Culture
Italy retains Davis Cup after Jannik Sinner and Matteo Berrettini down the Netherlands
Italy has retained the Davis Cup with a 2-0 victory over the Netherlands in Malaga, Spain.
Matteo Berrettini laid the foundations with a 6-4, 6-2 victory over Botic Van de Zandschulp, before Jannik Sinner defeated Tallon Griekspoor 7-6(2), 6-2.
“We are very happy to be back here holding this trophy. It feels like being in Italy,” Sinner told the BBC on court during the celebrations.
With world No. 1 Sinner widely expected to beat Griekspoor, it had been down to van de Zandschulp — who beat Rafael Nadal in the last match of the 22-time Grand Slam champion’s career Tuesday — to win the first rubber in the hope of setting up a deciding doubles tie.
Instead, Berrettini used his prodigious serve and forehand to brush aside the Dutchman, reminding the world that he is a former world No. 6 and Wimbledon finalist after a torrid couple of years with injuries and illness. He has a 6-0 record at this year’s Davis Cup, with five singles victories and one in doubles, teaming up with Sinner to win the quarterfinal decider against Argentina earlier this week.
“My level never really left, it was more when you are struggling physically and mentally, it’s not easy to play your best tennis,” the current world No. 35 said on court after his victory.
Matteo Berrettini’s hammered forehand won him several key points against Botic Van de Zandschulp. (Matt McNulty / Getty Images for ITF)
Sinner went into his match against world No. 40 Griekspoor with a 5-0 head-to-head advantage, despite losing the first set in their two previous meetings. Griekspoor put Sinner under heavy pressure early on, seizing on a few second serves, but the Italian’s brilliant defense helped him escape.
After trading eleven service games, Griekspoor kissed what should have been an easy putaway slice off the top of the net to go 30-30 when it should have been 40-15. Instead of folding, a brave serve-and-volley move and an ace took him to a tiebreak, just as he had managed against Carlos Alcaraz earlier in the week.
Also as against Alcaraz, Griekspoor faded in that tiebreak with two poor backhand errors and the match faded with him.
Despite a burst of energy at 1-2 down, during which Griekspoor hit two stunning passing shots and a ridiculous pick-up volley to break Sinner’s serve and move 30-0 up in the following game, Sinner eased through the second set. He became the second men’s player in the Open Era to record zero straight-sets defeats in a season since Roger Federer in 2005 by beating the Dutchman in two sets.
Italy is the first country to retain the Davis Cup since 2013, when the Czech Republic won it for the second year in a row. It now holds both international team tennis trophies, after a Jasmine Paolini-inspired team beat Slovakia 2-0 to win the Billie Jean King Cup Wednesday night. Italy has also secured a five-year deal to hold the ATP Tour Finals until 2030, with Turin to host in 2025; the city is in contention for 2026-30 but is expected to face competition from Milan.
“If it were not important I would not be here,” Sinner said of the international competitions.
GO DEEPER
Billie Jean King never got comfortable
The ATP Tour now joins the WTA Tour in the tennis off-season until the end of December.
The ATP Next Gen Finals, for the best eight players in the world under 21, begins December 18 in Jeddah, Saudi Arabia; the first ATP Tour event of 2025 is the 250-level Brisbane International, which begins 29 December in Australia. The WTA Tour event, which is 500-level, begins the same day.
(Top photo: Jorge Guerrero / AFP via Getty Images)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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