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An immersive museum in Kansas City allows kids to explore their favorite books

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An immersive museum in Kansas City allows kids to explore their favorite books

Lindsey Anderson sits down to read Caps for Sale by Esphyr Slobodkina to her children Orion, 6, Arthur, 4, and Thora Hoke, 1, inside the exhibit inspired by the book inside The Rabbit hOle, an immersive museum dedicated to children’s literature, in North Kansas City, Mo.

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Lindsey Anderson sits down to read Caps for Sale by Esphyr Slobodkina to her children Orion, 6, Arthur, 4, and Thora Hoke, 1, inside the exhibit inspired by the book inside The Rabbit hOle, an immersive museum dedicated to children’s literature, in North Kansas City, Mo.

Katie Currid for NPR

In children’s museums around the country, there are a lot of similar exhibits: the water exploration table, the kid-sized grocery store, the colorful jungle gym. But at The Rabbit hOle, an innovative and immersive museum dedicated to children’s literature that opened on March 12 in North Kansas City, Mo., you won’t find those things, which is exactly what co-founder Pete Cowdin intended.

“There’s so much repetition, there’s so much sameness, because most of the exhibits and most of the museums around the country for children are built by a handful of design companies,” Cowdin says. “All those things are fine, but I do think that there’s room for a different kind of experience.”

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Cowdin co-founded The Rabbit hOle with his wife, Deb Pettid, after years as booksellers and owners of a beloved Kansas City children’s bookstore, the Reading Reptile. Now, the two are leading a revolutionary space in a 150,000-square-foot former warehouse, employing over 20 full-time artists and fabricators to bring children’s books to life in interactive exhibits.

Casey Sackin explores the entrance to the museum.

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Casey Sackin explores the entrance to the museum.

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A mouse on a bike from the book Anatole, by Eve Titus, rides around a display of Paris.

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A mouse on a bike from the book Anatole, by Eve Titus, rides around a display of Paris.

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“We want to bring more critical culture to children’s literature,” Cowdin says, “not in a way to tear it down, but to call up the things that are actually taking away from the art of picture book making or the art of creating literature for young people.”

The museum has the rights to over 70 works from the last century of children’s literature, and works with the writers and illustrators or the estates of those books to bring them to life in unique and interactive exhibits. The museum features exhibits based on well-known children’s classics like Where the Sidewalk Ends by Shel Silverstein, Curious George by H.A. and Margret Rey, Madeline by Ludwig Bemelmans, and, perhaps most popular, a recreation of the actual room from Goodnight Moon, the book written by Margaret Wise Brown and illustrated by Clement Hurd, where children and adults alike can explore the great green room.

Neon rabbit signs adorn the top of the building housing The Rabbit hOle.

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Neon rabbit signs adorn the top of the building housing The Rabbit hOle.

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Madelyn Williams, 20 months, leads her mother, Nancy, through the kitchen from Blueberries for Sal, by Robert McCloskey.

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Madelyn Williams, 20 months, leads her mother, Nancy, through the kitchen from Blueberries for Sal, by Robert McCloskey.

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Katie Currid for NPR

But the museum also features lesser-known children’s books, such as Perez and Martina, a story based on a Puerto Rican folk tale by Pura Belpré and illustrated by Carlos Sanchez, or Uptown, by the late John Steptoe, which brings a storefront from Harlem to life, created in collaboration with Steptoe’s children.

“It’s our mission to inspire the reading lives of children and adults,” says Emily Hane, The Rabbit hOle’s development and grant manager. “We want to be a place where kids can really discover the types of stories that they like that they’ve maybe never been exposed to before — whether it’s because they’ve never seen a picture book with a kid who looks like them, or heard cultural stories that might resonate with their own household.”

Left: Cal Kreiling, 16 months, watches a mouse on a bike from the book Anatole. Right: Parker Crawford, 18 months, knocks on the door to a tree inside the museum.

