Connect with us

Entertainment

What's fact vs. fiction in Netflix's 'Dating Game' killer film 'Woman of the Hour'

Published

on

What's fact vs. fiction in Netflix's 'Dating Game' killer film 'Woman of the Hour'

It’s one of the strangest moments in television history: A notorious serial killer went on ABC’s “The Dating Game” and won a date with Cheryl Bradshaw. Now streaming, Netflix’s new film “Woman of the Hour,” directed, produced by and starring Anna Kendrick, explores that bizarre moment in history through the eyes of Kendrick’s character, named Sheryl, who survives her interaction with murderer Rodney Alcala (Daniel Zovatto) as the real-life Cheryl Bradshaw did.

In the telling of any true story in cinema, though, creative liberties are bound to be taken. So we compared the real-life case of Rodney Alcala with “Woman of the Hour” to determine what’s fact and what’s fiction in the film.

Did Alcala work at the Los Angeles Times?

One scene in “Woman of the Hour” depicts Alcala working at The Times in 1977, a year before his 1978 appearance on “The Dating Game.” It’s unclear what his position at the newspaper is, but his colleagues seem impressed by him as he weaves tall tales of knowing Warren Beatty and shows off his photography. (Many of the images are of nude women.) The scene suggests that Alcala exaggerated his role at the newspaper to gain access to his subjects.

Despite not using an alias and having prior convictions, Alcala was hired by The Times as a typesetter in September 1977. According to a “20/20” episode on “The Dating Game Killer,” Alcala did indeed bring photos of nude women into the office, though they were seen by his colleagues as artistic in nature and not a warning sign about his state of mind. He likely used his job to ensnare at least one of his victims: Pamela Jean Lambson met Alcala in October 1977, and former Marin County Det. Richard Keaton recalled that Lambson was excited about the opportunity Alcala offered her, showing off the photographer’s business card to her stylist. Her body was found the next day. It’s not entirely clear when Alcala left the paper, quitting sometime before he killed Robin Christine Samsoe in 1979.

Advertisement

How accurate are “The Dating Game” scenes?

“Woman of the Hour” takes significant creative liberties when exploring the pivotal “Dating Game.” Some of these are minor adjustments for dramatic effect; making Alcala Bachelor No. 3, when he was actually No. 1, helps the film build to the reveal of Alcala’s face on the panel. The change of prize also ups the stakes: Sheryl and Rodney win an all-expenses-paid trip to Carmel when the real prize was tennis lessons and tickets to Magic Mountain theme park. One accurate aspect of the episode’s depiction? According to fellow contestant Jed Mills, Alcala really did tell him “I always get my girl.”

As for Sheryl going on “The Dating Game” to bolster her profile as an actor, what may seem absurd today was not uncommon then. Her agent points out that it worked for Sally Field, who appeared in a 1966 episode of the show (alongside bachelor Robert Vaughn of “The Man From U.N.C.L.E.” fame); many other stars went on the show before they found superstardom as well, including Farrah Fawcett, Steve Martin, Suzanne Somers, Burt Reynolds and Arnold Schwarzenegger.

The largest change in “The Dating Game” is in Sheryl herself. In “Woman of the Hour,” she rewrites the script and asks her own questions, including a tricky one about special relativity and “What are girls for?” At least as seen in the surviving clips of the original episode, the real Cheryl appears to lean into the show’s conventions, flirtatiously playing along with the game. Knowing the context of Alcala’s actions, this is even more chilling than the film: At one point, Cheryl asks Rodney to act like a dirty old man, resulting in a moment that would likely be dismissed as too outrageous if it were re-created for the film.

Anna Kendrick as Sheryl in “Woman of the Hour.”

Advertisement

(Leah Gallo / Netflix)

Did a woman recognize Rodney in “The Dating Game”?

Much of the dramatic heft of “The Dating Game” sequence comes not from the game itself, but from an audience member named Laura (Nicolette Robinson) who is horrified to discover that one of the bachelors is the man who killed her friend. She leaves the studio audience and heads into the studio and asks a security guard for help. In turn, the guard offers to have her speak to a producer, but it’s a cruel prank — refusing to take her concerns seriously, he gives her the name of a janitor instead.

Kendrick has said that Laura represents those affected by such crimes, as well as those who tried and failed to draw authorities’ attention to Alcala over the years. (Laura’s friend whom Alcala killed was, however, based on a real person.) Numerous people reported Alcala in relation to assaults and killings over the course of more than a decade before he was finally put away for good in July 1979.

