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The Go-Go’s are back again, still real, raw and ready for Coachella and Cruel World

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The Go-Go’s are back again, still real, raw and ready for Coachella and Cruel World

Perhaps no one is more excited about the reunited Go-Go’s upcoming slate of high-profile gigs than Gina Schock. The 67-year-old drummer missed the band’s last big Los Angeles shows — in 2022 at the Crypto.com Arena and a three-night stand at the Hollywood Bowl in 2018 — due to health issues that required surgery on her thumb and to fuse three vertebrae together in her neck, respectively.

Now, however, Schock is healthy and looking forward to powering the band through a club set at one of their old haunts, the Roxy, on April 9, and then April 11 and April 18 at the Coachella Valley Music and Arts Festival. After playing dates in San Francisco and Las Vegas, they’ll wrap it up at the Cruel World festival in Pasadena on May 17, making the Go-Go’s one of the few bands to play the larger, more eclectic and current Indio, Calif., festival and the ’80s-leaning Pasadena fest in the same calendar year.

Their Coachella dates are headlined by Lady Gaga, while Nick Cave and the Bad Seeds top the bill at Cruel World. It all seems to make sense since the Go-Go’s bridge the gap between the pop leanings of Gaga and the L.A. punk scene that shared similar sensibilities with Cave’s early work with the Birthday Party.

Four-fifths of the band reunited for a rehearsal in Los Angeles in mid-February that left Schock pumped up. “I was very excited to be playing because I’ve been practicing for months. I haven’t played with the band for eight years,” she says via Zoom from San Francisco, her home since 2005.

Over the years, the Go-Go’s have reunited from time to time. In 2016, they staged what was billed as a farewell tour, leaving the door open to occasional future live dates, but no more full tours.

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The last time they played a festival comparable to Coachella was in January 1985 at Rock in Rio in Brazil, when the band was on their last legs after their incredibly successful first run. They exploded out of the Los Angeles club scene, scored a record deal with the then-fledgling IRS Records and topped the album chart in 1982 with their debut album, “Beauty and the Beat,” which blended their punk energy with pop sensibilities in the hits “Our Lips Are Sealed” and “We Got the Beat.” Incredibly, it remains the only album by an all-female band that plays their own instruments to top the Billboard album chart.

Yet by 1985, after two other successful albums, 1982’s “Vacation” and 1984’s “Talk Show,” the band was falling apart due to jealousy over songwriting credits, compensation, substance abuse and mismanagement.

Wiedlin, who had a hit collaboration with Sparks on the song “Cool Places” in 1983, left in October 1984, so Valentine slid over to guitar and the band recruited Paula Jean Brown to play bass for their two sets at the Rock in Rio festival in Brazil, which drew more than 250,000 people each day. After those shows, the rest of the band flew home, but guitarist-songwriter Charlotte Caffey stayed in Brazil for a week, attempting to work through her drug addiction. “It was such a weird feeling that whole week,” Caffey says of that time in Rio. “I got home, and I dropped my own self off at a drug and alcohol hospital in South Pasadena,” she recalls.

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Four decades later, she’s still sober. “That’s the most important thing ever that I did in my life,” she says. “All the people that worked there took bets on who would go out first,” she says of the staff at the rehab facility. “Of course, I was No. 1, and I’m the only one that stayed sober.”

The most private Go-Go, Caffey isn’t on social media like her bandmates. “The worst possible thought in my mind is having people following me,” she says in a Zoom interview from her Los Angeles home that she started with her camera off.

“I always loved writing the songs and performing,” she adds, “but I didn’t love all the stuff, like the fame. I’m not that public person. I love looking at what the other girls are doing. I find out when we’re not working together. I look at their socials and I’m like, ‘Oh, that looks really fun.’ I’m just more private.”

The Go Go's at Mates Studios

The Go Go’s are gearing up to perform at the Coachella Valley Music and Arts Festival as well as Cruel World.

(Robert Gauthier / Los Angeles Times)

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It’s not surprising that the Go-Go’s use social media to keep up with each other these days. Caffey, who penned the band’s 1982 No. 2 hit “We Got the Beat,” is the only band member still in L.A., where she lives with her husband since 1993, Redd Kross guitarist Jeff McDonald. Singer Belinda Carlisle, 66, has lived with her husband Morgan Mason, a former political advisor and entertainment executive, in Mexico City for four years and outside the U.S. since 1994. Valentine recently relocated to St. Alban, England, near London, while Wiedlin was living on the big island in Hawaii but recently relocated to Berkeley in search of better treatment for the long COVID that has been dogging her for more than a year.

