Lifestyle
1972 Munich Olympics thriller shows nail-biting decisions in ABC Sports control room
Director Tim Fehlbaum’s team obtained 1970s era television equipment from collectors, museums and television studio storage rooms for the set of his film September 5.
Courtesy of Paramount Pictures
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Courtesy of Paramount Pictures
The 1972 Munich Olympics kicked off under the banner of hope and peace, hosted by a country eager to turn the page nearly three decades after the fall of the Nazi regime.
Instead, those Summer Games were marred by tragedy when armed militants affiliated with the Palestinian organization Black September took members of Israel’s Olympic team hostage. By the time it all ended, 11 Israelis, five Palestinians and a West German officer were dead.
ABC Sports was already on the ground covering the sporting events from its own production complex outside the Olympic Village. As the situation unfolded, the division took the dramatic decision to broadcast live with developments.
These events are recounted in director Tim Fehlbaum’s new Golden Globe-nominated film September 5. The film is set almost entirely in the ABC Sports control room and focuses on the real-time challenges faced by the broadcasters who improvised to get the audience as close as possible to the story.
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“It was that group of sports reporters that had to make that switch,” Fehlbaum told NPR’s A Martínez. “They had this almost innocent view. They were not trained or experienced in crisis reporting. And so they made all these decisions on the spot.”
ABC Sports, led by then president Roone Arledge, played by Peter Sarsgaard, vigorously fought for his division to lead the story, refusing to bow to intense pressure from ABC News to take over news coverage from thousands of miles away in the United States.
Some of the team’s heftiest challenges included making sure their live coverage didn’t inadvertently share with the armed extremists — via television screens the hostage takers might access — law enforcement’s moves and potentially broadcast hostage killings to the entire world.
Geoffrey Mason (John Magaro) was a young ABC Sports producer when he played a critical role in deciding what to show the world about the 1972 Munich Olympics massacre. September 5 director Tim Felhbaum consulted with Mason, a 26-time Emmy Award winner, for his film.
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The seminal moment changed how media covers breaking news in real time as journalists grappled with how evolving technologies might impact the subjects of reporting and the audience consuming the media coverage. The broadcast was also an early instance of news becoming infotainment.
Arledge, who created the primetime Monday Night Football broadcasts, won an Emmy Award for his coverage of the 1972 Munich Games and was inducted into the Olympic Hall of Fame. He produced a total of 10 Olympic Games.
As part of his research for the film, Fehlbaum had conversations with Geoffrey Mason, one of the few surviving members of the ABC Sports team who covered the events. At the time, he was pulled in as coordinating producer of the around-the-clock ABC Sports coverage.
“Everything that they were doing was against a ticking clock. Right. That’s basically the essence of live reporting also, is that you are constantly working against the ticking clock,” Fehlbaum said, recalling one of his exchanges with Mason.
Actress Leonie Benesch plays gregarious German interpreter Marianne Gebhard — a composite character — in September 5. As the ABC Sports interpreter, she brought the news to the team as it unfolded.
Jürgen Olczyk
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Jürgen Olczyk
Fehlbaum’s team obtained blueprints of the ABC Sports control room and pictures from that time so that the images on screen were “100% accurate.” All of the equipment shown in the film is vintage technology from the era, obtained from collectors and museums, and the cast was trained on using it.
The director, who is based in Switzerland, recalled how production buyer Johannes Pfaller at one point told him that all early 1970s era technology still in Europe was now in the film studio in Munich.
“I wanted these devices to work because I wanted the cast to be able to interact with this technology,” Fehlbaum explained. “So if John Magaro would give a direction to the monitor wall, it could actually have an effect on the wall. These telephones would really ring. And I wanted everything that comes from the outside to the cast in front of the camera to really happen.”
Roone Arledge (played by Peter Sarsgaard), left, almost singlehandedly revolutionized television news and introduced the equivalent of livestreaming when ABC Sports covered the 1972 Munich Olympics massacre.
Jürgen Olczyk
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Jürgen Olczyk
September 5 makes extensive use of original ABC footage. Securing access to the footage is what initially led the film to become an English-language one with an international production team backed by Sean Penn and his partners John Ira Palmer and John Wildermuth.
Combined with a tightly written script, the footage gives a sense of urgency and dramatic tension, all packed in a small room.
It’s also what distinguishes September 5 from past cinematic treatment, such as Steven Spielberg’s Munich (2005), which focuses on the aftermath, or Kevin Macdonald’s documentary One Day in September (1999).
Cinematographer Markus Förderer, behind the camera, and director Tim Fehlbaum, to his right, on the set of Paramount Pictures’ September 5.
Kenneth Macdonald
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Kenneth Macdonald
“I thought the media aspect is an interesting story or aspect of that tragic day for today’s audience to learn more about. And we wanted to convey a way for today’s audience to reflect on our complex media environment through that historical lens,” Fehlbaum said.
“The moral and ethical questions are still the same that are being discussed every day. For example, can we show violence on TV or how fast do we let something out just to be the first? Or how many confirmed sources do we need?”
