Lifestyle
How do you solve a crime at a retirement home? Get 'A Man on the Inside'
Ted Danson stars as a widowed retiree who goes undercover to solve a crime in a retirement community in A Man on the Inside.
Colleen E. Hayes/Netflix
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Colleen E. Hayes/Netflix
While researching for his new Netflix comedy series, A Man on the Inside, TV producer Michael Schur visited a string of retirement communities throughout California. He expected them to be sad places, but what he found surprised him.
These were “flourishing communities of people who were very happy to be with each other and to be part of a community,” Schur says. “They were places of happiness and joy, largely.”
A Man on the Inside centers on a widowed retiree, played by Ted Danson, who goes undercover to solve a crime in a retirement community. The series was inspired by the 2020 Chilean documentary called The Mole Agent.
“What was remarkable to me about the documentary, among other things, is that everyone I know who saw it had the same exact feeling, which was ‘I should call my mom,’ or ‘I need to call my grandpa,’ or ‘I should hang out with my kids more,’” Schur says. “And it’s a rare piece of art, I think, that can cause everyone to have such a warm and positive feeling. So my longtime producing partner Morgan Sackett said, ‘We should remake that and have Ted [Danson] play the main part,’ and as soon as he said it, I just knew he was right and that there was a very good, slightly fictionalized show that could hopefully give people that same feeling.”
Schur’s previous TV credits include writing for The Office, co-creating and writing for Parks and Recreation and Brooklyn Nine-Nine in addition to creating and writing for The Good Place. With all those hits, it’s clear that Schur could retire himself, but he says he enjoys what he does too much to stop.
“Why wouldn’t I work? It’s sitting in a room with a dozen really funny people writing stories and making jokes,” he says. “I can’t believe I get to do this. It’s a miracle. It’s incredible. And I do it because I love it.”
Interview highlights
On how comedy helped him be less of a rule-follower
I have a very specific memory of being in kindergarten and being on the playground … and the teacher came out and went like, “OK, everybody line up.” And I immediately walked over and stood right in front of her. And the other kids were like still milling around and goofing around and laughing and playing with foursquare balls and stuff. And I remember thinking, like, What are they doing? This is insane. Like the teacher just said, line up and they’re not lining up. …
My first job was at Saturday Night Live. Saturday Night Live is a big, messy swirl of craziness. Like it’s a big rambling, 90-minute-long live variety show where part of the fun is that people are making mistakes and coloring outside the lines. … That was actually really good for me to be in a place at the beginning of my career where it was like, this is not rigid. This world is not about following rules so much.
On getting the idea for The Good Place, which explores moral philosophy
I used to play this game as I drove around in traffic in L.A. where someone would cut me off on the freeway or we would be in traffic and someone would pull onto the shoulder and speed past me and cut the line, and as a way of trying to stem off what you would call road rage, I would play a game in my head where I would say, “That guy just lost 10 points.” I was imagining a scenario in which there was some kind of omniscient observer of human behavior. And I satisfied my own anger or displeasure with other people by imagining that that cost them in some cosmic way.

And so after Parks and Recreation ended and Brooklyn Nine-Nine was up and running … NBC very kindly said, you can sort of do whatever you want and we’ll give you at least one season on the air. So I had been thinking about that game I played in my head, about other people and about myself and judging my own behavior and doing things that I knew were maybe slightly iffy and how many points I lost or how many points I gained when I did certain things. And so that became the idea that I just liked the most of the ideas that I had. And I just pursued that and thought, alright, it’s going to be weird. I’m going to do a half-hour comedy show about moral philosophy. But I don’t know, maybe it’ll work. I just sort of rolled the dice and I’m glad I did because the experience of working on it was wonderful.
On developing the concept for Parks and Recreation

I grew up in a pretty sleepy suburban town in the Northeast. And like, the government was great. I loved the government. Like the government was what filled the swimming pool and the public park that I swam in and organized the Little League. And, you know, my public school was great and my teachers were great. And I grew up kind of not understanding this weird demonization of the government. … I’m older now, and I understand that the government has a lot of problems, but I just never understood why it was like this demonized force in America. And so I kind of thought like … in the same way that [The Office‘s] Dunder Mifflin was a fictional private sector company, we could essentially create an entirely fictional town and talk about it through the world of the public sector and just show what I have always believed, which is like the government is just a bunch of people in an office who try to do stuff to that will make the town better.
