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Oscars parties deliver on good times following a tense telecast

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Whereas individuals sitting at dwelling watching the Oscars may’ve had sufficient pleasure for one night, celebs, seat-fillers and reporters alike had been out until the wee hours partying within the wake of what was one of the crucial talked-about years within the awards present’s historical past for all the explanations you in all probability already heard this morning. It made for a late night time of star-mingling, cake-eating and Champagne-popping scenes throughout Hollywood. A couple of of The Occasions’ intrepid reporters adopted the craziness from the awards present watch events to the coveted, invite-only afterparties round city.

Will Smith attends the 2022 Vainness Honest Oscar Get together hosted by Radhika Jones.

(Kevin Mazur/ VF22 / WireImage for Vainness Honest)

Will Smith holds court docket at Vainness Honest Get together after “the slap”

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“The place had been you when it occurred?”

That was the query of the night at this 12 months’s Vainness Honest Oscar social gathering. Have been you one of many shocked viewers members within the theater the place Will Smith got here onstage and all of the sudden slapped Chris Rock? Or had been you watching at dwelling, confused as as to if all the interplay had really been a poorly executed bit?

It was an entry level for dialogue concerning the violent incident, main even the Hollywood elite to take sides about which performer had been in the appropriate. Timothée Chalamet and Trevor Noah had been discussing the occasions exterior on the smoking patio, not smoking. Sterling Okay. Brown, Marlon Wayans and Lena Waithe had been having an animated dialogue about it a couple of toes from the bar. So had been Ziwe and Emily Ratajkowski, huddled on a patio bench.

That’s till round half previous midnight, when Smith and his spouse, Jada Pinkett Smith, really walked into the social gathering. Rock had but to make an look, and at such a late hour, it appeared unlikely the couple would both. However simply because the occasion was beginning to empty out, Smith walked in, triumphantly clutching his finest actor prize. He was flanked by a bodyguard and what appeared like not less than 10 different entourage members, surrounding him and Pinkett Smith always. They moved in unison like a swarm of bees: Getting into the bash, dancing to a couple songs, posing for photographs, after which taking a particularly leisurely jaunt towards the exit.

Smith did his finest to have a good time, though he was out and in of the Beverly Hills shindig in possibly half-hour. On the dance ground, he rapped alongside to his hits “Gettin’ Jiggy Wit It,” “Miami” and “Summertime” whereas holding a agency grip on his golden statuette. Zendaya complimented Pinkett Smith’s gown, which was a distinct one than she’d been sporting through the telecast earlier within the night time. No less than half a dozen partygoers requested to take a selfie with Smith, and he obliged. Others held their cellphones excessive within the air, hopeful their purpose could be ok to catch a shot. Smith did take a couple of photographs with well-known individuals, like Chalamet, who cheerfully slapped him on the again as they posed collectively. The “King Richard” star additionally stopped “This Is Us’” Brown to ask somebody to seize a shot of the 2 of them, which shocked the tv star: “You need a image with me?” he requested with a smile, earlier than Smith wrapped his arm round Brown’s shoulder.

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In the meantime, his youngsters — Jaden, Willow and Trey — had been in any other case occupied. Willow was on a mission to introduce herself to a few of her favourite stars: Jacob Elordi, whom she instantly walked as much as as a result of she mentioned she beloved “Euphoria,” after which “Queer Eye” star Karamo Brown. Trey was combined in among the many entourage and Jaden was proudly defending his father as he circulated, telling Chalamet: “That’s the way you respect a girl.”

The 2 offspring stayed behind as their mother and father made a swift exit. Earlier than getting right into a white SUV — which he was driving himself on the chauffeur-heavy night time—Smith took off his jacket and lifted his Oscar within the air as soon as extra. His staff clapped and flashbulbs went off. From a platform above, Jaden pointed at his father and shouted: “I like you! You probably did it! That’s what actual N—s do!”

