Lifestyle
Aztec Rebels: La travesía de un club de motociclistas Latinos encontrando un hogar en el Bronx
Jossiel Estefes, apodado “Onex“, se encuentra junto a su motocicleta en una estación de gasolina en Connecticut, durante un paseo el 17 de marzo de 2024.
Mayolo López Gutiérrez
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Mayolo López Gutiérrez
“Mira lo que construiste, comenzamos con cuatro cabrones y ahora mira esto”, dijo Sergio García, el Sargento de Armas, a Andrés Lucero, señalando la fiesta llena de gente, con niños corriendo por todas partes y mujeres charlando en una de las mesas.
Andrés no respondió, pero sus ojos lo decían todo: el orgullo de ver su sueño hecho realidad, rodeado de amigos que se habían convertido en familia.
Era la cena de Thanksgiving, la celebración Acción de Gracias en el sur del Bronx en Nueva York. Los hombres traían puestos chalecos de cuero, emblemáticos del club Aztec Rebels, con los ojos puestos en la reunión.
Andrés Morales, fundador y ex presidente del club, posa junto a los miembros del club durante la fiesta de Acción de Gracias celebrada en el sur del Bronx.
Mayolo López Gutiérrez
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Mayolo López Gutiérrez
Los Aztec Rebels encienden sus motores antes de emprender un paseo nocturno en el Bronx.
Mayolo López Gutiérrez
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Mayolo López Gutiérrez
Sergio García, conocido como “Toluco”, bromea con su hijo frente a “Mamá Puebla”, un restaurante mexicano en el Bronx propiedad de uno de los Aztec Rebels.
Mayolo López Gutiérrez
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Mayolo López Gutiérrez
Cuando Andrés se quitó el gorro, su tatuaje de águila calva brilló bajo las luces tenues. Andrés bajó los escalones con la seguridad de una estrella de cine de la época dorada de Hollywood, caminando con paso firme hacia la reunión, sin apartar la mirada del lugar que tanto había trabajado para construir.
Jossiel Estefes y su hija posan para un retrato durante la cena de Acción de Gracias de los Aztec Rebels en el sur del Bronx.
Mayolo López Gutiérrez
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Andrés fundó los Aztec Rebels junto a Eddie después de aprender sobre la cultura y las dinámicas de un club de motociclistas del Bronx llamado The Roadrunners. Juntos soñaron con crear un espacio donde pudieran escuchar su propia música, hablar su idioma y sentirse comprendidos.
– “Comencé a pasar tiempo con los Roadrunners cuando tenía 19 años. Eddie tenía 12 y me acompañaba a todos lados. Mi hermano creció en ese club. Siempre ha vivido la vida de un motociclista, así que, de alguna manera, aprendimos qué era un club de motociclistas. Por eso pudimos fundar nuestro propio club, basado en lo que realmente es un club,” dijo Eddie.
El club nació oficialmente en 2016, con solo cinco miembros fundadores. Después de decidir que el marrón sería su color distintivo y diseñar el emblema del águila azteca, los Aztec Rebels MC se expandieron rápidamente, alcanzando más de 20 miembros activos y cinco prospectos provenientes de todos los condados de Nueva York. La mayoría de ellos vive en el Bronx y Staten Island– La Isla, como la llaman con cariño.
Los Aztec Rebels bailan cumbia con sus seres queridos durante la fiesta de Acción de Gracias en el South Bronx.
Mayolo López Gutiérrez
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Los niños descansan durante la cena de Acción de Gracias de los Aztec Rebels en el sur del Bronx.
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Mayolo López Gutiérrez
Cada miembro pasa por un proceso de iniciación que a veces dura años. Comienza con una invitación, luego se convierten en prospectos, y a través de un padrino, aprenden las reglas del club antes de recibir los tres parches distintivos en su chaleco.
Un volante del club dice: “Aceptamos todas las nacionalidades. No necesitas una motocicleta para entrar, pero esperamos que eventualmente consigas una”. A pesar de ser un club diverso, la mayoría de los Aztec Rebels son mexicanos, aunque entre ellos hay también algunos ecuatorianos y un hondureño.
Sergio García, conocido como “Toluco“, el Sargento de Armas de los Aztec Rebels, fuma un cigarro mientras disfruta de la fiesta de Acción de Gracias.
