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‘Thursday Night Football’ scores 13 million viewers on Amazon Prime Video

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‘Thursday Night Football’ scores 13 million viewers on Amazon Prime Video

Amazon is off to a robust begin with its Prime Video stream of “Thursday Evening Soccer.”

Nielsen knowledge for the primary sport on Sept. 15 — a 27-24 win for the Kansas Metropolis Chiefs over the Los Angeles Chargers — averaged 13 million viewers.

The determine is up 47% over the comparable sport in 2021, when 8.8 million viewers watched the New York Giants and Washington Redskins on the NFL Community.

Amazon’s personal knowledge, which embrace the choice streams of the sport on Prime Video, confirmed a mean of 15.3 million viewers watched.

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The premiere final week, with Al Michaels and Kirk Herbstreit dealing with play-by-play, was above the 12.6 million viewers assured to advertisers who purchased time on video games this season.

Amazon has an 11-year take care of the NFL, paying $1 billion yearly for 15 Thursday evening video games. The deal is the primary unique NFL package deal for a streaming service.

Streaming video is changing into the popular platform of alternative for youthful viewers, and that was the case with “Thursday Evening Soccer.” Nielsen knowledge confirmed the median age for viewers of the sport was 47, six years youthful than the viewers watching the NFL on conventional TV by way of the primary two weeks of the season.

Prime Video benefited from having a detailed contest between two groups anticipated to contend for the AFC title and the Tremendous Bowl. The second week can be a more difficult check because the Pittsburgh Steelers face the Cleveland Browns.

Prime Video’s outcomes with “Thursday Evening Soccer” are being intently watched by the TV trade. Whereas the overwhelming majority of main sporting occasions stay on conventional TV, tech corporations are exhibiting a willingness to spend huge cash to get in on the motion.

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Apple TV+ is taken into account the highest contender for the NFL’s Sunday Ticket package deal, wherein followers will pay to look at telecasts of out-of-market video games. The rights are at present held by DirecTV.

Apple at present has the rights to Main League Baseball video games on Friday nights for its Apple TV+ streaming service and may very well be in place to hold a history-making occasion this week when it presents the matchup between the New York Yankees and the Boston Crimson Sox.

Yankees star Aaron Choose is chasing the American League document for house runs in a single season. As of Tuesday, Choose has 60 homers, one behind the 61 hit by Roger Maris for the Yankees in 1961.

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Movie Reviews

Movie Review: 'Despicable Me 4' – Catholic Review

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Movie Review: 'Despicable Me 4' – Catholic Review

NEW YORK (OSV News) – Though it comes across as somewhat unfocused, the animated comedy “Despicable Me 4” (Universal) retains much of the charm that has characterized the whole series of films to which it belongs. It’s an agreeable piece of fun that’s suitable for all but the very youngest.

This latest chapter in the adventures of Gru (voice of Steve Carell), the would-be supervillain whose heart of gold long ago turned him into a loving dad and a crimefighter, opens with him assisting in the arrest and imprisonment of French criminal Maxime Le Mal (voice of Will Ferrell). Le Mal vows vengeance on Gru’s family and manages to escape in short order.

With Le Mal on the loose, Gru and the clan — Kristen Wiig voices his sensible wife, Lucy — have to go into hiding and assume false identities. But Poppy (voice of Joey King), the daughter of their preppy, country club patronizing new neighbors, the Prescotts (voices of Stephen Colbert and Chloe Fineman), discovers their secret and uses it to blackmail Gru.

While the comic chaos wrought by Gru’s trademark Twinkie-shaped minions continues to evoke laughs, director Chris Renaud’s addition to a franchise he helped to establish goes down too many plot paths at once. Some of the details of the story — Le Mal’s goal is to kidnap infant Gru Jr., for instance — also seem a bit challenging for kids.

Genuinely objectionable ingredients are kept out of the mix. And there’s a morally interesting, though underdeveloped, subplot about the refusal of one of Gru’s adopted daughters to use the pseudonym she’s been given on the grounds that it would constitute lying.

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Yet scenes of danger, a touch of potty humor and a minion mooning may give the parents of the littlest moviegoers pause.