(Amy Kaufman)

Jane Campion is congratulated at the Governors Ball

Jane Campion on the Governors Ball on the 94th Academy Awards on the Dolby Theatre at Ovation Hollywood.

(Jay L. Clendenin / Los Angeles Occasions)

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Jane Campion basks within the energy of the director at Governors Ball

Jane Campion danced onstage whereas getting her Oscar for finest director engraved on the Governors Ball following the 94th Academy Awards — her white hair flying, fingers waving, hips shimmying. A crowd gathered round her, taking photos and movies. The “Energy of the Canine” director was clearly in her ingredient, and full of pleasure at her historic win.

“I’m actually, actually grateful for all of the assist,” she mentioned after exiting the stage clutching her golden statuette, including that girls had been making nice strides when it got here to high-level recognition of their work in Hollywood. “I imply, it’s occurring and on now, we’re gonna win loads of huge prizes.”

One urgent query of the night time was whether or not Hollywood insiders would specific dismay a few handful of technical awards being handed out within the hour earlier than the official telecast started, however Campion didn’t appear to thoughts.

“I perceive some individuals had been fearful about it,” she mentioned. “However I really thought they labored out fairly properly with the video.”

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Additionally not fearful was make-up artist Linda Dowds, who gained the award for make-up and made a stunning speech through the untelevised occasion, thanking the numerous behind-the-scenes employees in Hollywood — those who typically by no means see this degree of recognition however excel at their craft anyway.

“I simply got here into this with an open thoughts and an open coronary heart, that was crucial factor,” she mentioned. “We nonetheless acquired to stroll the pink carpet. We nonetheless acquired to return and make a speech. Folks noticed us.”

If the objective is drawing viewers again to the present, and the flicks, mentioned Dowds, then she is all for it.

Dowds and Campion had been a part of a sea of individuals crammed into a big, drafty Ray Dolby Ballroom after the present. Plush pink carpets and pink curtained partitions set the scene for a celebration that felt very 2019, with not a masks in sight and decked-out attendees hugging, shaking fingers, speaking intently and consuming hors’ d’oeuvres of crab on cornbread with caviar.

The forged and producers of finest international language movie “Drive My Automobile” all sat collectively on the identical desk, soaking within the scene, clearly feeling proud. “American individuals assist our movie,” mentioned main man Hidetoshi Nishijima. “And two years earlier than ‘Parasite’ opened the door, so we really feel very grateful.”

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(Jessica Gelt)

In 2020, Elton John performed at the 92nd Academy Awards.

In 2020, Elton John carried out on the 92nd Academy Awards.

(Robert Gauthier / Los Angeles Occasions)

Elton John missed the spotlight of his personal viewing social gathering

The room at Elton John’s thirtieth annual Academy Awards viewing social gathering fell silent as Will Smith crept onstage to just accept his finest actor award for his efficiency as Richard Williams in “King Richard.”

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Minutes earlier than, Smith’s now-infamous slap went largely unnoticed among the many crowd, extra preoccupied with chopping their nori-wrapped sea bass than watching the screens that hung across the room.

Now, nevertheless, all eyes fixated on the first-time Oscar-winning actor within the midst of his victory speech.

“Richard Williams was a fierce defender of his household,” Smith mentioned.

“F— me,”one partygoer mentioned.

Smith’s second of ardour nearly snuck by Elton John, who telecasted into the efficiency from his live performance in Lincoln, Neb.

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“I heard there was drama, when Will Smith punched Chris Rock,” mentioned Elton John. “Did he knock him out?”

The pop legend had organized tour dates previous to the postponement of the Oscars, so the legendary artist appeared by way of video name somewhat than within the flesh. In his place had been co-hosts Girl Gaga, Billy Porter and Eric McCormack, together with John’s husband, David Furnish.

For essentially the most half, the Smith-Rock drama, together with the remainder of the Oscars, was background leisure to the primary occasion at Elton John’s Academy Awards watch social gathering.

