Culture
Former Marlins GM Kim Ng spearheads new pro softball league: ‘MLB for softball’
For the first time since its founding in 2020, Athletes Unlimited (AU) is organizing a traditional team-based league meant to be “Major League Baseball for softball,” in the words of former Miami Marlins general manager Kim Ng, the senior advisor of the inaugural Athletes Unlimited Softball League (AUSL).
AU has annually hosted weeks-long competitions for pro women’s sports, including softball, basketball, volleyball and lacrosse, with no coaches or GMs involved. A player, as opposed to a team, would win the so-called championship for a given season based on an unorthodox points system, with all games held at one location. Softball is the first sport for which AU is implementing a team format.
The AUSL, scheduled to start in June 2025, is set to facilitate a 30-game slate for each of its four teams. The sites of said games will vary across to-be-determined touring locations, meant to help inform the league’s leadership on which cities might be most receptive to supporting a professional softball team in the long term. Starting in 2026, the AUSL plans to station up to six teams in different cities.
At least 30 AUSL games will be exclusively broadcasted on ESPN, ESPN2 or ESPNU.
Softball icon Jennie Finch, an Olympic gold medalist, is one of four supporting advisors to Ng, whose tenure as Marlins GM from 2020 to 2023 made her the first female GM in North America’s big four sports leagues (MLB, NFL, NBA, NHL). Ng believes the establishment of a premier softball league has been long overdue. But perhaps there is no better time than now, given the momentum stirred in recent years by sports such as women’s college basketball and the WNBA.
GET HYPE Y’ALL 🗣️
we are thrilled to introduce the first group of players to join the #AUSL ✍️
👉 https://t.co/F5bUlvhV0D pic.twitter.com/UQIdaBtJWn
— AUSL (@theAUSLofficial) November 22, 2024
“There are people every day saying, ‘On Saturday night, I was watching the WNBA game with my 10-year-old son.’ … Stuff we didn’t think would happen for quite some time has all of a sudden just become so much more mainstream,” Ng said.
Ng hopes AUSL will serve as a training ground for the best softball players in the world ahead of the sport’s return at the 2028 Summer Olympics.
The group of coaches and GMs selected for the first season are prominent softball figures. Stacey Nuveman-Deniz, a two-time Olympic gold medalist, is one of the four coaches. The GMs include Lisa Fernandez, a three-time Olympic gold medalist, and Cat Osterman, a four-time National Pro Fastpitch champion, among others. And among the first nine players signed are Olympic silver medalists Carley Hoover and Dejah Mulipola.
The four teams will construct their rosters via the AUSL Allocation Draft in early 2025 and a college draft in the spring, a significant shift from how AU’s leagues have previously functioned.
Players with the most points on an individual leaderboard would be deemed captains and given the power to pick their teams on a weekly basis, with an individual being crowned as champion at the end of the season. This setup will not go away entirely. After a best-of-three championship series decides the AUSL champion, the AUSL All-Star Cup, formerly known as the AU Pro Softball Championship season, will take place over four weeks to determine an individual champion. Such a format was born of a player-centric mission sported by AU, which has no owners or investors and instead enables players to serve as direct shareholders.
Ng said she probably should’ve taken more time off after stepping down from her GM role with the Marlins in October 2023. The AUSL, and what it might enable for the future of softball and other professional women’s sports, was just too important for her to pass up.
“Being a woman who has fought for other women in sports, and now to have the opportunity to be someone on the inside fighting for women’s sports, that’s really cool,” said Ng, who joined AU this past summer to lead the AUSL.
(Photo of Kim Ng from 2022: Megan Briggs / Getty Images)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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