The film contains characters in peril, a flash of nonhuman rear nudity and a scatological sight gag. The OSV News classification is A-I — general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.

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The week’s bestselling books, July 1

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The week’s bestselling books, July 1

Hardcover fiction

1. James by Percival Everett (Doubleday: $28) An action-packed reimagining of “The Adventures of Huckleberry Finn.”

2. The Women by Kristin Hannah (St. Martin’s Press: $30) An intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided.

3. The Midnight Feast by Lucy Foley (William Morrow: $30) Twists abound in this locked-room murder mystery.

4. The Ministry of Time by Kaliane Bradley (Avid Reader Press/Simon & Schuster: $29) A fusion of genres and ideas that’s part time-travel romance and part spy thriller.

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5. Funny Story by Emily Henry (Berkley: $29) Two opposites with the wrong thing in common connect.

6. Sandwich by Catherine Newman (Harper: $27) The story of a family summer vacation full of secrets, lunch and learning to let go.

7. Table for Two by Amor Towles (Viking: $32) A collection of stories from the author of “The Lincoln Highway.”

8. All Fours by Miranda July (Riverhead Books: $29) A woman upends her domestic life in this irreverent and tender novel.

9. Same As It Ever Was by Claire Lombardo (Doubleday: $30) A long marriage faces imminent derailment from events both past and present.

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10. All the Colors of the Dark by Chris Whitaker (Crown: $30) A novel combining a missing person mystery, a serial killer thriller and a love story.

Hardcover nonfiction

1. On Call by Anthony Fauci, M.D. (Viking: $36) A memoir by the doctor whose six-decade career in public service has spanned seven presidents.

2. The Creative Act by Rick Rubin (Penguin: $32) The music producer’s guidance on how to be a creative person.

3. The Demon of Unrest by Erik Larson (Crown: $35) An exploration of the pivotal five months between Abraham Lincoln’s election and the start of the Civil War.

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4. The Friday Afternoon Club by Griffin Dunne (Penguin Press: $30) The actor-director’s memoir of growing up in Hollywood and Manhattan.

5. The Anxious Generation by Jonathan Haidt (Penguin Press: $30) An investigation into the collapse of youth mental health.

6. What This Comedian Said Will Shock You by Bill Maher (Simon & Schuster: $30) The host of HBO’s “Real Time” has written a vivisection of American life, politics and culture.

7. Somehow by Anne Lamott (Riverhead Books: $22) A joyful celebration of love from the bestselling author.

8. Democracy or Else by Jon Favreau, Jon Lovett, Tommy Vietor (Zando-Crooked Media Reads: $28) The “Pod Save America” hosts offer a step-by-step guide to navigating the chaotic waters of American politics.

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9. The Wager by David Grann (Doubleday: $30) The story of the shipwreck of an 18th century British warship and a mutiny among the survivors.

10. Inventing Paradise by Paul Haddad (Santa Monica Press: $30) An exploration of the rise of Los Angeles through six influential figures: Phineas Banning, Harrison Gray Otis, Henry Huntington, Harry Chandler, William Mulholland and Moses Sherman.

Paperback fiction

1. Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin (Vintage: $19)

2. Not in Love by Ali Hazelwood (Berkley: $19)

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3. A Court of Thorns and Roses by Sarah J. Maas (Bloomsbury: $19)

4. Lady Tan’s Circle of Women by Lisa See (Scribner: $19)

5. Play It As It Lays by Joan Didion (Farrar, Straus & Giroux: $18)

6. The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (Atria, $17

7. Happy Place by Emily Henry (Berkley: $19)

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8. Circe by Madeline Miller (Back Bay: $19)

9. The Alchemist by Paulo Coelho (HarperOne: $18)

10. This Summer Will Be Different by Carley Fortune (Berkley: $19)

Paperback nonfiction

1. The Art Thief by Michael Finkel (Vintage: $18)

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2. Everything I Know About Love by Dolly Alderton (Harper Perennial: $19)