Oscar co-hosts Wanda Sykes, Amy Schumer and Regina Corridor kicked off the ceremony with jokes round gender-based pay-inequalities and LeBron James’ receding hairline, a lot of which had been met with clean stares as dinner friends slowly filed into the room.

Hours earlier than the beginning of the Oscars, friends paraded down Elton John’s pink carpet, clogging foot visitors whereas snapping selfies in entrance of the step and repeat signal. Inside, they had been greeted with a Belvedere vodka tower in the course of the ground, lined with a clear tent that blocked the wind however trapped within the warmth.

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Class was an understatement. Flowing attire had been paired with crisp tuxedos all through the makeshift venue at West Hollywood Park.

“Oh, in some unspecified time in the future we’ll watch the Oscars,” remarked Girl Gaga, seemingly conscious of her viewers’s preoccupation with mingling, networking and small speak.

Brandi Carlile headlined the post-awards efficiency, and her adoration for Sir Eltonwas on full show — even previous her cowl of “Rocket Man.” Earlier than launching into her track “The Joke,” she instructed a narrative of how she first fell in love with the acclaimed artist, after studying about how John carried out on the funeral of Ryan White, who died of AIDS in 1990 at 18 years outdated.

“Standing right here all these years later, being given the actually solemn and unspeakably stunning alternative to assist the Elton John AIDS basis is one thing I can’t actually describe to you as a result of it’s formed the way in which that I stroll by means of the world as an artist,” Carlisle mentioned.

(Kenan Draughorne)

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The scene at the Academy Museum's Oscars viewing party.

The scene on the Academy Museum’s Oscars viewing social gathering.

(The Academy Museum)

Academy Museum viewing social gathering affords velvet rope vibes with native aptitude

The Academy Museum of Movement Photos’ first-ever Oscars viewing social gathering was a welcoming combination of glamour and accessibility. In line with Amy Homma, VP of training and public engagement, that’s by design. “We actually needed this to really feel like an area L.A. occasion,” she mentioned, emphasizing that the lower than year-old museum’s first-ever Oscar-night social gathering was open to the general public ($75 for museum members, $100 for non-members) and documented by younger photographers from Las Fotos Mission, a nonprofit working with teenage ladies and gender-expressive youth. “We not solely needed to work with native L.A. people however be the vacation spot and place for L.A. people to return and have a good time the Oscars.”

With over 1,000 friends in attendance, the gown was a “inventive black tie,” with many individuals taking this as their first alternative post-COVID to decorate to the nines. “Rita Moreno’s robe is right here from when she gained finest supporting actress in 1962,” enthused Dave Karger, a number at Turner Traditional Films who additionally hosted the museum’s inaugural occasion. He feels that the practically 100 years of Oscar historical past on show made for a singular Oscar social gathering setting and places the ceremony into context in actual time as friends had been in a position to peruse the museum’s 300,000 sq. toes of displays each earlier than and through the reside stream.

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To see Ariana DeBose win finest supporting actress for her groundbreaking flip as Anita in “West Aspect Story,” and in the identical night time view the gown worn by the actress who originated the movie position is a particular deal with for movie lovers like actor and museum member Miguel Pinzon. At a industrial break throughout one of many viewing screens arrange within the Sidney Poitier foyer, he expressed that the occasion didn’t really feel elitist or exclusionary and helped working business members like himself to go “past who’s going as much as settle for the awards.”

And response to the night time’s largest shock (the Will Smith smack heard ‘around the world) appeared subdued. Many attendees appeared confused at first about what was occurring, tittered about it for a bit, after which recovered. (Smith did a lot together with his shifting speech to maneuver issues ahead.)