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Left: Cal Kreiling, 16 months, watches a mouse on a bike from the book Anatole. Right: Parker Crawford, 18 months, knocks on the door to a tree inside the museum.

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In the museum, patrons enter through a burrow and rabbit hole, and can play in the kitchen from Robert McCloskey’s Blueberries for Sal, or take a nap against the tree from Esphyr Slobodkina’s Caps for Sale. They can then pick up the book the exhibit inspired and enjoy the pages they’ve seen brought to life. Cowdin says kids are really the leaders in the space.

“We’re not telling parents and children how to use the space and what they should [do], we’re asking them to explore, and to find the books that are there and to find the exhibits and to experience exhibits and then to come together again around the book to read the book,” says Cowdin. “The whole goal of the project is to bring young people — but also parents and educators — closer to the story.”

The museum was inspired by places like the City Museum in St. Louis or art installation Meow Wolf, which make art-forward spaces that don’t have a “right” or “wrong” way to interact with the exhibits.

Patrons peruse books inside the bookstore of The Rabbit hOle.

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Patrons peruse books inside the bookstore of The Rabbit hOle.

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Left: Fabricator Gen Goering paints the walls of an exhibit before the museum opened to the public. Right: Rabbit feet and arrows mark the sidewalks outside of The Rabbit hOle.

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Left: Fabricator Gen Goering paints the walls of an exhibit before the museum opened to the public. Right: Rabbit feet and arrows mark the sidewalks outside of The Rabbit hOle.

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“If all we did was make a beautiful place for children, it would be rare, honestly,” says Cowdin. “We’ve done more than that and we’ll continue to build on that.”

On top of the book exhibits, The Rabbit hOle also features a bookstore and will soon host author talks and open a room for making crafts based on the museum’s exhibits. The museum also has plans to open a resource library for educators and scholars, and will also have rotating exhibit spaces and a story and print lab, with room to host residencies for authors and illustrators.

“Whenever you’re talking about children’s culture, there is this [idea of], ‘Oh, it’s good enough. It’s for kids, you know, just make it cheap. They don’t really deserve anything beautiful’,” says Hane. “And that’s the exact opposite of how The Rabbit hOle feels. We believe that kids deserve something beautiful. Yeah, it’s going to be durable. Yeah, we’re going to be able to sterilize it and clean it and everything. But just because it’s for children, doesn’t mean it is a lesser art form.”

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A team of fabricators work on the exhibit inspired by the book Everybody Needs a Rock by Byrd Baylor in January, before the museum opened to the public.

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A team of fabricators work on the exhibit inspired by the book Everybody Needs a Rock by Byrd Baylor in January, before the museum opened to the public.

Katie Currid for NPR

The museum features an exhibit bringing to life the room from the classic children’s book Goodnight Moon, written by Margaret Wise Brown and illustrated by Clement Hurd.

Katie Currid for NPR


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The museum features an exhibit bringing to life the room from the classic children’s book Goodnight Moon, written by Margaret Wise Brown and illustrated by Clement Hurd.

Katie Currid for NPR

Katie Currid is a photographer based in Kansas City.

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Lifestyle

Sunday Puzzle: A test of WI-T

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Sunday Puzzle: A test of WI-T

On-air challenge

Today’s puzzle is a test of wit. Every answer is a familiar two-word phrase or name in which the first word starts WI- and the second word starts with T-. (Ex. Tricky puzzle –> WIT TWISTER)

1. Large plant with a “weeping” variety

2. Swiss hero who shot an arrow off his son’s head

3. Event for visitors at a vineyard

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4. Third molar

5. Narrow passageway with rushing air

6. Thanksgiving bird that’s not grown on a farm

7. Part of a men’s dress shoe

8. Thick, wide triangular knot with a royal name

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9. Money sent from bank to bank

10. Illegal effort to influence testimony in court

11. 1690s events in Salem, Mass.