3. Crying in H Mart by Michelle Zauner (Vintage: $17)

4. Meditations by Marcus Aurelius (Modern Library: $11)

5. All About Love by bell hooks (Morrow: $17)

6. What an Owl Knows by Jennifer Ackerman (Penguin: $19)

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7. Liliana’s Invincible Summer by Cristina Rivera Garza (Hogarth: $18)

8. The Artist’s Way by Julia Cameron (TarcherPerigee: $19)

9. The Four Agreements by Don Miguel Ruiz (Amber-Allen: $13)

10. The Courage to Be Disliked by Ichiro Kishimi, Fumitake Koga (Atria Books: $19)

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Ti West – 'MaXXXine' movie review

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Ti West – 'MaXXXine' movie review

Mia Goth has reprised her widely beloved role of Maxine Minx in MaXXXine, the third instalment of Ti West‘s X film series, previously comprised of 2022’s X and its prequel Pearl. Modern scream queen Goth is joined by an impressive cast, including Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Halsey, Lily Collins, Giancarlo Esposito, and Kevin Bacon.

Such a roster of actors and musicians proves the kind of reputation West has earned in recent years and shows the increasing calibre of entertainment figures wanting to work with him. The real question, though, is whether the films themselves stand up to those performing in them. Three movies into his 2020s era, West has largely been revealed as a director who knows how to make a horror films look fun and flashy even if they lack originality.

MaXXXine takes place six years after the events of X as Goth’s character has left behind the “Texas porn star massacre” of the first movie to find her fame and fortune in Hollywood. Initially making her way as an adult entertainment actor, Maxine eventually finds herself making a ‘proper’ film; well, at least a dodgy horror B-movie by the name of ‘The Puritan II’, directed by Elizabeth Debicki’s domineering filmmaker, Elizabeth Bender.

At the same time, 1985 Los Angeles is suffering the crimes of notorious serial killer Richard Ramirez, dubbed in the media the ‘Night Stalker’, who appears to be targeting Maxine’s stripper and porn star buddies as his victims. MaXXXine’s Hollywood is generously doused in all the nostalgic expectations of the most excessive decade of the 20th century with neon lights on every corner, shitty horror movie rental stores (including one owned by Moses Sumney’s Leon) and a groovy soundtrack comprised of ZZ Top and, of course, Kim Carnes’ ‘Bette Davis Eyes’.

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Narratively and aesthetically somewhat typical, then, but where MaXXXine excels the most is in its many moments of self-aware homage. At one point, our hero Maxine is chased to the Bates Motel (from Alfred Hitchcock’s Psycho) on the Universal studio lot by Kevin Bacon’s seedy private eye John Labat, while a later moment sees Lily Collins’ dodgy-accented Molly Bennett have her mouth splattered with blood by Bender in a scene likely paying respect to Andrzej Zulawski’s horror classic Possession and its iconic Isabelle Adjani performance.

In addition, West seems to have fun positing the notion that horror movies in the latter part of the 1980s were deemed B at best, toying with the idea that they could never be taken seriously. Judging from the popularity of his X series, though, such a belief has been proven wrong ten times over. Still, there are a handful of issues with MaXXXine, as well as with the films that preceded it, that prevent admittance to the canon of horror greatness.

One of the film’s most engaging and genuinely exciting moments is when Maxine’s past finally catches up with her, and a motive for the entire series, which had been starkly missing (whether supernatural, religious or just downright maniacal), is finally revealed. However, by the time this antagonism finally arrives, one can’t help but feel that it’s somewhat too late and that West has only managed to deliver a pastiche of the horror world’s past with a 1980s gloss rather than provide an effort of originality or even one that genuinely feels scary.

Sure, there are some brilliantly gory set pieces, including the splattering of a man in a car crusher and the decimation of an even more unfortunate gentleman’s genitals (let’s not forget that the X series is undoubtedly feminist in tone). Still, such standout moments do not guarantee a good horror movie and West’s most recent entry seems to suffer from a lack of an overall haunting spectre or suchlike. MaXXXine is exciting, flashy, funny, sassy, self-aware and incredibly sexy, but it fails to be anything more than the sum of its parts: a neon-lit homage to the horrible history of Hollywood horror rather than a fear-inducing glimpse into the genre’s future.

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