Advertisement

In fact, Alcala had a criminal record even before he appeared on “The Dating Game,” serving stints in prison for assaults on two girls and becoming a registered sex offender. (In both cases he was paroled.)

Did Alcala and Bradshaw go for a drink?

Though Alcala won “The Dating Game” and secured a date with the real-life Bradshaw, that date never materialized. The day after the episode was filmed, contestant coordinator Ellen Metzger said, Bradshaw called her and told her, “I can’t go out with this guy. There’s weird vibes that are coming off of him, he’s very strange. I’m not comfortable going out with him. Is that going to be a problem?” Ellen told Bradshaw she did not have to have that date.

It’s unclear what exactly happened between Bradshaw and Alcala. In clips from their episode, Bradshaw looks considerably less excited when she comes face to face with Alcala. It’s unlikely the pair went for a drink after the show, as depicted in “Woman of the Hour.” Regardless, it’s an intense and frightening scene that smartly highlights the pair’s size difference and the physical power advantage he has. The moment when Alcala nearly attacks Sheryl at her car, only to be saved by a last-second stage door opening is also likely a narrative contrivance.

How did Alcala get caught?

Advertisement

Amy, the teenage runaway seen at the end of “Woman of the Hour,” is based on the real-life Monique Hoyt, who did in fact escape Alcala and report him to the police — leading to his arrest in February 1979. But as the post-film text reveals, that wasn’t the end of his crimes. While awaiting trial, Alcala was released on bail and proceeded to kill again. On July 24, 1979, he was arrested for a final time for the murder of 12-year-old Robin Samsoe. Police discovered a storage unit in Seattle that belonged to Alcala, filled with damning evidence and trophies of his kills. Alcala received the death sentence at trial, but a series of appeals, reversals and subsequent trials left Alcala in prison until 2019, when California placed a moratorium on capital punishment. Alcala ultimately died in prison of natural causes in 2021.

In the end, Alcala was found guilty of seven murders, though it’s believed the real number of people he killed is significantly higher. One day the mystery may be solved: the Huntington Beach Police Department released Alcala’s photographs in 2010 in hopes that people who recognized them would come forward and identify some of the victims.

“Woman of the Hour” states that some authorities estimate up to 130 people were killed by Alcala.

Advertisement

Movie Reviews

‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces

Published

on

‘Michael’ Review: A Perfect Puzzle With Major Missing Pieces
Lionsgate

SPOILER NOTICE:

The following movie review does not contains direct spoilers for the film Michael, however general information in regards to the plot, characters, key climax points, biographical information and themes explored in the film will be heavily discussed. Please read at your own discretion, or after seeing the film in theaters.

There have been, so far, four films that aim to depict some portion of the beautifully tragic life of late pop music pioneer Michael Jackson, otherwise known to the world as The King Of Pop.

You’ve got The Jacksons: An American Dream, the near-perfect 1992 ABC miniseries that gave MJ, his brothers and verbally abusive father Joe Jackson equal screen time in order to make for a proper origin story. Then there’s Man in the Mirror: The Michael Jackson Story, an abysmal 2004 VH1 TV movie that acts as a spiritual sequel yet truly should’ve never been made. Almost a decade ago we got Michael Jackson: Searching for Neverland, the 2017 Lifetime Network attempt to cover his final years of life, told from the perspective of two bodyguards employed by him for merely two-and-a-half years.

Today (April 24), the world finally gets to see Michael. The 2026 true-to-form biopic boasts the biggest budget compared to the previous three projects, distribution handled by the renowned Lionsgate Films, a director’s chair occupied by Antoine Fuqua (Training Day, Brooklyn’s Finest) and MJ’s own nephew, Jaafar Jackson, starring in the titular role alongside a glowing supporting cast that includes Colman Domingo (Rustin), Nia Long (Love Jones), Miles Teller (Divergent) and Larenz Tate (Menace II Society) just to name a few. Not to mention, it’s got full backing from The Jacksons family and 100% musical clearance to assure his biggest hits are heard on the big screen.

Advertisement

With all that said, you might be expecting a masterpiece that borrows the best aspects from the original and rights the wrongs of the last two. Unfortunately, that’s not the case when it comes to Michael. Thankfully though, there’s so much more to love about this film in addition to a very strong potential for more.

Yes folks, we may very well be getting the first-ever sequel to a biopic sometime in the near future.

