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10 of fall’s finest drops, pop-ups and art happenings

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10 of fall’s finest drops, pop-ups and art happenings

Van Cleef & Arpels pop-up at South Coast Plaza

The ultimate in luxury, Van Cleef & Arpels has a pop-up at South Coast Plaza this fall. Interact with the Ludo collection, an array of Art Deco-influenced pieces inspired by Louis Arpels’ nickname. Created in 1934, the Ludo bracelet features updates like delicate mesh in hexagon and briquette motifs, woven by the maison’s craftsmen to heighten the effect of a supple ribbon. The metal is studded with precious and hard stones. Oct. 11–27. Jewel Court at South Coast Plaza, 3333 Bristol St., Costa Mesa. vancleefarpels.com

Image Drip Index October 2024

(Yubo Dong / ofstudio photography; Courtesy of the artists and Charlie James Gallery, Los Angeles.)

Born into a family of self-described “motor heads,” identical twin artist duo the Perez Brothers present “Firme,” a collection of detailed, monochrome paintings in vivid color, evoking the one-of-a-kind murals synonymous with lowrider car culture. Painting together, the brothers chose their subjects from a personal archive of photographs, gathered over a lifetime immersed in the lowrider scene. On view Sept. 21–Oct. 26. 969 Chung King Road, Los Angeles. cjamesgallery.com

Ganni Eyelet Ballerina Bow Ballet Flat

Image Drip Index October 2024

Are you a Ganni girl yet? The Danish brand has been taking over, winning admirers with its comfortable, fun designs and ambitious sustainability goals. You’ve probably seen its Buckle Ballerina flat everywhere, and this fall it’s launching a new silhouette that blends the delicate, feminine charm of a ballerina shoe with Ganni’s signature eyelet hardware. The Eyelet Bow Ballerina flat comes in shiny red, black patent and dark denim options, making it the most versatile style for fall. Available now. ganni.com

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Keen X Highsnobiety

Image Drip Index October 2024

Part of Highsnobiety’s Not in New York collection, the latest drop from the streetwear publication turned fashion shopping destination features a collaboration with performance footwear and accessories brand Keen. The limited-edition shoes are a rework of Keen’s Jasper style in two colorways. The Downtown pair is dressed in pink suede while the Uptown pair is clad in polished black leather. Both have a durable rubber sole that’s fit for hiking or lifestyle wear. Available now. keenfootwear.com

“The Tennis Court” at Skylight Books

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“The Tennis Court” by Nick Pachelli

In “The Tennis Court,” award-winning journalist (and former competitive tennis player) Nick Pachelli profiles and photographs 200 of the world’s most beautiful and significant tennis courts. He explores not just the heavyweights like Wimbledon’s All England Lawn Tennis Club and Arthur Ashe but also epic indoor, urban and destination courts. This event is a must if you’re tennis-obsessed. Oct. 18, 7 p.m. 1818 N. Vermont Ave., Los Angeles. skylightbooks.com

Birkenstock X Union Bimshire

Image Drip Index October 2024

(Birkenstock X Union Los Angeles)

“It’s a dream come true to be working with Birkenstock, a brand that I have been wearing damn near since before I hit puberty,” says Union owner and creative director Chris Gibbs about his upcoming collaboration with the storied footwear brand. Gibbs personally designed the Bimshire, a new hybrid clog featuring a combination of details from his favorite perennial Birkenstock styles, the Boston and the Zurich. With desert tones of gray, taupe, and sandy pink, the Bimshire is affectionately named after the island of Barbados, paying homage to Gibbs’ Bajan roots. Available Nov. 7. store.unionlosangeles.com

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American Artist & Magdalena Suarez Frimkess at LACMA

Image Drip Index October 2024

American Artist: The Monophobic Response

(Courtesy of the artist and LACMA)

Image Drip Index October 2024

Magdalena Suarez Frimkess and Michael Frimkess, “Mercado Persa,” 1996.

(Marten Elder Courtesy of the artists Kaufmann Repetto and the Michael Frimkess Trust)

Add these two exhibitions to your LACMA list. “The Monophobic Response” is a continuation of an ongoing series titled “Shaper of God” by American Artist, inspired by science fiction author Octavia Butler’s prophetic 1993 novel “Parable of the Sower.” Also on view this fall is “The Finest Disregard,” the first museum exhibition of Venezuelan-born, L.A.-based artist Magdalena Suarez Frimkess, whose playful, humorous and deeply influential work spans five decades. “The Monophobic Response” on view Nov. 1-4, “The Finest Disregard” on view through Jan. 5. 5905 Wilshire Blvd, Los Angeles. lacma.org

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Denim Dudes X American Rag Cie

Image Drip Index October 2024

Koske from Clutch Golf and Masato Kawajo at American Rag Warehouse.

