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Hauntingly beautiful tintype photos memorialize what was lost in Altadena

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Hauntingly beautiful tintype photos memorialize what was lost in Altadena

In the wake of the Eaton fire, there are ghosts in Altadena. Not literal ghosts — though that could depend on who you ask — but an army of figurative phantoms, like the lonely chimneys that mark the plots that century-old homes once filled or the shells of storefronts that once acted as community gathering spots. And while life soldiers on in the community, with people tending to gardens outside their still-standing homes while others filter through debris, it’s as if the entire community has gone into quiet mourning.

While everyone’s seen images of the devastation, no photographers have captured the sadness quite as well as Sunny Mills, a set decorator who lost her home in the fire. Skilled in tintype photography, Mills has leaned into her hobby since Jan. 7, using a pair of cameras she was given and whatever nervous energy she has to head out into the community, shooting pictures of Altadenans with the structures they’ve lost.

Sunny Mills’ Burke & James Watson 5×7 camera.

(Sunny Mills)

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Around since the 1850s, tintype photography captures a still image on a thin metal plate coated with dark lacquer or enamel. Mills takes the photos with her Burke & James Watson 5×7 camera — given to her after the fires by some friends who also dabble in tintype photography — asking subjects to stand still for just one second while she snags the shot. With a mobile darkroom in her car’s trunk, she can develop the plates on-site, allowing subjects to see their ethereal black-and-white image within minutes. And though she has to take the images home to be scanned and chemically “fixed,” she plans to return each plate to its subjects.

Mills says she spent the first six weeks or so after the fires feeling “very lost and disconnected from myself,” like she was going through an identity crisis after losing everything she owned, including everything she needed for her business. When her friend and tintype mentor came to town, the pair went to Mills’ old property to poke around. When Mills set up her new-to-her camera for a self-portrait among the ashes, she was surprised at what she calls “the dramatic result.”

Artists stand around a metal spiral staircase in the rubble of Zorthian Ranch.

Artists Hannah Ray Taylor, left, Ian Rosenzweig, Justin Ardi and Moses Hamborg, top, pose around a staircase towering alone in the rubble of Zorthian Ranch, an artist community in Altadena.

(Sunny Mills)

“The picture was so beautiful,” Mills says. “It also felt like this sort of pivotal moment of, ‘OK, this is real,’ because every time I would drive up [to Altadena before], I’d think, ‘Please let all this be a dream,’ but when I saw the photograph, it finally sunk in.”

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Wanting to give others the same shot at closure, Mills offered free portrait services on a neighborhood Facebook group called Beautiful Altadena. Within a few days she had more than 80 people signed up. Now, she’s using Calendly to schedule her shoots, which she does about four days a week, including all day Saturday and Sunday.

“It’s snowballed into this greater healing project, because I started meeting up with people at their houses, and they’d tell me their story and then I’d take their photograph,” she says. “Since I’m doing it all on the spot and the photo develops right before their eyes, a lot of people end up crying. It’s become this really emotional connection that we’re sharing and also a really intense healing journey, but we’re realizing that we’re all in this together.”

In some ways, Mills says, taking the photos is like meditation. Since the process is somewhat slow and methodical, it requires focus and stillness. Processing the pictures, from coating the plate to presenting the developing image, can feel a bit like a ceremony. Each shot is a singular moment in time, and plates are sometimes imbued with not just the emotional weight of the image but also flecks of dust kicked up by passing dump trucks full of debris.

Large trucks parked in line.

Trucks park in a line as drivers wait to be assigned to collect debris in Altadena.

(Sunny Mills)

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Two people in protective gear on a burned lot.

Cleanup workers tasked with asbestos removal stand at a burned property in Altadena.

(Sunny Mills)

Mills says she’s even been approached by some of those dump truck drivers, including one who asked her to shoot him and his crew. She gladly agreed, saying she’s hoping to capture the whole scope of the disaster. She’d like to make a book of all the photos some day, or at least display them somewhere. “There’s just a soul in tintype photos that really isn’t captured in any other medium,” Mills asserts.

Dorothy Garcia would certainly agree. A longtime Altadenan, Garcia moved to the community as a child because it was one of the few places where her parents — who were Japanese and Mexican — were able to buy a home. Her family put down roots over the decades, only to have all three of their homes destroyed by fires. When she saw Mills’ post on Beautiful Altadena, Garcia decided to sign up. She’d had a small collection of tintypes in her home, and she’d always admired the art form.

“There’s just something about the process that is a weird manipulation of time,” Garcia says. “It’s now, but it seems like it could be a long time ago. It’s timeless too. It’s like, ‘How are we going to capture the last 60 years of life and all the people who were here before us?’ Doing this photo just seemed like a noble and beautiful way to capture how this disaster looks.”

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Three adults and a baby stand in front of a burned building

Chloe Garcia, left, Tom Harding, Grayson Garcia Figueroa and Dorothy Garcia stand together on Dorothy Garcia’s burned property.

(Sunny Mills)

Garcia hadn’t been back to her home since the fire but decided the morning of the shoot that she would finally make the trek. Posing at her home above Christmas Tree Lane with partner Tom Harding and daughter Chloe Garcia, she clutched Chloe’s 5-week-old-son, Grayson Garcia Figueroa. Chloe had evacuated Altadena seven months pregnant, and Dorothy says having Grayson to care for has been one of the only things that has kept her from getting mired down in the sadness of all her loss.

Before the fire, when she was planning her daughter’s baby shower, Garcia managed to scan some photos of her parents and grandparents. Those digital copies are the only old photos she has left, so she views Mills’ tintype as the first step toward creating a family album for her grandson. As Garcia watches Mills photograph her brother, Rupert, and his daughter, Alexandria Garcia Rosewood, standing in the spot where their house once sat, she looks down at Grayson in her arms.

