Lifestyle
An immersive museum in Kansas City allows kids to explore their favorite books
Lindsey Anderson sits down to read Caps for Sale by Esphyr Slobodkina to her children Orion, 6, Arthur, 4, and Thora Hoke, 1, inside the exhibit inspired by the book inside The Rabbit hOle, an immersive museum dedicated to children’s literature, in North Kansas City, Mo.
Katie Currid for NPR
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Lindsey Anderson sits down to read Caps for Sale by Esphyr Slobodkina to her children Orion, 6, Arthur, 4, and Thora Hoke, 1, inside the exhibit inspired by the book inside The Rabbit hOle, an immersive museum dedicated to children’s literature, in North Kansas City, Mo.
Katie Currid for NPR
In children’s museums around the country, there are a lot of similar exhibits: the water exploration table, the kid-sized grocery store, the colorful jungle gym. But at The Rabbit hOle, an innovative and immersive museum dedicated to children’s literature that opened on March 12 in North Kansas City, Mo., you won’t find those things, which is exactly what co-founder Pete Cowdin intended.
“There’s so much repetition, there’s so much sameness, because most of the exhibits and most of the museums around the country for children are built by a handful of design companies,” Cowdin says. “All those things are fine, but I do think that there’s room for a different kind of experience.”
Cowdin co-founded The Rabbit hOle with his wife, Deb Pettid, after years as booksellers and owners of a beloved Kansas City children’s bookstore, the Reading Reptile. Now, the two are leading a revolutionary space in a 150,000-square-foot former warehouse, employing over 20 full-time artists and fabricators to bring children’s books to life in interactive exhibits.
Casey Sackin explores the entrance to the museum.
Katie Currid for NPR
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Casey Sackin explores the entrance to the museum.
Katie Currid for NPR
A mouse on a bike from the book Anatole, by Eve Titus, rides around a display of Paris.
Katie Currid for NPR
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A mouse on a bike from the book Anatole, by Eve Titus, rides around a display of Paris.
Katie Currid for NPR
“We want to bring more critical culture to children’s literature,” Cowdin says, “not in a way to tear it down, but to call up the things that are actually taking away from the art of picture book making or the art of creating literature for young people.”
The museum has the rights to over 70 works from the last century of children’s literature, and works with the writers and illustrators or the estates of those books to bring them to life in unique and interactive exhibits. The museum features exhibits based on well-known children’s classics like Where the Sidewalk Ends by Shel Silverstein, Curious George by H.A. and Margret Rey, Madeline by Ludwig Bemelmans, and, perhaps most popular, a recreation of the actual room from Goodnight Moon, the book written by Margaret Wise Brown and illustrated by Clement Hurd, where children and adults alike can explore the great green room.
Neon rabbit signs adorn the top of the building housing The Rabbit hOle.
Katie Currid for NPR
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Neon rabbit signs adorn the top of the building housing The Rabbit hOle.
Katie Currid for NPR
Madelyn Williams, 20 months, leads her mother, Nancy, through the kitchen from Blueberries for Sal, by Robert McCloskey.
Katie Currid for NPR
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Madelyn Williams, 20 months, leads her mother, Nancy, through the kitchen from Blueberries for Sal, by Robert McCloskey.
Katie Currid for NPR
But the museum also features lesser-known children’s books, such as Perez and Martina, a story based on a Puerto Rican folk tale by Pura Belpré and illustrated by Carlos Sanchez, or Uptown, by the late John Steptoe, which brings a storefront from Harlem to life, created in collaboration with Steptoe’s children.
“It’s our mission to inspire the reading lives of children and adults,” says Emily Hane, The Rabbit hOle’s development and grant manager. “We want to be a place where kids can really discover the types of stories that they like that they’ve maybe never been exposed to before — whether it’s because they’ve never seen a picture book with a kid who looks like them, or heard cultural stories that might resonate with their own household.”
Left: Cal Kreiling, 16 months, watches a mouse on a bike from the book Anatole. Right: Parker Crawford, 18 months, knocks on the door to a tree inside the museum.
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Left: Cal Kreiling, 16 months, watches a mouse on a bike from the book Anatole. Right: Parker Crawford, 18 months, knocks on the door to a tree inside the museum.
Katie Currid for NPR
In the museum, patrons enter through a burrow and rabbit hole, and can play in the kitchen from Robert McCloskey’s Blueberries for Sal, or take a nap against the tree from Esphyr Slobodkina’s Caps for Sale. They can then pick up the book the exhibit inspired and enjoy the pages they’ve seen brought to life. Cowdin says kids are really the leaders in the space.
“We’re not telling parents and children how to use the space and what they should [do], we’re asking them to explore, and to find the books that are there and to find the exhibits and to experience exhibits and then to come together again around the book to read the book,” says Cowdin. “The whole goal of the project is to bring young people — but also parents and educators — closer to the story.”
