detect additional giveaways that this is a dorm space. That concrete slab of a table we see when we first enter? That’s actually Neufeld’s fridge, filled not with clues but with items such as oat milk. (Duarte affixed painted styrofoam to the refrigerator’s body, giving it an aged metal-like sheen.) Same with the dresser, although Neufeld noticed people couldn’t help digging through his clothes, so there are in-story notes in there.
Some puzzles in “Code Green” are visible only under blacklight.
(Wally Skalij / Los Angeles Times)
“Honestly, they’re in here because I don’t have anything else to put in the drawers, and I wouldn’t want the drawers to be empty,” Neufeld says of keeping his clothes accessible to guests. “It’s the same way I’m playing with the fridge. It’s very campy. … We all know this is a dorm room. No need to go for 100% immersion when you can have a little bit of fun.”
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Scenic designer Andy Broomell, a lecturer at UCLA who teaches Neufeld in one of his drafting classes, heard about “Code Green.” “My first reaction was, ‘I would love to do it,’” he says, although he notes that’s not possible, citing the ethics of visiting students in their places of residence.
“I thought it was exciting, and more than anything, I love when a student will take on their own project and do something they’re passionate about,” Broomell says.
“Code Green” has evolved significantly since it began in a prior semester, and Neufeld, who graduates in June, is getting ready to move on. He’s got his second dorm escape room, for next semester, in the planning stages. He’s plotting something more lighthearted: a heist game involving squirrels.
Neufeld says the idea to build an escape room in his dorm came to him in the middle of the night, but also it was born out of that solo resident advisor life: “I got lonely,” he says.
“It was really one of those 2 a.m. ideas. I thought, ‘I have to do this.’ I can’t let this opportunity pass me by. Basically, this is a free room — yes, I’m working as a [resident advisor] to get this space — but if I were to rent a space after college, I think it would be a lot harder. That very night, it was 2 a.m., and I just started blocking it out,” Neufeld says.
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UCLA student Tyler Neufeld wonders if there’s a future in murals that double as puzzles. Here he’s standing next to his “Don’t Bring Your Zombies to Work” piece, a series of painted challenges he created in a dormitory stairwell.
(Wally Skalij / Los Angeles Times)
It’s safe to say “Code Green” has helped Neufeld find his tribe. For L Siswanto, 21, an education major who assists Neufeld in running games, the room was an opportunity to explore a passion.
“I’m very interested in escape rooms,” Siswanto says. “I’ve only gone to a few IRL because they’re so expensive, but I had a phase where I obsessed with playing every escape room I could on [Apple’s] App Store. So when I saw there was a free escape room and they were looking for members to help out, I was like, ‘Wow. I love this type of stuff.’”
A total of 10 students are now contributing, either by spiffing up the production or maintaining the Instagram account. Duarte joined the project partly inspired by Neufeld’s conviction, impressed that he never talked himself out of something potentially illicit or left-of-center.
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“When Tyler had the idea of building an escape room in his dorm, [I thought,] that’s crazy,” Duarte says. “But it’s really cool and exciting and inspiring. I want to surround myself with people who are interested in the same things that I am, and have the tenacity and confidence to just do it.”
“Code Green” helped UCLA student Tyler Neufeld, center, find his tribe. He now has about 10 people helping out on the escape room, including Michaela Duarte, left, and L Siswanto.
(Wally Skalij / Los Angeles Times)
There are times Neufeld admits he wishes he had his full dorm room back, such as when he has to crawl under hanging cardboard to reach his bed, but his entrepreneurial brain is also firing. He wonders if there’s a career possibility in creating puzzle murals, perhaps for bars or coffee shops. (He has one of those too, painted in a stairwell of a nearby dormitory and titled “Don’t Bring Your Zombies to Work.” It’s self-guided, meaning no need for a game master, and is a separate entity from “Code Green.”)
What’s more, building the escape room has ignited a passion for crafting environments, and he hopes for a career in the theme park industry. It’s also expanded his definition of theater.