On Parks and Recreation reflecting the Obama years
I think that that show is very much of a time and place. There are people who use revisionist history to claim that it was always hopelessly naïve or something. But that is what the mood of the country at the time we were making that show … It wasn’t wide-eyed optimism, it was careful optimism. Like Leslie Knope was extremely optimistic about the possibility of making people’s lives better. But she was also constantly confronted with the impossibility of that because people are grouchy. They didn’t want her to do whatever she was doing. They were throwing obstacles in her way. … We weren’t pretending that everything was rosy and great. What we were trying to say was, it’s a better way to go through life, to be hopeful and optimistic than it is to be pessimistic.
YouTube
On making fun of NPR on Parks and Recreation
There were a number of times that Leslie went on the local NPR station over the years, and it was just our chance to, like, make the little jokes about the reality of listening to NPR. … But it was always fun to do NPR jokes. It was always a favorite exercise. We had to kind of stop ourselves from having her go on too much, because if we could have done it in every episode and had plenty to make fun of — lovingly.
On how the shift from network to streaming has changed TV writing
The biggest change, obviously, is just the shift to the streaming model. You know, The Office, we did 28 episodes one year, I think, or maybe 30. The typical season was 22 episodes or 24 episodes. And now a season of TV is eight half hours usually, or maybe 10. And that just completely changes the way you tell stories, right? The advantage TV always had over movies was you could, in success, watch a set of characters live and change and grow over many, many, many years.
Like, people still watch Friends because … you’re watching people go from their mid-20s to their mid-30s and they have relationships and those relationships get tangled and complicated and end. … During COVID people revisited old shows that had 200 episodes like Friends and Cheers and whatever. And you could sit during COVID and watch an episode every night for five or six months. And that was incredibly valuable and I think brought people a lot of comfort. And that’s what we’re losing. And that’s what I mourn the most about the new system is we’re just sort of losing what, to my mind, was the inherent advantage that TV storytelling had over movies or anything else.
Lauren Krenzel and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
Shy on the dance floor? Virtual reality ‘partners’ aim to help you find your groove
Entrepreneur David Huang tests out a VR headset while conducting demonstrations of the social dance lesson app Dance Guru at the Augmented World Expo in Long Beach, Calif., June 17, 2026.
Chloe Veltman/NPR
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Chloe Veltman/NPR
Wedding season is in full swing, bringing with it a familiar sense of dread for anyone who fears the dance floor.
But relief may finally be at hand with the help of a new app, Dance Guru, and a virtual reality (VR) headset.
The social dance instruction app transports users to a spacious, digital dance studio. Waiting inside is a computer-generated coach: a handsome, male avatar wearing a shirt open to his navel. He speaks with a slightly gravelly English accent.
“Watch me now,” he instructs at the start of a waltz lesson — which NPR tried out at the Augmented World Expo in Long Beach, Calif., an annual conference showcasing the latest developments in virtual and augmented reality.
The avatar then demonstrates a basic box step.

From there, the lesson becomes interactive. The coach tells the user to hold his hand while an electric pinging sound tracks the student’s foot placement.
“One, two, three, four, five, six,” the virtual teacher counts down.
When the user stumbles, he remains remarkably patient. “Do not worry, foundations take time. Let’s try that again. Work on grounding your steps more intentionally.”
Solving the beginner’s dilemma
Dance Guru creator David Huang said he came up with the idea for the app a couple of years ago out of frustration.
“I always wanted to learn to dance and I was always terrible at it,” Huang said. “And I always ended up stopping midway through the lessons.”
He soon realized that many beginners hit the exact same roadblocks.
“Private lessons are too expensive, and you feel like you’re always forgetting the dance steps,” Huang said. “You cannot find a partner to dance with. So I figured maybe I can create something like this.”
