Lifestyle
How 3 Hawaiian teen princes brought surfing to the mainland
In 1885, royal Hawaiian siblings David Kawānanakoa, Jonah Kūhiō Kalanianaʻole and Edward Keliʻiahonui introduced surfing — then called “surfboard swimming” — to mainland U.S. when they took to the waves in Santa Cruz, Calif.
Santa Cruz Museum of Art & History
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Santa Cruz Museum of Art & History
The mouth of the San Lorenzo river in Santa Cruz, Calif., isn’t a great place to surf. Rocks, pollution and swift currents make it precarious almost year-round. But before the construction of a harbor in the mid-1960s altered the surroundings, the spot was a surfer’s paradise, with easy, consistent swells. “They looked very much like the breakers in Honolulu,” said cultural historian and longtime surfer Geoffrey Dunn.
Dunn said this reminder of home is what inspired three teenage members of the Hawaiian royal family, in 1885, to unleash a sport then known as “surfboard swimming” on an unsuspecting American public. “It was a royal sport,” Dunn said. “They were part of that tradition in Honolulu.”
A popular sport with little-known roots
Surfing has grown in popularity in this country in recent years. The Sports & Fitness Industry Association’s (SFIA) 2025 surfing report shows an 8% average annual growth from 2019 to 2024. “Participation in the sport continues to climb, fueled by youthful energy, broader diversity and a growing appetite for outdoor, wellness-driven lifestyles,” said an online statement from the Surf Industry Members Association, quoting the SFIA’s research.
But few Americans know how the sport first came to these shores 140 years ago. A new exhibition at the Santa Cruz Museum of Art and History aims to change that. “ I think it’s important for us to recognize that the seed of surfing in the Americas was the result of these Hawaiians who brought it here,” Dunn said.
A view of the Santa Cruz shoreline c. 1900.
Aydelotte/The Geoffrey Dunn Collection
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Aydelotte/The Geoffrey Dunn Collection
Dunn said Hawaii’s royal family sent siblings David Kawānanakoa, Jonah Kūhiō Kalanianaʻole and Edward Keliʻiahonui to study abroad at St. Matthew’s Military School, an elite school in San Mateo County, not far from Santa Cruz, with the aim of preparing them to be worldly and well-informed modern rulers. “As part of the globalization of trade in the 19th century, people came from all over the world to Hawaii,” Dunn said.
From Hawaiian to Californian wood
The brothers had grown up riding the waves atop giant surfboards made out of native Hawaiian woods such as ulu and koa. In California, they fashioned them out of the local redwood. Dunn pointed out gleaming replicas of these artifacts, on display in the exhibition, alongside surfboards illustrating the evolution of the spot throughout history. (The reproductions are based on originals from the estate of one of the princes, which are now housed at the Bishop Museum on Oahu.)
Cultural historian and surfer Geoffrey Dunn poses at the Santa Cruz Museum of Art & History in front of modern reproductions of the redwood boards the Hawaiian princes built and used during the stay in the 1880s.
Jim Ratcliffe
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Jim Ratcliffe
“ They probably weigh eight times more than current surfboards at least,” Dunn said, adding the princes’ boards were twice as long and didn’t have fins to help with stabilization. “So much tougher to surf. But of course, that’s what they had been using in Hawaii.”
A big splash
In California, the royal brothers made a big splash. An article from the July 20, 1885 edition of a local newspaper, the Santa Cruz Surf, told all about it. “The young Hawaiian princes were in the water, enjoying it hugely and giving interesting exhibitions of surfboard swimming as practiced in their native islands,” the article said.

