Lifestyle
'After Midnight' host Taylor Tomlinson is ready to joke about her bipolar II. Mostly
Taylor Tomlinson says her on stage presence isn’t a persona or a character: “It’s just the best version of me.”
Netflix
hide caption
toggle caption
Netflix
Comic Taylor Tomlinson was just 16 when she caught the stand-up bug. That’s when she started performing at open mics in church basements in Orange County, Calif., where she grew up.
“It’s not a cool story,” Tomlinson says. “But … church audiences are very supportive — as long as you don’t say anything dark, edgy or blue.”
Over the years, Tomlinson’s material has shifted, with topics ranging from the perils of dating on apps to finding out she has bipolar II disorder. Though she was initially unsure about talking about her own mental health on stage, she says it’s helped her connect with the audience.

“I got such amazing feedback from people who had been struggling with their mental health, … how it made them feel seen and less alone and made them feel better about their own journey,” Tomlinson says.
Tomlinson describes her on-stage presence as “the sharpest, quickest, wittiest, most confident version” of herself: “When I started doing stand-up in high school, it felt like more of a persona, … like the version of myself that I knew I could be and wanted to become, but wasn’t yet,” she says. “And I think over the years, who I am off stage and who I am on stage have come together where I do feel that I am the same person everywhere.”
Earlier in the year, Tomlinson became the youngest ever late-night host. Her CBS show, After Midnight, has been described as a game show that centers on internet culture. Tomlinson also has three stand-up specials on Netflix: Quarter-Life Crisis, Look at You and Have It All. She’ll soon be traveling the country with her Save Me tour.
Interview highlights
On losing her mother to cancer when she was a child and how that affected her path to comedy
I’m not saying that everybody in comedy or any creative person has to come from this dark place and the only way you’re funny is if you have a darkness about you. I don’t think that’s true. But for me, that changed who I was and who I was going to become. And it changed my sense of humor. And it made me try really hard to prove myself in a way that I don’t think I would have if she were still alive. Because after you lose a parent, you’re still trying to impress them, and you’re still trying to be somebody that they would have liked and respected and loved and been proud of. And you’re hoping other people who knew them tell you that. …
I do rely on other people’s accounts of her, because there’s only so much you remember when you lose somebody at 8 years old. … Like my aunt has said to me, “Oh, your expressions on stage will remind me of her.” … And that means so much to me. And growing up, I wanted to be a writer before I wanted to be a comedian. And they would say, “Your mom was such a great writer.” And there’s so many ways I’m not like her. Like she was an extrovert. She was very bubbly. She was very charismatic. She was gorgeous. … I don’t think I shine brightly as she does and I, in a weird way, feel like my becoming a comedian and a professionally creative person and a writer is like my way of honoring the potential that was wasted by the universe taking her.
On why she left the church after her mom died

I had been told if you believe and pray and stay faithful, God will answer your prayers. And we had so many people praying for [my mom] and she believed she was going to get better. And so to watch your mom die of cancer, even while everybody gathers around her and lays hands on her and supports her and prays for her and then for them to turn around and go, “Well, God did heal her. He just healed her in a different way. She’s healed in heaven.” And I was like, whoa, OK. Like, the rewrite on that is crazy. It made me question everything. And slowly over the next 10 years, I felt like I was struggling to stay in it the whole time I was growing up, and I just felt like I was a bad Christian because I didn’t, in my heart, agree with everything.
On being diagnosed with bipolar II disorder
I tried so many antidepressants and they weren’t working for me, and I was having terrible side effects. … It was certainly a years-long process trying to find what worked for me.

Then when I finally did find what worked for me, I sort of worked backwards from that and was like, oh, this makes sense. … I had so much shame around that diagnosis when I first got it, and I was embarrassed that I felt ashamed because I’ve never judge anybody else who had it. But when it’s you, it’s somehow different, which is why I started writing jokes about it.
On deciding to joke about having bipolar
I remember my therapist said to me, “Maybe we don’t talk about this on stage.” And I was like, “I’ve already done it.” … Once you write one joke and it hits and you really like the joke, you’re like, well, it’s got to go in the act. … But when I filmed [Have It All], I felt great about those jokes and then in the months waiting for it to come out, I started panicking and was like, Oh no, I can’t un-share any of this.

Over the years, I’ve gotten better about editing myself and deciding what is going to go in the act and what I’m just going to keep private. But it’s a lot of trial and error. … The guiding light for me has been even if something kills on stage, do I feel good telling it every night, or do I dread that bit coming up? I have done jokes about very personal things that I took out of the act because I was dreading getting to that part of the hour every night, and I was like, ooh, that’s probably a sign that I’m not ready to talk about this yet. … I also run jokes by family members and friends before I do them, because a joke is not worth destroying a relationship, in my opinion.
Heidi Saman and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
What worked — and what didn’t — in the ‘Stranger Things’ finale
Sadie Sink as Max Mayfield.
Netflix
hide caption
toggle caption
Netflix
Yes, there are spoilers ahead for the final episode of Stranger Things.
On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.
Worked: The final battle
The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!
Did not work: Too much talking before the fight
As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.
Worked: Dungeons & Dragons bringing the group together
It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.
Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.
Netflix
hide caption
toggle caption
Netflix
Did not work: Dr. Kay, played by Linda Hamilton
It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.


Worked: Needle drops
Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.
Did not work: The non-ending
As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?
This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.
Lifestyle
The Best of BoF 2025: Conglomerates, Controversy and Consolidation
Lifestyle
Sunday Puzzle: P-A-R-T-Y words and names
On-air challenge
Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y. For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.
1. Colors
2. Major League Baseball Teams
3. Foreign Rivers
4. Foods for a Thanksgiving Meal
Last week’s challenge
I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?
Challenge answer
It was a volume of an encyclopedia with entries from OUT- to SEA-.
Winner
Mark Karp of Marlboro Township, N.J.
This week’s challenge
This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?
If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
-
Entertainment1 week agoHow the Grinch went from a Yuletide bit player to a Christmas A-lister
-
Connecticut1 week agoSnow Accumulation Estimates Increase For CT: Here Are The County-By-County Projections
-
World6 days agoHamas builds new terror regime in Gaza, recruiting teens amid problematic election
-
Indianapolis, IN1 week agoIndianapolis Colts playoffs: Updated elimination scenario, AFC standings, playoff picture for Week 17
-
Southeast1 week agoTwo attorneys vanish during Florida fishing trip as ‘heartbroken’ wife pleads for help finding them
-
Business1 week agoGoogle is at last letting users swap out embarrassing Gmail addresses without losing their data
-
World1 week agoSnoop Dogg, Lainey Wilson, Huntr/x and Andrea Bocelli Deliver Christmas-Themed Halftime Show for Netflix’s NFL Lions-Vikings Telecast
-
World1 week agoBest of 2025: Top five defining moments in the European Parliament