The Dance Guru platform currently offers tutorials in salsa, bachata, waltz, and cha-cha, in both lead and follow modes. To make the digital instruction feel authentic, Huang used motion-capture technology to record the movements of real-life dance teachers — with their permission.
Building on the legacy of online tutorials and video games
Dance Guru belongs to a small but growing wave of apps using VR to demystify social dance. At a nearby booth, conference attendee Victor Chen is testing out a competing app called Trip the Light. It currently offers salsa lessons, as well as freestyle options, where a user can dance with a partner without having to learn specific steps.
Trip the Light’s booth at the Augmented World Expo included posters of the app’s virtual instructors. Real-life performers, who gave Trip the Light permission to motion capture their movements, were used as a basis for these avatars.
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Chloe Veltman/NPR
“A lot of times when you’re trying to learn a choreography, it’s watching a YouTube video and you have to pause it, rewind, and play it,” Chen said. “If you were to have a virtual avatar dancing in front of you and correcting for any parts that you missed, it might be a lot easier.”
Interactive video games like Dance Dance Revolution and Just Dance, and YouTube tutorials have been helping people improve their skills in private for years. But those games are mostly aimed at solo players. Unlike the new generation of immersive VR apps, they cannot simulate the mechanics or confidence required for partner dancing on a live dance floor.
The reality check
But this kind of app won’t work for every dancer.
“Everyone learns a little bit differently. And so unless you have a game that has lots of different ways of teaching, you’re going to have things that work for some people and don’t work for others,” said Ariana Katana, a trained contemporary dancer and dance content creator who’s active on YouTube, Twitch and other platforms. “Also, it’s hard to dance with a headset on.”
And then there’s the issue of not being able to physically feel a virtual partner’s hand or shoulder while dancing with them. Patrick Ascolese, the creator of Trip the Light, said the experience could become more tactile in the future. “Haptic suits and wearables will be coming, but I think we’re a little away from that,” he said.
Ascolese said even with their limitations, immersive tools like Trip the Light have immense potential as judgment-free training grounds — giving reluctant dancers the baseline confidence they need to eventually step onto the dance floor with real partners in the real world, including at weddings.
“Just like anything else, practice makes perfect,” said Ascolese. “So the more time you spend in VR with a virtual partner, it works towards helping you get over that social hurdle. We are teaching you the moves that you have to do in order to go out and have fun.”
Jennifer Vanasco edited the broadcast and digital versions of this story. Chloee Weiner mixed the audio.




Lifestyle
How to have the best Sunday in L.A., according to Deidre Hall
For half a century, Deidre Hall has taken on every kind of disaster in the drama-packed town of Salem, Ill., as a star of “Days of Our Lives.”
There was the time — actually, it happened twice — when her character, Dr. Marlena Evans, was famously possessed by the devil and even levitated.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Or the time a serial killer, who was actually Marlena under hypnosis, seemed to kill several beloved characters. The long-running show’s storylines have become legendary, and in March, while promoting “Hail Mary,” actor Ryan Gosling even gave Hall a shout-out, admitting he was a fan, praising the hard work of soap opera actors and calling her an “OG acting inspiration.”
But Hall’s real life in Santa Monica is much quieter than her character’s, and she likes it that way.
“When I bought my house in Santa Monica, I didn’t realize how great it would be to live near Montana Avenue,” says Hall, 78, about the popular shopping spot. Every day, she walks to the main street with her golden retriever, Riley, and enjoys Pilates, art and good food along the way. “The owners of the Farms Market even keep dog biscuits, so guess where the dog wants to go every time we walk — the Farms, of course,” she says, laughing.
When she isn’t filming the daily soap opera, which airs on Peacock, Hall enjoys raising monarch butterflies, exploring the shops and restaurants on Montana, and hosting movie nights at home with her two sons.
Here’s what a perfect day in L.A. looks like for her.
This interview has been lightly edited and condensed for length and clarity.
7 a.m.: Breakfast and dog walk
I usually kick off my day with a protein shake, feed our golden retriever and take her out for a walk. She’s a phenomenal girl. When we adopted her, her name was Riley, but I did think about naming her after Mrs. Hughes from “Downton Abbey.”