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Mayolo López Gutiérrez
Cada uno de ellos tiene una historia única y una conexión distinta con México.
– “Para mí, el viaje hasta aquí fue más un juego, una aventura a través del desierto”, dijo Andrés Lucero, al recordar su travesía migratoria.
“Llegué en el ’86 y siempre he estado buscando la oportunidad de mejorar mi situación, incluso cuando era niño. Tenía 12 años, y para mí era algo normal. No veía el peligro en ese entonces, pero si tuviera que hacerlo de nuevo, tendría mucho miedo, porque he escuchado muchas historias de terror de los migrantes recientes”. Sus padres llegaron cinco años antes, desde Piaxtla, un pueblo de 15,000 habitantes en las montañas de Puebla. Empezaron una fábrica de telas en el norte de Manhattan y se establecieron en un apartamento en Southern Boulevard, en el Bronx.
Los niños rompen una piñata durante una fiesta de cumpleaños en Staten Island, el 24 de mayo de 2024.
Mayolo López Gutiérrez
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Los hijos de los Aztec Rebels saltan al unísono para recoger los dulces que cayeron tras romper una piñata.
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Alfredo Ramírez, conocido como “Mad Max”, recibe un pastel de cumpleaños durante una fiesta celebrada en Staten Island.
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“Vengo de un pueblo — nunca fui de la ciudad — así que fue un cambio muy drástico llegar aquí y ver a tanta gente. Especialmente en esa época — el Bronx estaba en medio de la pandemia de drogas: crack”, recordó Andres. En los años 80, el South Bronx aún llevaba las cicatrices de los incendios que arrasaron barrios enteros durante la década anterior.
“Había muchos edificios quemados. Parecía una zona de guerra. Había mucha gente consumiendo drogas en las calles. Sin embargo, me adapté rápido. Al final, no me asustaba; simplemente tenía que acostumbrarme a todo. Después de un par de años, era normal ver lo que estaba pasando”.
La inmigración mexicana a los Estados Unidos tiene una larga historia, remontándose a principios del siglo XX, cuando trabajadores agrícolas indocumentados viajaban para laborar en los campos de California. En la década de 1940, el programa Bracero formalizó el empleo de muchos de estos trabajadores, necesarios para suplir la demanda de mano de obra masculina durante la Segunda Guerra Mundial.
A lo largo del siglo, la práctica de jóvenes mexicanos migrando para trabajar en los Estados Unidos se volvió cada vez más común.
Andrés Lucero posa para un retrato junto a su Volkswagen Beetle, el 21 de agosto de 2024.
Mayolo López Gutiérrez
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En 1980, había 39,000 personas de origen mexicano en el estado de Nueva York, y 10 años después, el censo registró un aumento anual del 8.8%. Muchos mexicanos encontraron un hogar y, junto con ello, crearon comunidades que les brindaron seguridad y pertenencia.
En 2020, Andrés entregó la presidencia del club a su hermano Eddie y pasó a gestionar una tienda de abarrotes en la Tercera Avenida, que también funciona como su estudio de tatuajes. La parte trasera del local está decorada con una Virgen de Guadalupe pintada en graffiti negro. Su hogar sigue siendo el edificio de apartamentos en el que se establecieron sus padres en los años 80.
Christian Pérez, tesorero del club, se refleja en el espejo de una motocicleta antes de un paseo a Long Island, el 25 de febrero de 2024.
Mayolo López Gutiérrez
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Algunos de los Aztec Rebels contemplan en silencio el paisaje frente a un lago en Long Island durante un paseo.
Mayolo López Gutiérrez
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Eddie, el presidente, es una figura imponente, con una postura casi militar, fruto de su formación en seguridad privada y su vida dentro del club. Junto con cinco oficiales a su mando, mantiene a los Aztecs en movimiento. A pesar de su seriedad, Eddie también es un hombre de familia. Es padre de gemelos adolescentes que, cuando no están jugando al fútbol con el F.C. Harlem, pasan tiempo con el club.
– “La gente siempre busca una familia, y por eso, a veces, se meten en pandillas. Nosotros queremos ser ese lugar donde los mexicanos puedan venir, estar en un ambiente seguro, sin violencia, pero con una familia”, dijo Eddie.