Whether or not viewing the ceremony from the state-of-the-art David Geffen theater, which actually added a proper “Oscar ceremony vibe” or dancing away to the traditional vinyl vibes by Dublab DJs Mamabear and Girl C pre-and post-show, the Academy Museum’s first foray into the Oscar occasion lineup was a refreshing mixture of traditional Hollywood historical past and a enjoyable method for the film fanatic to really feel a part of a ceremony that may typically really feel unapproachable.

(Christine Terrisse)

A cake for Drive My Car on display at Katana Japanese Restaurant in Hollywood at the film's afterparty.

A cake for Drive My Automobile on show at Katana Japanese Restaurant in Hollywood on the movie’s afterparty.

(Jen Yamato / Los Angeles Occasions)

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‘Drive My Automobile’ celebrates success with a cake-mobile at Katana

Over in West Hollywood at Japanese restaurant Katana on the historic Piazza del Sol constructing on Sundown Boulevard, revelers on the afterparty for Japan’s worldwide characteristic winner “Drive My Automobile” packed the Italian-style moonlit veranda, sipping cocktails and noshing on robata-grilled meats and delicate petits fours as writer-director Ryusuke Hamaguchi & Co. made their method throughout city after visiting the Governors Ball.

The sprawling affair was a celebratory triumph for the art-house crowd hosted by Janus Movies, WarnerMedia OneFifty, Sideshow and Cinetic. The indie movie tremendous staff rose to the problem of bringing the heady and critically acclaimed three-hour Haruki Murakami brief story adaptation, about two forlorn souls connecting in a pink Saab 900, to U.S. audiences.

Inside at dimly lit tables, filmmakers and business veterans buzzed by candlelight over the movie’s win and the night time’s occasions, hotly debating the present’s different huge winners and whether or not Will Smith’s “slap heard ‘around the world” had been intentionally staged by present producers to juice rankings.

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However as Hamaguchi lastly arrived round 11:30 p.m., ascending a set of stone stairs to monumental cheers and applause from the gathered partygoers, the night’s controversies briefly melted away. All focus turned to the auteur from Japan as he entered his fete, together with his Oscar statuette in hand and a giant smile on his face, adopted by his actors and collaborators.

Over plates of sushi and skewers inside an intimate VIP space, insiders congratulated Hamaguchi, his forged, together with actors Hidetoshi Nishijima, Masaki Okada, Sonia Yuan, Reika Kirishima, Park Yu Rim, Jin Dae Yeon and Ahn Hwi Tae and snapped pics round a customized centerpiece: a pink Saab cake reproduction of the automotive from the movie.

After chopping the cake, Hamaguchi mentioned he was exhausted however completely satisfied to be celebrating together with his actors and producers. He flashed again to his onstage acceptance speech during which the telecast’s producers tried to play him off early as soon as he’d thanked his distributors however not his forged, just for him to wave off the warning. On the finish of the lengthy night time, Hamaguchi solely had a be aware for himself. “I shouldn’t have mentioned ‘thanks’ so shortly,” he mentioned with a smile.

(Jen Yamato)

Jane Campion, center, set her Oscar aside to dance at the Governors Ball.

Jane Campion, middle, set her Oscar apart to bounce on the Governors Ball.

(Jay L. Clendenin / Los Angeles Occasions)

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Movie Reviews

Sharmajee Ki Beti Review: Out-of-depth film celebrates women without bashing men

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Sharmajee Ki Beti Review: Out-of-depth film celebrates women without bashing men

Feminism isn’t about bashing men; it’s about equality and empowering women to embrace their true selves. Tahira Kashyap drives this point home in her debut directorial film, ‘Sharmajee Ki Beti’, now streaming on Prime Video. But, it’s not a groundbreaking story. It is a tale of ordinary women discovering themselves amidst the struggle against social norms and tired stereotypes, a narrative which has become quite common in Hindi cinema; the most recent being Kiran Rao’s brilliantly narrated and performed, ‘Laapataa Ladies’.

But, Tahira falls just short of achieving the benchmark of being the best as her film stumbles often, before getting back on track, though with relative ease.