The Go-Go with the most successful solo career with hits “Heaven Is a Place on Earth,” “I Get Weak” and “Mad About You,” Carlisle recently announced live dates in Germany, Belgium and the U.K. for fall, after playing in Australia and England last year. Yet, she acknowledges she owes it all to the Go-Go’s.

“If it wasn’t for the Go-Go’s, I wouldn’t have a solo career. That’s just a fact and I know that,” she says in a Zoom interview from Mexico City. “The whole story of it even happening is something that I think is extraordinary,” she says of the band she co-founded in 1978 with Wiedlin and original bassist Margot Olavarria and drummer Elissa Bello. “I’m really proud of that because we really worked hard. The band happened against all odds.”

Perhaps nothing sums that up better than the band’s induction into the Rock and Roll Hall of Fame in 2021. Foo Fighters, which include guitarist Pat Smear, another refugee from the L.A. punk scene, were also inducted that year. Before Carlilse joined the Go-Go’s, she had a brief stint as the singer of the Germs with Smear on guitar. “I have a picture of me, Jane, Pat Smear and Belinda standing there,” Caffey says, “And we were looking at each other like, ‘You realize this was never a thought in our minds back then.’”

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Caffey then flashes back to a memory with Smear and his bandmate, frontman Bobby Pin, who had not yet adopted the new moniker Darby Crash. They asked her how old she was. She can’t recall her answer but remembers Smear’s response back in 1978: “You’re too old to be a punk.”

At 71, Caffey is the oldest Go-Go, but when she does turn on her Zoom camera, she has a youthfulness that belies her age. Like many, she says the COVID “lockdown messed with my mind” and she stopped focusing on music for a stretch. Yet playing the Go-Go’s songs in her downstairs home studio “has opened up this whole creative thing for me now. I feel like I’m ready to create again,” she says.

Over in the U.K., Valentine, 66, is also going through a creative renaissance. The songwriter-bassist-guitarist who brought the Go-Go’s the top 10 hit “Vacation,” is performing as a solo artist. She’s also started a new all-star, all-female band with Baseball Project drummer Linda Pitmon, singer-guitarist Brix Smith of the Fall and Pogues bassist-singer Cáit O’Riordan called Psycher, and is getting ready to start writing a sequel to her acclaimed 2020 book “All I Ever Wanted: A Rock ‘n’ Roll Memoir.” “I feel like I’m 16 and I’m gonna make it in the music biz,” she says during a Zoom interview.

She’s also come to recognize the full impact of the Go-Go’s legacy after a recent trip to Vienna to visit Lenny Kravitz and his guitarist and her former roommate Craig Ross.  “Lenny was introducing me to a younger person just going off about the Go-Go’s. ‘No, you don’t understand. They were the biggest band in the world!’ And I’m like, ‘No, we weren’t.’ And he goes, ‘Yes, you were the biggest band in the world!’ I’m just kind of always still surprised at the cultural reach of the Go-Go’s.”

Reached by phone in San Francisco, Wiedlin, 66, is also pleasantly surprised by the renewed interest and activity surrounding the band over the last decade, including the 2018 Broadway musical “Head Over Heels” featuring their songs and the 2020 debut of the documentary “The Go-Go’s” at the Sundance Film Festival, which led to the band’s induction into the Rock and Roll Hall of Fame in 2021. “And now Coachella and Cruel World, which I never thought we’d be asked to do,” she says.

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Since she’s undergoing treatment for the lingering effects of long COVID, Wiedlin was unable to make it to the band’s L.A. rehearsal in late February, but has been getting together to play with fellow Bay Area resident Schock and plans to reunite with the band for rehearsals before the Roxy gig.

She, like other members of the band, is pleased to see new acts like fellow L.A.-based all-female rockers the Linda Lindas carry the torch, and hopes that others arise to keep rock ‘n’ roll alive.

“You have the whole phenomenon of groups that don’t write and don’t play instruments, and it’s more about dancing and looking good,” she says. “That’s fine, but being an older person, I really appreciate rock ‘n’ roll, loud guitars and people playing instruments. That’s something I love, and I would hate for that to go away entirely.”