En casa, como parte de un tipo de entrenamiento, Eddie les cuenta a sus hijos sobre las decisiones difíciles que a veces debe tomar como presidente y les pregunta qué harían ellos. Así, les explica y les transmite el valor más importante del club: el valor de la familia. También es el más amigable del grupo cuando juega con los hijos de otros miembros. Eddie es querido y respetado por todos.
Los motociclistas cargan con muchos estigmas y estereotipos de machismo y misoginia, a veces respaldados por tradiciones arraigadas y prácticas cuestionables. Para ilustrarlo, en la mayoría de los clubes de motociclistas, las esposas y novias del grupo usan chalecos que dicen “Propiedad de X M.C”. Como presidente, Eddie rompió con esa tradición al escribir “Protegido por Aztec Rebels M.C.” en los chalecos de las mujeres.
Dentro de las reuniones de los Aztecs es necesario ver más allá de los chalecos y los estereotipos que rodean la cultura de las motocicletas. Aunque puedan parecer rudos por fuera, los hombres que forman esta comunidad son hombres de familia responsables, que también pueden ser cariñosos y gentiles con sus hijos. El club también proporciona una familia a aquellos hombres que, en algunos casos, dejaron atrás a sus familias y comenzaron una vida completamente por su cuenta en los Estados Unidos.
“Diablo“, posa para un retrato durante un paseo a Long Island.
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A sus 19 años, “Diablo” es el miembro más joven de los Aztecs. “Diablo” pidió que no utilizáramos su nombre completo debido a su estatus migratorio. La mayoría de los miembros ni siquiera saben su nombre real; lo llaman por el apodo que se ganó debido a su amor por la velocidad.
“Entré directo a la escuela secundaria y tuve muchas peleas. La gente trató de intimidarme porque no hablaba inglés, así que me defendí, y solo entonces los otros paisas me respetaron y empezaron a pasar tiempo conmigo”, recordó “Diablo”.
“Diablo” se destaca de los otros Aztecs por su figura delgada y juventud. Pero es uno más cuando se trata de peleas amistosas y la constante charla de chicos.
**”Mi madre me decía que las peleas en la secundaria no eran irrelevantes, pero significaban cuchillos y armas. Todos mis amigos iban a la misma escuela secundaria, pero yo no les dije y fui a una diferente. La mayoría de ellos ahora están en pandillas y algunos ya no están”, dijo mientras pasaba el rato al lado de un camión de comida que vende birria y tacos en una carretera de Connecticut.
Andrés Lucero, fundador y ex presidente del club, dibuja el contorno del logo del club en la pared de su primer club en Hunts Point, el 26 de mayo de 2024.
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Miembros de los Aztec Rebels juégan al billar en su recién inaugurado club.
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Christian Pérez sostiene a su bebe en la casa club recientemente inaugurada de los Aztec Rebels.
Mayolo López Gutiérrez
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Mayolo López Gutiérrez
Desde su fundación, en 2016, los Rebels se han reunido en sus apartamentos, garajes y sótanos, desde Yonkers hasta Staten Island– la isla.
A medida que sus números aumentaron, los oficiales al mando empezaron a buscar lugares potenciales para alquilar, principalmente en el sur del Bronx. Visitaron más de 20 lotes que podían usar, pero siempre fueron rechazados.
Este año, finalmente encontraron un lugar en una calle remota junto al mercado de Hunts Point – marketa –, como se le conoce entre la comunidad latina, en el Bronx.
Eddie Lucero, presidente del club, posa para un retrato junto a sus gemelos, Eddie y Ethan, durante una búsqueda de huevos de Pascua en Randall’s Island, organizada para los Aztec Rebels y sus familias.
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Para celebrar su nuevo hogar, Eddie convocó a una reunión de emergencia en el nuevo lugar sin revelar la sorpresa. Todos los hombres respondieron al llamado. Llegaron pensando que su presidente estaba en peligro. Subieron las escaleras sin quitarse los cascos, listos para cualquier cosa. Y ahí estaba Eddie: “Bienvenidos a su nueva casa”.
En las siguientes semanas, remodelaron el espacio con sus propias manos. La mayoría había trabajado en construcción, por lo que no fue difícil para ellos. Añadieron una clásica mesa de billar y futbolito, y un televisor, donde vieron la final de la liga mexicana de fútbol entre el Club América y Cruz Azul.