The broadcast version of this story was produced by Barry Gordemer. The digital version was edited by Obed Manuel.
Lifestyle
Shy on the dance floor? Virtual reality ‘partners’ aim to help you find your groove
Entrepreneur David Huang tests out a VR headset while conducting demonstrations of the social dance lesson app Dance Guru at the Augmented World Expo in Long Beach, Calif., June 17, 2026.
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Chloe Veltman/NPR
Wedding season is in full swing, bringing with it a familiar sense of dread for anyone who fears the dance floor.
But relief may finally be at hand with the help of a new app, Dance Guru, and a virtual reality (VR) headset.
The social dance instruction app transports users to a spacious, digital dance studio. Waiting inside is a computer-generated coach: a handsome, male avatar wearing a shirt open to his navel. He speaks with a slightly gravelly English accent.
“Watch me now,” he instructs at the start of a waltz lesson — which NPR tried out at the Augmented World Expo in Long Beach, Calif., an annual conference showcasing the latest developments in virtual and augmented reality.
The avatar then demonstrates a basic box step.

From there, the lesson becomes interactive. The coach tells the user to hold his hand while an electric pinging sound tracks the student’s foot placement.
“One, two, three, four, five, six,” the virtual teacher counts down.
When the user stumbles, he remains remarkably patient. “Do not worry, foundations take time. Let’s try that again. Work on grounding your steps more intentionally.”
Solving the beginner’s dilemma
Dance Guru creator David Huang said he came up with the idea for the app a couple of years ago out of frustration.
“I always wanted to learn to dance and I was always terrible at it,” Huang said. “And I always ended up stopping midway through the lessons.”
He soon realized that many beginners hit the exact same roadblocks.
“Private lessons are too expensive, and you feel like you’re always forgetting the dance steps,” Huang said. “You cannot find a partner to dance with. So I figured maybe I can create something like this.”
The Dance Guru platform currently offers tutorials in salsa, bachata, waltz, and cha-cha, in both lead and follow modes. To make the digital instruction feel authentic, Huang used motion-capture technology to record the movements of real-life dance teachers — with their permission.
Building on the legacy of online tutorials and video games
Dance Guru belongs to a small but growing wave of apps using VR to demystify social dance. At a nearby booth, conference attendee Victor Chen is testing out a competing app called Trip the Light. It currently offers salsa lessons, as well as freestyle options, where a user can dance with a partner without having to learn specific steps.
Trip the Light’s booth at the Augmented World Expo included posters of the app’s virtual instructors. Real-life performers, who gave Trip the Light permission to motion capture their movements, were used as a basis for these avatars.
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“A lot of times when you’re trying to learn a choreography, it’s watching a YouTube video and you have to pause it, rewind, and play it,” Chen said. “If you were to have a virtual avatar dancing in front of you and correcting for any parts that you missed, it might be a lot easier.”
Interactive video games like Dance Dance Revolution and Just Dance, and YouTube tutorials have been helping people improve their skills in private for years. But those games are mostly aimed at solo players. Unlike the new generation of immersive VR apps, they cannot simulate the mechanics or confidence required for partner dancing on a live dance floor.
The reality check
But this kind of app won’t work for every dancer.
“Everyone learns a little bit differently. And so unless you have a game that has lots of different ways of teaching, you’re going to have things that work for some people and don’t work for others,” said Ariana Katana, a trained contemporary dancer and dance content creator who’s active on YouTube, Twitch and other platforms. “Also, it’s hard to dance with a headset on.”
And then there’s the issue of not being able to physically feel a virtual partner’s hand or shoulder while dancing with them. Patrick Ascolese, the creator of Trip the Light, said the experience could become more tactile in the future. “Haptic suits and wearables will be coming, but I think we’re a little away from that,” he said.
Ascolese said even with their limitations, immersive tools like Trip the Light have immense potential as judgment-free training grounds — giving reluctant dancers the baseline confidence they need to eventually step onto the dance floor with real partners in the real world, including at weddings.
“Just like anything else, practice makes perfect,” said Ascolese. “So the more time you spend in VR with a virtual partner, it works towards helping you get over that social hurdle. We are teaching you the moves that you have to do in order to go out and have fun.”
Jennifer Vanasco edited the broadcast and digital versions of this story. Chloee Weiner mixed the audio.




Lifestyle
How to have the best Sunday in L.A., according to Deidre Hall
For half a century, Deidre Hall has taken on every kind of disaster in the drama-packed town of Salem, Ill., as a star of “Days of Our Lives.”
There was the time — actually, it happened twice — when her character, Dr. Marlena Evans, was famously possessed by the devil and even levitated.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Or the time a serial killer, who was actually Marlena under hypnosis, seemed to kill several beloved characters. The long-running show’s storylines have become legendary, and in March, while promoting “Hail Mary,” actor Ryan Gosling even gave Hall a shout-out, admitting he was a fan, praising the hard work of soap opera actors and calling her an “OG acting inspiration.”
