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Blake Lively accuses 'It Ends With Us' studio of harassment and smear campaign

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Blake Lively accuses 'It Ends With Us' studio of harassment and smear campaign

Blake Lively is seen at an Aug. 8 screening in London for the movie This Is Us. In a legal complaint, the actor accuses co-star and director Justin Baldoni and his team of attacking her reputation after she spoke up about his and a producer’s alleged “repeated sexual harassment and other disturbing behavior” on set.

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This past summer, the press tour for the release of It Ends With Us, a movie that deals with domestic violence, saw public opinion turn against one of its stars, Blake Lively.

But behind the scenes, Lively alleges in a legal complaint published by The New York Times, she faced sexual harassment, repeated violations of her physical boundaries, and a “multi-tiered plan” designed to “destroy” her reputation.

In the undated legal filing, which the Times said was filed Friday to the California Civil Rights Department, she accuses co-star and director Justin Baldoni and his team of attacking her public image after a meeting was held to address “repeated sexual harassment and other disturbing behavior” by Baldoni and a lead producer on the movie.

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If the California Civil Rights Department accepts the case, it could investigate, potentially resulting in legal action.

An attorney for the studio, Bryan Freedman, said in a statement emailed to NPR that Lively’s allegations are “categorically false” and “another desperate attempt to ‘fix’ her negative reputation.”

At the Jan. 4 meeting, attended by Lively, Baldoni, studio CEO and producer Jamey Heath and others, the complaint alleged they discussed “inappropriate conduct” experienced by Lively and other cast and crew. All parties agreed to a list of conduct that would cease which allowed for the movie’s production to resume, lawyers for Lively said in the filing.

The list of agreed-upon demands included, the complaint says: No more showing nude videos of women, including the producer’s wife, to Lively and/or her employees; no more mention of Baldoni’s or Heath’s previous “pornography addiction” to Lively or to other crew members; no more descriptions of their own genitalia to Lively; and “no more adding of sex scenes, oral sex, or on camera climaxing by [Lively] outside the scope of the script BL approved when signing onto the project.”

Baldoni’s and Heath’s studio, Wayfarer, also agreed to provide an intimacy coordinator on set at all times, and other safeguards on set, according to the filing. The studio also agreed not to retaliate against Lively, it said.

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It Ends with Us director and star Justin Baldoni attends the movie's world premiere on Aug. 6 in New York.

It Ends with Us director and star Justin Baldoni attends the movie’s world premiere on Aug. 6 in New York.

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The complaint includes excerpts from text messages and emails between Baldoni and his representatives that Lively’s lawyers said they obtained through a subpoena.

The movie, adapted from Colleen Hoover’s bestselling novel, is based on the relationship of the author’s parents. In it, Lively plays Lily Bloom, a florist who falls in love with neurosurgeon Ryle Kincaid (Baldoni). During their relationship Kincaid turns physically and emotionally abusive.

The complaint says Lively, a producer on the film, was under contract to follow a marketing plan that directed the cast to focus “more on Lily’s strength and resilience as opposed to describing the film as a story about domestic violence,” and to avoid depictions of the film as “sad or heavy … it’s a story of hope,” the complaint says.

During the film’s promotion, Lively drew backlash from fans for her attempts to speak about a story of domestic abuse with a lighthearted tone. Many social media comments, meanwhile, commended Baldoni’s promotional message for viewers to always have hope.

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Around that time, the complaint alleges, Baldoni and his team were staging a well-financed plan “in retaliation for Ms. Lively exercising her legally-protected right to speak up about their misconduct on the set, with the additional objective of intimidating her and anyone else from revealing in public what actually occurred.”

The filing says Baldoni hired a crisis communications specialist who allegedly developed a plan to change the narrative on social media in the director’s favor in a way that could not be traced back to the studio’s team. Text exchanges between Baldoni and the Wayfarer PR team allegedly discuss the creation and amplification of misleading stories designed to discredit Lively, according to the actress’ legal team.

“He wants to feel like she can be buried,” wrote Baldoni’s publicist Jennifer Abel in an Aug. 2 message to the crisis management specialist, Melissa Nathan, excerpted in the complaint.

Freedman, the studio’s lawyer, said in the statement to NPR that Wayfarer Studios made the decision to proactively hire a crisis manager prior to the movie’s marketing campaign, “due to the multiple demands and threats made by Ms. Lively during production which included her threatening to not showing up to set, threatening to not promote the film, ultimately leading to its demise during release, if her demands were not met.

“What is pointedly missing from the cherry-picked correspondence is the evidence that there were no proactive measures taken with media or otherwise; just internal scenario planning and private correspondence to strategize which is standard operating procedure with public relations professionals,” Freedman added.

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Chloe Veltman contributed reporting.

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‘Wait Wait’ for November 22, 2025: With Not My Job guests Niki Russ Federman and Josh Russ Tupper

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‘Wait Wait’ for November 22, 2025: With Not My Job guests Niki Russ Federman and Josh Russ Tupper

Josh Russ Tupper and Niki Russ Federman

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This week’s show was recorded in Chicago with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guests Niki Russ Federman and Josh Russ Tupper, and panelists Joyelle Nicole Johnson, Faith Salie, and Zach Zimmerman. Click the audio link above to hear the whole show.