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“It’s basically a one-hour, one-act play,” Neufeld says. “But the set is all around you and the audience are your actors. It’s an extension of theater.”
Neufeld is in the process of fine-tuning a Zoom-based edition of “Code Green,” hoping the video conferencing service could help expose it to nonstudents. But despite the on-campus interest it’s garnered, living in a dorm as a resident advisor is keeping him humble. Neufeld laughs when asked what his neighbors think, revealing he tried to recruit his housing peers to come play via a post on a social media app. “I put it in the floor GroupMe, and it got zero likes,” he says.
Escaping the realities of modern life, it turns out, isn’t as easy as building your own escape.
The French government confirmed this week that it has granted citizenship to George and Amal Clooney — pictured on a London red carpet in October — and their 7-year-old twins.
Henry Nicholls/AFP via Getty Images
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Henry Nicholls/AFP via Getty Images
One of Hollywood’s most recognizable stars is now officially a French citizen.
A French government bulletin published last weekend confirms that the country has granted citizenship to George Clooney, along with his wife, human rights lawyer Amal Clooney, and their 7-year-old twins.
The Clooneys — who hail from Lexington, Ky. and Beirut, Lebanon, respectively — bought an 18th-century estate in Provence, France in 2021. In an Esquire interview this October, the Oscar-winning actor and filmmaker described the French “farm” as their primary residence, a decision he said was made with their kids in mind.
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“I was worried about raising our kids in LA, in the culture of Hollywood,” Clooney said. “I felt like they were never going to get a fair shake at life. France — they kind of don’t give a s*** about fame. I don’t want them to be walking around worried about paparazzi. I don’t want them being compared to somebody else’s famous kids.”
In another interview on his recent Jay Kelly press tour, Clooney mentioned that his wife and kids speak perfect French, joking that they use it to insult him to his face while he still struggles to learn the language.
This week, after a French official raised questions of fairness, France’s Foreign Ministry explained that the Clooneys were eligible under a law that permits citizenship for foreign nationals who contribute to the country’s international influence and cultural outreach, The Associated Press reports.
The French government specifically cited the actor’s clout as a global movie star and the lawyer’s work with academic institutions and international organizations in France.
“They maintain strong personal, professional and family ties with our country,” the ministry added, per the AP. “Like many French citizens, we are delighted to welcome Georges and Amal Clooney into the national community.”
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They aren’t the only ones celebrating. President Trump, who has a history of trading barbs with Clooney, welcomed the news by taking another dig at the actor.
In a New Year’s Eve Truth Social post, Trump called the couple “two of the worst political prognosticators of all time” and slammed Clooney for throwing his support behind then-Vice President Kamala Harris during the 2024 election.
“Clooney got more publicity for politics than he did for his very few, and totally mediocre, movies,” wrote Trump, who himself has made cameos in several films over the years. “He wasn’t a movie star at all, he was just an average guy who complained, constantly, about common sense in politics. MAKE AMERICA GREAT AGAIN!”
Clooney responded the next day via a statement shared with outlets including Deadline and Variety.
“I totally agree with the current president,” Clooney said, before referencing the midterm elections later this year. “We have to make America great again. We’ll start in November.”
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Clooney and Trump — once friendly — have long criticized each other
Clooney, a longtime activist and Democratic Party donor, has remained active in U.S. politics despite his overseas move.
In July 2024, he rocked the political establishment by publishing a New York Times op-ed urging then-President Joe Biden — for whom he had prominently fundraised just weeks prior — to drop his reelection bid to make way for another Democrat with better chances of taking the White House. A growing chorus of calls led to Biden’s withdrawal from the race by the end of that month.
In a December interview with NPR’s Fresh Air, Clooney said his decision to speak out on that and other issues generally comes down to “when I feel like no one else is gonna do it.”