But Hall’s real life in Santa Monica is much quieter than her character’s, and she likes it that way.
“When I bought my house in Santa Monica, I didn’t realize how great it would be to live near Montana Avenue,” says Hall, 78, about the popular shopping spot. Every day, she walks to the main street with her golden retriever, Riley, and enjoys Pilates, art and good food along the way. “The owners of the Farms Market even keep dog biscuits, so guess where the dog wants to go every time we walk — the Farms, of course,” she says, laughing.
When she isn’t filming the daily soap opera, which airs on Peacock, Hall enjoys raising monarch butterflies, exploring the shops and restaurants on Montana, and hosting movie nights at home with her two sons.
Here’s what a perfect day in L.A. looks like for her.
This interview has been lightly edited and condensed for length and clarity.
7 a.m.: Breakfast and dog walk
I usually kick off my day with a protein shake, feed our golden retriever and take her out for a walk. She’s a phenomenal girl. When we adopted her, her name was Riley, but I did think about naming her after Mrs. Hughes from “Downton Abbey.”
10 a.m.: Church and garden time
After I walk the dog and go to church, I like to spend some time in my yard. I’m not a natural gardener, but I really enjoy it. I started raising monarch butterflies because my identical twin sister, who played my twin on the show, planted a butterfly garden. Monarchs are amazing because they are transitional. Every year, they travel from Mexico to southern New England, but it’s getting harder for them. Their numbers have dropped by about 80%. To help, I plant milkweed, which is what they need to survive. I buy my milkweed from the Staghorn Garden on Wilshire Boulevard in Santa Monica. Julie, who owns the nursery, is delightful and has a wide variety of milkweed. The monarchs always seem to find my garden. Julie was raising some caterpillars too, and she cared a lot about them. We talked about how important it is to help the butterflies. That’s why I do this. Sometimes I get milkweed with eggs already on it, and Julie knows her butterflies are going to a good home.
1 p.m.: Walk to Montana Avenue for some lunch
I live near Montana and love taking long walks, going to Pilates and trying out the great restaurants nearby, like R+D Kitchen and La La Land. I’m a big fan of the waffles at the Courtyard Kitchen. Just a few days ago, I had a chicken salad on raisin bread with an Arnold Palmer, and it was delicious. It is right on Montana and has a nice outdoor seating area. It’s one of my favorite spots. La La Land always has a long line in the morning, which is perfect if you want coffee. They serve coffee, doughnuts, croissants and avocado toast. There’s plenty of outdoor seating, and you can even bring your dog.
2 p.m.: Peek inside a clock shop
There’s a small clock shop on Montana Avenue that’s closed on Sundays, but if you walk by, you’ll see all kinds of clocks — standing, table and wall clocks. The owner is great at fixing them. Once, I bought a wall clock from MacKenzie-Childs, but it didn’t work. And I was really upset because it matched everything else on my countertop. I brought it to the owner and said, “I love this, but I can’t make it work.” He fixed it right away. His name is John, but I call him Geppetto. And we all know why. He really does have a magic touch.
2:30 p.m.: Visit a neighborhood art gallery
Ten Women Gallery is run by 10 artists, all of whom show their work there. I was drawn to some watercolors there, bought a few cards and spoke with one of the artists. She told me, “You seem to love watercolors,” and mentioned that the artist who painted them, Pamela Harnois, lives in Los Angeles and teaches nearby. I got Pamela’s name and found out she taught at the Brentwood Art School. I was so inspired by her gift that I started taking private lessons with her on Saturdays. That gallery is where I discovered my love for watercolor painting.
3 p.m.: Grab some ice cream at Rori’s
The other day, my longtime girlfriend wanted to get ice cream and told me, “We are walking to Rori’s Artisanal Creamery.” It’s a small shop on Montana near Lincoln. They make everything themselves, using local ingredients from grass-fed cows with no added hormones. The place is family-owned and probably has the healthiest ice cream you’ll find. They switch up their flavors often, but my favorite is the salted caramel.
6 p.m.: Family dinner and movie night at home
R+D Kitchen is always packed, so my sons, who are 31 and 33, do the cooking. They come over, and together we make salads and cook dinner. There’s a neighborhood grocery store called the Farms, off Montana, a small family-run place that has everything we need. Everyone knows each other there, and people bring their dogs. We try to have movie night every Sunday. Sometimes the day changes, but we always make sure to have one night a week where we cook a meal and sit down as a family. Keeping that tradition has become really important to us. My sons are great cooks, which is funny because they definitely didn’t get that from me. [Laughs]
9 p.m.: Take Riley for one last walk and visit neighbors
After dinner, I take my dog for a walk. It’s a great way to meet neighbors. We always go around the same block. We’ve met so many people, and since she’s a golden retriever, she loves meeting everyone.
10 p.m.: News, knitting and bedtime
I am a news junkie, so I usually watch whatever is on the news before I go to bed. I have a long-standing passion for knitting. Lately, though, the news would make me drop a stitch.
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