Just as the name suggests, ‘Sharmajee Ki Beti’ is about five women, who share a common last name. They are free-thinking women, with a voice of their own. Their only roadblock — people who they call their own.

The working woman, Jyoti Sharma (Sakshi Tanwar), has a daughter (Vanshika Taparia) who despises her for prioritising her career over herself. Homemaker Kiran Sharma (Divya Dutta), a native of Patiala, caught up in the bustling life of Mumbai, is best at managing the home, but those who live in it can barely spare a minute for her. Cricket enthusiast Tanvi Sharma (Saiyami Kher) knows how to give a tough time to her opponents with her bat, but gets stumped when her boyfriend tries to make her more “girl-like”.

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The message of ‘Sharmajee Ki Beti’ is an important one: Women are not superhumans. They can’t necessarily be a hands-on mother while being a top professional or, if they are not employed, it doesn’t mean they are ‘bekaar‘ and they can step away from conventional avatars to create a place for themselves.

Great! Good message. But a good message goes nowhere without a good film. Coming in, ‘Sharmajee Ki Beti’ offers interesting perspectives and, most importantly, one can relate to the characters and their lives. There’s the quibbling mother and a daughter, there’s an unappreciated member of the household and another whose efforts are ridiculed when they don’t sit in with the societal narrative. But to bring the audience forward and in sharing their stories, Kashyap takes a while.

A still from Sharmajee Ki Beti.

There’s a potentially heartwarming, feel-good movie in here somewhere. There are moments (one where the school-going Gurveen confides in her best friend Swati about her identity is my favourite) which leave you with a smile. But it lumbers along, wasting its rich material and great performers who don’t get enough room to shine, and the movie suffers as a result. Over its nearly two-hour runtime, it takes some effort to sit through.

And when you do, while keeping aside the complaints, what you appreciate about ‘Sharmajee Ki Beti’ is the absence of demonising a partner to highlight the imbalance in gender norms. The husband or boyfriend are not the villains, rather they’re appreciative of the roles played by their wives and girlfriends.

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In this ensemble cast, child actor Vanshika Taparia, Sakshi Tanwar’s daughter in the film, gives perfect expression to the crippling insecurity of teenage girls about their appearance. Her portrayal of Swati, a girl who believes she is worthy of attention and love only if she looks ‘perfect,’ overshadows a seasoned actor like Tanwar.

Divya Dutta, known for her consistent comic performances, delivers many of the film’s best lines and brings depth to her performance, even in underwritten scenes. Saiyami Kher is missable. Sharib Hashmi, Parvin Dabas, and Ravjeet Singh ably carry equal weight in the plot.

Divya Dutta shines in Sharmajee Ki Beti.

Even though sometimes it feels like the film is nailing the common feelings of guilt in mothers and the teenage obsession of girls with their bodies, it just doesn’t go anywhere. ‘Sharmajee Ki Beti’ could have used better dialogues and a bit more pace to secure a place in your heart.

2.5 out of 5 stars for ‘Sharmajee Ki Beti’.

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Published By:

Arushi Jain

Published On:

Jun 28, 2024

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Princess Diana's iconic gowns, letters sell for $1.5 million-plus at Beverly Hills auction

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Princess Diana's iconic gowns, letters sell for $1.5 million-plus at Beverly Hills auction

Twenty-six years after the death of Princess Diana, her spirit — and style — are as influential as ever.

That much was proved true Thursday at the Peninsula Beverly Hills hotel, where Julien’s Auctions sold more than 50 of the philanthropist’s personal items, ranging from glittering gowns and heels to handwritten notes discussing her young children. It was the largest collection of the princess’ clothing for sale since an auction for charity she held herself at Christie’s in 1997. Auction items fetched more than $1.5 million.

The collection sold Thursday, “Princess Diana’s Elegance & A Royal Collection,” was so extravagant that it went on its own royal world tour, making stops in Hong Kong, New York and Ireland before the items found new owners in Beverly Hills.