RELATED: You, Me & Tuscany Review – Sappy, Sweet, C+ Rom-Com

Before we get ahead of ourselves by discussing a potential sequel, let’s first start off with what you get out of Michael. The film covers Joe’s formation of The Jackson 5 in 1966 and ends with MJ’s iconic 1988 Wembley Stadium stop on the Bad Tour. The filler in-between covers their Chitlin’ Circuit days, the Motown era, run-ins with Gladys Knight and The Pips, finding his voice with Off The Wall, the epic creation of Thriller, the Motown 25 NBC special and the infamous Pepsi burning incident. Each of these scenes are done with great detail and a passion from all involved to get it as close to the real-life moments. However, what’s missing stands out like a sore thumb.

Both Rebbie and Janet are nowhere to be found — they each requested their likeness not be depicted — and neither is MJ’s longtime muse, Diana Ross. It was reported that actress Kat Graham was actually casted in the part, only to later have her scenes cut completely due to legalities. Off The Wall also gets painted as his solo debut of sorts, completely ignoring the four successful solo albums that preceded it when he was just a preteen. Also, while it’s perfectly clear who the movie is about based on the title, it does feel a bit off to see the closest people in his life demoted to barely-speaking supporting characters, save for Domingo’s powerful portrayal as mean ol’ Joe, Long as the ever-caring Mrs. Katherine and longtime bodyguard Bill Bray played by KeiLyn Durrel Jones.

Advertisement

On the positive side, Michael ultimately does more good than confusion. Jaafar is simply captivating when it comes to embodying his late superstar uncle, nailing everything from those easily-recognizable voice inflections to the classic dance moves. The film ends in 1988, right before MJ invests in Neverland Ranch, so don’t expect the heavy topic of his acquitted child sexual abuse allegations from 1993 and 2003 to be brought up either — well, yet anyway.

If in fact a “Jackson” sequel is in the works, we can only hope his full story is told with care, respect and most importantly the truth. Other important aspects we’d hope to see be depicted include an honest look at his vitiligo journey, the toll he suffered mentally as a result of the trials, the marriage, the kids, the dichotomy of balancing unprecedented riches against a substantial amount of debt and, yes, the prescription drug abuse that ultimately ended his life.

Overall, for everything Michael lacks there is something just as good to love about the film, and the potential for a sequel gives us hope that the best is still yet to come.

Watch the trailer for Michael below, and see for yourselves how The King Of Pop’s story began as his latest biopic hits theaters starting today:

Continue Reading

Entertainment

Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

Published

on

Stagecoach 2026: How to watch Friday’s livestream with Cody Johnson, Ella Langley, Bailey Zimmerman

Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.

The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.

Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):

Channel 1

3:05 p.m. Noah Rinker; 3:25 p.m.; Adrien Nunez; 4 p.m. Ole 60; 4:25 p.m. Avery Anna; 5 p.m. Chase Rice; 5:55 p.m. Nate Smith; 6:50 p.m. Ella Langeley; 7:50 p.m. Bailey Zimmerman; 8:55 p.m. the Red Clay Strays; 10 p.m. Cody Johnson; 11:30 p.m. Diplo

Advertisement

Channel 2

3:05 p.m. Neon Union; 3:25 p.m. Larkin Poe; 4 p.m. Marcus King Band; 4:50 p.m. Lyle Lovett; 5:35 p.m. BigXthaPlug; 6:30 p.m. Noah Cyrus; 7 p.m. Wynonna Judd; 8 p.m. Counting Crows; 8:50 p.m. Sam Barber; 10 p.m. Dan + Shay; 10:45 p.m. Diplo featuring Juicy J; 11:05 p.m. Rebecca Black; 11:45 p.m. Dillstradamus

Sirius XM Music Row Happy Hour

1 p.m. Avery Anna; 2 p.m. Nate Smith; 2:30 p.m. Josh Ross; 3 p.m. Cody Johnson; 3:30 p.m. Gabriella Rose; 5:15 p.m. Nate Smith; 7:50 p.m. Bailey Zimmerman; 9:30 p.m. Cody Johnson; 11 p.m. Diplo

Sirius XM Y’Allternative

5 p.m. Ole 60; 6 p.m. Larkin Poe; 7 p.m. Marcus King Band; 8 p.m. Sam Barber

Advertisement
Continue Reading

Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Published

on

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

Advertisement

Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

Continue Reading
Advertisement

Trending