“I’m very proud of our band,” she adds. “We’ve never used backing tracks or anything. We’re very raw live and we’re very real.”

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Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review

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Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review

NEW YORK (OSV News) – Cartoon characters can devolve into dullards over time. But some are more enduringly appealing than others, as the adventure “The SpongeBob Movie: Search for SquarePants” (Paramount) proves.

Yellow, absorbent and porous on the outside, unflaggingly upbeat SpongeBob (voice of Tom Kenny) is childlike and anxious to please within. He also displays the kind of eagerness for grown-up experiences that is often found in real-life youngsters but that gets him into trouble in this fourth big-screen outing for his character.

Initially, his yearning for maturity takes a relatively harmless form. Having learned that he is now exactly 36 clams tall, the requisite height to ride the immense roller coaster at Captain Booty Beard’s Fun Park, he determines to do so.

Predictably, perhaps, he finds the ride too scary for him. This prompts Mr. Krabs (voice of Clancy Brown), the owner of the Krusty Krab — the fast-food restaurant where SpongeBob works as a cook — to inform his chef that he is still an immature bubble-blowing boy who needs to be tested as a swashbuckling adventurer.

The opportunity for such a trial soon arises with the appearance of the ghostly green Flying Dutchman (voice of Mark Hamill), a pirate whose elaborately spooky lair, the Underworld, is adjacent to SpongeBob’s friendly neighborhood, Bikini Bottom. Subject to a curse, the Dutchman longs to lift it and return to human status.

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To do so, he needs to find someone both innocent and gullible to whom he can transfer the spell. SpongeBob, of course, fits the bill.

So the buccaneer lures SpongeBob, accompanied by his naive starfish pal Patrick (voice of Bill Fagerbakke), into a series of challenges designed to prove that the lad has what it takes. Mr. Krabs, the restaurateur’s ill-tempered other employee, Squidward (voice of Rodger Bumpass), and SpongeBob’s pet snail, Gary, all follow in pursuit.

Along the way, SpongeBob and Patrick’s ingenuity and love of carefree play usually succeed in thwarting the Dutchman’s plans.

As with most episodes of the TV series, which premiered on Nickelodeon in 1999, there are sight gags intended either for adults or savvy older children. This time out, though, director Derek Drymon and screenwriters Pam Brady and Matt Lieberman produce mostly misfires.

These include an elaborate gag about Davy Jones’ legendary locker — which, after much buildup, turns out to be an ordinary gym locker. Additionally, in moments of high stress, SpongeBob expels what he calls “my lucky brick.” As euphemistic poop gags go, it’s more peculiar than naughty.

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True to form, SpongeBob emerges from his latest escapades smarter, wiser, pleased with his newly acquired skills and with increased loyalty to his friends. So, although the script’s humor may often fall short, the franchise’s beguiling charm remains.

The film contains characters in cartoonish peril and occasional scatological humor. The OSV News classification is A-I – general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.

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Reiner family tragedy sheds light on pain of families grappling with addiction

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Reiner family tragedy sheds light on pain of families grappling with addiction

When Greg heard about the deaths of Rob and Michele Reiner, and the alleged involvement of their son Nick, the news struck a painfully familiar chord.

It wasn’t the violence that resonated, but rather the heartache and desperation that comes with loving a family member who suffers from an illness that the best efforts and intentions alone can’t cure.

Greg has an adult child who, like Nick Reiner, has had a long and difficult struggle with addiction.

“It just rings close to home,” said Greg, chair of Families Anonymous, a national support program for friends and family members of people with addiction. (In keeping with the organization’s policy of anonymity for members, The Times is withholding Greg’s last name.)

“It’s just so horrible to be the parent or a loved one of somebody that struggles with [addiction], because you can’t make any sense of this,” he said. “You can’t find a way to help them.”

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Every family’s experience is different, and the full picture is almost always more complicated than it appears from the outside. Public details about the Reiner family’s private struggles are relatively few.

But some parts of their story are likely recognizable to the millions of U.S. families affected by addiction.

“This is really bringing to light something that’s going on in homes across the country,” said Emily Feinstein, executive vice president of the nonprofit Partnership to End Addiction.

Over the years, Nick Reiner, 32, and his parents publicly discussed his years-long struggle with drug use, which included periods of homelessness and multiple rehab stints.