“I see my brother and I see my niece, but I see my parents here too,” Garcia says. “I see the future and I see the past. You’re gonna really love these, little one. This is a new beginning for us too.”

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation
The beauty industry’s M&A machine roared back into action in 2025, with no shortage of blockbuster sales and surprise consolidation. It was also a year with no shortage of flashpoint moments or controversial characters, reflecting the wider fractious social media and political climate.
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Sunday Puzzle: P-A-R-T-Y words and names

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Sunday Puzzle: P-A-R-T-Y words and names

On-air challenge

Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y.  For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.

1. Colors

2. Major League Baseball Teams

3. Foreign Rivers

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4. Foods for a Thanksgiving Meal

Last week’s challenge

I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?

Challenge answer

It was a volume of an encyclopedia with entries from OUT- to SEA-.

Winner

Mark Karp of Marlboro Township, N.J.

This week’s challenge

This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?

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If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.

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L.A. Affairs: We were just newlyweds when an emergency room visit tested our vows

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L.A. Affairs: We were just newlyweds when an emergency room visit tested our vows

“I’m his wife,” I said to the on-call doctor, asserting my place in the cramped exam room. It was a label I’d only recently acquired. A year ago, it had seemed silly to obtain government proof of what we’d known to be true for six years: We were life partners. Now I was so grateful we signed that piece of paper.

Earlier that morning, I’d driven my husband to an ER in Torrance for what we’d assumed was a nasty flu or its annoying bacterial equivalent. We’d imagined a round of industrial-grade antibiotics, and then heading home in time for our 3-year-old’s usual bath-time routine.

But the doctor’s face was serious. Machines beeped and whirred as my husband laid on the hospital bed. Whatever supernatural power colloquially known as a “gut feeling” flat-lined in my stomach.

“It’s leukemia,” she said, putting a clinical end to what had been our honeymoon period.

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Only six months earlier, a female Elvis impersonator had declared us husband and wife. A burlesque dancer pressed her cleavage into both of our faces as our friends cheered and threw dollar bills. A wedding in Vegas was my idea.

After two years of dating Marty, a cute roller hockey player with an unwavering moral compass, I knew I wanted to have a child with him. It was marriage, not commitment, that unnerved me. I wanted romance, freedom and to do things my way. The word “wife” induced an allergic reaction.

As Marty and I became parents and navigated adulthood together, my resistance to matrimony started to feel like an outdated quirk. The emotional equivalent of a person still rocking a septum piercing long after they stopped listening to punk music.

Marty had shown me, over and over, what it was to be a teammate. He’d rubbed my back through hours of labor, made late-night runs for infant Tylenol and was never afraid to cry at the sad parts of movies or take the occasional harsh piece of feedback about his communication style. And like all good teams, we kicked ass together. So why was I still resisting something that meant so much to him? To our family?

One random Saturday, at the Hawthorne In-N-Out Burger, after Marty ordered fries as a treat for our son, I finally said, “Screw it. Let’s get married.”

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The wedding day was raucous and covered in glitter. We both wore white. Our son’s jacket had a roaring tiger stitched onto the back and was layered over his toddler-size tuxedo T-shirt. Loved ones from all over the country flew to meet us in a tiny pink chapel. A neon heart buzzed over our heads as we vowed to “love each other in sickness and in health, till death do us part.”

I couldn’t have imagined then that the next chapel I’d be in would be the hospital prayer room. Or that I would have begged a God I struggle to believe in to please spare Marty’s life.

Unlike our decision to marry, acute leukemia came on suddenly. Over the course of a few weeks, Marty’s bone marrow had flooded his blood with malignant cells. Treatment was urgent. He was taken by ambulance from the ER to the City of Hope hospital in Duarte, a part of Los Angeles County we’d never had a reason to visit before.

Traditionally the 50th wedding anniversary is celebrated with gold, the 25th with silver and the first with paper. But we couldn’t even afford to look paper-far-ahead anymore. Instead, we celebrated that the specific genetic modifiers of Marty’s cancer were treatable, the good chemo days and his being able to walk to the hospital lobby to see our son for the first time in weeks.

Leukemia has taught me things such as: how to inject antifungal medication into the open PICC (peripherally inserted central catheter) line in Marty’s veins, how to explain to our son that “Papa will be sleeping with the doctors for a long while so they can help him feel better” and that to do the hibbity-dibbity with a person going through chemo, you must wear a condom. But mostly my husband’s sickness has taught me about healthy love.

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When we had a child together, we’d committed to being in each other’s lives forever. But marriage was different. We’d already made a promise to our son, but when we got married, we made one to each other and ourselves. We had gone all in.

Since his diagnosis two months ago, there have been so many ways we’ve shown love for each other. People assume that I would do all the caregiving, but it’s more than that. Yes, I’ve washed my husband’s feet when he couldn’t bend down, been the only parent at preschool dropoff and pickup, and advocated on Marty’s behalf to his health insurance with only a few choice expletives.

But my husband has also taken care of me. Even when he was nauseous, sweating and fatigued, Marty showed up. He made me laugh with macabre jokes about how the only way for us to watch anything other than “PAW Patrol” on TV together was for him to get hospitalized. He insisted that I make time to rest and bring him the car owner’s manual, so he could figure out why the check engine light had come on.

We’d promised in front of our closest friends and Elvis herself to love each other “for better or worse.” And when the worst arrived sooner than expected, we did more than love. We truly cared for each other as husband and wife.

The author is a writer whose short stories have been nominated for the PEN/Robert J. Dau Short Story Prize for Emerging Writers and Best of the Net. She is working on a novel and lives in Redondo Beach with her husband and son. She’s on Instagram: @RachelReallyChapman.

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L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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