Lifestyle
Blake Lively accuses 'It Ends With Us' studio of harassment and smear campaign
Blake Lively is seen at an Aug. 8 screening in London for the movie This Is Us. In a legal complaint, the actor accuses co-star and director Justin Baldoni and his team of attacking her reputation after she spoke up about his and a producer’s alleged “repeated sexual harassment and other disturbing behavior” on set.
Scott Garfitt/Invision/AP
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Scott Garfitt/Invision/AP
This past summer, the press tour for the release of It Ends With Us, a movie that deals with domestic violence, saw public opinion turn against one of its stars, Blake Lively.
But behind the scenes, Lively alleges in a legal complaint published by The New York Times, she faced sexual harassment, repeated violations of her physical boundaries, and a “multi-tiered plan” designed to “destroy” her reputation.
In the undated legal filing, which the Times said was filed Friday to the California Civil Rights Department, she accuses co-star and director Justin Baldoni and his team of attacking her public image after a meeting was held to address “repeated sexual harassment and other disturbing behavior” by Baldoni and a lead producer on the movie.
If the California Civil Rights Department accepts the case, it could investigate, potentially resulting in legal action.
An attorney for the studio, Bryan Freedman, said in a statement emailed to NPR that Lively’s allegations are “categorically false” and “another desperate attempt to ‘fix’ her negative reputation.”
At the Jan. 4 meeting, attended by Lively, Baldoni, studio CEO and producer Jamey Heath and others, the complaint alleged they discussed “inappropriate conduct” experienced by Lively and other cast and crew. All parties agreed to a list of conduct that would cease which allowed for the movie’s production to resume, lawyers for Lively said in the filing.
The list of agreed-upon demands included, the complaint says: No more showing nude videos of women, including the producer’s wife, to Lively and/or her employees; no more mention of Baldoni’s or Heath’s previous “pornography addiction” to Lively or to other crew members; no more descriptions of their own genitalia to Lively; and “no more adding of sex scenes, oral sex, or on camera climaxing by [Lively] outside the scope of the script BL approved when signing onto the project.”
Baldoni’s and Heath’s studio, Wayfarer, also agreed to provide an intimacy coordinator on set at all times, and other safeguards on set, according to the filing. The studio also agreed not to retaliate against Lively, it said.
It Ends with Us director and star Justin Baldoni attends the movie’s world premiere on Aug. 6 in New York.
Evan Agostini/AP/Invision
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Evan Agostini/AP/Invision
The complaint includes excerpts from text messages and emails between Baldoni and his representatives that Lively’s lawyers said they obtained through a subpoena.
The movie, adapted from Colleen Hoover’s bestselling novel, is based on the relationship of the author’s parents. In it, Lively plays Lily Bloom, a florist who falls in love with neurosurgeon Ryle Kincaid (Baldoni). During their relationship Kincaid turns physically and emotionally abusive.
The complaint says Lively, a producer on the film, was under contract to follow a marketing plan that directed the cast to focus “more on Lily’s strength and resilience as opposed to describing the film as a story about domestic violence,” and to avoid depictions of the film as “sad or heavy … it’s a story of hope,” the complaint says.
During the film’s promotion, Lively drew backlash from fans for her attempts to speak about a story of domestic abuse with a lighthearted tone. Many social media comments, meanwhile, commended Baldoni’s promotional message for viewers to always have hope.
Around that time, the complaint alleges, Baldoni and his team were staging a well-financed plan “in retaliation for Ms. Lively exercising her legally-protected right to speak up about their misconduct on the set, with the additional objective of intimidating her and anyone else from revealing in public what actually occurred.”
The filing says Baldoni hired a crisis communications specialist who allegedly developed a plan to change the narrative on social media in the director’s favor in a way that could not be traced back to the studio’s team. Text exchanges between Baldoni and the Wayfarer PR team allegedly discuss the creation and amplification of misleading stories designed to discredit Lively, according to the actress’ legal team.

“He wants to feel like she can be buried,” wrote Baldoni’s publicist Jennifer Abel in an Aug. 2 message to the crisis management specialist, Melissa Nathan, excerpted in the complaint.
Freedman, the studio’s lawyer, said in the statement to NPR that Wayfarer Studios made the decision to proactively hire a crisis manager prior to the movie’s marketing campaign, “due to the multiple demands and threats made by Ms. Lively during production which included her threatening to not showing up to set, threatening to not promote the film, ultimately leading to its demise during release, if her demands were not met.
“What is pointedly missing from the cherry-picked correspondence is the evidence that there were no proactive measures taken with media or otherwise; just internal scenario planning and private correspondence to strategize which is standard operating procedure with public relations professionals,” Freedman added.
Chloe Veltman contributed reporting.
Lifestyle
What worked — and what didn’t — in the ‘Stranger Things’ finale
Sadie Sink as Max Mayfield.
Netflix
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Netflix
Yes, there are spoilers ahead for the final episode of Stranger Things.
On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.
Worked: The final battle
The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!
Did not work: Too much talking before the fight
As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.
Worked: Dungeons & Dragons bringing the group together
It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.
Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.
Netflix
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Netflix
Did not work: Dr. Kay, played by Linda Hamilton
It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.


Worked: Needle drops
Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.
Did not work: The non-ending
As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?
This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.
Lifestyle
The Best of BoF 2025: Conglomerates, Controversy and Consolidation
Lifestyle
Sunday Puzzle: P-A-R-T-Y words and names
On-air challenge
Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y. For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.
1. Colors
2. Major League Baseball Teams
3. Foreign Rivers
4. Foods for a Thanksgiving Meal
Last week’s challenge
I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?
Challenge answer
It was a volume of an encyclopedia with entries from OUT- to SEA-.
Winner
Mark Karp of Marlboro Township, N.J.
This week’s challenge
This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?
If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
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