12. Late Shakespeare romance set in Sicily (with “The”)

13. Curtains or blinds, for example

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14. What a Lotto player hopes to hold

Last week’s challenge

This week’s challenge comes from Steve Baggish, of Arlington, Mass. Take the 10-letter name of a popular TV series for which most of its seasons have been filmed in a foreign country.  Remove the first and last letters, and the remaining letters can be rearranged to spell the name of a country.  What are the two names?

Challenge answer

Love Island, Slovenia

Winner

John Dudley of Winston Salem, N.C.

This week’s challenge

This week’s challenge comes from my New York Times colleague Sam Ezersky. Take the name of a popular 21st-century film with animals, in eight letters. Remove the first and last letters, then change one of the remaining six letters to a C, to spell a plural word for certain animals. What words are these?

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If you know the answer to the challenge, submit it below by Thursday, July 23 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.

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‘Baldmaxxing:’ Why a growing number of men are embracing baldness (CT+) : Consider This from NPR

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‘Baldmaxxing:’ Why a growing number of men are embracing baldness (CT+) : Consider This from NPR

An entire industry is built around men hanging onto their hair — pills, foams, transplants, expensive treatments.  

For a long time, the general assumption was that if a man noticed he was going bald, he’d do everything he could to stop or hide that fact.  

These days, that doesn’t seem to be the case.  

Consider This host Scott Detrow talked with Harry James, the self-proclaimed “CEO of baldmaxxing,” about the movement to embrace baldness. 

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To unlock this and other bonus content — and listen to every episode sponsor-free — sign up for NPR+ at plus.npr.org. Regular episodes haven’t changed and remain available every weekday. 

Email us at considerthis@npr.org

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How to have the best Sunday in L.A., according to Mary Steenburgen

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How to have the best Sunday in L.A., according to Mary Steenburgen

Mary Steenburgen moved to California to work with Jack Nicholson.

It was 1977, and Steenburgen — an Arkansas native — had been waiting tables in New York at night while studying acting with Sandy Meisner at the Neighborhood Playhouse during the day. She’d been pounding the pavement for about seven years, she says, when her “overnight moment came” and she was called in to read for a film Nicholson was both directing and starring in called “Goin’ South.”

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In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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Getting the role, Steenburgen says, changed her life in every way. “I flew out [to film] and had an amazing introduction to the town,” she explains. “I lived at the Chateau Marmont and went to Paramount Studios every day, where [Nicholson] would screen movies for me and then come in at the end to give me a little film-slash-acting lecture about each one. It really helped me get ready to dive into the big leagues.”

Though she spent some years in an old Ojai farmhouse in the 1980s raising her kids with former husband Malcolm McDowell, she’s always had a base of operations here in L.A. She shares her L.A. abode now with husband Ted Danson, whom she married in 1995 and with whom she’s starred in numerous projects, including the Netflix series “A Man on the Inside.” L.A. is also where she filmed her latest movie, “The Dink,” an Apple TV comedy centered on one of her favorite pastimes: pickleball.

Here’s how Steenburgen would spend her perfect, pickleball-filled Sunday in Los Angeles.

This interview has been edited for length and clarity.

5:30 a.m.: Early morning meditation and mental exercise

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We always wake up early. After so many years of going to work at 5 in the morning, we always wake up between 5 and 6 now.

We’re morning meditators, or we try to be since our dog [Blue] just sits on our laps and stares at us until he’s been fed. Then we have to do all the New York Times games, and then I’ll try and find a pickleball game. We love Spelling Bee. We have to get to Genius, at least. Occasionally we’ll get to Queen Bee, but if we don’t get to at least Genius, then my day is ruined.

If my husband and I are working that week, whoever’s not working will have to run lines with the one who is. So we’ll generally spend a few hours doing that in the morning, too.

8:30 a.m.: Light gardening

I love my garden. A lot of it was hand-planted by me. Not the big trees — someone else planted those — but everything else, like the ground cover and smaller plants, I did. So I’ll spend a little time out there, too.

