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Billy Bob Thornton is a strong 'Landman' – but the show's women are often caricatures

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Billy Bob Thornton is a strong 'Landman' – but the show's women are often caricatures

Billy Bob Thornton as Tommy Norris in Landman.

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There is no one who plays the world-weary working man in a white-collar job quite like Billy Bob Thornton.

On Paramount+’s engaging new drama series, Landman, his pissed off, cynic-with-a-heart-of-gold character is Tommy Norris, a crisis executive with fictional M-Tex Oil company. It’s Tommy’s job to troubleshoot M-Tex’s crews of roughneck pump workers, securing leases from landowners allowing the company to pump oil from desolate swatches in the Permian Basin — an area in West Texas and southeastern New Mexico considered the highest producing oil field in the U.S.

That means Tommy does everything from negotiate a lease agreement with members of a Mexican drug cartel — while blindfolded and bound like prize turkey — to accidentally crushing the tip of his pinky finger while shutting off a valve to keep a burning pump fire at bay.

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If only there was a female character drawn as well as Tommy in this series, Landman would transform from an entertaining TV drama to a captivating classic.

Making us care for a money-grubbing oil company

Tommy is the profane, chain-smoking glue that holds Landman‘s compelling story together. Admittedly, he doesn’t look much like a white-collar guy here, shuttling between crisis spots in a looming pickup truck, a cowboy hat and a knowing scowl.

He’s also a self-admitted non-drinking alcoholic (who doesn’t count downing the occasional Michelob Ultra) moseying through a disaster-filled day with a worn-out, self-aware confidence. When his grown daughter marvels at his salt-of-the-earth wisdom, he tells her, “I spent all my life being wrong. I never forget the lessons.”

This is a masterful bit of storytelling magic by co-creator and writer Taylor Sheridan – the wunderkind who co-created the hit show Yellowstone and lots of other testosterone-filled series. Based on Landman co-creator Christian Wallace’s hit podcast Boomtown, the show manages a unique magic trick: getting us to care about a profit-obsessed oil company that Tommy admits is sending roughnecks to work dangerous wells that couldn’t pass federal labor standards, ending the first episode Sunday with an accident that kills three of them.

As Tommy tells it, the oil industry is a dirty-but-necessary business that fuels everything from our cars to the clothes we wear and the medicine that keeps us healthy. And the only part of it Tommy doesn’t have clocked cold is the part that involves his family – including a wild child daughter, even wilder ex-wife and an adult son determined to learn the business by working one of its most dangerous jobs, as a newbie roughneck.

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On the surface, it’s another of Sheridan’s many drama series triumphs, harnessing Thornton’s on-screen charisma to fuel a gutsy story about a modern-day oil boomtown. Like so many of his shows, it portrays a working man’s culture from an area of life rarely highlighted in Hollywood, educating viewers on its subtleties while highlighting the stuff that binds us all.

But — like most of his other shows — it is also a very male culture. Which is where Landman misses the mark by a mile.

Too many of Landman’s women are caricatures and male fantasies

The stark contrast between how working men are humanized in Landman‘s first episodes and how the women aren’t made it tough to enjoy the many parts of this that work so well.

In the first two episodes, which debuted Sunday, the female characters are mostly empty caricatures. Heroes alum Ali Larter plays Tommy’s volatile ex-wife Angela, who has to debate whether to leave a vacation with her current wealthy husband to see their son when he’s caught in the explosion mentioned earlier. Demi Moore is Cami Miller, wife to Jon Hamm’s oil company owner Monty Miller – we mostly see her swimming in a pool and lounging at gala dinners in early episodes. Michelle Randolph is Tommy and Angela’s grown daughter Ainsley, who is beautiful, self-centered and often blithely unaware of how her sex appeal affects the men around her.

Jon Hamm as Monty Miller and Demi Moore as his wife Cami Miller.

Jon Hamm as Monty Miller and Demi Moore as his wife Cami Miller.

Emerson Miller/Paramount+

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Just about the only female character shown working in the first few episodes – besides waitresses in local watering holes and coffeeshops – is Kayla Wallace’s Rebecca Savage, a powerhouse lawyer sent to represent M-Tex. With razor sharp suits and a no BS attitude, she dominates by bringing more masculine energy than the men around her.

Sheridan is one of the most successful showrunners in TV today. Currently, he has created or co-created four series all airing new episodes at the same time, mostly on Paramount+ – Landman, Tulsa King, Lioness and Yellowstone (which is his only series on the Paramount Network cable channel, but on Peacock streaming).

When star Kevin Costner bumped heads with Sheridan over conflicts between filming Yellowstone and Costner’s passion project western Horizon at the same time, guess who got written out of the show? This is true Hollywood power.

It’s tough to imagine drafting actresses as amazing as Moore and Larter, only to leave them playing caricatures and male fantasies. So I’m hoping Sheridan will accept the challenge of creating female characters who exist outside the male gaze – beyond empty tropes, oversized emotionalism and calculated reflections of male energy.

Because, once he nails that, his series can finally be as strong creatively as they are commercially.

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‘How to Rule the World’ explores education and power at Stanford University

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‘How to Rule the World’ explores education and power at Stanford University

Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.

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When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.

Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.

Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.

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He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.

In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.

We reached out to Stanford University for comment and have not heard back.

Listen to the interview by clicking play on the blue box above.

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OTB Takes Full Control of Viktor & Rolf

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OTB Takes Full Control of Viktor & Rolf
The Italian fashion group behind Diesel and Maison Margiela is taking full ownership of the avant-garde haute couture house, acquiring the remaining 30 percent it didn’t already own. Founders Viktor Horsting and Rolf Snoeren remain creative directors.
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How having zero points in tennis — or ‘love’ — came to sound so sweet

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How having zero points in tennis — or ‘love’ — came to sound so sweet

The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.

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Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.

As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.

“Love” comes from the heart — or an egg?

It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

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But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.

“By and large, the original system has held up almost entirely,” Flink said.

The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.

Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.

The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.

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It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.

“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.

To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.

But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.

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“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.

“Love” probably isn’t going anywhere

Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.

“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”

There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.

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But “love” still prevails.

“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”

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