– “Hay una manera diferente de hacer las cosas. No tienes que seguir un camino recto. Rompimos el molde siendo motociclistas mexicanos en Nueva York. Puedes ser íntegro y ser un hombre de familia. Y puedes ser más que solo un motociclista. Puedes ser un líder en tu comunidad y ayudar a todos siendo parte de algo grande,” concluyó Eddie.
Sergio Garcia y Carlos Villatoro observan el horizonte desde la azotea de la recién inaugurada sede de los Aztec Rebels en Hunts Point, Bronx.
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Los Aztec Rebels se encuentran frente a su recién inaugurado club en el vecindario de Hunts Point en el Bronx, el 26 de mayo de 2024.
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Marcas de derrape quedan estampadas en el pavimento de un estacionamiento durante un paseo a Long Island.
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Mayolo López es un fotoperiodista radicado en la Ciudad de México. Puedes ver más de su trabajo en su sitio web, mayolopezgutierrez.com, o en Instagram en @fotomayo.
Edición de fotos por Virginia Lozano. Edición de texto por Estefania Mitre.
With the nation’s big 2-5-0 coming up next year, NPR staff and critics recommended a lot of U.S.-focused titles for Books We Love, our annual year-end reading guide. Below you’ll find 10 favorites — perfect for the history buff on your gift list, or anyone looking to learn more about how the U.S got to where it is today. Read on, or check out our full 2025 list here.
American Grammar: Race, Education, and the Building of a Nation, by Jarvis R. Givens
In this deeply researched book, Harvard University professor of education and African American studies Jarvis R. Givens locates 1819 as a “crossroads” in the history of education in the United States. That year, Congress passed the Civilization Fund Act, providing funding for assimilative boarding schools for Native American children, and the governor of Virginia signed an anti-literacy law that made it a crime to teach enslaved people to read and write in schools. Amid the Trump administration’s effort to dismantle the Department of Education, Givens’ clear-eyed assessment of American education offers an opportunity to reflect on the long-standing relationships among race, power and schooling in the U.S. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood
The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777-1780, by Rick Atkinson
I’ve been eagerly waiting years for this book! This is the second volume of Rick Atkinson’s trilogy on the American Revolution. Atkinson makes good use of letters and diaries. You feel like you’re in the middle of a battle, with all the sights, sounds and tragedy. Harrowing tales of hand-to-hand fighting, scalping and desperate evacuations. Fine detail: the waxed mustaches of the Hessian forces, the number of rum barrels distributed to weary and ill-clad troops, the dull thud of cannonballs smacking into ships. The stench of makeshift hospitals, with piles of limbs stacked outside. He carefully lays out how the battles began, and the successes, mistakes and missed opportunities – on both sides. — Tom Bowman, Pentagon reporter
History Matters, by David McCullough, Dorie McCullough Lawson (contributor), and Michael Hill (contributor)
If history can be a comfort read, this is it. David McCullough’s daughter Dorie McCullough Lawson and his longtime researcher, Michael Hill, assembled this posthumous collection over two years. Some of the historian’s old manuscripts and files were kept in a New England barn, so the occasional acorn and nest turned up along with the historian’s glorious observations about Americans and their history. The essay subjects are diverse – painter Thomas Eakins, Harriet Beecher Stowe in Paris, “A Book on Every Bed” (it will melt your heart). One theme emerges that you might find reassuring in its own way: There was no “simpler time.” — Shannon Rhoades, supervising senior editor, Weekend Edition
Last Seen: The Enduring Search by Formerly Enslaved People to Find Their Lost Families, by Judith Giesberg
In 2017, historian Judith Giesberg and her team of graduate student researchers launched a website called the “Last Seen” project. It now contains over 5,000 ads placed in newspapers by formerly enslaved people hoping to find family members separated by slavery. The ads span the 1830s to the 1920s and serve as portals “into the lived experience of slavery.” In Last Seen, her book drawn from that monumental website, Giesberg closely reads 10 of those ads placed in search of lost children, mothers, wives, siblings and comrades who served in the United States Colored Troops during the Civil War. — Maureen Corrigan, book critic, Fresh Air
Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools, by Mary Annette Pember
Mary Annette Pember, a citizen of the Red Cliff Band of Wisconsin Ojibwe and a national correspondent at ICT News, grew up in the 1950s and 1960s as her mother’s “secret confessor,” listening to fairy-tale-like stories of the horrors she endured at an assimilative boarding school. In Medicine River, Pember traces the repercussions of her mother’s maltreatment, situating her family’s story within the United States’ systemic use of education to eradicate Native cultures. Through an approach that is “part journalistic research, part spiritual pilgrimage,” Pember provides a cuttingly personal account of the history of federally funded Indian boarding schools and a moving look at how Indigenous traditions and rituals can light the path for healing. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood
Mother Emanuel: Two Centuries of Race, Resistance, and Forgiveness in One Charleston Church, by Kevin Sack
There was great symbolism when a white supremacist targeted Charleston’s Mother Emanuel African Methodist Episcopal Church, killing nine Black worshippers as a means to ignite a race war. As we learn in this deeply researched history, the congregation has been involved in the struggle for racial justice ever since it was founded in an “act of bold subversion” by enslaved and free African Americans in the 1800s. I am struck by the stories of clergy and members who fought against seemingly insurmountable odds at nearly every turn of history, truly living out their faith and believing in a better America. — Debbie Elliott, correspondent, National Desk
There Is No Place for Us: Working and Homeless in America, by Brian Goldstone
In this paradigm-shifting, immersive book, journalist and anthropologist Brian Goldstone follows five families in Atlanta who, despite working full time, struggle to stay housed amid gentrification, a lack of tenants’ rights and low wages. These families, all Black, fall into a “shadow realm” – they are not considered officially homeless by the federal government, but lack a fixed living place as they double up with friends and family, sleep in their cars, or pay exorbitant rates at extended-stay hotels. Woven throughout their stories is a trenchant exploration of how America’s disinvestment in public housing and relentless pursuit of free-market growth have fueled housing insecurity for poor working families. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood
The War of Art: A History of Artists’ Protest In America, by Lauren O’Neill-Butler
This book is about the creative – if often short-lived and not always successful – ways in which artists have fought for social change in the U.S. since the 1960s. Personal favorite: a chapter on how the scrappy video collective, Top Value Television (TVTV), changed the public’s view of political conventions. With artist-led protests once again becoming a thing – from the thousands of actors and filmmakers who recently pledged to boycott the Israeli movie industry in response to the humanitarian crisis in Gaza, to the presence of a 12-foot statue depicting President Trump and the late sex offender Jeffrey Epstein frolicking on the National Mall, this book about the past provides a powerful frame for thinking about artist-led actions today. — Chloe Veltman, correspondent, Culture Desk
We the People: A History of the U.S. Constitution, by Jill Lepore
As the U.S. approaches the 250th anniversary of its founding, it feels like an appropriate time to reflect on where we’re at as a country and how we got here. We the People, by Jill Lepore, a history and law professor at Harvard University, helps satisfy that impulse. It tells the story of the U.S. Constitution, which is among the world’s oldest constitutions. Lepore focuses on battles over amendments, which were fought not just by politicians but by ordinary Americans. The founders designed the Constitution to be amended, but it has become much more difficult to do so over the years. As the Constitution becomes harder to amend, Lepore writes, the risk of political violence becomes greater. — Milton Guevara, producer, Morning Edition and Up First
Who Is Government?: The Untold Story of Public Service, by Michael Lewis (editor)
Thousands of unsung heroes in the government are making life better for Americans. But because of bureaucracies being made up of bureaucrats, we rarely hear those stories. This book showcases them. Like a coal-mining safety official who helped the U.S. reach zero mine-collapse deaths. Or the man who has led the National Cemetery Administration to the top of the American Customer Satisfaction Index. As the federal government is in its biggest shake-up in a generation, it’s worth learning about where the bright spots are. — Darian Woods, host, The Indicator from Planet Money
This is just a fraction of the 380+ titles we included in Books We Love this year. Click here to check out this year’s titles, or browse nearly 4,000 books from the last 13 years.
Brown University
School Not To Blame For Shooting
… Masters Students Say
Published
A group of second-year master’s students at Brown University says the school should not be blamed for the on-campus shooting that killed two and injured several others.
The students, who live on and near campus and work on the east side of Providence, RI — near Brown — tell TMZ … they don’t agree with one narrative being spun that the Ivy League school is somehow to blame for the mass shooting.
AP
Instead, the students say gun control and lack of access to mental health services are the real issues here … and they say there’s nothing Brown can do to control those things.