“The Princess Diana exhibition and auction are not only a celebration of her enduring legacy but also a testament to the power of fashion, art, and personal objects to evoke emotions, spark memories, and connect people across generations,” Julien’s wrote on its website. A portion of the proceeds benefited Muscular Dystrophy U.K., a charity Diana was involved with.

The highlights were undoubtedly the gowns — in particular, a 1987 Victor Edelstein magenta silk and lace evening dress that sold for a jaw-dropping $910,000, making it the second most-expensive piece of the princess’ wardrobe ever sold. Diana wore the gown twice in 1987, first on Jan. 25 in London and then Nov. 6 in Hamburg, Germany.

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The second showstopper was a Murray Arbeid gown made of cascading blue tulle accented by glittering stars. It was reportedly one of Diana’s favorites, and she wore it repeatedly — including at the world premiere of “The Phantom of the Opera” in London on Oct. 9, 1986, a dinner for King Constantine of Greece on July 6, 1986, and later a ballet on Dec. 17, 1987. The dress was valued at $200,000 to $400,000, but bids soared to $780,000.

Also available were several of Diana’s personal notes, cards, photographs and letters, one of which discussed her being pregnant with Prince Harry. The three-page letter sold for the highest amount in the category, going for more than $44,000.

The public’s enduring obsession with the princess has been revived in full force in recent years, with popular shows such as Netflix’s “The Crown” and the film “Spencer,” starring Kristen Stewart, exploring Diana’s upbringing, chaotic marriage to now-King Charles III, prolific philanthropic work and tragic death at 36.

As the current royal family struggles through controversies — King Charles’ “serial killer” portrait, Princess Kate’s bungled announcement that she was stepping away from royal duties for cancer treatment, and revelations surrounding Prince Andrew’s unsavory acquaintances — love for Lady Di seems to endure.

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‘A Family Affair’ Review: Nicole Kidman and Zac Efron in a Netflix Rom-Com That Charms Despite Missteps

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‘A Family Affair’ Review: Nicole Kidman and Zac Efron in a Netflix Rom-Com That Charms Despite Missteps

Throughout A Family Affair, daughter Zara (Joey King) and mom Brooke (Nicole Kidman) argue over just what kind of a man Chris Cole (Zac Efron) is. To Zara, he’s a self-absorbed movie star boss who oscillates between unreasonable demands and threats of firing. For Brooke, he’s an attentive lover, the first man to reawaken her to the possibility of romance since the death of Zara’s father, Charlie.

Neither of them are exactly wrong — Chris, like anyone, contains multitudes. Where the Richard LaGravenese-directed A Family Affair struggles, however, is in convincing us he might be both at once. Part showbiz send-up and part earnest romantic drama, the film lurches awkwardly between its two modes without settling on a single cohesive tone. Fortunately, both halves are also blessed with the same quality that allows Chris to embody both Zara’s idea of him and Brooke’s: enough charm to make you come away smiling, even as you shake your head at its missteps.

A Family Affair

The Bottom Line

Efron delights in an uneven but enjoyable romance.

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Release Date: Friday, June 28 (Netflix)
Cast: Nicole Kidman, Zac Efron, Joey King, Liza Koshy, Kathy Bates, Sherry Cola
Director: Richard Lagravenese
Screenwriter: Carrie Solomon

Rated PG-13,
1 hour 51 minutes

The first Chris we meet is the obnoxious one. Onscreen, he’s the Marvel-style hero of a terrible-sounding franchise called Icarus Rush; offscreen, he’s a vain man-child pitching hissy fits at Zara. He calls her at odd hours to send her looking for protein powder, and makes her assemble gift baskets for his dogs with her own money. He runs through girlfriends like tissues, then sends her to pick up his stuff from their houses. He strings her along with the promise of an assistant producer credit, but continually insists she’s not “ready” to do much more than pick up his dry cleaning. None of these gags are especially fresh — Chris is simply every spoiled Hollywood stereotype rolled into one. But screenwriter Carrie Solomon comes at them with the wry fondness of an insider who knows just how ridiculous her industry can be.