The museum was inspired by places like the City Museum in St. Louis or art installation Meow Wolf, which make art-forward spaces that don’t have a “right” or “wrong” way to interact with the exhibits.
Patrons peruse books inside the bookstore of The Rabbit hOle.
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Patrons peruse books inside the bookstore of The Rabbit hOle.
Katie Currid for NPR
Left: Fabricator Gen Goering paints the walls of an exhibit before the museum opened to the public. Right: Rabbit feet and arrows mark the sidewalks outside of The Rabbit hOle.
Katie Currid for NPR
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Left: Fabricator Gen Goering paints the walls of an exhibit before the museum opened to the public. Right: Rabbit feet and arrows mark the sidewalks outside of The Rabbit hOle.
Katie Currid for NPR
“If all we did was make a beautiful place for children, it would be rare, honestly,” says Cowdin. “We’ve done more than that and we’ll continue to build on that.”
On top of the book exhibits, The Rabbit hOle also features a bookstore and will soon host author talks and open a room for making crafts based on the museum’s exhibits. The museum also has plans to open a resource library for educators and scholars, and will also have rotating exhibit spaces and a story and print lab, with room to host residencies for authors and illustrators.
“Whenever you’re talking about children’s culture, there is this [idea of], ‘Oh, it’s good enough. It’s for kids, you know, just make it cheap. They don’t really deserve anything beautiful’,” says Hane. “And that’s the exact opposite of how The Rabbit hOle feels. We believe that kids deserve something beautiful. Yeah, it’s going to be durable. Yeah, we’re going to be able to sterilize it and clean it and everything. But just because it’s for children, doesn’t mean it is a lesser art form.”
A team of fabricators work on the exhibit inspired by the book Everybody Needs a Rock by Byrd Baylor in January, before the museum opened to the public.
Katie Currid for NPR
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A team of fabricators work on the exhibit inspired by the book Everybody Needs a Rock by Byrd Baylor in January, before the museum opened to the public.
Katie Currid for NPR
The museum features an exhibit bringing to life the room from the classic children’s book Goodnight Moon, written by Margaret Wise Brown and illustrated by Clement Hurd.
Katie Currid for NPR
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Katie Currid for NPR
The museum features an exhibit bringing to life the room from the classic children’s book Goodnight Moon, written by Margaret Wise Brown and illustrated by Clement Hurd.
Katie Currid for NPR
Katie Currid is a photographer based in Kansas City.
Lifestyle
L.A. Times Concierge: ‘Our anniversary trip to Paris fell through! Help us plan an L.A. escapade that feels special’
My husband and I celebrate our 40th wedding anniversary in April! Years ago we planned to go to Paris (as we did on our 25th), but now our 17-year-old dog can’t be left alone with a dog sitter for that long. And look, our cat is 15! Any recommendations for a special dinner (we live in the Pasadena/Highland Park area) and maybe a little escapade where we would only be gone for shorter bursts? Hints: We love theater, movies, the beach, laughing and food that is divine, but not so rich you can’t stand up after. I also can’t eat dairy. — Diane Kelber
Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.
Here’s what we suggest:
First and foremost, congratulations on 40 years of marriage! That’s a milestone definitely worth celebrating. Also, I hear you on not wanting to leave your dog for an extended period of time. Although you won’t be able to make it to Paris this time, hopefully we can bring glimpses of the romantic city to you here in L.A. I’ve compiled a list of spots for you to create your own adventure.
If you look closely enough, you can find slices of Europe in L.A. Or as my colleague Christopher Reynolds once put it, places that aim to “feed travel dreams or remind someone of home.” A prime example of this are the many French restaurants in the city where you can indulge in as many macarons, steak frites and beef bourguignon as you’d like. Two standout spots are Camélia and Pasjoli, both featured on the L.A. Times list of 101 Best Restaurants. Located in the downtown Arts District, Camélia merges French and Japanese cuisines. On the menu is uni pasta, hanger steak au poivre and a dry-aged burger with fries, which restaurant critic Bill Addison says doesn’t require any twists because “it’s simply a fantastic burger.”
Restaurant critic Jenn Harris says the Santa Monica-based Pasjoli “straddles the line between destination dining and the kind of neighborhood restaurant everybody wants to have down the street.” The eatery is best known for its tableside pressed duck, which the chef prepares in a theatrical fashion during dinner service. But if you’re not into duck, there are several other popular dishes on the menu, including French onion soup, steak frites, sole meuniere and what Harris calls “the best grilled cheese sandwich in the known universe” (though this might be a better option for your husband).
If you prefer a more laid-back vibe that makes you feel like you’ve been teleported to Saint-Germain-des-Prés in Paris, check out Figaro Bistrot in Los Feliz. As I wrote in a guide about neighborhood, the restaurant embodies the Parisian way of dining: guests linger over wine and good conversation.
