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Hollywood’s quirky leading lady, Diane Keaton, dies aged 79

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Hollywood’s quirky leading lady, Diane Keaton, dies aged 79

Actress Diane Keaton poses at the 45th AFI Life Achievement Award Tribute to Keaton at the Dolby Theatre on Thursday, June 8, 2017, in Los Angeles.

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Diane Keaton, who remained one of Hollywood’s quirkiest and most beloved actors decades after her Academy Award-winning performance in the movie Annie Hall, has died aged 79.

Her film producer confirmed her death to NPR Saturday.

When I met Keaton for an interview in 2014, she was sporting her trademark look: a bowler hat, tinted glasses and oversized clothes.

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“Clothing that actually hides the body,” she half-joked. “There’s a lot to hide in my case, so I’m the only remaining person on Earth with this particular look.”

Keaton was really something of a fashionista, inspiring generations of women with her unconventional lifestyle. Onscreen, she was known for playing endearing, unique and sometimes eccentric characters.

In one of her memoirs, Keaton wrote about aging and love in Hollywood and becoming a parent late in life. She was also upfront about some of her insecurities; she fretted about aging, her hair thinning, her eyes drooping. But Keaton told me that later in life, she had finally come to accept that all flaws are beautiful.

“I feel that wrong can be right. It can be right in a lot of ways,” she said. “So all those things that you’re disappointed with in yourself can work for you.”

FILE - Oscar winners Charles H. Joffe, winner of best picture for "Annie Hall," left, and Diane Keaton, winner of best actress for "Annie Hall," poses with presenter Jack Nicholson, and producer Jack Rollins at the Academy Awards in Los Angeles on April 3, 1978. (AP Photo, File)

FILE – Oscar winners Charles H. Joffe, winner of best picture for “Annie Hall,” left, and Diane Keaton, winner of best actress for “Annie Hall,” poses with presenter Jack Nicholson, and producer Jack Rollins at the Academy Awards in Los Angeles on April 3, 1978.

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She was born Diane Hall in Los Angeles in 1946, the daughter of real estate broker and civil engineer Jack Hall. Her mother Dorothy was once crowned Mrs. Los Angeles.

Keaton said her mom cheered her on as she pursued her dreams of becoming a singer and performer in New York. After studying at the Neighborhood Playhouse in the 1960’s, Keaton ended up an understudy in the original Broadway production of the rock musical Hair.

“It was wild. It was unexpected,” she said. “But I could see that I really wasn’t a hippie. I knew that I wasn’t a hippie in Hair.”

Keaton famously refused to go onstage nude for the final scene of Hair.

Then, along came Woody Allen, with whom she had a romantic relationship. Allen cast her in Play It Again, Sam, his play, then his movie. Also his film comedies Sleeper, Love and Death, Manhattan, and, of course, Annie Hall.

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Keaton’s kooky, quirky role as Annie Hall and her “lah-de-dah” charm won her a best actress Oscar in 1978. She thanked Woody Allen in her acceptance speech and later, for her entire career. She stood by him throughout the controversy over allegations that Allen once molested his daughter, which the director denies.

“That’s never going to change,” Keaton said of her support for Allen. “He’s my very, very good friend.”

In Annie Hall, Keaton showed off her comedy and singing chops. But she also had dramatic film roles, most famously in The Godfather trilogy. Her character marries into the Corleone mafia family.

Her Godfather costar, Al Pacino, was one of her boyfriends in real life. Another of her real life loves, Warren Beatty, directed her in his 1981 film Reds.

FILE - Filmmaker Woody Allen, left, greets actress Diane Keaton onstage to present her with the 45th AFI Life Achievement Award on June 8, 2017, in Los Angeles.

FILE – Filmmaker Woody Allen, left, greets actress Diane Keaton onstage to present her with the 45th AFI Life Achievement Award on June 8, 2017, in Los Angeles.

Chris Pizzello/Invision/AP

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In the historical drama about journalist John Reed, Keaton played his love interest, activist Louise Bryant.

“I loved her position in life,” Keaton said of her character, which she said played second fiddle to Reed (played by Beatty.) “And she wanted to be great. She wanted greatness in her. And fighting for herself, and failing and failing. I loved her for that. I loved her for her flaws. She was a difficult person who wasn’t very likable, yet I loved her.”

Jack Nicholson was also in Reds. He teamed up with Keaton again in 2003 for the comedy Something’s Gotta Give. In that movie, Keaton also played opposite Keanu Reeves.

