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Wayne Osmond, Osmond Brothers singer and guitarist, dies at 73

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Wayne Osmond, Osmond Brothers singer and guitarist, dies at 73

Wayne Osmond, the second-eldest sibling in the Osmond Brothers group of singers, has died. He was 73.

The baritone-voiced singer and guitarist, who was the fourth oldest of the nine Osmond children and older brother to famed duo Donny and Marie Osmond, “passed away peacefully” Wednesday surrounded by his wife and five children, his daughter Amy Osmond Cook said Thursday in a statement posted on Facebook. The family also launched a celebration of life page on the platform to memorialize the late musician.

“His legacy of faith, music, love, and laughter have influenced the lives of many people around the world. He would want everyone to know that the gospel of Jesus Christ is true, that families are forever, and that banana splits are the best dessert. We love him and will miss him dearly,” his daughter’s statement said.

Osmond’s younger brother, Donny Osmond, confirmed Thursday that he died from a stroke.

“I’m so grateful that I had the opportunity to visit him in the hospital before he passed,” the “Donny & Marie” star and Las Vegas headliner wrote on Instagram.

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“Wayne brought so much light, laughter, and love to everyone who knew him, especially me. He was the ultimate optimist and was loved by everyone,” Donny added. “I’m sure I speak on behalf of every one of us siblings when I state that we were fortunate to have Wayne as a brother. Even though we are separated in this mortal life, I know that by the grace and resurrection of our Savior, Jesus Christ, we will have the opportunity to be with Wayne for eternity. I love you, Wayne.”

Wayne Osmond, born Melvin Wayne Osmond in Ogden on Aug. 28, 1951, wed Kathlyn White in 1974. The multi-instrumentalist had surgery for a brain tumor in 1997, suffered a stroke in 2012 that left him unable to play guitar and also was treated for cancer, according to the Hollywood Reporter. But he famously reunited with his siblings in 2019 to sing with his brothers for sister Marie’s 60th birthday.

Representatives for Marie Osmond did not immediately respond Thursday to The Times’ requests for comment.

(Isaac Brekken / Associated Press)

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Brother Merrill Osmond said on Facebook that Wayne Osmond recently had “a massive stroke” and that he was being treated at a Salt Lake City hospital. Wayne “endured much” and “gave it his all,” he said, and praised his brother’s “genius in his ability to write music” and “capture the hearts of millions of people and bring them closer to God.”

“My brother was a saint before he came into this world, and he will leave as an even greater saint than he came in,” Merrill Osmond wrote Thursday on Facebook. “I’ve never known a man that had more humility. A man with absolute no guile. An individual that was quick to forgive and had the ability to show unconditional love to everyone he ever met.

“His departure from this earth will be a sad moment for some, but for those who are waiting for him on the other side, there will be a massive celebration beyond anything we can imagine,” he added.

Wayne’s younger brother Jay Osmond also said Thursday that he was “deeply saddened” by the death and that “a true legend has left the Earth.”

“It is said that where there is great love there is great grief as we part during our earthly journey. Throughout my life I have always felt most connected to Wayne out of all of my siblings. He was my roommate and my confidant over the decades,” he wrote on Facebook.

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Jay Osmond said that when he visited his brother last week, Wayne Osmond was sad that he could no longer fly a plane and that “flying brought him peace.”

“What gives me joy is to know that my brother ‘Wings’ has earned his wings and I can only imagine the heights he is soaring right now. The reunion he must’ve had with Father and Mother I’m sure was spectacular!” he said.

Family patriarch George Osmond, a soldier who launched his children’s entertainment careers in the late 1950s, died in 2007. He was predeceased by his wife, Olive Osmond, in 2004.

Both husband and wife passed on their affinity for music — George’s as a singer and Olive’s as a saxophone player — to their children and formed the Osmond Brothers troupe with sons Alan, Wayne, and Jay Osmond. (The couple’s two eldest sons, Virl and Tom, have degenerative hearing loss that affected their speech.) George taught the quartet how to sing four-part harmonies as children, and they performed for their Church of Jesus Christ of Latter-Day Saints congregation in Ogden, Utah. They also performed at fairs and amusement parks in the late 1950s.

Five Osmond brothers of varying ages, arranged from tall to short, wearing suits in a black-and-white photo

(NBCUniversal via Getty Images)

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The family made its way to Los Angeles in 1962 to audition for “The Lawrence Welk Show” but didn’t land the gig. As a consolation, George Osmond took the family to Disneyland. The boys were dressed alike and the barbershop quartet performing on Main Street took notice. They were asked to do a number with the group; the performance ended up lasting for more than an hour. According to D23, the Osmonds then were brought to the Disneyland entertainment office, where they signed their first professional contract.

While they were performing at Disneyland, the father of singer Andy Williams spotted them and recommended the group to his son, ultimately leading the Osmond Brothers to book a five-year network TV run on “The Andy Williams Show.”.

The group added youngest brother Donny Osmond in 1963, changing its name to the Osmonds, and appeared on “The Jerry Lewis Show” before signing with a record label. They produced 34 gold and platinum records in the 1960s and ’70s, according to the Associated Press, including the 1971 chart-topper “One Bad Apple (Don’t Spoil the Whole Bunch).” Their other Billboard Hot 100 hits include “Down by the Lazy River,” “Yo-Yo,” “Love Me for a Reason” and “Crazy Horses.”

Donny and younger sister Marie also performed separately and as a duo to much success in music and television. Wayne made frequent appearances on the “Donny and Marie” variety show, which ran from 1975 to 1979 and which he also occasionally produced.

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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