Image Drip Index October 2024

(Denim Dudes X American Rag Cie)

Since 1984, American Rag Cie has been at the forefront of the L.A. vintage retail scene. This fall, it is partnering with Denim Dudes, a visionary in denim and casualwear, to launch Nothing New — offering seven L.A. brands the chance to mine American Rag’s vintage archive to create exclusive capsule collections. Brands include denim knitwear pioneer Knorts (as seen on SZA and Addison Rae), L.A.’s favorite embellisher and embroiderer Masato Kawajo, and expert upcyclers Object From Nothing. Available now. americanrag.com

black and white abstract artwork by Tee A. Corinne

(Courtesy of the artist and Webber Gallery)

“A Forest Fire Between Us” is an exhibition of works by West Coast-based photographer, lesbian sex activist and educator Tee A. Corinne (1943-2006) — and the most extensive solo presentation of Corrine’s photos to date. In her 2001 book “Intimacies,” Corrine writes: “If I became a ‘visible and accessible lesbian artist,’ it is because of the images I made to fill a perceived void, to fill those blank spaces where desire and questioning and transcendence converged, where my intellectual longings and seven years of university art training responded to the social and cultural forces set in motion in the 1960s.” On view Sept. 14–Nov. 30. 939 S. Santa Fe Ave, Los Angeles. webberrepresents.com

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“Rising Signs: The Medieval Science of Astrology” at the Getty Museum

Image Drip Index October 2024

“Rising Signs: The Medieval Science of Astrology”

(The J. Paul Getty Museum)

Rare astrology alert! “Rising Signs” explores medieval representations of the 12 signs of the zodiac through a fascinating selection of illustrations and devotional books from pre-modern Europe. The ornate and carefully preserved drawings showcase the mysteries of medieval astrology as it intersected with medicine, divination and daily life in the Middle Ages. On view Oct. 1–Jan. 5. 1200 Getty Center Drive, Los Angeles. getty.edu

Romany Williams is a writer, editor and stylist based on Vancouver Island, Canada. Her collaborators include SSENSE, Atmos, L.A. Times Image and more.

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

Millie Bobby Brown in the final season of Stranger Things.

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After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?

To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.

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JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026

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JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026

JasonMartin
Adin Ross Disrespecting Doechii …
Will Not Be Tolerated!!!

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‘Everything I knew burned down around me’: A journalist looks back on LA’s fires

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‘Everything I knew burned down around me’: A journalist looks back on LA’s fires

A firefighter works as homes burn during the Eaton fire in the Altadena area of Los Angeles County, Calif., on Jan. 7, 2025.

Josh Edelson/AFP via Getty Images


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Josh Edelson/AFP via Getty Images

On New Year’s Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.

Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.

“This was a place that I could navigate with my eyes closed,” Soboroff says of the neighborhood. “Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.”

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In his new book, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he’s ever undertaken.

“The experience of doing this is something that I don’t wish on anybody, but in a way I wish everybody could experience,” he says. “It’s given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. … It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.”

Interview highlights

Firestorm, by Ben Soboroff

On the experience of reporting from the fires

You’re choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: “My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.” …

I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.

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On undocumented immigrants being central to rebuilding the city

These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …

Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they’d be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.

And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it’s not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.

On efforts to rebuild

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The pace is slow and it’s sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it’s going to be a long road ahead. You’re going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it’s going to an isolating experience. But there’s an effort underway to rebuild. …

There’s also a lot of for-sale signs. And that’s the sad reality of this, is that there are people who, whether it’s that they can’t afford to come back … or that they just can’t stomach it, I think, sadly, a lot people are not going to be returning to their homes.

On what the Palisades and Altadena look like today

They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. … But mostly it’s just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it’s a patchwork of empty lots. Homes now under construction. And lots and lots of workers. … There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you’ve got workers going in during the day and coming out at night. …

We have designed this community to be one that’s in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody’s packing it up and leaving Los Angeles. People may not return to their communities after they’ve lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.

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On seeing this story, personally, as his “most important assignment”

Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.

Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.

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Jason Frank Rothenberg/HarperCollins

I don’t think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don’t think I ever would have otherwise spent time with, and to reconnect with people who I hadn’t seen or heard from in forever.

Anna Bauman and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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