What’s more, the students say there are overarching problems that need to be dealt with at the federal level … and they feel they weren’t the only school or group of students that’s feeling the brunt of gun violence and mass shootings.
Fox News
The students say there needs to be tough conversations about gun control policies … and they want to see investments made into making mental health facilities more accessible.
Law enforcement says former Brown student Claudio Manuel Neves Valente was the gunman … and the students we talked to say Brown shouldn’t be held at fault for a former student who harbored hate in his heart for those alongside him.
Fox News
The students say the response from university administration and officials is making them feel safe and heard … and they’re more proud than ever to be part of the Brown University community.
Aisha Harris’ pop culture superlatives include (clockwise from top left) Hedda, Marty Supreme, Serena Williams at the Super Bowl, Sabrina Carpenter’s lyrics, Love Island USA and Friendship.
Amazon, A24, Getty Images, Peacock/Photo illustration by Emily Bogle/NPR
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Amazon, A24, Getty Images, Peacock/Photo illustration by Emily Bogle/NPR
Well, 2025 has been a year. A year women on reality dating shows got fed up with “apolitical” men; a year a pair of filmmaking brothers both released solo projects about semi-famous athletes; a year a series finale ended in fecal waste. So much happened, and frankly, much of it feels like a blur.
For better or for worse, these cultural moments stood out.
Film’s nerdiest moment: “Aspect Ratios with Sinners Director Ryan Coogler”
YouTube
This Kodak video is a most perfect union of art and commerce, just like Sinners itself. In his distinctive, soothing Bay Area drawl, Coogler got super technical about the differences between each of his movie’s available formats, while breaking things down in easily digestible layperson’s terms. At a time when theater attendance continues to struggle, he made the best case for big screens, and he didn’t need existing IP to do it.
Best running joke at an awards show: “Thank you, Sal Saperstein!” The Studio
YouTube
In retrospect, host Nate Bargatze’s dreadful Boys & Girls Club donation bit at this year’s Emmys only made The Studio‘s parody of running gags on awards shows that much funnier. The bit starts when Adam Scott, playing himself, accepts a Golden Globe and impulsively thanks the guy who let him crash on the couch before his career took off: studio exec Sal Saperstein (Ike Barinholtz). Soon, every other winner – Quinta Brunson, Jean Smart, Aaron Sorkin, Zoë Kravitz – is thanking Sal, too. Most of them have no idea who Sal is. But even better is how each iteration of the corny, beaten-to-death joke eats away at Seth Rogen’s spotlight-seeking studio head Matt Remick.
Best Safdie brother feature: Marty Supreme
Josh Safdie (left) and Timothée Chalamet on the set of Marty Supreme.
A24
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A24
Benny Safdie’s The Smashing Machine is … fine: Dwayne “the Rock” Johnson, in a naked play for artistic credibility, barely has to stretch to play MMA champion Mark Kerr (the wig is doing much of the “transformation”). So in the matchup of solo Safdie bro sports movies, Josh’s Marty Supreme is the clear if imperfect victor. Timothée Chalamet’s wannabe table tennis champion is absolutely insufferable from beginning to end, but the movie bucks the typical narrative and turns out to be the frenetic tale of a cocky hustler who needs — and to a point, gets — a swift ego check.
Most awkward breakup: Huda and Chris, Love Island USA
Chris Seeley (left) and Huda Mustafa in Season 7 of Love Island USA.
Peacock
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Peacock
It was obvious to everyone with eyes that chaotic “mamacita” Huda Mustafa and blasé sleepyhead Chris Seeley were never going to happen; even they knew it. So the setting for their inevitable ending could not have been more magnificent or fitting: a romantic dinner in the middle of a candlelit pond, cordial vibes quickly descending into an exchange of various grievances. (“Why won’t you cuddle with me at night?” “Why won’t you let me get my sleep?”) Then, right in the middle of their breakup, with Huda on the verge of tears, an unnamed woman in an evening gown appeared out of nowhere, waved hello, and proceeded to serenade them with “Moon River.”
Most satisfying breakups: Sara and Ben; Virginia and Devin, Love Is Blind
Ben Mezzenga (left) and Sara Carton in Season 8 of Love Is Blind.