They’re further elevated by Efron, who was last seen in the weepie The Iron Claw but reminds us here that he’s an even better comic talent than a dramatic one. His crackerjack timing turns decent jokes into laugh-out-loud hilarious ones, and his puppyish sweetness keeps Chris endearing at his worst. His (platonic) dynamic with King positively crackles with both exasperation and begrudging affection. At one point, Chris scoffs that it’s “derogatory” for her to call him a celebrity because he’s a movie star, damnit. The moment plays as a joke, but it also contains a kernel of truth. Like The Fall Guy, A Family Affair serves as a testament to the power of movie-star charisma while simultaneously poking fun at it.

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All this Hollywood satire is merely set-up for the real plot of A Family Affair, which kicks in once Chris invites himself over to the home Zara shares with her mother. While waiting for her to show, he and Brooke get to talking over tequila shots. The next thing either of them know, Brooke is ripping open the very t-shirt that Chris, only the day before, had screamed at Zara for not treating more gently.

At first, the hook-up is played for laughs. Chris remains his ditzy self, wooing Brooke from lines with his own movies. (“This time I mean it,” he insists when she teasingly calls him out on it.) Zara is so startled to find her mother in bed with her employer that she goes full slapstick, choking on a grape and knocking herself unconscious. Fumbling to explain, Brooke accidentally invokes the same excuse Zara gave her for getting a forbidden eyebrow piercing as a teen: “It made sense at the time when the guy was putting it in.”

But A Family Affair takes on a more sincere and sentimental tone as the hook-up evolves into something deeper. Kidman and Efron share a decently sweet chemistry that’s nothing like the tawdry dynamic they flaunted in The Paperboy. Chris gets vulnerable about his childhood tragedies and the loneliness of fame. She confesses it’s been years since she felt desired, and allows herself the luxury of “going a little crazy” for the first time since she can remember. Although there are moments when the film goes big with expensive dinners and private studio tours and an adorably quirky third-act gesture, the relationship is generally pitched as a slow-burn love affair, not an impassioned fling.

In fact, A Family Affair barely leans into the fairy tale of dating a rich and sexy A-lister. In contrast to The Idea of You, with which it shares a superficially similar premise, the film is largely unconcerned with the specific perks or challenges of dating while famous. Brooke is unfamiliar with Chris’ career, and she does not need him to whisk her away on vacations or bring her to fancy galas; she’s done well enough already to have her own cliffside mansion and closet full of designer dresses. Though Chris can’t so much as go for a grocery run without getting swarmed, the couple do not discuss what it might mean to go public with their relationship — and they never have to, since it somehow never happens. The biggest threat to their connection is Zara’s disapproval, not the gap in age and social standing.

The fantasies that the movie does tap into are more mundane, and almost more poignant for it. One is of being a female writer whose talent attracts, rather than intimidates, an eligible suitor. Brooke recounts how fellow writer Charlie seemed to resent her success; Chris, on the other hand, goes out of his way to find her writing, and even memorizes her best bits by heart. The other is of being a mother whose child finally appreciates her sacrifices. All three lead characters could be accused of making short-sighted or self-serving choices. But it’s Brooke the movie portrays as a saint who’s earned whatever happiness she can get, and Zara who’s made to apologize for being selfish.

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Parallels are drawn between Brooke lovingly tending to Zara’s every need through a difficult childhood and Zara catering to Chris’ now. I’d point out that those situations are not remotely the same, and in fact have no business being in the same conversation — just as A Family Affair‘s Hollywood material and its drama feel at times like they’ve come from two completely different films. But the lines are delivered with such heartfelt tenderness that for a moment, you might be moved in spite of yourself.

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