Diane Keaton never married, though in films, she was one of the very few older American actresses who still got leading romantic roles. That was something actress Carol Kane, Keaton’s long-term friend, raved about at the time.

“She’s playing the love interest a lot,” Kane said. “You know, kind of passionately kissing and swooping into the bedroom…at an age when most people just sort of say, ‘OK, well, that part is over.’ I mean, she just gets more and more beautiful because she’s more and more herself.”

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Diane Keaton attends the premiere of "Book Club: The Next Chapter" at AMC Lincoln Square on Monday, May 8, 2023, in New York.

Diane Keaton attends the premiere of “Book Club: The Next Chapter” at AMC Lincoln Square on Monday, May 8, 2023, in New York.

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For years, Keaton acted in such films as Looking For Mr. Goodbar, The First Wives Club and Baby Boom. She directed the documentary Heaven in 1987. She also wrote books about her life, about architecture, photography and beauty; she collected photos of beautiful men, she renovated beautiful houses, and as a single mother, raised two beautiful children. When she turned 50, she adopted her daughter, Dexter and five years later, her son Duke.

“It’s an unconventional life, it’s true,” she told me. “But I don’t really see it that way, because I just think everybody has a pretty– is there a life that doesn’t have a story that isn’t pretty astonishing? I’ve never come across anybody who hasn’t. I just worked my way into the life that I have because I had a goal and it was very simple: I wanted to be in the movies.”

Keaton told me she was a late bloomer. But her fans might say death came to her far too soon.

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‘Flesh’ wins 2025 Booker Prize: ‘We had never read anything quite like it’

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‘Flesh’ wins 2025 Booker Prize: ‘We had never read anything quite like it’

Flesh is Hungarian-British author David Szalay’s sixth novel.

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Yuki Sugiura/Booker Prize Foundation

István isn’t one of the most talkative characters in literary fiction. He says “yeah” and “okay” a lot, and is mostly reactive to the world around him. But that quietness covers up a tumultuous life — from Hungary to England, from poverty to being in close contact with the super-rich.

He’s the center of David Szalay’s latest novel, Flesh, which just won this year’s Booker Prize. “We had never read anything quite like it,” said Roddy Doyle, chair of this year’s prize, in a statement announcing the win. “I don’t think I’ve read a novel that uses the white space on the page so well. It’s as if the author, David Szalay, is inviting the reader to fill the space, to observe — almost to create — the character with him.”

The Booker Prize is one of the most prestigious awards in literature. It honors the best English-language novels published in the U.K. Winners of the awards receive £50,000, and usually a decent bump in sales.

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Szalay is a Hungarian-British author. Flesh is his sixth novel. In 2016, he was shortlisted for the Booker prize for his book All That Man Is. He told the Booker Prize that he was inspired to write Flesh after his own time living between Hungary and England, and noticing the cultural and economic divides that exist within contemporary Europe. “I also wanted to write about life as a physical experience, about what it’s like to be a living body in the world.”

Flesh beat out five other books for the win — including Susan Choi’s Flashlight, Kiran Desai’s The Loneliness of Sonia and Sunny, Katie Kitamura’s Audition, Ben Markovits’ The Rest of Our Lives and The Land in Winter by Andrew Miller.

The other judges for this year were novelist Ayọ̀bámi Adébáyọ̀, critic Chris Power, author Kiley Reid and actor and producer Sarah Jessica Parker.

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The Frayed Edge: Are All Sustainability Certifications Broken?

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The Frayed Edge: Are All Sustainability Certifications Broken?
The standards big brands rely on to back up their green claims are facing intense and unflattering scrutiny, Trump’s trade war is having far-reaching and destructive impacts on the lives of garment workers and what to watch ahead of the UN’s COP climate summit.
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‘Predator: Badlands’ makes the monster the good guy : Pop Culture Happy Hour

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‘Predator: Badlands’ makes the monster the good guy : Pop Culture Happy Hour

Elle Fanning and Dimitrius Schuster-Koloamatangi in Predator: Badlands.

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20th Century Studios

Predator: Badlands is the latest film about an alien race that hunts things using all sorts of space-gadgets. It’s told from the Predator’s perspective. He’s an outcast sent to a hostile planet to hunt down a deadly monster to prove his worth to his people – with Elle Fanning joining as an unlikely ally. It’s from the same team that made Prey. And both Predator movies are much better than they had any right to be.

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To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.

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