10 a.m.: Church and garden time
After I walk the dog and go to church, I like to spend some time in my yard. I’m not a natural gardener, but I really enjoy it. I started raising monarch butterflies because my identical twin sister, who played my twin on the show, planted a butterfly garden. Monarchs are amazing because they are transitional. Every year, they travel from Mexico to southern New England, but it’s getting harder for them. Their numbers have dropped by about 80%. To help, I plant milkweed, which is what they need to survive. I buy my milkweed from the Staghorn Garden on Wilshire Boulevard in Santa Monica. Julie, who owns the nursery, is delightful and has a wide variety of milkweed. The monarchs always seem to find my garden. Julie was raising some caterpillars too, and she cared a lot about them. We talked about how important it is to help the butterflies. That’s why I do this. Sometimes I get milkweed with eggs already on it, and Julie knows her butterflies are going to a good home.
1 p.m.: Walk to Montana Avenue for some lunch
I live near Montana and love taking long walks, going to Pilates and trying out the great restaurants nearby, like R+D Kitchen and La La Land. I’m a big fan of the waffles at the Courtyard Kitchen. Just a few days ago, I had a chicken salad on raisin bread with an Arnold Palmer, and it was delicious. It is right on Montana and has a nice outdoor seating area. It’s one of my favorite spots. La La Land always has a long line in the morning, which is perfect if you want coffee. They serve coffee, doughnuts, croissants and avocado toast. There’s plenty of outdoor seating, and you can even bring your dog.
2 p.m.: Peek inside a clock shop
There’s a small clock shop on Montana Avenue that’s closed on Sundays, but if you walk by, you’ll see all kinds of clocks — standing, table and wall clocks. The owner is great at fixing them. Once, I bought a wall clock from MacKenzie-Childs, but it didn’t work. And I was really upset because it matched everything else on my countertop. I brought it to the owner and said, “I love this, but I can’t make it work.” He fixed it right away. His name is John, but I call him Geppetto. And we all know why. He really does have a magic touch.
2:30 p.m.: Visit a neighborhood art gallery
Ten Women Gallery is run by 10 artists, all of whom show their work there. I was drawn to some watercolors there, bought a few cards and spoke with one of the artists. She told me, “You seem to love watercolors,” and mentioned that the artist who painted them, Pamela Harnois, lives in Los Angeles and teaches nearby. I got Pamela’s name and found out she taught at the Brentwood Art School. I was so inspired by her gift that I started taking private lessons with her on Saturdays. That gallery is where I discovered my love for watercolor painting.
3 p.m.: Grab some ice cream at Rori’s
The other day, my longtime girlfriend wanted to get ice cream and told me, “We are walking to Rori’s Artisanal Creamery.” It’s a small shop on Montana near Lincoln. They make everything themselves, using local ingredients from grass-fed cows with no added hormones. The place is family-owned and probably has the healthiest ice cream you’ll find. They switch up their flavors often, but my favorite is the salted caramel.
6 p.m.: Family dinner and movie night at home
R+D Kitchen is always packed, so my sons, who are 31 and 33, do the cooking. They come over, and together we make salads and cook dinner. There’s a neighborhood grocery store called the Farms, off Montana, a small family-run place that has everything we need. Everyone knows each other there, and people bring their dogs. We try to have movie night every Sunday. Sometimes the day changes, but we always make sure to have one night a week where we cook a meal and sit down as a family. Keeping that tradition has become really important to us. My sons are great cooks, which is funny because they definitely didn’t get that from me. [Laughs]
9 p.m.: Take Riley for one last walk and visit neighbors
After dinner, I take my dog for a walk. It’s a great way to meet neighbors. We always go around the same block. We’ve met so many people, and since she’s a golden retriever, she loves meeting everyone.
10 p.m.: News, knitting and bedtime
I am a news junkie, so I usually watch whatever is on the news before I go to bed. I have a long-standing passion for knitting. Lately, though, the news would make me drop a stitch.
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