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A look at the life of the singular Quincy Jones : Consider This from NPR

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A look at the life of the singular Quincy Jones : Consider This from NPR

Music producer and Ahmet Ertegun Award recipient Quincy Jones attends the Rock and Roll Hall of Fame 2013 Inductees announcement at Nokia Theatre L.A.

Kevin Winter/Getty Images


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Music producer and Ahmet Ertegun Award recipient Quincy Jones attends the Rock and Roll Hall of Fame 2013 Inductees announcement at Nokia Theatre L.A.

Kevin Winter/Getty Images

Quincy Jones, the famed music producer who helped artists dominate popular music for half a century, has died.

His publicist says he passed away peacefully at his home in California. He was 91 years old.

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NPR’s Walter Ray Watson described Jones’ talent as one that produced music that hooked ears, warmed hearts and moved feet to dance.

Along with Michael Jackson, he broke open the pop music world with production on songs like Bad, Billie Jean, and Rock with You. His contributions had more than a hundred million records sold, including Thriller, the best selling album of all time.

It might be hard to imagine now, but record execs doubted whether Quincy Jones was the right fit to produce Michael Jackson’s debut as a solo adult artist.

An unlikely success story

Born Quincy Delight Jones Jr., he was the son of a Chicago carpenter and a housewife mother, who sang church songs at home.

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Jones faced gang violence as a child of the Great Depression. And at age 10, his family moved to Seattle, where his dad joined the war effort, working in a shipyard.

“Gangsters. Lot of them are gangsters. Back in the thirties, it was all I ever saw with machine guns,” was how he described his Chicago neighborhood growing up in a 2008 interview with NPR’s Michele Norris.

As a kid, he was a ringleader of mischief. And one day with a bunch of boys, he targeted a roomful of freshly baked pies at a rec center. They broke in, ate all the pies. Then Jones opened a door.

“And I saw – in the shadows, I saw a piano. Then I almost closed the door, and then something deep inside me said, ‘Open the door again.’ And I went back into the room and slowly went over to that piano, and I felt the goose bumps and everything.”

That changed his life, he said. By high school, Jones picked up the trumpet. Soon after, he gained a lifelong friend in a blind 16-year-old pianist named Ray Charles.

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You’re reading the Consider This newsletter, which unpacks one major news story each day. Subscribe here to get it delivered to your inbox, and listen to more from the Consider This podcast.

A musical superpower

Jones was still a teenager when he was hired by legendary vibraphonist and band leader Lionel Hampton. His talents opened the door, and his skills took him everywhere.

After producing and scouting for some of the biggest talent in the industry, Mercury Records promoted Quincy Jones to an executive, a first for a Black man at a major record label. His tastes and instincts led him to cultivate some of the biggest hits and artists of the past decades.

Listen to the full episode of Consider This to hear Watson detail the extraordinary life and accomplishments of Jones.

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This episode was produced by Marc Rivers and Noah Caldwell. It was edited by Courtney Dorning and Patrick Jarenwattananon. Our executive producer is Sami Yenigun.

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Ruby slippers worn in 'The Wizard of Oz' are auctioned for a record $28 million

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Ruby slippers worn in 'The Wizard of Oz' are auctioned for a record  million

Sequin-covered ruby slippers worn by Judy Garland in The Wizard of Oz appear at the offices of Profiles in History in Calabasas, Calif. on Nov. 9, 2001.

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MINNEAPOLIS — A pair of iconic ruby slippers that were worn by Judy Garland in The Wizard of Oz and stolen from a museum nearly two decades ago sold for a winning bid of $28 million at auction Saturday.

Heritage Auctions had estimated that they would fetch $3 million or more, but the fast-paced bidding far outpaced that amount within seconds and tripled it within minutes. A few bidders making offers by phone volleyed back and forth for 15 minutes as the price climbed to the final, eye-popping sum.

Including the Dallas-based auction house’s fee, the unknown buyer will ultimately pay $32.5 million.

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Online bidding, which opened last month, had stood at $1.55 million before live bidding began late Saturday afternoon.

The sparkly red heels were on display at the Judy Garland Museum in her hometown of Grand Rapids, Minnesota, in 2005 when Terry Jon Martin used a hammer to smash the glass of the museum’s door and display case.

Their whereabouts remained a mystery until the FBI recovered them in 2018. Martin, now 77, who lives near Grand Rapids in northern Minnesota, wasn’t publicly exposed as the thief until he was indicted in May 2023. He pleaded guilty in October 2023. He was in a wheelchair and on supplementary oxygen when he was sentenced last January to time served because of his poor health.

His attorney, Dane DeKrey, explained ahead of sentencing that Martin, who had a long history of burglary and receiving stolen property, was attempting to pull off “one last score” after an old associate with connections to the mob told him the shoes had to be adorned with real jewels to justify their $1 million insured value. But a fence — a person who buys stolen goods — later told him the rubies were just glass, DeKrey said. So Martin got rid of the slippers. The attorney didn’t specify how.

The alleged fence, Jerry Hal Saliterman, 77, of the Minneapolis suburb of Crystal, was indicted in March. He was also in a wheelchair and on oxygen when he made his first court appearance. He’s scheduled to go on trial in January and hasn’t entered a plea, though his attorney has said he’s not guilty.

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The shoes were returned in February to memorabilia collector Michael Shaw, who had loaned them to the museum. They were one of several pairs that Garland wore during the filming, but only four pairs are known to have survived. In the movie, to return from Oz to Kansas, Dorothy had to click her heels three times and repeat, “There’s no place like home.”

As Rhys Thomas, author of The Ruby Slippers of Oz, put it, the sequined shoes from the beloved 1939 musical have seen “more twists and turns than the Yellow Brick Road.”

Over 800 people had been tracking the slippers, and the company’s webpage for the auction had hit nearly 43,000 page views by Thursday, said Robert Wilonsky, a vice president with the auction house.

Among those bidding to bring the slippers home was the Judy Garland Museum, which posted on Facebook shortly after that it did not place the winning bid. The museum had campaigned for donations to supplement money raised by the city of Grand Rapids at its annual Judy Garland festival and the $100,000 set aside this year by Minnesota lawmakers to help the museum purchase the slippers.

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After the slippers sold, the auctioneer told bidders and spectators in the room and watching online that the previous record for a piece of entertainment memorabilia was $5.52 million, for the white dress Marilyn Monroe famously wore atop a windy subway grate.

The auction also included other memorabilia from The Wizard of Oz, such as a hat worn by Margaret Hamilton, who played the original Wicked Witch of the West. That item went for $2.4 million, or a total final cost to the buyer of $2.93 million.

The Wizard of Oz story has gained new attention in recent weeks with the release of the movie Wicked, an adaptation of the megahit Broadway musical, a prequel of sorts that reimagines the character of the Wicked Witch of the West.

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Bill Romanowski Says He's Feeling Great Despite '20 Documented Concussions'

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Bill Romanowski Says He's Feeling Great Despite '20 Documented Concussions'

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Where tradwives and leftists agree : Code Switch

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Where tradwives and leftists agree : Code Switch
Illustration in four panels of woman working, woman cooking, woman cleaning and woman serving husband

The rise of momfluencers and tradwives are filling a void for modern mothers. In this episode, we continue our conversation about the hellscape of modern motherhood, and look into an alternative to the tradwife lifestyle.

We want to hear from our listeners about what you like about Code Switch and how we could do better. Please tell us what you think by taking our short survey, and thank you!

This episode was produced by Jess Kung. It was edited by Courtney Stein. Our engineer was Josephine Nyounai.

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