Another L.A. spot that is reminiscent of Europe is the the Getty Center in Brentwood. Designed by architect Richard Meier, the sprawling hilltop complex is gleaming with manicured gardens, breathtaking city views and a museum, making it the perfect backdrop for a romantic date. Bring a blanket, your favorite snacks and have a picnic on the lawn near the central garden. The best part is that it’s free to visit (though reservations are required and parking rates vary depending on the time of day). For a more intimate experience, check out the Getty Villa in Malibu, modeled after the Villa dei Papiri in Herculaneum, Italy.
For a picturesque date that feels like you’ve been plopped onto a movie set, consider the Gondola Getaway in Long Beach. Here, a gondolier takes you on a loop around an enchanting residential Naples Island. Years ago, I went on a date there and I’ve been wanting to go back ever since.
Now for some rapid fire recommendations: Since you’re into theater, my colleague Lisa Boone suggests the Pasadena Playhouse, a Tony Award-winning theater, which is close to home for you. Times outdoors reporter Jaclyn Cosgrove also recommends drinks and dinner on the charming balcony at Checker Hall in Highland Park. Afterward, you can check out a live show next door at the Lodge Room. And because you love laughing, consider checking out Hollywood Improv, which hosts multiple events throughout the week.
Now, I know that these experiences aren’t Paris, but I hope they might help bring you and your husband a bit of what travelers feel when they’re there: excitement, adventure, passion and most importantly love. And when you’re with that special someone, I think you can capture those emotions no matter where you are. Happy anniversary!
Lifestyle
Country Joe McDonald, anti-war singer who electrified Woodstock, dies at 84
Singer Joe McDonald sings during the concert marking the 40th anniversary of the Woodstock music festival on Aug. 15, 2009 in Bethel, New York. McDonald has died at age 84.
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Country Joe McDonald, the singer-songwriter whose Vietnam War protest song became a signature anthem of the 1960s counterculture, has died at 84.
McDonald died on Saturday in Berkeley, Calif., according to a statement released by a publicist. His health had recently declined due to Parkinson’s disease.
Born in 1942, in Washington, D.C., he grew up in El Monte, Calif., outside Los Angeles, according to a biography on his website. As a young man he served in the U.S. Navy before turning to writing and music during the early 1960s, eventually becoming involved in the political and cultural ferment of the Bay Area.
In 1965 he helped form the band Country Joe and the Fish in Berkeley. The group became part of the emerging San Francisco psychedelic music scene, blending folk traditions with electric rock and pointed political commentary.
The band’s best-known song, “I-Feel-Like-I’m-Fixin’-to-Die Rag,” captured the growing anti-war sentiment of the Vietnam era. With its ragtime-influenced rhythm and sharply satirical lyrics about war and political leadership, the song quickly became associated with protests against the conflict.

McDonald delivered the song to some half a million people at the 1969 Woodstock festival in upstate New York. Performing solo, he led the crowd in a form of call-and-response before launching into the anti-war anthem, turning the performance into one of the defining scenes of the festival.
Country Joe and the Fish released several recordings during the late 1960s and toured widely, becoming closely identified with that era’s West Coast rock and protest movements.
McDonald later continued performing and recording as a solo artist, recording numerous albums across a career that spanned more than half a century. His work drew variously from folk, rock and blues traditions and often reflected his long-standing interest in political and social issues.
Although he became widely known for his opposition to the Vietnam War, McDonald frequently emphasized respect for those who served in the U.S. military. After his own service in the Navy, he remained engaged with veterans’ issues and occasionally performed at events connected to veterans and their experiences, according to his website biography.
Lifestyle
Country Singer Maren Morris Tells Donald Trump Supporters ‘You Voted For This’
Maren Morris to Trump Voters
You Got Bamboozled!!!
Published
Country music star Maren Morris is speaking her mind about what she sees as the failures of the Trump administration, and she doesn’t care if she loses fans over it.
According to Maren Morris, if you supported Donald Trump in his presidential elections, you voted for a “dementia ridden, diaper clad, cornball” and “you got bamboozled.”
Not only that … she doesn’t feel bad for the MAGA faithful who may feel disillusioned by their leader.
In a TikTok posted Friday, she said, “The is literally the result of ploying and voting for losers.”
Morris has expressed her dismay at music becoming so political since she’s jumped onto the scene — something she’s benefitted from due to songs like “My Church” — but she’s clearly not shy about her views.
“If you don’t agree with me … you can’t enjoy my music because of my viewpoints? You’re absolutely allowed to do that,” she said. “But I am only here for an iteration of revolutions around the sun, a couple, and so I do feel like I have sacrificed a lot of my mental health, my financial standing, my family, just because I am so deeply concerned and uncomfortable with the weird status quo of country music.”
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