Netflix
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Netflix
The whole premise of Netflix’s bizzarro pod-based “social experiment” is inherently political, but Season 8 was the first in which political conflict played such an unambiguous part of the dating process that the producers presumably couldn’t downplay it through clever editing. Progressive-minded Sara Carton and Virginia Miller both spent much of their on-screen time trying to get their respective fiancés, Ben Mezzenga and Devin Buckley, to discuss issues including abortion, racial justice, and queer rights. Both men repeatedly deflected and refused to take a clear stance, any stance. It took the women far too long to heed all those “apolitical” red flags, but when they finally did and ended their relationships, it felt like a triumph.
Pettiest cameo: Serena Williams at the Super Bowl Halftime Show
Serena Williams performs onstage during the Super Bowl Halftime Show on February 9, 2025.
Emilee Chinn/Getty Images
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Emilee Chinn/Getty Images
In a most pathetic move, Drake filed a lawsuit in January against Universal Music Group, the label he shares with Kendrick Lamar, for “defamation” over “Not Like Us.” Of course, Lamar performed the song at the Super Bowl anyway — but to rub salt in the wound, he brought out fellow Angeleno (and Drake’s alleged former paramour) Serena Williams, who was briefly spotted crip walking with a cool vengeance. Surely, Drake wept. (And then wept again, when a judge dismissed his suit.)
Most ridiculous mathing: Materialists
Dakota Johnson (left) and Pedro Pascal in Materialists.
A24
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A24
Credit where it’s due: Unlike most movies, Celine Song’s romantic dramedy about a matchmaker torn between a wealthy suitor and her working-class ex isn’t interested in painting wealth and class abstractly – her script engages with actual numbers to contextualize it. (Pedro Pascal’s character’s penthouse is worth $12 million!) But one data point just doesn’t add up, and that’s Lucy’s (Dakota Johnson) matchmaker salary of $80K a year before taxes while living in a spacious one-bedroom in New York City, without parental help. How?
Best Lonely Island album: Sabrina Carpenter’s Man’s Best Friend
YouTube
If her 2024 album Short n’ Sweet was notably cheeky and teasing, like a burlesque performance by way of a pop star, Sabrina Carpenter’s Man’s Best Friend went for the broad humor of a Lonely Island-era SNL Digital Short. Nearly every track seems calibrated to be taken un-seriously, from the chintzy disco-flavored “Tears” to the yacht-rock-y “Never Getting Laid.” But the Loneliest track has to be “When Did You Get Hot?”:
Congratulations on your new improvements
I bet your light rod’s, like, bigger than Zeus’s
Hey, wait, can you lift my car with your hand?
You were an ugly kid, but you’re a sexy man
Most depressingly apt series finale: And Just Like That…
Cynthia Nixon in And Just Like That…
Craig Blankenhorn/HBO Max
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Craig Blankenhorn/HBO Max
With less than 10 minutes remaining in the conclusion of a beloved decades-long franchise, a bathroom toilet overflowed with excrement. This was caused by a very minor character who’d appeared in just five episodes total (played by Victor Garber, his talents wasted). Poor Miranda (Cynthia Nixon) spent her final full scene on her hands and knees, cleaning it up. Pretty much sums up most of the AJLT viewing experience.
Sickest musical number: Mr. Milchick and his marching band, Severance
Tramell Tillman in Severance.
Apple TV
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Apple TV
I could hardly tell you anything about the plot points in Season 2 of one of the most opaque shows currently on TV, but the pure pleasure derived from watching authoritarian manager Mr. Milchick celebrate Mark’s (Adam Scott) completion of the “Cold Harbor” file cannot be denied. It’s as if a more sinister Carlton Banks joined an HBCU marching band. Tramell Tillman earned that Emmy, and this moment is a huge reason why.
Best best friend: Nikki, Dying for Sex
Jenny Slate (left) and Michelle Williams in Dying for Sex.
Sarah Shatz/FX
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Sarah Shatz/FX
When Molly (Michelle Williams) is diagnosed with terminal cancer, she’s inspired to end her unsatisfying marriage and pursue sexual pleasure for the first time. But as much as Dying for Sex is about Molly’s journey, it’s also very honest about being a full-time caretaker, through the eyes of her best friend Nikki (Jenny Slate). Nikki’s commitment to Molly becomes a full-time job, to the point that she neglects her own career and emotional wellbeing, and the strains become evident. Slate’s performance is tremendously raw and empathetic, and the friends’ unshakable bond under the worst of circumstances is the heart of the series.
