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UCLA Hollywood diversity report highlights the importance of women in TV audience

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UCLA Hollywood diversity report highlights the importance of women in TV audience

Despite new parameters, UCLA’s latest TV diversity study has found that women and people of color remain underrepresented in key creative and lead roles in Hollywood even though they are a crucial demographic when it comes to viewership.

Released on Tuesday, “UCLA Hollywood Diversity Report Presents: Streaming Television in 2023” marks a move away from the report’s usual format of examining the current television landscape through the lens of traditional TV seasons.

Instead, the new study examined the top television shows watched on streaming platforms in 2023, including “library” content, which are shows that have concluded but are available to stream. Rather than just focusing on what shows are being made, the study focuses on what shows audiences are watching.

“With the halt in television productions for most of 2023 and streaming viewership dominating broadcast and cable, we decided we needed to change the way we examined television to better understand what viewers want to see on the small screen,” said Ana-Christina Ramón, co-founder of the Hollywood Diversity Report in a statement. “The television industry has changed dramatically over the past 10 years. Shows now aren’t just trying to stand out among the latest shiny offerings — they are competing against a whole catalog from the past.”

The study looked at the top 250 television series that were available on major streaming services from Jan. 1 to Dec. 31, 2023 to examine the race, gender and disability status of lead actors; the race and gender of series creators; the genres and arenas of the show; Nielsen viewer ratings and total minutes viewed, and the race and gender of those with television deals.

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The study argues that ranking shows by total minutes watched tells an incomplete story. By this metric, 77.5% of most-watched streaming shows in 2023 were led by white actors, while 5.5% of the most-watched shows featured Black leads, 4.4% featured Latinx leads, 2.2% featured Asian leads, 1.8% featured Middle Eastern or North African leads and 9.3% were led by multiracial actors. No shows were led by a Native actor.

But according to the report, the median rating (the percentage of television-owning households that are watching a particular program) for shows led by actors of color and those featuring stories of underrepresented communities were higher across all viewer demographics — meaning, these shows were more popular across all audiences.

“Focusing on total minutes watched gives an advantage to older shows that have more episodes and seasons on streaming platforms,” said Darnell Hunt, the interim chancellor at UCLA who founded the report with Ramón. “Current shows, which our research has repeatedly shown to be more diverse, face a disadvantage in some ways from the onset. Inevitably, that just feeds into the legacy of inequity that was built into the industry.”

So while long-running favorites such as “Suits,” “The Big Bang Theory” and “Grey’s Anatomy” may lead charts that look only at the total minutes viewed, when viewership ratings are considered, shows such as “Bluey,” “Cocomelon,” “Wednesday,” “Queen Charlotte” and “Beef” would also crack the top-10 charts, according to the report.

The study also found that women and people of color continue to be key entertainment audiences. Both demographics were overrepresented in the percentage of audience based on ratings compared with their share of the U.S. population, but women also accounted for more of the minutes viewed. According to the report, women are the most engaged TV audience.

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Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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