Who’s Bill This Time

The NBA’s Elder Statesman; Fettuccini Frenzy; An Adorable Trash Eater

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Panel Questions

A Little Cave Romance

Bluff The Listener

Our panelists tell three stories about an up and coming Hollywood star, only one of which is true.

Not My Job: The 4th generation owners of the legendary Russ & Daughters answer questions about Harry Houdini

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Niki Russ Federman and Josh Russ Tupper, the 4th generation owners of New York’s legendary Russ & Daughters, play our game called, “Lox Meet Locks.” Three questions about Harry Houdini.

Panel Questions

Small, But Mighty; An Anti-Heist; Wool Grindrs

Limericks

Bill Kurtis reads three news-related limericks: Charlotte Builds a Mansion; A Cat Café for Danger Lovers; Monarch Monitors

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict, after raccoons, what will be the next pet we welcome into our homes.

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Bethenny Frankel’s Black Friday Gift Guide

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Bethenny Frankel’s Black Friday Gift Guide

Bethenny Frankel’s Black Friday Picks
Shop Like a Housewife … Starting at $36!

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These fans have sung their way to the National Women’s Soccer League finals

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These fans have sung their way to the National Women’s Soccer League finals

The Washington Spirit and Gotham FC face off in the National Women’s Soccer League finals on Saturday in San Jose. Left: Marge Liguori and Nat Lazo cheer on Gotham FC. Right: The crowd cheers at the Washington Spirit’s semifinal match last weekend.

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As the National Women’s Soccer League finals kick off on Saturday in San Jose, Calif., fans of the Washington Spirit and Gotham FC are bringing more than jerseys and banners. They’re bringing an entire culture of singing and chanting that has become central to the league’s game-day experience.

For supporters of the Washington D.C. team, that energy has been building all season. The Spirit Squadron, one of the club’s major fan groups, has spent months preparing the repertoire they’ll unleash from the stands on Saturday.

“We have a chant just for when we score,” said Squadron president Meredith Bartley, of a raucous, snare drum-laced chant celebrating getting the ball into the back of the net. It’s set to the nursery song “The Animals Went in Two by Two.” There’s a chant (with the endearing refrain “You’re my favorite soccer team!”) for when fans are simply having a blast.

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And there’s one rooted in local politics. “This season, we’ve started in the 51st minute a ‘Free D.C.’ chant,” Bartley said. The chant nods to the long-standing push for D.C. home rule and statehood, and grew out of heightened tensions earlier this year, when the Trump administration took control of the district’s police force and deployed National Guard troops to the city.

Borrowing from the global soccer canon

Spirit supporters also borrow from the global soccer canon. When the energy in the stadium dips, they’ll sometimes launch into a playful chant appropriated from English Premier League crowds. “Let’s pretend we scored a goal,” they repeat.

New York and New Jersey-based Gotham FC supporters — who will be cheering on the Spirit’s opponents in the championship match — have similarly embraced U.K. soccer songs. One in particular has become an anthem.

John Denver’s “Take Me Home, Country Roads,” famously sung by Manchester United fans at their stadium, Old Trafford, has taken on a new life in the tri-state area. In 2023, Gotham FC fans reworked the song into “Gotham Roads,” a tribute to the team and the region.

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“To use ‘Country Roads’ was actually my idea,” said Marge Liguori, who leads Cloud 9, a big Gotham FC supporters group. “I do also happen to be a Manchester United fan. So I kind of borrowed that, but worked with other fans to adapt the lyrics.”

All in it together

For Liguori, the song resonates because it evokes a sense of home. “I think that’s what we find in our arena and in our community with our team,” she said.

This feeling of belonging is paramount to understanding why singing and chanting are such an integral part of sports events.

“Really, the team is more of just a metaphor for the community,” said Max Jack, an ethnomusicologist and anthropologist at Indiana University who has studied the intersection of sports and music. He said singing and chanting allow fans to go through the emotional journey that is a soccer game together.

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“It creates a sense of stranger intimacy that is incredibly deep and fulfilling,” Jack said. “It offers something that most people won’t access in their day-to-day life.”

That intimacy extends beyond fan-to-fan relationships. Chants also help build bonds between supporters and the players they root for. After Gotham FC’s 2023 NWSL championship, fans serenaded defender Mandy Freeman as she approached the stands. Freeman wiped away tears as she hugged fans across the railings.

Those interactions — along with the fans’ overall enthusiasm — matter to the team, Jeff Greer, Gotham FC’s vice president of communications, told NPR. “When we hear them chanting, we know that they are at our backs pushing us to victory,” he said.

The Spirit feel the same way. Their home matches at Audi Field in Washington D.C. are known for their high-octane atmosphere. “Our players regularly credit ‘Rowdy Audi’ for being the 12th player on the field,” said Spirit director of communications Ben Kessler. “And a lot of that is because of how creative their chants and cheers are.”

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