Best bromance: Dennis and Roman, Twinless
Dylan O’Brien (left) and James Sweeney in Twinless.
Roadside Attractions
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Roadside Attractions
The circumstances that allow for the budding friendship between prickly gay man Dennis (writer and director James Sweeney) and dim-yet-compassionate himbo Roman (Dylan O’Brien) are knotty and uncomfortable when eventually revealed in the movie Twinless. Yet watching this unlikely duo bond over similar traumas is a sweet and funny experience; in one of the year’s best scenes, Sweeney deploys a split screen during a house party, underlining their differing personalities while drawing them even closer together. It’s complicated but they’re connected, for better or worse.
Most diabolical bromance: Craig and Austin, Friendship
Tim Robinson (left) and Paul Rudd in Friendship.
A24
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A24
Alas, the bromance between meteorologist Austin (Paul Rudd) and marketing exec Craig (Tim Robinson) in Friendship is extremely short-lived, but the fallout is catastrophic. Cringey. Awful. Dying-from-secondhand-embarrassment. Because men like Craig — men lacking any shred of social EQ or self-awareness but still desperate to forge strong friendships, like any human — can’t handle rejection. Writer-director Andrew DeYoung has crafted one of the weirdest and most apt depictions yet of the current “male loneliness epidemic.”
Most vindictive ex: Hedda, Hedda
Tessa Thompson in Hedda.
Prime
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Prime
Given all Hedda (Tessa Thompson) is up against as a mixed-race woman born to a white father out of wedlock in mid-century England, her naked ambition to maintain a high social status can be understood. But the lengths she unabashedly goes to are ice-cold, nasty, and truly unforgivable. In one lavish evening, she tries to destroy several people’s lives, but perhaps her most humiliating deed is allowing former lover and now-rival Eileen (Nina Hoss) to enter a room full of peers — all men — while Eileen is experiencing an, *ahem* wardrobe malfunction. Thompson’s commitment to Hedda’s delicious depravity is everything.
Sweetest prayer: Wake Up Dead Man: A Knives Out Mystery
Josh O’Connor (left) and Daniel Craig in Wake Up Dead Man: A Knives Out Mystery.
Netflix
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Netflix
If you’ve seen it, you know: This is the scene. After the murder of controversial firebrand Msgr. Wicks (Josh Brolin), his noted rival Rev. Jud (Josh O’Connor) is a prime suspect and looking to clear his name. While chasing a lead, Jud ends up on the phone with a chatty construction company employee (Bridget Everett), and what begins as a mildly annoying interaction becomes a tender expression of compassion when she asks him to pray for her and a sick relative. Time to solve the murder is ticking by, but Jud is called to his duty, and he beautifully serves.
Most haunting ending: It Was Just an Accident
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The past is never dead, as the saying goes, a sentiment felt acutely throughout Jafar Panahi’s timely film about Vahid (Vahid Mobasseri), a former political captive who kidnaps someone he believes was one of his tormentors. The temptation for vengeance abounds, but Vahid and others wonder, to what end? Can past trauma be overcome or just merely subdued? The final quiet moment, after much has happened and been said, is the image of the back of Vahid’s head as he pauses in his tracks, having sensed the eerie presence of an all-too familiar sound. With the news that Panahi, a vocal critic of the Iranian government, has been given a year-long prison sentence and a two-year travel ban based on charges of propaganda, the ending echoes even louder.
And still more
A few honorable mentions for my 2025 pop culture yearbook:
Most charming misanthrope: Carol Sturka (Rhea Seehorn), Pluribus
Best inevitable death: Erik (Richard Harmon) and Bobby (Owen Patrick Joyner) via an MRI machine, Final Destination: Bloodlines
Breakout performers: Tonatiuh, Kiss of the Spider Woman; Miles Caton, Sinners
Best movie about an artist dad trying to reconnect with his estranged children: Sentimental Value
Worst bad show: All’s Fair
Doing the most with the least: Teyana Taylor, One Battle After Another
Best (and ok, only) “truthstorian”: Lee Raybon (Ethan Hawke), The Lowdown
Greatest show-within-a-show: “Teenjus,” The Righteous Gemstones
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