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I like to go to Armstrong Garden Centers. They hire very knowledgeable people there. When I first started planting my garden — I live on a hill and it was all dirt back there and not everything grows well that way so I was looking for ground cover that would grow quickly but also didn’t mind a hillside. The people at Armstrong knew the answer, and they were great.

10 a.m.: Pickleball-palooza

I try to play pickleball for at least two hours a day, if I can. I try to find a game with friends, or I’ll go and play in different parks.

This morning, I played at a friend’s house. She has a beautiful tennis court and they put tape down on it so we can use it for pickleball, too. I played with her daughter and her friend.

I also have a pickleball coach and sometimes we’ll go play at this place called Pickle Pop that’s on the Third Street Promenade. Other times, I’ll play at the Santa Monica Pickleball Center.

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My son just brought eight members over from [one of] London’s biggest pickleball club[s], Lemon Pickleball, and they all stayed with me. We played all over the place and we had so much fun. They loved Southern California, and seeing it through their eyes made me love it even more.

On their last night here, I called a wonderful family I know that cooks fantastic Mexican food, because I knew [the Brits] hadn’t ever really experienced great Mexican food. I met them because they’re set up every weekend in the parking lot at Rustic Coffee [in Santa Monica]. They’re lovely folks. So they came over and cooked, and we had a wonderful night for the Brits, putting up all kinds of lights and decorations too.

12:30 p.m.: Magical brunch with the grandkids

We go to Kreation a lot for lunch, just because it’s nice and it’s very healthy. I was just there yesterday with my granddaughters, after we all played Pickleball.

Actually, this weekend we all went to the Magic Castle together, too. I hadn’t been for decades and two of my five grandkids were here, and they’d never been either. Mostly it’s no kids at the Magic Castle but on weekends they do a brunch where kids can come so we went to that. The last magician in the show even called my granddaughter up on stage to be a sort of assistant, and it was very cute.

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3 p.m.: Hiking with the dog

Because we work a lot and our days often belong to someone else from early in the morning until pretty late at night, weekends are more laid back.

We like to go on hikes and walks around Santa Monica. We have this big Australian Shepherd and we take him for long, slow walks. They’re slow because he has to say hello to every dog and person along the way — especially babies, who are his absolute favorite.

There’s something magical about my dog, I think. People will say, “Oh, my dog hates all dogs” and then my dog pulls me over and the dog that hates all dogs just melts. It’s like he calms other dogs. He even calms people that think they don’t like dogs. I know I’m very prejudiced, but I’m also very proud.

6 p.m.: Breakfast (or Goop) for dinner

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We’re big on breakfast for dinner, so maybe we’d have some poached eggs on toast or poached eggs on creamed spinach.

If we order in, we might get food from Goop Kitchen. They have so many healthy, fantastic choices. Even their pizzas are pretty healthy.

8:30 p.m.: TV in bed

Sometimes I read a book at night, but we also have a show we absolutely love to go to sleep to, even if you’re not supposed to do that. It’s this British game show called “Would I Lie to You?” and unfailingly it makes me laugh. I’ve seen every single episode — some of them twice — and I like to go to sleep laughing.

I also just said to Ted that I think we’re going to have to start “Cheers” again soon. We just lost our friend Jimmy Burrows, who was a magnificent human and so important to Ted’s whole career, and one of the great things about watching “Cheers” is, if you know Jimmy’s laugh, you can actually pick it out multiple times during each episode.

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It’s been a long time since we’ve watched “Cheers,” and it honestly never gets old. I first watched it in Ojai when I was married and had young children. We would watch it with our best friends on Thursday nights, like everybody would go down to their house in their pajamas and we’d watch “Cheers” and then I’d come home to put the kids to bed. Then, when I was going through my divorce I would watch it at 10 o’clock at night because I was very lonely and it was the thing that cheered me up at the end of the day during a hard time in my life. Little did I know that one day I’d be sleeping with Sam Malone.

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