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A 400-year-old kung fu-fighting monkey is finally having his American moment

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A 400-year-old kung fu-fighting monkey is finally having his American moment

Kang Wang plays the title role in San Francisco Opera’s world premiere production of The Monkey King. Like generations of kids in Asia, the tenor grew up in China obsessed with the superhero.

Cory Weaver/San Francisco Opera


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Cory Weaver/San Francisco Opera

The Monkey King is having a moment in America — and it’s been centuries in the making.

Wildly popular across Asia for generations as the focus of hundreds of adaptations on page, stage and screen, the Chinese superhero is also the star of a 2023 Netflix animated film, a blockbuster 2024 video game, and right now, a sold-out new opera at San Francisco Opera. Not bad for a character who made his literary debut in a 16th century Ming Dynasty novel.

The monkey who would be king

The Monkey King — known as Sun Wukong in Chinese — first burst fully-formed out of a rock in the classic 1592 novel Journey to the West, widely attributed to the poet Wu Cheng’en.

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Steeped in Buddhist teachings and symbols, the story follows Sun Wukong’s epic journey towards enlightenment.

“He wants to be someone,” Frank Djeng, a cultural historian who has written about the character, said in an interview with NPR. “So he sets out to learn how to become immortal and powerful.”

The ambitious primate acquires remarkable superpowers. He can ride clouds like they’re skateboards, clone himself, and bash his enemies with a magic, telescoping stick.

But despite these skills, the gods reject him.

“He’s an outcast. He’s a rebel,” Djeng said. “He decides to go up to the heavens and kind of wreaks havoc there.”

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Drawn to chaos

The Monkey King isn’t your typical square-jawed, noble superhero. Though he’s on a quest for enlightenment, Monkey is also a loud-mouthed mischief-maker, whose antics include stealing magical peaches from a sacred garden that grant immortality to the person who eats them – and then gobbling them down.

“I think we loved the monkey because of his courage, his longing for freedom, and his defiance against the gods,” said Chinese-Australian tenor Kang Wang, who plays the title role in the world premiere San Francisco Opera production and grew up obsessed with a 1980s live-action Chinese TV adaptation of the Monkey King story. “Also, he’s very playful. He’s always super happy and never sad.”

A still from the 2023 Netflix animated series, The Monkey King — one among several major adaptations of the classic Chinese tale to break into the U.S. mainstream in recent years.

A still from the 2023 Netflix animated series The Monkey King — one among several major adaptations of the classic Chinese tale to break into the U.S. mainstream in recent years.

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This many-sidedness is key to understanding the character’s wide appeal. In Asia, the Monkey King has been reimagined as everything from a Communist-style proletarian hero fighting an oppressive bourgeoisie in the 1960s Chinese animated film Havoc in Heaven, to a cyborg in Sci-Fi West Saga Starzinger, a 1970s Japanese sci-fi anime series.

American Monkey 

Some 20th-century versions gained popularity beyond Asia. But American audiences have been slower to embrace the simian superhero — until now.

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“It’s really stunning how the Monkey King is finally pushing through into the American consciousness,” said Gene Luen Yang, a cartoonist whose acclaimed 2006 graphic novel American Born Chinese weaves together the Monkey King legend with a contemporary story about the struggles of being an Asian American teen. Disney adapted the book into a TV series in 2023.

Yang said the character may until recently have seemed “too Asian” for most American audiences. But cultural shifts have changed that calculation, and Yang said he expects more American artists and producers will be monkeying around with the Monkey King in the years ahead.

“We all read manga, and we all watch anime,” Yang said. “As Americans, we’re much more used to that intersection between East and West.”

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The 11 most challenged books of 2025, according to the American Library Association

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The 11 most challenged books of 2025, according to the American Library Association

The American Library Association’s list of the most frequently challenged books of 2025 includes Sold by Patricia McCormick, The Perks of Being a Wallflower by Stephen Chbosky and Maia Kobabe’s Gender Queer: A Memoir.

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American Library Association

The American Library Association has released its annual list of the most commonly challenged books at libraries across the United States.

According to the ALA, the 11 most frequently targeted books include several tied titles. They are:

1. Sold by Patricia McCormick
2. The Perks of Being a Wallflower by Stephen Chbosky
3. Gender Queer: A Memoir by Maia Kobabe
4. Empire of Storms by Sarah J. Maas
5. (tie) Last Night at the Telegraph Club by Malinda Lo
5. (tie) Tricks by Ellen Hopkins
7. A Court of Thorns and Roses by Sarah J. Maas
8. (tie) A Clockwork Orange by Anthony Burgess
8. (tie) Identical by Ellen Hopkins
8. (tie) Looking for Alaska by John Green
8. (tie) Storm and Fury by Jennifer L. Armentrout

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Many of these individual titles also appear on a 2024-25 report issued last October by PEN America, a separate group dedicated to free expression, which looked at book challenges and bans specifically within public schools.

The ALA says that it documented 4,235 unique titles being challenged in 2025 – the second-highest year on record for library challenges. (The highest ever was in 2023, with 4,240 challenges documented – only five more than in this most recent year.)

According to the ALA, 40% of the materials challenged in 2025 were representations of LGBTQ+ people and those of people of color.

In all, the ALA documented 713 attempts across the United States in 2025 to censor library materials and services; 487 of those challenges targeted books.

According to the ALA, 92% of all book challenges to libraries came from “pressure groups,” government officials and local decision makers. While 20.8% came from pressure groups such as Moms for Liberty (as the ALA cited in an email to NPR), 70.9% of challenges originated with government officials and other “decision makers,” such as local board officials or administrators.

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In a more detailed breakdown, the ALA notes that 31% of challenges came from elected government officials and and 40% from board members or administrators. In its full report, the ALA states that only 2.7% of such challenges originated with parents, and 1.4% with individual library users.

Fifty-one percent of challenges were attempted at public libraries, and 37% involved school libraries. The remaining challenges of 2025 targeted school curriculums and higher education.

The ALA defines a book “ban” as the removal of materials, including books, from a library. A “challenge,” in this organization’s definition, is an attempt to have a library resource removed, or access to it restricted.

The ALA is a non-partisan, nonprofit organization dedicated to American libraries and librarians.

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BoF and Marriott Luxury Group Host the Luxury Leaders Salon

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BoF and Marriott Luxury Group Host the Luxury Leaders Salon
On the eve of Milan Design Week, 15 of the industry’s most influential founders, executives and creative directors gathered at Lake Como’s newly opened Edition hotel for an intimate, off-the-record conversation about where luxury goes next.
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We beef with the Pope and admire the Stanley Cup : Wait Wait… Don’t Tell Me!

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We beef with the Pope and admire the Stanley Cup : Wait Wait… Don’t Tell Me!

Promo image with Phil Pritchard, Alzo Slade, and Peter Sagal

Bruce Bennett, Arnold Turner, NPR/Getty Images, NPR


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Bruce Bennett, Arnold Turner, NPR/Getty Images, NPR

This week, Phil Pritchard, NHL’s Keeper of the Stanley Cup, joins us to about taking the cup jet-skiing and panelists Alonzo Bodden, Adam Burke, and Dulcé Sloan beef with the Pope and get misdiagnosed. 

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