Most recently, he was living in a guesthouse on his parents’ Brentwood property. Family friends told The Times that Michele Singer Reiner had become increasingly concerned about Nick’s mental health in recent weeks.

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The couple were found dead in their home Sunday afternoon. Los Angeles police officers arrested Nick hours later. On Tuesday, he was charged with their murder. He is currently being held without bail and has been placed under special supervision due to potential suicide risk, a law enforcement official told The Times.

Experts in substance use cautioned against drawing a direct line between addiction and violence.

“Addiction or mental health issues never excuse a horrific act of violence like this, and these sort of acts are not a direct result or a trait of addiction in general,” said Zac Jones, executive director of Beit T’Shuvah, a nonprofit Los Angeles-based addiction treatment center.

The circumstances around the Reiners’ highly publicized deaths are far from ordinary. The fact that addiction touched their family is not.

Nearly 1 in 5 people in the U.S. has personally experienced addiction, a 2023 poll from the Kaiser Family Foundation found.

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Two-thirds of Americans have a family member with the disease, a proportion that is similar across rural, urban and suburban dwellers, and across Black, Latino and white respondents.

“Substance use disorders, addiction, do not discriminate,” Jones said. “It affects everyone from the highest of the high [socioeconomic status] to people that are experiencing homelessness on Skid Row. … There is no solution that can be bought.”

During interviews for the 2015 film “Becoming Charlie,” a semi-autobiographical film directed by Rob Reiner and co-written by Nick Reiner, the family told journalists that Nick, then in his early 20s, had been to rehab an estimated 18 times since his early teens. Nick Reiner has also spoken publicly about his use of heroin as a teenager.

Such cycles of rehab and relapse are common, experts said. One 2019 study found that it took an average of five recovery attempts to effectively stop using and maintain sobriety, though the authors noted that many respondents reported 10 or more attempts.

Many families empty their savings in search of a cure, Feinstein said. Even those with abundant resources often end up in a similarly despairing cycle.

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“Unfortunately, the system that is set up to treat people is not addressing the complexity or the intensity of the illness, and in most cases, it’s very hard to find effective evidence-based treatment,” Feinstein said. “No matter how much money you have, it doesn’t guarantee a better outcome.”

Addiction is a complex disorder with intermingled roots in genetics, biology and environmental triggers.

Repeated drug use, particularly in adolescence and early adulthood when the brain is still developing, physically alters the circuitry that governs reward and motivation.

On top of that, co-occurring mental health conditions, traumas and other factors mean that no two cases of substance abuse disorders are exactly the same.

There are not enough quality rehabilitation programs to begin with, experts said, and even an effective program that one patient responds to successfully may not work at all for someone else.

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“There is always the risk of relapse. That can be hard to process,” Greg said.

Families Anonymous counsels members to accept the “Three Cs” of a loved one’s addiction, Greg said: you didn’t cause it, you can’t cure it and you can’t control it.

“Good, loving families, people that care, deal with this problem just as much,” he said. “This is just so common out there, but people don’t really talk about it. Especially parents, for fear of being judged.”

After the killings, a family friend told The Times that they had “never known a family so dedicated to a child” as Rob and Michele Reiner, and that the couple “did everything for Nick. Every treatment program, therapy sessions and put aside their lives to save Nick’s repeatedly.”

But the painful fact is that devotion alone cannot cure a complex, chronic disease.

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“If you could love someone into sobriety, into recovery, into remission from their psychiatric issues, then we’d have a lot fewer clients here,” Jones said. “Unfortunately, love isn’t enough. It’s certainly a part of the solution, but it isn’t enough.”

If you or someone you know is experiencing a mental health crisis, help is available. Call 988 to connect to trained mental health counselors or text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.

Jake Reiner, Nick Reiner, Romy Reiner, Michele Singer Reiner and Rob Reiner attend Four Sixes Ranch Steakhouse’s pop-up grand opening at Wynn Las Vegas on Sept. 14, 2024.

(Denise Truscello / Getty Images for Wynn Las Vegas)

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The Housemaid

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The Housemaid

Too good to be true? Yep, that’s just what Millie’s new job as a housemaid is—and everyone in the audience knows it. What they might not expect, though, is the amount of nudity, profanity and blood The Housemaid comes with. And this content can’t be scrubbed away.

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