These aquatic feats left a lasting impression on the citizens of Santa Cruz following the princes’ departure, which likely happened in 1887, according to the Santa Cruz Museum of Art and History. Eleven years after they first demonstrated their art, the Santa Cruz Surf noted how it had been picked up by locals. “The boys who go swimming in the surf at Seabright Beach use surfboards to ride the breakers, like the Hawaiians,” a July 23, 1896 notice in the publication stated. (Seabright Beach is a popular beach in Santa Cruz.)
Hawaiian response
The princes’ acts of “surf diplomacy” also resonated with Hawaiians.
“The story about the three princes is a famous story in our culture,” said Brian Keaulana. Keaulana comes from a line of legendary Hawaiian surfers, and is also a producer on Chief of War, the Apple TV+ new drama series about the battle to unite the Hawaiian islands in the 18th century. (The series, which stars Jason Momoa, includes royal Hawaiian characters, but it doesn’t include surfing — though one episode features an epic underwater “shark surfing” scene.)
The Princes of Surf exhibition includes surfboards from more modern times — the heirs of the boards created by the Hawaiian princes.
Jim Ratcliffe
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Jim Ratcliffe
Keaulana said it wasn’t until the early 20th century the sport truly caught on in the U.S. and beyond, popularized in large part by the Hawaiian swimming champ and surfer Duke Kahanamoku. “Duke spread surfing around the world,” Keaulana said.
He added the Hawaiian princes’ visit to California in the 1880s was an important precursor — one that not only benefitted people on the U.S. mainland, but Hawaiians, too.
“They came back with redwood boards,” Keaulana said, adding that the new technology eventually caught on in Hawaii when redwood became the dominant surfboard material on the islands in the first half of the 20th century. Keaulana added: “ It’s funny how those things get passed on.”

Lifestyle
The 11 most challenged books of 2025, according to the American Library Association
The American Library Association’s list of the most frequently challenged books of 2025 includes Sold by Patricia McCormick, The Perks of Being a Wallflower by Stephen Chbosky and Maia Kobabe’s Gender Queer: A Memoir.
American Library Association
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American Library Association
The American Library Association has released its annual list of the most commonly challenged books at libraries across the United States.
According to the ALA, the 11 most frequently targeted books include several tied titles. They are:
1. Sold by Patricia McCormick
2. The Perks of Being a Wallflower by Stephen Chbosky
3. Gender Queer: A Memoir by Maia Kobabe
4. Empire of Storms by Sarah J. Maas
5. (tie) Last Night at the Telegraph Club by Malinda Lo
5. (tie) Tricks by Ellen Hopkins
7. A Court of Thorns and Roses by Sarah J. Maas
8. (tie) A Clockwork Orange by Anthony Burgess
8. (tie) Identical by Ellen Hopkins
8. (tie) Looking for Alaska by John Green
8. (tie) Storm and Fury by Jennifer L. Armentrout
Many of these individual titles also appear on a 2024-25 report issued last October by PEN America, a separate group dedicated to free expression, which looked at book challenges and bans specifically within public schools.
The ALA says that it documented 4,235 unique titles being challenged in 2025 – the second-highest year on record for library challenges. (The highest ever was in 2023, with 4,240 challenges documented – only five more than in this most recent year.)
According to the ALA, 40% of the materials challenged in 2025 were representations of LGBTQ+ people and those of people of color.

In all, the ALA documented 713 attempts across the United States in 2025 to censor library materials and services; 487 of those challenges targeted books.
According to the ALA, 92% of all book challenges to libraries came from “pressure groups,” government officials and local decision makers. While 20.8% came from pressure groups such as Moms for Liberty (as the ALA cited in an email to NPR), 70.9% of challenges originated with government officials and other “decision makers,” such as local board officials or administrators.
In a more detailed breakdown, the ALA notes that 31% of challenges came from elected government officials and and 40% from board members or administrators. In its full report, the ALA states that only 2.7% of such challenges originated with parents, and 1.4% with individual library users.
Fifty-one percent of challenges were attempted at public libraries, and 37% involved school libraries. The remaining challenges of 2025 targeted school curriculums and higher education.

The ALA defines a book “ban” as the removal of materials, including books, from a library. A “challenge,” in this organization’s definition, is an attempt to have a library resource removed, or access to it restricted.
The ALA is a non-partisan, nonprofit organization dedicated to American libraries and librarians.
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Promo image with Phil Pritchard, Alzo Slade, and Peter Sagal
Bruce Bennett, Arnold Turner, NPR/Getty Images, NPR
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Bruce Bennett, Arnold Turner, NPR/Getty Images, NPR
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