“You’ll lose all of your clout if you fight every fight,” he added. “You have to pick the ones that you know well, that you’re well informed on, and that you have some say and you hope that that has at least some effect.”
Clooney has been a vocal critic of Trump throughout both of his terms, most recently on the topic of press freedoms during the actor’s Broadway portrayal of the late journalist Edward R. Murrow last spring.
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And Trump has been similarly outspoken in his dislike of Clooney, including in an insult-laden Truth Social post — calling him a “fake movie actor” — after the publication of his New York Times op-ed.
In December, just days before this latest dust-up, Clooney shared in a Variety interview that he and Trump had been on good terms during the president’s reality television days. He said Trump used to call him often and once tried to help him get into a hospital to see a back surgeon.
“He’s a big goofball. Well, he was,” Clooney added. “That all changed.”
In the same Variety interview, Clooney — the son of longtime television anchor Nick Clooney — slammed CBS and ABC for abandoning their journalistic duty by paying to settle lawsuits with the Trump administration. He expressed concern about the current media landscape, particularly the direction of CBS News under its controversial new editor in chief, Bari Weiss.
Weiss responded by inviting Clooney to visit the CBS Broadcast Center to learn more about their work, in a written statement published in the New York Post on Tuesday. It began with “Bonjour, Mr. Clooney,” in a nod to the actor’s new milestone.
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Clooney told NPR last month that he will continue to stand up for what he believes in, even if it means people who disagree with him decide not to see his movies.
“I don’t give up my right to freedom of speech because I have a Screen Actors Guild card,” he added. “The minute that I’m asked to just straight-up lie, then I’ve lost.”
LOUISVILLE, Ky. (WDRB) — Kentucky health officials are warning the public of possible measles exposures in northern Kentucky earlier this week.
A post on the Kentucky Department for Public Health’s Facebook page said it “identified potential measles exposures in Grant County.” According to the post, the exposure was traced to “an unvaccinated, out-of-state traveler” who stayed at the Holiday Inn & Suites in Dry Ridge from Dec. 28-30.” That person also visited the Ark Encounter on Dec. 29.
Measles, a highly contagious respiratory virus, can cause serious health problems, especially in young children, according to the CDC’s website. The virus spreads through the air after someone infected coughs or sneezes. It can then linger for up to two hours after the infected person leaves.
The virus can also be spread if someone touches surfaces that an infected person has touched. Symptoms include a cough, runny nose and red eyes, followed by white spots that appear on the face and down the body. Two doses of the MMR (measles, mumps and rubella) vaccine is the best protection against measles, according to health officials.
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Contact your healthcare provider if you think you or someone in your family may have been exposed.
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Every year around this time I present a “new names in the news” quiz. I’m going to give you some names that you’d probably never heard before 2025 but that were prominent in the news during the past 12 months. You tell me who or what they are.
1. Zohran Mamdani
2. Karoline Leavitt
3. Mark Carney
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4. Robert Francis Prevost (hint: Chicago)
5. Jeffrey Goldberg (hint: The Atlantic)
6. Sanae Takaichi
7. Nameless raccoon, Hanover County, Virginia
Last week’s challenge
Last week’s challenge came from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?
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Challenge answer
Ague –> Plagued / Plagues / Leagues
Winner
Calvin Siemer of Henderson, Nev.
This week’s challenge
This week’s challenge is a numerical one from Ed Pegg Jr., who runs the website mathpuzzle.com. Take the nine digits — 1, 2, 3, 4, 5, 6, 7, 8, 9. You can group some of them and add arithmetic operations to get 2011 like this: 1 + 23 ÷ 4 x 5 x 67 – 8 + 9. If you do these operations in order from left to right, you get 2011. Well, 2011 was 15 years ago. Can you group some of the digits and add arithmetic symbols in a different way to make 2026? The digits from 1 to 9 need to stay in that order. I know of two different solutions, but you need to find only one of them.
If you know the answer to the challenge, submit it below by Thursday, January 8 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
