Embattled rock icon Marilyn Manson has dropped his lawsuit against former fiancée Evan Rachel Wood and will pay her $327,000 in attorney fees, her lawyers confirmed Tuesday afternoon.
Manson, whose real name is Brian Warner, sued the “Westworld” actor in March 2022 for defamation and intentional infliction of emotional distress. The couple dated for three years, beginning when she was 19 and he was 37.
Evan Rachel Wood, in an image from “Showbiz Kids,” a frank documentary about the challenges of being a child actor.
(HBO)
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The lawsuit, filed in Los Angeles Superior Court, accused Wood of hatching plans to manufacture sexual-abuse allegations against Manson and to profit from them, among other claims, according to the complaint.
Most of that lawsuit was thrown out after Wood petitioned for an anti-SLAPP exemption, a legal maneuver used to strike down frivolous and expensive lawsuits that can silence critics, and Manson was ordered to pay $327,000 in attorney fees.
Manson had appealed but reached out to settle, according to Wood’s lawyers.
A call to Manson’s legal representative was not immediately answered.
Manson initially offered to pay some of the fees in exchange for settlement terms of confidentiality and a “mutually acceptable” public statement, according to Wood’s attorneys.
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Wood’s legal team rejected the proposal. Manson eventually agreed to the full settlement without confidentiality.
“Manson…filed a lawsuit against Ms. Wood as a publicity stunt to try to undermine the credibility of his many accusers and revive his faltering career,” Michael J. Kump, Wood’s attorney, said in a statement. “But his attempt to silence and intimidate Ms. Wood failed. As the trial court correctly found, Warner’s claims were meritless.”
The crux of the lawsuit revolved around Manson’s accusation that Wood and artist Illma Gore had orchestrated a campaign to cast him as a rapist and destroy his career.
Wood alleged in 2022 that Manson had “essentially raped” her during the filming of Manson’s 2007 “Heart-Shaped Glasses” music video.
That allegation was strenuously denied by Manson’s legal team, which eventually filed the complaint.
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“Game of Thrones” actor Esme Bianco also sued the musician in 2021, alleging sexual assault, sexual battery and human trafficking. They settled the lawsuit in 2023 after Bianco said Los Angeles County Dist. Atty. George Gascón “mishandled” the case.
Ashley Walters, Manson’s former assistant, also sued and alleged sexual assault and harassment. Court proceedings are expected to resume in January.
In 2023, Manson also settled with an unnamed woman who alleged that he had raped her in 2011.
Forget the “video game movie” curse;The Mortuary Assistantis a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.
What Makes It Work
The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.
Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.
The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.
Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.
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Nailed It
This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.
The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!
The Verdict
This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.
A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.
Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.
In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.
As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.
“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.
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He is seeking $35 million in damages.
Representatives for Live Nation were not immediately available for comment.
The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.
Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”
Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.
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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.
Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”
In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.
Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”
At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.
When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.
